The Method of Writing Chinese Characters Using Fangyuan Yinyang Grid
A technology of yin and yang and Chinese characters, applied in the field of breaking through the traditional way, can solve the problems that beginners are not easy to grasp, inaccurate, etc.
- Summary
- Abstract
- Description
- Claims
- Application Information
AI Technical Summary
Problems solved by technology
Method used
Image
Examples
Embodiment 1
[0320] First, use a ruler to make two rows and two columns of four squares on a piece of light yellow paper, each square is 5*5 cm, and then draw a perfect circle in the center of the square with a diameter of 3.5*3.5 cm. Draw the center line, half of it is painted with light gray, and the other half is not painted with color, and then divided into 6 areas with Arabic numerals, which can be used as paper for practicing brush calligraphy (such as figure 2 shown).
[0321] The inventor names the Fangyuan yin and yang grid as "Song's Tai Chi Shu Dao Ge".
Embodiment 2
[0323] by Figure 7 As an explanation of Fangyuan Yinyang grid writing:
[0324] From Figure 7 See to write with square circle yin and yang grid of the present invention, require to accomplish: 1, font is generally within two semicircles, does not stand out of style as far as possible. 2. Combined characters composed of one radical and one or more radicals are optimistic about the vertical center line; 3. Combined characters composed of upper and lower structures are optimistic about the horizontal center line; 3. Single-body characters should be as close as possible to the center of the Taiji circle to ensure that the font is stable , not biased, neither up nor down.
Embodiment 3
[0325] Example 3: Figure 8
[0326] The left side of the Li character is "礻", and the right side is "豊". There is a significant difference in the number of strokes on the left and right, so "礻" is written in the Yang Palace, and "豊" is written in the Yin Palace.
[0327] "礻" dots, horizontal starting strokes and skimming ending strokes;
[0328] The second vertical stroke of the character "Qu" on the upper part of "豊" on the right side and the turning touch edge; to limit the size of the character;
[0329] The bottom part of the bean under the word "豊" is vertically elongated and extended to support the strokes above it smoothly.
[0330] Note: The word "Li" is selected from the "Yan Qin Li Stele" written by Yan Zhenqing, a calligrapher of the Tang Dynasty, and was not handwritten by the inventor.
PUM
Login to View More Abstract
Description
Claims
Application Information
Login to View More 