A method for opening and using a plurality of cards in a blind box in batches

Abstract

The present application relates to blind box creative technology field, and specifically discloses a kind of Zhuguo brocade formula blind box multi-card card opening use method of dividing time, the use method includes the following steps: S1, early material preparation and packaging: prepare completely opaque and can be repeatedly opened and closed brocade main body, prepare several pattern and content of text and case do not repeat each other creative card, after all creative card is stacked in disorder completely received in the brocade main body inside, close brocade opening, so that outside cannot observe internal card information.In the present application, the use mode of traditional blind box is discarded one-time opening, one-time unlocking all contents, relying on the closed storage structure of opaque brocade, multiple differentiated cards are collected and the content is shielded throughout the process, the user can only take a single random each time, the remaining cards continue to be in unknown closed state, the use method changes the disadvantage that the fun moment of traditional blind box is terminated after opening.

Description

Technical Field

[0001] This invention relates to the field of blind box cultural and creative technology, and in particular to a method for opening and using multiple cards in a Zhuge Jin Nang-style blind box. Background Technology

[0002] Most mainstream blind box cultural and creative products on the market today adopt an integrated opening structure. Whether it is a doll blind box, a card blind box, or a cultural and creative gift box, they are all single-opening and take out all the contents at once. The overall usage is relatively simple and fixed.

[0003] Most existing card-based blind boxes encapsulate one or a fixed number of cards in transparent or semi-transparent packaging boxes. Some opaque card blind boxes reveal all the card contents immediately upon opening, making it impossible to achieve a phased or spaced drawing and usage experience. Once a user opens a traditional blind box product, the sense of unknown exploration and fun disappears instantly. The remaining undisclosed cards have no subsequent layered experience design and can only be stored or placed at once. The product's continuous interactivity and long-term playability are extremely poor. Therefore, to solve these problems, a Zhuge Jin Nang-style blind box method of opening and using multiple cards in stages is proposed. Summary of the Invention

[0004] The purpose of this invention is to address the shortcomings of existing technologies by proposing a method for opening and using multiple cards in a Zhuge Jin Nang-style blind box.

[0005] To achieve the above objectives, the present invention adopts the following technical solution:

[0006] A method for opening and using a Zhuge Jin Nang-style blind box with multiple cards in stages, characterized by the following steps:

[0007] S1. Preliminary material preparation and packaging: Prepare a completely opaque pouch body that can be repeatedly opened and closed, prepare several cultural and creative cards with different patterns and text content, stack all the cultural and creative cards in a disordered manner and completely store them inside the pouch body, seal the pouch opening so that the information of the cards inside cannot be observed from the outside.

[0008] S2. Unlock and view the content: Unfold the single cultural and creative card you have drawn, view the exclusive pattern and text on the card surface, and complete a single blind box unlocking experience;

[0009] S3. Finished Product Display and Storage: Assemble the unlocked cultural and creative cards into suitable decorative photo frames, and then place or hang them for display after securing them.

[0010] S4. Use in multiple cycles: Repeat steps S1 to S3, drawing only one cultural and creative card each time, until all cultural and creative cards in the pouch are drawn and unlocked, thus enabling multiple cards to be opened and used in multiple cycles.

[0011] Preferably, the cultural and creative cards are made of laminated and thickened cardboard, which is waterproof, bend-resistant, and wear-resistant. The size is compatible with the assembly specifications of general decorative photo frames, and they can be directly framed without secondary processing.

[0012] Preferably, in step S1, all cultural and creative cards are randomly stacked without a fixed order, ensuring the randomness and uncertainty of a single draw.

[0013] Preferably, the designs of each cultural and creative card adopt traditional Chinese style elements, and the text adopts text content such as human clarity, poetry, blessings, philosophy, and inspiration. Each card has a one-to-one correspondence between the design and the text, and each card is independently and differently set.

[0014] Preferably, in step S4, the interval between single extractions is not fixed and can be divided into fragmented extractions for single-day or multi-day extractions according to user needs.

[0015] Preferably, the main body of the pouch adopts a reusable opening and closing structure, which can be used multiple times without damage and can be reused to store leftover cultural and creative cards.

[0016] Compared with the prior art, the beneficial effects of the present invention are:

[0017] 1. This invention abandons the traditional blind box usage mode of opening and unlocking all contents at once. Relying on the closed storage structure of the opaque pouch, multiple differentiated cards are stored together and their contents are completely covered. Users can only randomly draw one card at a time, and the remaining cards remain in an unknown and closed state. This usage method changes the drawback of the traditional blind box where the fun ends instantly after opening. It can transform the single play experience into a multiple, fragmented, and progressive unlocking experience. Users can draw cards according to their own preferences, on different days and at different times. Each draw can bring a new and unknown sense of novelty, greatly extending the product's usage cycle and play time. It avoids the problem of cultural and creative products being idle and wasted after a one-time experience, and significantly improves the core experience value of the product and user stickiness.

[0018] 2. This invention draws on the traditional classical cultural imagery of Zhuge Liang's brocade pouch, using the brocade pouch as a carrier to replace traditional plastic and paper blind box packaging. It combines a sense of cultural atmosphere with a retro aesthetic effect, breaking the industry pain point of severe homogenization of modern blind box products. At the same time, the various cards inside are equipped with different patterns and text content, covering diverse cultural and creative content such as inspiration, ancient style, philosophy, and blessings. Moreover, the cards are compatible with the structure of regular photo frames, and can be directly framed and displayed after being drawn and unlocked, realizing the transformation from blind box entertainment props to desktop decorations and wall cultural and creative ornaments.

[0019] 3. This invention employs a phased random draw logic to create a unique and ritualistic user experience, distinct from the crude unpacking experience of traditional blind boxes. The unknown randomness of the cards effectively alleviates anxiety and stress from daily work and life. The single-card unlocking mode ensures each draw brings a unique sense of anticipation and surprise. Furthermore, the continuous unlocking of multiple differentiated cards allows users to gradually accumulate cultural and creative collectibles, forming a progressive experience. This avoids the monotonous experience and lack of sustained emotional feedback inherent in traditional blind boxes, providing users with a long-lasting therapeutic and stress-relieving experience that aligns with the spiritual and cultural consumption needs of contemporary consumers. Attached Figure Description

[0020] Figure 1 This is a flowchart illustrating a method for opening and using multiple cards in a Zhuge Jin Nang-style blind box, as proposed in this invention. Detailed Implementation

[0021] The technical solutions of the present invention will be clearly and completely described below with reference to the accompanying drawings of the embodiments of the present invention. Obviously, the described embodiments are only some embodiments of the present invention, and not all embodiments.

[0022] In the description of this invention, it should be understood that the terms "upper", "lower", "front", "rear", "left", "right", "top", "bottom", "inner", "outer", etc., indicate the orientation or positional relationship based on the orientation or positional relationship shown in the accompanying drawings. They are only for the convenience of describing this invention and simplifying the description, and do not indicate or imply that the device or element referred to must have a specific orientation, or be constructed and operated in a specific orientation. Therefore, they should not be construed as limitations on this invention.

[0023] Reference Figure 1 A method for opening and using a Zhuge Jin Nang-style blind box with multiple cards in stages, comprising the following steps:

[0024] First, the product is prepared and packaged. In this embodiment, the main body of the pouch is made of high-density matte fabric with a thickness of no less than 0.3mm. It is completely opaque and non-transparent, preventing light penetration and leakage of card contents, unlike traditional semi-transparent plastic blind boxes and thin paper blind boxes. The pouch adopts an ancient-style pouch shape with a narrow top and wide bottom. The top has a drawstring closure. When the drawstring is tightened, it completely seals the pouch opening without any gaps, completely concealing the card information inside. When the drawstring is loosened, the opening can be opened smoothly for easy card extraction. The opening and closing structure is reusable and has no one-time disassembly structure, ensuring the feasibility of multiple extractions.

[0025] This invention can also use sealed, opaque envelopes as the storage medium to replace the main body of the brocade pouch. The envelopes are made of thickened paper or fabric that is completely opaque and cannot be seen through. They have a sealing design that allows for repeated opening and closing without damaging the structure (such as Velcro, flaps, or hot-stamped sealing strips). After sealing, the information on the cards inside cannot be seen from the outside, and the function of opening multiple cards at a time is still achieved. Users do not need to open all the envelopes at once. When feeling down, confused about choices, or in need of psychological comfort, they can open one envelope at a time and take out a single creative card. This simulates the usage logic of the traditional Zhuge Liang brocade pouch, which is "opened when encountering problems and given advice to resolve doubts." It creates a unique sense of ritual and anticipation of opening the envelopes at different times, and each time a card is taken out, it can provide targeted emotional support and a healing experience.

[0026] In the card preparation and packaging stage, this embodiment uses twenty uniformly sized cultural and creative cards, adapted to the assembly size of standard decorative photo frames, eliminating the need for secondary cutting and processing. The surface patterns and text content of each of the twenty cards are completely differentiated. The patterns incorporate traditional Chinese elements such as ancient landscapes, traditional motifs, Zhuge Liang stories, and auspicious clouds and mythical beasts. The text matches the patterns with inspirational quotes, classical poems, life philosophies, and blessings. Each card has unique content, with no repetition or generic templates, ensuring freshness and uniqueness each time it is drawn. During the packaging process, the twenty cards are completely shuffled and randomly stacked, without any orderly arrangement or grouping, ensuring that all cards are randomly distributed inside the pouch, guaranteeing randomness from the outset. After stacking, place all cards completely inside the pouch, ensuring that all cards are stored deep inside the pouch, with no cards touching the opening or with any card edges exposed. Then tighten the top drawstring and tie a knot to seal the pouch. After sealing, the pouch will have a neat overall appearance, and the contents of the cards inside cannot be predicted from the outside by sight, touch, or shaking.

[0027] After product packaging is complete, the user enters the phase of opening and using the product in stages. For the first use, the user need not damage the pouch structure; simply loosen the drawstring at the top of the pouch to partially open it, allowing only enough space for a single finger to insert and retrieve a card. The pouch does not need to be fully opened. During card retrieval, the user keeps the pouch slightly tilted downwards, inserts their finger inside, randomly touches the card surface, and selects one card to draw. Throughout the entire process, the user is prohibited from flipping or moving any remaining cards inside, preventing them from viewing the patterns and text on the remaining cards, thus preserving the unknown attributes of the remaining cards to the greatest extent possible. After each card retrieval, immediately tighten the drawstring and tie it back to seal the pouch, ensuring that the remaining cards stored inside remain completely concealed, maintaining the sense of mystery for the next retrieval.

[0028] After drawing a single card, users unlock its contents and enjoy an immersive viewing experience. They unfold the card flat, carefully examining the traditional Chinese-style patterns and unique text on its surface. Combining this with the cultural symbolism of the Zhuge Liang's secrets, users perceive the cultural content and emotional value of the single card, completing a single blind box unlocking interaction. Compared to traditional blind boxes where all content is unlocked at once and the experience is fleeting, this embodiment unlocks only one card at a time, allowing for a controlled experience duration. Users can savor the card's cultural and creative content, enhancing the overall experience.

[0029] Once unlocked, the cards don't need to be discarded; they can be framed and displayed for reuse. In this embodiment, all card sizes are compatible with standard desktop and wall-mounted photo frames. Users can simply insert the cards flat into the frame slots, adjust their position to center them, and then snap them onto the frame back panel for secure assembly. The assembled frame can be placed on desks, office tables, or entryway countertops, or hung on the wall as a traditional Chinese decorative painting. This not only realizes the practical transformation of the blind box product but also allows the rewards of each draw to be preserved, gradually accumulating into a complete set of traditional Chinese cultural and creative decorative items, thus enhancing the product's collectible value.

[0030] Users can then repeat the drawing, unlocking, and framing process in smaller increments as needed, opening the treasure chest daily or at any time to draw a single card, gradually unlocking all twenty differentiated cards. During these repeated uses, the treasure chest can be repeatedly opened and closed, and reused long-term without structural damage. The remaining cards remain in an unknown, random state, ensuring each draw offers a unique sense of surprise and anticipation. Once all cards have been drawn, users can collect the complete set of differentiated Chinese-style cards. These can be combined and framed to create a series of decorations, or categorized and stored as cultural and creative collectibles. Empty treasure chests can also be used as storage bags or decorative items, eliminating any product waste.

[0031] The above description is only a preferred embodiment of the present invention, but the scope of protection of the present invention is not limited thereto. Any equivalent substitutions or modifications made by those skilled in the art within the scope of the technology disclosed in the present invention, based on the technical solution and inventive concept of the present invention, should be covered within the scope of protection of the present invention.

Claims

1. A method for opening and using a Zhuge Jin Nang-style blind box with multiple cards in stages, characterized in that... The usage method includes the following steps: S1. Preliminary material preparation and packaging: Prepare a completely opaque pouch body that can be repeatedly opened and closed, prepare several cultural and creative cards with different patterns and text content, stack all the cultural and creative cards in a disordered manner and completely store them inside the pouch body, seal the pouch opening so that the information of the cards inside cannot be observed from the outside. S2. Unlock and view the content: Unfold the single cultural and creative card you have drawn, view the exclusive pattern and text on the card surface, and complete a single blind box unlocking experience; S3. Finished Product Display and Storage: Assemble the unlocked cultural and creative cards into suitable decorative photo frames, and then place or hang them for display after securing them. S4. Use in multiple cycles: Repeat steps S1 to S3, drawing only one cultural and creative card each time, until all cultural and creative cards in the pouch are drawn and unlocked, thus enabling multiple cards to be opened and used in multiple cycles.

2. The method for opening and using a multi-card blind box in a Zhuge Jin Nang style according to claim 1, characterized in that, The creative cards are made of laminated and thickened cardstock, which is waterproof, bend-resistant, and wear-resistant. The size is compatible with the assembly specifications of general decorative photo frames, and they can be directly framed without secondary processing.

3. The method for opening and using a multi-card blind box in a Zhuge Jin Nang style according to claim 1, characterized in that, In step S1, all cultural and creative cards are randomly stacked without a fixed order to ensure the randomness and uncertainty of a single draw.

4. The method for opening and using a multi-card blind box of the Zhuge Jin Nang type according to claim 1, characterized in that, The designs of each cultural and creative card feature traditional Chinese elements, while the texts include themes of human awareness, poetry, blessings, philosophy, and inspiration. Each card has a unique and independent design with a corresponding design and text.

5. A method for opening and using a Zhuge Jin Nang-style blind box with multiple cards in stages according to claim 1, characterized in that, In step S4, there is no fixed time limit for the interval between single extractions, and fragmented extractions can be performed on a single day or multiple days according to user needs.

6. The method for opening and using a multi-card blind box in a Zhuge Jin Nang style according to claim 1, characterized in that, The main body of the pouch features a reusable opening and closing structure, ensuring it remains undamaged even after multiple uses and can be reused to store leftover creative cards.

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