Preparation method of skin paper broken mill water method cooperates with construction of landscape painting rock texture

Abstract

The application discloses a preparation method of a skin paper broken millimeter water method for cooperatively constructing a mountain and stone texture of a landscape painting, and aims at solving the problem that a traditional mountain and stone texture of a landscape painting is difficult to be stably reproduced, and comprises the following steps: performing pre-wetting treatment on a target skin paper and dividing the target skin paper into dry water areas and wet areas, performing broken millimeter treatment on a brush head, using the broken millimeter brush head to carry out rubbing and writing with strokes, controlling pressure applied by the brush head, and alternately performing dry rubbing and wet rubbing in cooperation with water application in the process, so as to obtain the mountain and stone texture through multiple cycles of rubbing and depositing. Through regulation and control of pre-wetting partition of the skin paper, broken millimeter treatment of the brush head, pressure of the brush head and water content interval, the dry rubbing and wet rubbing processes are quantitatively and alternately realized, ink accumulation with rich levels is formed on the skin paper carrier, and the mountain and stone texture effect of the landscape painting is obtained.

Description

Technical Field

[0001] This invention relates to the field of Chinese painting techniques on paper, specifically to a method for preparing a landscape painting technique that uses a combination of paper-breaking and water-based methods to construct the texture of rocks and mountains. Background Technology

[0002] Bark paper is a traditional type of paper for calligraphy and painting made from plant bast fibers. The fibers are long and flexible, and the surface has unique ink absorption and water permeability properties. It is widely used in calligraphy and painting creation and the preparation of antique textures.

[0003] When constructing surface textures using paper as a carrier, it is necessary to coordinate and control the paper's moisture content, the physical shape of the pen tip, and the rhythm of ink application in order to form a specific layered deposition structure.

[0004] However, the existing methods for constructing the surface texture of paper rely heavily on the operator's personal experience, lack quantifiable material processing procedures, and the rhythm of applying water and rubbing the brush depends entirely on subjective judgment. There are no clear physical thresholds for alternating dry and wet processes, making it difficult to reproduce consistent surface morphology between different batches.

[0005] Therefore, there is an urgent need for a preparation method that quantifies and coordinates the physical properties of bark paper, the state of brush tip breakage, and the rhythm of water application, in order to achieve the standardization and repeatable construction of bark paper surface texture. Summary of the Invention

[0006] The technical problem to be solved by the present invention is to provide a method for preparing landscape painting texture by synergistically constructing the texture of rocks and mountains in the paper-based ...

[0007] To solve the above-mentioned technical problems, the technical solution provided by the present invention is: a method for preparing the texture of rocks in landscape paintings by synergistically constructing the texture of rocks in landscape paintings using the paper-breaking and water-based methods, comprising the following steps:

[0008] S1: Pre-wet the target paper to control the overall moisture content of the paper surface and divide the paper surface into dry and wet areas;

[0009] S2: Tear and twist the bristles of the brush tip to create a broken bristle state;

[0010] S3: Using a broken-hair brush tip, apply a set pressure to the pre-wetted paper surface to create a textured brushstroke, causing the ink to form layers and deposit between the paper fibers.

[0011] S4: Apply water to the paper during the brush stroke process, apply different concentrations of ink to the paper in layers, and alternate between dry brush stroke with an un-inked brush tip and wet brush stroke with an ink-dipped brush tip according to the change in the paper's moisture content.

[0012] S5: Repeat S3 and S4 to accumulate multiple layers of ink and shape the texture of rocks on the paper.

[0013] Preferably, in step S1, the pre-wetting treatment involves applying water to the paper surface via spraying or coating, resulting in a paper surface moisture content of 20%-50%.

[0014] The dry water zone is the area where no water is applied.

[0015] Preferably, the hair-breaking process in S2 includes soaking the brush head in water and tearing the hair bundles along the brush head axis, and then twisting and spreading the torn hairs in a combined circumferential and axial direction to form a radially dispersed state at the tip of the brush head.

[0016] Preferably, the brush strokes in S3 include applying vertical pressure to the paper surface and translating along the paper surface, with a pressure of 0.5-2N, so that the ink forms alternating layers of light and dark on the paper surface.

[0017] Preferably, applying moisture to the paper surface in step S4 includes at least one of local spot watering, linear watering, and surface water spraying;

[0018] After applying water, wait for the water on the paper to spread along the paper fibers to the set range before proceeding to the next round of brush strokes.

[0019] Preferably, in step S4, inks of different concentrations are applied in layers from light to dark, and after each layer of ink is applied, the moisture content of the previous layer of ink is allowed to drop to a set threshold before the next layer is applied.

[0020] Preferably, S3 and S4 are repeated 3-8 times in S5;

[0021] After each layer of texturing, the paper moisture content is checked. When the paper moisture content is below 10%, dry texturing is performed; when the paper moisture content is above 30%, wet texturing is performed.

[0022] in:

[0023] Dry rubbing involves using a broken brush tip without ink to rub and texture the paper with a moisture content of less than 10%.

[0024] Wet rubbing involves using a broken-bristle brush dipped in ink to rub and texture the paper with a moisture content higher than 30%.

[0025] Preferably, the target bark paper in S1 is at least one of mulberry bark paper, paper mulberry bark paper, paper bark of sandalwood, paper bark of gumarana, or paper bark of sanxia.

[0026] The advantages of this invention compared to the prior art are:

[0027] This invention controls the moisture content of the paper surface to 20%-50% through pre-wetting treatment and divides the paper surface into dry and wet zones, thereby achieving quantitative zoning of the paper surface moisture state.

[0028] In this invention, the pen tip is axially torn and compound twisted to form a standardized radial dispersion, ensuring stable contact area and ink content, and causing the ink to form alternating light and dark layered deposition;

[0029] This invention sets a moisture content threshold to achieve quantitative alternation of dry and wet rubbing processes. Combined with the layered application of ink from light to dark and 3-8 repeated accumulations, a layered texture is constructed on the surface of the paper, thus achieving standardization and repeatability of the preparation process. Attached Figure Description

[0030] Figure 1 This is a flowchart illustrating the preparation method of using paper-breaking and water-based techniques to collaboratively construct the texture of rocks in landscape paintings. Detailed Implementation

[0031] The present invention will now be described in further detail with reference to the accompanying drawings.

[0032] Combined with appendix Figure 1 As shown, the preparation method for constructing the texture of rocks in landscape paintings using the paper-breaking and water-based techniques includes the following steps:

[0033] S1: Pre-wet the target paper to control the overall moisture content of the paper surface and divide the paper surface into dry and wet areas;

[0034] S2: Tear and twist the bristles of the brush tip to create a broken bristle state;

[0035] S3: Using a broken-hair brush tip, apply a set pressure to the pre-wetted paper surface to create a textured brushstroke, causing the ink to form layers and deposit between the paper fibers.

[0036] S4: Apply water to the paper during the brush stroke process, apply different concentrations of ink to the paper in layers, and alternate between dry brush strokes using an un-inked brush tip and wet brush strokes using an ink-dipped brush tip according to the changes in the paper's moisture content.

[0037] S5: Repeat S3 and S4 to accumulate multiple layers of ink, forming a mountain and rock texture on the paper.

[0038] The target paper is pre-wetted by spraying or coating. Spraying uses an atomizing nozzle to evenly spray deionized water onto the paper surface, while coating uses a soft brush or sponge roller to evenly apply a measured amount of water onto the paper surface. The overall moisture content of the paper surface is controlled between 20% and 50%. This moisture content range allows the paper fibers to swell appropriately, ensuring controlled ink penetration while avoiding excessive wetting that could reduce fiber strength.

[0039] The paper is divided into dry and wet zones. The dry zone is the area where no water is applied, keeping the paper in its original dry state. The wet zone is the area where water is applied. A moisture content gradient is formed at the boundary between the two zones, providing physical boundary conditions for subsequent ink layering.

[0040] The target bark paper is at least one of mulberry bark paper, paper mulberry bark paper, paper mulberry bark paper, paper mulberry bark paper, paper quail bark paper, or paper mulberry bark paper. In one embodiment, a basis weight of 40 g / m³ is selected. 2 Mulberry bark paper has fibers with a length of 8-15mm. The bast fibers are tightly interwoven, and the fibers expand significantly after absorbing ink, which is conducive to building a clear layered texture.

[0041] The process of breaking the bristles involves soaking the brush head in water and tearing the bristle bundles along the axis of the brush head to separate the originally clustered bristle bundles longitudinally into several sub-bristles; the torn bristles are then twisted and dispersed in a combined circumferential and axial direction, that is, the fingers pinch the brush head and rotate it in a circumferential direction while gently pulling it in an axial direction to further disperse the sub-bristles.

[0042] After processing, the tip of the brush forms a radial, scattered shape. The tip of the broken brush is fluffy and radial, forming multiple scattered contacts when it comes into contact with the paper, rather than the single-point contact of the traditional brush tip. This results in irregular mottled deposits of ink on the paper.

[0043] When in use, the broken-hair brush tip is used to perform rubbing and brushing on the pre-wetted paper surface with a set pressure. The rubbing and brushing includes applying vertical pressure to the paper surface and moving it horizontally along the paper surface. The brushing pressure is controlled between 0.5N and 2N. This pressure range is applied stably by using a force-measuring pen or after standardized training.

[0044] Under this pressure, the radially scattered bristles at the tip of the broken brush rub against the surface of the target paper. Ink seeps out from the gaps between the scattered bristles and penetrates along the gaps between the paper fibers. Due to the difference in moisture content between the dry and wet areas, the ink spreads at different rates in the two areas, thus forming alternating layers of deposits on the paper surface.

[0045] Applying water to the paper during the brushstroke process of texturing and rubbing includes at least one of local dotting, linear sprinkling, and surface spraying.

[0046] Localized water application is suitable for creating localized concave textures, using a dropper or a fine-nozzle pitcher to apply water at specific points; linear water application is suitable for creating linear textures, using a fine-nozzle pitcher to apply water along a predetermined path; surface water spraying is suitable for large-area blending, using a spray device to achieve surface coverage.

[0047] After applying water, wait for the moisture to spread along the paper fibers to the designated area before proceeding with the next round of brushstrokes. The waiting time depends on the ambient temperature and humidity, as well as the absorbency of the paper, and can range from 30 seconds to 5 minutes. Apply different concentrations of ink in layers, from light to dark, as follows:

[0048] The first layer uses light ink with a content of 10%-20%;

[0049] The second layer uses medium ink with an ink content of 30%-40%;

[0050] For the third layer and subsequent layers, use concentrated ink with a content of 50% or more.

[0051] After each layer of ink is applied, wait for the moisture content of the previous layer to drop to the set threshold before applying the next layer. Use a handheld moisture meter or observe the reflectivity of the paper to ensure that the ink layers blend together while maintaining clear boundaries.

[0052] When using it, repeat the rubbing and brush strokes and apply water and ink 3-8 times. By accumulating multiple times, a rich layered texture is built. After each layer of rubbing, check the moisture content of the paper. When the moisture content of the paper is less than 10%, perform dry rubbing. Dry rubbing is to use a broken brush tip without ink to rub and brush on the paper with a moisture content of less than 10%. Use the dry radial brush tip to physically scrape the paper fibers and the deposited ink marks to form flying white and rough texture.

[0053] When the paper's moisture content is higher than 30%, wet rubbing is applied. Wet rubbing involves using a broken-bristle brush dipped in ink to rub the paper with a moisture content higher than 30%. The ink spreads rapidly on the high-moisture paper and blends with the previous ink, creating a moist and diffused effect. The alternation of dry and wet rubbing gives the final paper surface a contrasting texture of dryness and moisture.

[0054] In a specific implementation of this invention, a spraying device is used to adjust the moisture content of the paper surface to the target value, dividing the paper into a dry zone on the left and a wet zone on the right.

[0055] After soaking the sheep hair brush tip in water, tear it axially and twist it in a combined circumferential and axial direction to form a radially dispersed tip.

[0056] Apply vertical pressure of 1N to the pre-wetted paper and rub the brush. During the process, apply water by combining local spot water and surface water spraying. Apply ink in layers from light to dark, and wait for the moisture content of the previous layer to drop to 15% before applying the next layer.

[0057] Repeat the alternating dry and wet rubbing process 5 times. When the paper moisture content is less than 10%, use an un-inked brush tip for dry rubbing. When the paper moisture content is more than 30%, use an ink-dipped brush tip for wet rubbing. Finally, a layered texture of rocks is formed on the surface of the paper.

[0058] The contents not described in detail in this specification are existing technologies known to those skilled in the art.

[0059] It should be noted that similar labels and letters in the following figures indicate similar items. Therefore, once an item is defined in one figure, it does not need to be further defined and explained in subsequent figures.

[0060] The present invention and its embodiments have been described above. This description is not restrictive, and the accompanying drawings are only one embodiment of the present invention; the actual structure is not limited thereto. In conclusion, if those skilled in the art are inspired by this description and design similar structures and embodiments without departing from the spirit of the invention, such designs should fall within the protection scope of the present invention.

Claims

1. A method for preparing landscape painting textures using a combination of paper-breaking and water-based techniques, characterized by: Includes the following steps: S1: Pre-wet the target paper to control the overall moisture content of the paper surface and divide the paper surface into dry and wet areas; S2: Tear and twist the bristles of the brush tip to create a broken bristle state; S3: Using a broken-hair brush tip, apply a set pressure to the pre-wetted paper surface to create a textured brushstroke, causing the ink to form layers and deposit between the paper fibers. S4: Apply water to the paper during the brush stroke process, apply different concentrations of ink to the paper in layers, and alternate between dry brush stroke with an un-inked brush tip and wet brush stroke with an ink-dipped brush tip according to the change in the paper's moisture content. S5: Repeat S3 and S4 to accumulate multiple layers of ink and shape the texture of rocks on the paper.

2. The preparation method for constructing the texture of rocks in landscape paintings using the paper-breaking and water-based methods according to claim 1, characterized in that: In S1, the pre-wetting treatment involves applying water to the paper surface via spraying or coating, resulting in a paper surface moisture content of 20%-50%. The dry water zone in S1 is the area where no water is applied.

3. The preparation method for constructing the texture of mountains and rocks in landscape paintings using the paper-breaking and water-based methods according to claim 1, characterized in that: The process of breaking the bristles in S2 includes soaking the brush head in water and tearing the bristle bundles along the brush head axis. The torn bristles are then twisted and dispersed in a combined circumferential and axial direction to form a radially dispersed bristle state at the tip of the brush head.

4. The preparation method for constructing the texture of rocks in landscape paintings using the paper-breaking and water-based method according to claim 1, characterized in that: The brushstroke technique in S3 involves applying vertical pressure to the paper surface and moving it along the paper surface. The pressure is 0.5-2N, and the ink forms alternating layers of light and dark on the paper surface.

5. The preparation method for constructing the texture of mountains and rocks in landscape paintings using the paper-breaking and water-based method according to claim 1, characterized in that: The application of moisture to the paper surface in S4 includes at least one of local spot watering, linear watering, and surface water spraying. After applying water, wait for the water on the paper to spread along the paper fibers to the set range before proceeding to the next round of brush strokes.

6. The preparation method for constructing the texture of rocks in landscape paintings using the paper-breaking and water-based methods according to claim 1, characterized in that: In S4, inks of different concentrations are applied in layers from light to dark. After each layer of ink is applied, the moisture content of the previous layer of ink is allowed to drop to a set threshold before the next layer is applied.

7. The preparation method for constructing the texture of mountains and rocks in landscape paintings using the paper-breaking and water-based method according to claim 1, characterized in that: S3 and S4 are repeated 3-8 times in S5; After each layer of texturing, the paper moisture content is checked. When the paper moisture content is below 10%, dry texturing is performed; when the paper moisture content is above 30%, wet texturing is performed. in: Dry rubbing involves using a broken brush tip without ink to rub and texture the paper with a moisture content of less than 10%. Wet rubbing involves using a broken-bristle brush dipped in ink to rub and texture the paper with a moisture content higher than 30%.

8. The preparation method for constructing the texture of rocks in landscape paintings using the paper-breaking and water-based methods according to claim 1, characterized in that: The target bark paper in S1 is at least one of mulberry bark paper, paper mulberry bark paper, paper mulberry bark paper, paper mulberry bark paper, paper gumarana bark paper, or paper sapwood bark paper.

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