Guitar display stand

Abstract

The utility model discloses a guitar display stand, including base, support frame and hanger assembly, the base top is provided with first connecting part, the support frame top forms the head, and the bottom forms second connecting part, and second connecting part is connected with first connecting part cooperation, thereby will support frame fixed in base, the support frame head end to second connecting part between form neck and bow in proper order, the support frame has first side and second side, and first side is the side close to base center, and second side is the side close to base edge, hanger assembly is fixed in the first side of support frame neck, and hanger assembly includes main hanger, and one side of main hanger is fixed with support frame, and the other side forms the limit recess, and the limit recess is used for hooking the guitar head, the utility model has the advantages of good stability, and the advantage that is convenient for moving.

Description

Technical Field

[0001] This utility model relates to the field of musical instrument auxiliary accessories technology, specifically to a guitar display stand. Background Technology

[0002] Guitar display stands are a very practical accessory, whether used for home display, recording studios, or backstage at performances, they can effectively protect and showcase guitars.

[0003] Currently, the mainstream guitar display stands include A-frame stands and hanging stands. A-frame stands are shaped like the letter "A" and secure the guitar by placing the lower part of the guitar body on a U-shaped support. The disadvantage is their poor stability, making them very easy to tip over. Hanging stands use a latch or hook to directly attach the guitar's headstock, suspending the guitar in mid-air. The disadvantage is that they need to be installed on a wall or pole and cannot be moved freely. Utility Model Content

[0004] In order to overcome the shortcomings of the existing technology, the purpose of this utility model is to provide a guitar display stand with the advantages of good stability and easy movement.

[0005] The objective of this utility model is achieved through the following technical solution: A guitar display stand, characterized in that it includes a base, a support frame, and a hanging bracket assembly; The base is provided with a first connecting part at its top; The support frame has a head end at the top and a second connecting part at the bottom. The second connecting part is connected to the first connecting part to fix the support frame to the base. A neck and an arch are formed sequentially between the head end and the second connecting part of the support frame. The support frame has a first side and a second side. The first side is the side closer to the center of the base, and the second side is the side closer to the edge of the base. The hanger assembly is fixed to the first side of the neck of the support frame. The hanger assembly includes a main hanger, one side of which is fixed to the support frame, and the other side forms a limiting groove for hooking the guitar headstock.

[0006] In one optional embodiment, the base includes a housing, a counterweight plate, and an anti-slip pad; the housing covers the surface of the counterweight plate, and the anti-slip pad is fixed to the bottom of the housing; the anti-slip pad is a strip-shaped pad, and a plurality of the strip pads are evenly distributed on the circumferential edge of the bottom of the housing.

[0007] In one alternative embodiment, the top end of the support frame extends toward the second side, and a styling head is provided at the end.

[0008] In one alternative embodiment, the neck of the support frame is arc-shaped and arches towards a first side.

[0009] In one optional embodiment, the arch of the support frame is arc-shaped, and the arch of the support frame arches towards the second side.

[0010] In one optional embodiment, the cross-sectional area of ​​the top end, neck, and bow of the support frame gradually increases; the top end, neck, and bow of the support frame form a musical note-shaped structure.

[0011] In one optional embodiment, the support frame is provided with reinforcing ribs inside; and the surface of the support frame is provided with a shaping layer.

[0012] In one optional embodiment, the main bracket has a first support arm and a second support arm, which are disposed on opposite sides of the limiting groove; The hanger assembly also includes a first hook and a second hook. The first hook is connected to the free end of the first support arm, and the second hook is connected to the free end of the second support arm. The first hook and the second hook restrict the guitar from coming out of the limiting groove.

[0013] In one alternative embodiment, the end of the first hook is hinged to the first support arm, thereby allowing the first hook to rotate relative to the first support arm. The first hook has a locking angle for confining the guitar within a limiting groove. An elastic element is provided at the connection between the first support arm and the first hook, and the elastic element provides an elastic force to drive the first hook back to the locking angle.

[0014] In one optional embodiment, the surfaces of the first support arm and the second support arm are provided with only a buffer layer, which is disposed on the side of the first support arm and the second support arm facing the limiting groove.

[0015] Compared with the prior art, the beneficial effects of this utility model are as follows: This utility model of a guitar display stand uses a base to resist the overturning moment generated when a guitar is hung on a support column. The bottom end of the support frame is fixed to the top of the base, and the hanging bracket assembly is fixed to the neck of the support frame. The guitar headstock is hooked into the hanging bracket assembly through a limiting groove, thus securing the guitar to the display stand. The base provides a stable low center of gravity, making it less likely to tip over compared to ordinary A-frame stands. The suspended design allows the guitar to bear weight only through the headstock, with the body and neck completely suspended, avoiding contact with the stand. This eliminates the risk of damage to the finish due to pressure or friction at the support point. When needed, the guitar's display position can be easily changed by simply moving the base, without drilling holes in the wall, making it more flexible and offering advantages such as good stability and ease of movement. Attached Figure Description

[0016] Figure 1 This is a perspective view of the guitar display stand in Example 1; Figure 2 This is a right view of the guitar display stand in Example 1; Figure 3 This is a front view of the guitar display stand in Example 1; Figure 4 This is a top view of the guitar display stand in Example 1.

[0017] In the figure: 10, base; 20, support frame; 21, head end; 22, neck; 23, bow; 24, first side; 25, second side; 30, hanging bracket assembly; 31, main hanging bracket; 311, limiting groove; 312, first support arm; 313, second support arm; 32, first hook; 33, second hook. Detailed Implementation

[0018] The present invention will now be further described in conjunction with the accompanying drawings and specific embodiments. It should be noted that, without conflict, the various embodiments or technical features described below can be arbitrarily combined to form new embodiments. Unless otherwise specified, the materials and equipment used in this embodiment are all commercially available. Examples of the embodiments are shown in the accompanying drawings, wherein the same or similar reference numerals denote the same or similar elements or elements having the same or similar functions throughout. The embodiments described below with reference to the accompanying drawings are exemplary and are only used to explain this application, and should not be construed as limiting this application.

[0019] In the description of this application, it should be understood that the terms "upper," "lower," "front," "rear," "vertical," "horizontal," "top," "bottom," "inner," and "outer," etc., indicate the orientation or positional relationship based on the orientation or positional relationship shown in the accompanying drawings, and are only for the convenience of describing this application and simplifying the description, and do not indicate or imply that the device or element referred to must have a specific orientation, or be constructed and operated in a specific orientation, and therefore should not be construed as a limitation on this application. In the description of this application, "a plurality of" means two or more, unless otherwise precisely specified.

[0020] In the description of this application, it should be noted that, unless otherwise expressly specified and limited, the terms "connected," "linked," and "connected" should be interpreted broadly. For example, they can refer to a fixed connection, a connection through an intermediary, or a connection within two elements or an interaction between two elements. Those skilled in the art can understand the specific meaning of the above terms in this application according to the specific circumstances.

[0021] The terms "first," "second," etc., in the specification, claims, and accompanying drawings of this application are used to distinguish similar objects and are not necessarily used to describe a specific order or sequence. Furthermore, the terms "comprising" and "having," and any variations thereof, are intended to cover non-exclusive inclusion; for example, a process, method, system, product, or apparatus that comprises a series of steps or units is not necessarily limited to those steps or units explicitly listed, but may include other steps or units not explicitly listed or inherent to such process, method, product, or apparatus.

[0022] Example 1: Please refer to Figure 1-4 This embodiment provides a guitar display stand, including a base 10, a support frame 20 and a hanging bracket assembly 30 connected to the base 10.

[0023] Specifically, the base 10 serves as the installation foundation for this guitar display stand. The base 10 is generally disc-shaped and has a certain counterweight. The top edge of the base 10 is provided with a first connecting part for installing the support frame 20.

[0024] The support frame 20 has a head end 21 at the top and a second connecting portion at the bottom. The second connecting portion mates with the first connecting portion to fix the support frame 20 to the top of the base 10. A neck 22 and an arch 23 are formed sequentially between the head end 21 and the second connecting portion of the support frame 20. The support frame 20 has a first side 24 and a second side 25. The first side 24 is the side closest to the center of the base 10, and the second side 25 is the side closest to the edge of the base 10. In this embodiment, the center of the base 10 refers to the line connecting the center of the bottom surface and the center of the top surface of the base 10. In this embodiment, the center of the base 10 coincides with the center of gravity of the base 10, which will be understood by those skilled in the art.

[0025] The hanger assembly 30 is fixed to the first side 24 of the neck 22 of the support frame 20. The hanger assembly 30 includes a main hanger 31. One side of the main hanger 31 is fixed to the support frame 20, and the other side forms a limiting groove 311. The limiting groove 311 is used to hook the guitar headstock.

[0026] Based on the above structure, the guitar display stand in this embodiment uses a base 10 to resist the overturning moment generated by the guitar hanging on the support column. The bottom end of the support frame 20 is fixed to the top of the base 10, and the hanging bracket assembly 30 is fixed to the neck 22 of the support frame 20. The guitar headstock is hooked by the limiting groove 311 of the hanging bracket assembly 30, thus fixing the guitar to the guitar display stand. The base 10 provides a stable low center of gravity, making it less likely to be knocked over compared to ordinary A-frame stands. The suspended design allows the guitar to bear force only through the headstock, with the body and neck completely suspended, avoiding contact with the stand. This eliminates the risk of paint damage caused by pressure or friction at the support point. When needed, the display position of the guitar can be easily changed by simply moving the base 10, without the need to drill holes in the wall, making it more flexible and offering advantages such as good stability and ease of movement.

[0027] The base 10 includes a shell, a counterweight plate, and an anti-slip pad. The counterweight plate can be made of cast iron, MDF, solid wood, or cement. These materials have high density and can provide effective counterweight. The weight of the counterweight plate is at least 3-5 times the weight of the guitar. For example, if a guitar weighs 4kg, the counterweight plate is preferably 12-20kg. Those skilled in the art can set the weight according to actual conditions.

[0028] The shell can be made of wood veneer, injection-molded plastic, acrylic, or even woven fabric. The shell covers the surface of the counterweight plate, enveloping and concealing the functional counterweight plate, providing a complete and exquisite appearance.

[0029] An anti-slip mat is fixed to the bottom of the housing. The anti-slip mat can be made of materials such as high-density sponge, rubber pads, or felt to prevent slipping on the floor and protect the floor. The anti-slip mat is a strip-shaped mat, with several of these strips evenly distributed along the circumferential edge of the bottom of the housing. Using a multi-segment strip design, rather than a complete circle, allows for better adaptation to slightly uneven surfaces, providing more stable support. The strip mat should be slightly raised above the bottom of the housing to ensure that it is the rubber that contacts the ground, not the housing itself.

[0030] Furthermore, the top end 21 of the support frame 20 extends towards the second side 25, with a decorative head at the end. The neck 22 of the support frame 20 is arc-shaped, arching towards the first side 24. The bow 23 of the support frame 20 is also arc-shaped, arching towards the second side 25. The interconnected top end 21, neck 22, and bow 23 form a wave-like undulating shape. The cross-sectional area of ​​the top end 21, neck 22, and bow 23 of the support frame 20 gradually increases. Through this combination of curved shape and variable cross-section, the torque and bending moment borne by the hanging point of the neck 22 of the support frame 20 are efficiently and evenly converted into the internal stress of the entire support frame 20 and safely transferred to the base 10, avoiding fatigue or brittle fracture caused by stress concentration.

[0031] Preferably, the top end 21, neck 22, and bow 23 of the support frame 20 form a musical note shape. Incorporating musical note elements into the guitar display stand gives it a decorative function, resulting in a simple yet stylish overall appearance that blends seamlessly into modern homes or professional music spaces.

[0032] The support frame 20 has internal reinforcing ribs, which makes the support frame 20 provide more stable support. The surface of the support frame 20 has a decorative layer, which takes into account both practicality and aesthetics.

[0033] Furthermore, in this embodiment, the main hanger 31 has a first support arm 312 and a second support arm 313, which are disposed on opposite sides of the limiting groove 311. The main hanger 31 is installed at a position between 1.2 meters and 1.5 meters away from the top surface of the base 10, which makes the guitar most conspicuous and convenient to put on and take off. The specific position can be adjusted according to actual needs, as will be understood by those skilled in the art.

[0034] The hanging bracket assembly 30 also includes a first hook 32 and a second hook 33. The first hook 32 is connected to the free end of the first support arm 312, and the second hook 33 is connected to the free end of the second support arm 313. The first hook 32 and the second hook 33 restrict the guitar from coming out of the limiting groove 311.

[0035] Specifically, the end of the first hook 32 is hinged to the first support arm 312, thereby allowing the first hook 32 to rotate relative to the first support arm 312. The first hook 32 has a locking angle, which is used to confine the guitar within the limiting groove 311. An elastic element, which can be a torsion spring, is provided at the connection between the first support arm 312 and the first hook 32. The elastic element provides an elastic force to drive the first hook 32 back to the locking angle. By overcoming the elastic force of the torsion spring, the first hook 32 rotates with the second hook 33, allowing the guitar to be placed or removed. After placement or removal, the torsion spring drives the first hook 32 and the second hook 33 to automatically reset, automatically locking the guitar and preventing it from being accidentally knocked off or slipping when picked up.

[0036] In this embodiment, the surfaces of the first support arm and the second support arm 313 are only provided with a buffer layer, which is disposed on the side of the first support arm and the second support arm 313 facing the limiting groove 311. The buffer layer is made of guitar-safe soft materials, such as high-density foam, silicone, or high-quality velvet, and it is ensured that these materials do not contain sulfides and plasticizers to avoid long-term contact that could corrode the guitar's paint and metal parts.

[0037] Although certain components and embodiments of this application have been illustrated and described, many modifications and alterations (e.g., variations in the size, dimensions, structure, shape and proportion of the various elements, installation arrangement, material use, color, orientation, etc.) will be conceived by those skilled in the art without actually departing from the scope and spirit of the claims.

[0038] Finally, it should be noted that the above embodiments are only preferred embodiments of this utility model and should not be used to limit the scope of protection of this utility model. Any non-substantial changes and substitutions made by those skilled in the art based on this utility model shall fall within the scope of protection claimed by this utility model.

Claims

1. A guitar display stand, characterized in that, Includes base, support frame, and hanging bracket assembly; The base is provided with a first connecting part at its top; The support frame has a head end at the top and a second connecting part at the bottom. The second connecting part is connected to the first connecting part to fix the support frame to the base. A neck and an arch are formed sequentially between the head end and the second connecting part of the support frame. The support frame has a first side and a second side. The first side is the side closer to the center of the base, and the second side is the side closer to the edge of the base. The hanger assembly is fixed to the first side of the neck of the support frame. The hanger assembly includes a main hanger, one side of which is fixed to the support frame, and the other side forms a limiting groove for hooking the guitar headstock.

2. The guitar display stand according to claim 1, characterized in that, The base includes a housing, a counterweight plate, and an anti-slip pad; the housing covers the surface of the counterweight plate, and the anti-slip pad is fixed to the bottom of the housing; the anti-slip pad is a strip-shaped pad, and several strip pads are evenly distributed on the circumferential edge of the bottom of the housing.

3. A guitar display stand according to claim 1, characterized in that, The top end of the support frame extends toward the second side, and a decorative head is provided at the end.

4. A guitar display stand according to claim 3, characterized in that, The neck of the support frame is arc-shaped and arches towards the first side.

5. A guitar display stand according to claim 4, characterized in that, The arched part of the support frame is arc-shaped, and the arched part of the support frame arches towards the second side.

6. A guitar display stand according to claim 5, characterized in that, The cross-sectional area of ​​the top end, neck, and bow of the support frame gradually increases; the top end, neck, and bow of the support frame form a musical note-shaped structure.

7. A guitar display stand according to claim 5, characterized in that, The support frame has internal reinforcing ribs; the surface of the support frame has a decorative layer.

8. A guitar display stand according to claim 1, characterized in that, The main bracket has a first support arm and a second support arm, which are disposed on opposite sides of the limiting groove; The hanger assembly also includes a first hook and a second hook. The first hook is connected to the free end of the first support arm, and the second hook is connected to the free end of the second support arm. The first hook and the second hook restrict the guitar from coming out of the limiting groove.

9. A guitar display stand according to claim 8, characterized in that, The end of the first hook is hinged to the first support arm, thereby allowing the first hook to rotate relative to the first support arm. The first hook has a locking angle, which is used to confine the guitar within the limiting groove. An elastic element is provided at the connection between the first support arm and the first hook, and the elastic element provides an elastic force to drive the first hook back to the locking angle.

10. A guitar display stand according to claim 9, characterized in that, The first support arm and the second support arm are provided with only a buffer layer on their surfaces, and the buffer layer is provided on the side of the first support arm and the second support arm facing the limiting groove.

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