Heuristic spline node placement cuts DRC gain bitrate while limiting approximation error and overshoot in audio encoding.
Frame-based amplitude scaling uses peak and slope analysis to prevent clipping while keeping digital signal distortion and harmonics low.
A slow and fast limiter stage constrains audio peaks while reducing spectral splatter during large gain reductions.
Frame-based amplitude compression adjusts scale factors across digital signal regions to prevent clipping while keeping harmonic distortion low.
Bundles original and attenuated signals into separate frequency bands to extend dynamic range while preserving linearity for noise reduction and echo cancellation.