Chordal Jamming Harmonica for Pulmonary Rehabilitation

Resolve Bottlenecks,
Find Innovative Solutions
Generate Solutions

Solution Overview

Problem

Conventional harmonicas are not effective in improving pulmonary function, particularly in older adults, as they require advanced breathing control for playing individual notes, which can be challenging and may lead to reduced compliance in therapy regimens due to the lack of musicality when playing chords.

Innovation Solution

A harmonica configured for 'Chordal Jamming' that rearranges notes to allow easy playability of at least four distinct chords while maintaining the ability to play individual notes, enabling the player to produce chord progressions and rhythms, thus providing a more significant physiological challenge and maintaining musicality.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Ease of operation

If conventional harmonicas are used to play individual notes, then breathing control is required, but pulmonary function improvement is limited due to lack of sufficient lung exertion

Engineering Contradiction:
Improvebreathing controlVSAvoidpulmonary function improvement
Core Design Contradiction:
Ease of operationVSReliability

Solution Approach 1:

The patent rearranges the tuning parameters of reeds within hole groups to enable chord production. Specifically, reeds are tuned so that blowing or drawing across a group of holes simultaneously produces multiple notes that form chords (e.g., major, minor, seventh chords). This parameter change transforms the instrument's output from single notes to chords while maintaining the same physical blowing/drawing action, thereby increasing lung exertion without compromising ease of operation

Inventive Principle:
Principle #35Parameter changes

Solution Approach 2:

The harmonica is designed to serve multiple functions: it can play individual notes for melody, produce chords for harmony, and enable chordal jamming for pulmonary rehabilitation. The same holes and reeds that produce individual notes when played separately are configured to produce chords when played together as a group, providing multi-functionality without adding separate mechanisms

Inventive Principle:
Principle #6Universality (Multi-functionality)

2Adaptability or versatility

If chord harmonicas are used to play chords, then multiple chords can be played, but the instrument becomes very large and expensive

Engineering Contradiction:
Improvechord playing capabilityVSAvoidinstrument size and cost
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The patent divides the 10 holes into groups (e.g., holes 1-4 form one chord, holes 5-8 form another chord) and configures reeds within each group to produce specific chord notes. This segmentation allows chords to be played using subsets of holes rather than requiring all holes to be played simultaneously, reducing the effective playing area needed while maintaining chord versatility

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

Instead of adding more holes or reeds in a linear fashion (one-dimensional expansion), the patent reorganizes the existing holes and reeds into functional groups that produce chords. This reconfiguration in the dimensional arrangement of reeds within holes enables chordal functionality without increasing the physical size of the instrument body

Inventive Principle:
Principle #17Another dimension (Dimensionality change)

3Measurement precision

If conventional harmonicas require advanced breathing control for individual notes, then clear tones can be produced, but compliance in therapy regimens decreases due to lack of musicality

Engineering Contradiction:
Improvetone clarityVSAvoidtherapy compliance
Core Design Contradiction:
Measurement precisionVSEase of operation

Solution Approach 1:

The chordal jamming technique allows players to produce musically satisfying chord progressions without requiring advanced tongue control or complex breathing techniques. The instrument configuration itself produces the chords when players simply blow or draw across grouped holes, making the therapy self-serviceable and accessible to players of all skill levels while maintaining tone clarity through proper reed tuning

Inventive Principle:
Principle #25Self-service

Applied Scientific Principles

This section explains which scientific principles are used to turn an abstract innovation direction into a practical engineering solution.

Function Achieved in This Case

The harmonica configured for Chordal Jamming strengthens respiratory muscles, improves lung capacity, and enhances pulmonary function by requiring deeper breathing and greater lung exertion, making it suitable for pulmonary rehabilitation while maintaining the fun and musicality of playing, thus improving compliance and overall health benefits.

Implementation Method 1

A player is able to produce sound, including musical tones, by 'blowing' (exhaling) or 'drawing' (inhaling) air into the harmonica to vibrate one or more reeds located within the instrument

Methodology Applied
Scientific EffectVibration: Vibration

Data Source

PatentUS8653346B2Harmonica adapted for chordal jamming and method and use of same for improving pulmonary function
Publication Date: 2014.02.18 SCHAMAN JOHN P
  • US8653346B2 patent drawing
  • US8653346B2 patent drawing
  • US8653346B2 patent drawing

AI summary

A harmonica is provided comprising a blow reed plate having a plurality of blow reeds, a draw reed plate having a plurality of draw reeds, and a comb having a plurality of air channels therein, wherein each blow reed and each draw reed corresponds to one of a plurality of musical tones, wherein the plurality of air channels are grouped into a first group of air channels and a second group of air channels, wherein blowing air through a first subset of the first group of air channels produces the musical tones of a first musical chord and drawing air from the first subset of the first group of air channels produces the musical tones of a second musical chord, and wherein blowing air through a first subset of the second group of air channels produces the musical tones of a third musical chord and drawing air from the first subset of the second group of air channels produces the musical tones of a fourth musical chord.