Common Signal Extraction for Natural Stereo-to-Surround Audio

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Solution Overview

Problem

Conventional upmixing methods for stereo audio to surround sound configurations often produce unnatural-sounding artifacts, leading to a diminished listening experience due to the addition of fake or hollow effects, and peak limiters compromise clarity and punch with unwanted spectral artifacts.

Innovation Solution

An audio signal processing technique that extracts a common signal from stereophonic audio to convert it into surround sound without adding artificial cues, isolating and placing audio segments into their appropriate locations in the sound field, and a peak limiter cleanser that removes undesirable spectral information.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Adaptability or versatility

If conventional upmixing methods are used to convert stereo to surround sound, then additional audio channels are generated, but unnatural-sounding artifacts are produced

Engineering Contradiction:
Improvesurround sound capabilityVSAvoidunnatural artifacts
Core Design Contradiction:
Adaptability or versatilityVSObject-generated harmful factors

Solution Approach 1:

The patent extracts the common signal component from the stereo left and right channels by computing their sum, separating it from the differential information. This extracted common signal is then used to generate the center channel and rear channels, avoiding the need to synthesize artificial surround effects and thereby eliminating unnatural artifacts while maintaining authentic spatial positioning.

Inventive Principle:
Principle #2Taking out (Extraction)

Solution Approach 2:

The patent segments the stereo signal into distinct components: the common signal (sum of L and R) and the differential signal (difference between L and R). By processing these segments separately and assigning them to different spatial positions, the system creates a natural surround sound field without mixing artificial effects, thus resolving the contradiction between surround capability and artifact-free sound quality.

Inventive Principle:
Principle #1Segmentation

2Reliability

If conventional peak limiters are applied to control audio peaks, then peak levels are limited effectively, but clarity and punch are lost with added spectral artifacts

Engineering Contradiction:
Improvepeak controlVSAvoidspectral artifacts
Core Design Contradiction:
ReliabilityVSObject-generated harmful factors

Solution Approach 1:

The patent applies peak limiting only to the extracted common signal component rather than the entire mixed signal. By isolating and limiting the common signal separately, the system maintains effective peak control while preserving the clarity and punch of the differential signal components, thereby avoiding the spectral artifacts that would result from limiting the complete signal mixture.

Inventive Principle:
Principle #2Taking out (Extraction)

3Adaptability or versatility

If matrixing, phasing, time delay, and reverberation effects are added to generate surround sound, then additional channels are created, but the sound becomes fake and hollow

Engineering Contradiction:
Improvesurround channel generationVSAvoidnatural sound quality
Core Design Contradiction:
Adaptability or versatilityVSEase of operation

Solution Approach 1:

Instead of adding artificial effects like matrixing, phasing, time delay, and reverberation, the patent extracts the genuine common signal information already present in the stereo mix and uses it directly to populate the center and rear channels. This extraction approach creates surround channels from authentic spatial information, eliminating the need for fake or hollow artificial effects while maintaining natural sound quality.

Inventive Principle:
Principle #2Taking out (Extraction)

Data Source

PatentUS9820073B1Extracting a common signal from multiple audio signals
Publication Date: 2017.11.14 TLS CORP
  • US9820073B1 patent drawing
  • US9820073B1 patent drawing
  • US9820073B1 patent drawing

AI summary

Extracting a common signal from multiple audio signals may include summing a first signal and a second signal to obtain a first+second signal; subtracting the second signal from the first signal to obtain a first−second signal; transforming the first+second signal and the first−second signal to frequency domain representations; calculating absolute value of the frequency domain representations of the first+second signal and the first−second signal; subtracting the absolute value of the frequency domain representation of the first−second signal from the absolute value of the frequency domain representation of the first+second signal to obtain a difference signal; multiplying the difference signal by the frequency domain representation of the first+second signal to obtain a product signal; dividing the product signal by the absolute value of the frequency domain representation of the first+second signal to obtain a frequency domain representation of the common signal; and transforming the frequency domain representation to the common signal.