Contoured Resilient Shoulder Rest for Stringed Instruments

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Solution Overview

Problem

Existing shoulder rests for violins and violas often fail to provide comfortable and secure support, are difficult to attach without damaging the instrument, and do not accommodate various physical variations of musicians effectively.

Innovation Solution

A shoulder rest made from resilient materials like expanded polymer foam, with a semi-circular configuration conforming to the instrument's shape, featuring a planar surface for the instrument and a contoured surface for the shoulder, detachably secured by an elastic band, and optionally laminated for additional stability, allowing for easy attachment and adjustment to fit different musicians and instrument sizes.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Ease of operation

If a shoulder rest is made from resilient materials with contoured surfaces to conform to the instrument and musician's shoulder, then comfort and support are improved, but the device complexity increases

Engineering Contradiction:
Improvecomfort and supportVSAvoiddevice complexity
Core Design Contradiction:
Ease of operationVSDevice complexity

Solution Approach 1:

The shoulder rest employs contoured surfaces with curved geometries that conform to both the instrument's back and the musician's shoulder anatomy. The resilient material is molded into ergonomic shapes that provide natural support without requiring additional mechanical components, thus improving comfort while maintaining simplicity.

Inventive Principle:
Principle #14Spheroidality (Curvature)

Solution Approach 2:

The invention utilizes variations in material density and firmness within the resilient foam structure to create different support zones. By changing the physical parameters of the material itself rather than adding mechanical components, the design achieves enhanced comfort and adaptability without increasing device complexity.

Inventive Principle:
Principle #35Parameter changes

2Ease of operation

If an elastic band is used to detachably secure the shoulder rest to the instrument, then ease of attachment and removal is improved, but the reliability of secure attachment may worsen

Engineering Contradiction:
Improveease of attachment and removalVSAvoidreliability of secure attachment
Core Design Contradiction:
Ease of operationVSReliability

Solution Approach 1:

The elastic band functions as a flexible constraint element that wraps around the instrument's body to secure the shoulder rest. This flexible film approach allows for easy attachment and removal while maintaining sufficient holding force through the elastic tension, balancing ease of operation with reliable attachment.

Inventive Principle:
Principle #30Flexible shells and thin films

3Adaptability or versatility

If the shoulder rest is designed to accommodate various physical variations of musicians through adjustable features, then adaptability is improved, but the device complexity increases

Engineering Contradiction:
Improveadaptability to musician variationsVSAvoiddevice complexity
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The shoulder rest is designed as a universal device that accommodates various musician sizes and instrument types through its contoured resilient body and elastic band attachment system. The same basic structure serves multiple functions and adapts to different users without requiring additional components or complex adjustment mechanisms.

Inventive Principle:
Principle #6Universality (Multi-functionality)

4Object-affected harmful factors

If the shoulder rest uses a larger elastic loop to secure the back of the instrument, then the instrument is better protected from damage, but the device complexity and difficulty of attachment increase

Engineering Contradiction:
Improveprotection from damageVSAvoiddevice complexity
Core Design Contradiction:
Object-affected harmful factorsVSDevice complexity

Solution Approach 1:

The large elastic loop functions as a flexible protective element that distributes attachment forces across a broader area of the instrument's body. This flexible film approach protects the instrument from damage by avoiding concentrated stress points while maintaining a relatively simple single-piece construction.

Inventive Principle:
Principle #30Flexible shells and thin films

Applied Scientific Principles

This section explains which scientific principles are used to turn an abstract innovation direction into a practical engineering solution.

Function Achieved in This Case

The shoulder rest provides comfortable support, secure attachment without damaging the instrument, and accommodates various musician sizes, ensuring proper instrument positioning and stability during play, while being easy to install and remove.

Implementation Method 1

an elastic band which is attached to the end button of the instrument and stretched across the bottom points of the C-bouts on the back of the instrument

Methodology Applied
Scientific EffectElasticity: Elasticity

Implementation Method 2

a soft, flexible, resilient body having gradually rounded sides

Methodology Applied
Scientific EffectCompression: Compression

Data Source

PatentUS7262352B1Supporting shoulder rest for a stringed instrument
Publication Date: 2007.08.28 LAVORATA GUIDO ANTONIO
  • US7262352B1 patent drawing
  • US7262352B1 patent drawing
  • US7262352B1 patent drawing

AI summary

An improved shoulder rest for a stringed instrument such as a violin or a viola. The rest has a curved edge conforming to the shape of the tail piece of the instrument. One surface of the rest is planar and is positioned against the bottom of the tail piece. The opposite surface has a first region and a second region of increased thickness. An intermediate region transitions between the first and second region. The rest is formed from a resilient foam material and is detachably secured to the instrument by an elastic band extending between the C-bouts and the end button. In a playing position, the thicker second region is placed over the collar bone area of the musician and the thinner first region extends forwardly along the shoulder so as to not raise the instrument.