Curved Harmonica Microphone Chamber for Feedback Control

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Solution Overview

Problem

Harmonica players face challenges with audio feedback when using existing microphones, which restrict hands-free performance and require relearning instrument handling, limiting volume and musical expression.

Innovation Solution

A hands-free harmonica microphone with a reflective curved microphone chamber, magnetic harmonica mount, and neck brace attachment apparatus, allowing comfortable handling and sealing from external sound waves, enabling simultaneous playing of multiple instruments and customizable transducers for improved tone and reduced feedback.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Power

If high gain amplification is used to achieve desired harmonica tone, then audio feedback occurs more quickly and at lower volumes

Engineering Contradiction:
Improveamplification gainVSAvoidaudio feedback
Core Design Contradiction:
PowerVSObject-generated harmful factors

Solution Approach 1:

A physical barrier (hand cupping or protective cover) is introduced as an intermediary between the microphone transducer and the external environment, blocking the direct path of sound waves that cause feedback while allowing the desired harmonica sound to be captured

Inventive Principle:
Principle #24Intermediary (Mediator)

Solution Approach 2:

The patent employs flexible protective covers or hand cupping that can adapt to the microphone structure, creating a seal that blocks feedback paths without rigidly constraining the microphone or harmonica player

Inventive Principle:
Principle #30Flexible shells and thin films

2Ease of operation

If transducer is exposed to air for sound collection, then hands-free use is prohibited due to feedback

Engineering Contradiction:
Improvehands-free capabilityVSAvoidaudio feedback
Core Design Contradiction:
Ease of operationVSObject-generated harmful factors

Solution Approach 1:

A protective barrier serves as an intermediary that allows the transducer to remain exposed to harmonica sound while blocking external sound waves that cause feedback, enabling hands-free operation without feedback issues

Inventive Principle:
Principle #24Intermediary (Mediator)

3Reliability

If existing microphone designs are used, then feedback control requires relearning instrument handling

Engineering Contradiction:
Improvefeedback controlVSAvoidinstrument handling
Core Design Contradiction:
ReliabilityVSEase of operation

Solution Approach 1:

The system is divided into separate components: the microphone unit with integrated feedback control mechanism and the harmonica holder, allowing the player to maintain traditional harmonica handling while the microphone system independently manages feedback control

Inventive Principle:
Principle #1Segmentation

Applied Scientific Principles

This section explains which scientific principles are used to turn an abstract innovation direction into a practical engineering solution.

Function Achieved in This Case

Enables hands-free, wireless performance with reduced feedback, allowing harmonica players to maintain traditional handling and increase stage volume and artistic expression while minimizing the need for relearning instrument techniques.

Implementation Method 1

a reflective curved microphone chamber

Methodology Applied
Scientific EffectSound wave reflection: Reflection

Implementation Method 2

magnetic harmonica mount

Methodology Applied
Scientific EffectMagnetism: Magnetism

Data Source

PatentUS9756411B2Harmonica microphone with improved control of audio feedback
Publication Date: 2017.09.05 GRAINGER MITCHELL
  • US9756411B2 patent drawing
  • US9756411B2 patent drawing
  • US9756411B2 patent drawing

AI summary

A hands-free harmonica microphone for controlling undesired audio feedback, the microphone comprising: a reflective curved microphone chamber, a harmonica mount, a transducer, associated electronics and a neck brace attachment apparatus for connecting the microphone to commercially available harmonica holders (neck braces). In one embodiment, the harmonica mount is detachably coupled (magnetically or otherwise) to the microphone chamber. In another embodiment, the harmonica mount is integrated to the microphone chamber so that is also possible to mount the harmonica directly onto the microphone chamber.