Melodic Bend Harmonica Chromatic Scale Configuration

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Solution Overview

Problem

Conventional harmonica tunings, such as Richter and Solo tunings, are limited to playing the major scale without chromatic capabilities, lacking trill and glissando sections, resulting in choppy musical lines due to the inability to produce all twelve notes and varying pitches.

Innovation Solution

The harmonica features a Melodic Bend tuning configuration where the major scale is arranged across draw reeds and a half step lower scale across blow reeds, enabling chromatic play and inclusion of trill and glissando sections through bends, blows, and draws.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Adaptability or versatility

If conventional Richter or Solo tuning is used, then the harmonica can play the major scale, but it lacks chromatic capabilities and cannot produce all twelve notes

Engineering Contradiction:
Improvechromatic capabilitiesVSAvoidnote arrangement complexity
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The harmonica is divided into separate blow and draw reed systems, each configured to play specific scales. The blow reeds are tuned to a major scale while the draw reeds are tuned to a chromatic scale a half step lower, allowing independent optimization of each system's function.

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

The patent adds a dimensional layer to the traditional harmonica configuration by implementing a specific ordering of reeds within holes. The draw reeds are arranged in chromatic order (B, C, C#, D, D#, E, F, F#, G, G#, A, Bb, B) while blow reeds follow major scale patterns, creating a multi-dimensional tuning structure that enables both major scale and chromatic playability.

Inventive Principle:
Principle #17Another dimension (Dimensionality change)

2Ease of operation

If conventional blow, draw, blow, draw configuration is used, then the harmonica can produce basic notes, but it cannot produce smooth legato lines or trill effects

Engineering Contradiction:
Improvesmooth legato playabilityVSAvoidreed configuration complexity
Core Design Contradiction:
Ease of operationVSDevice complexity

Solution Approach 1:

The draw reeds are pre-configured in chromatic order within each hole, so that when a player bends a note, all intermediate chromatic notes are already positioned and tuned in the correct sequence. This preliminary arrangement enables smooth glissando and legato transitions without requiring complex finger movements between holes.

Inventive Principle:
Principle #10Preliminary action

Solution Approach 2:

The patent enables dynamic pitch variation by allowing bends to and from every scale tone. The chromatically ordered draw reeds work with the bend mechanism to create continuous pitch transitions, transforming the static piano-like behavior of conventional harmonicas into a dynamic system capable of smooth musical lines.

Inventive Principle:
Principle #15Dynamics

3Adaptability or versatility

If unbendable notes are used, then the harmonica structure is simple, but the pitch cannot be varied and musical expression is limited

Engineering Contradiction:
Improvepitch variation capabilityVSAvoidbending difficulty
Core Design Contradiction:
Adaptability or versatilityVSEase of operation

Solution Approach 1:

Different holes are configured with different bend capabilities based on their musical function. The chromatically ordered draw reeds in each hole are specifically tuned to enable bends to adjacent scale tones, while maintaining stable untuned reeds for reference pitches. This local optimization of bend capability across different holes creates comprehensive pitch variation throughout the instrument.

Inventive Principle:
Principle #3Local quality

Data Source

PatentUS11694661B1Melodic bend harmonica
Publication Date: 2023.07.04 ASTFALK BRIAN
  • US11694661B1 patent drawing
  • US11694661B1 patent drawing
  • US11694661B1 patent drawing

AI summary

A harmonica with a repeating major scale configured across the draw reeds and a repeating major scale a half step lower than the draw reeds configured across the blow reeds. This configuration produces a chromatic instrument where all the notes of a major scale can be bent down to the next lower scale tone for musicality. The linear scale configuration provides trill and glissando sections for ease of playability and musicality.