MIDI Mapping System for Multi-Arpeggio Triggering

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Solution Overview

Problem

Current music production software technologies lack the ability to program and play multiple arpeggios of selected chords, limiting creative potential by only allowing for single-dimensional arpeggiator solutions.

Innovation Solution

A multiple chord and arpeggio triggering MIDI mapping system and process that assigns, selects, and records chord and multi-arpeggio functions, enabling users to play and define full chords with single key selections while triggering different arpeggios, using a two-phase process for recording chord progressions and enabling time-delayed arpeggio configuration.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Adaptability or versatility

If current one-dimensional arpeggiator solutions are used, then the system is simple to operate, but the creative potential and versatility are limited

Engineering Contradiction:
Improveability to program and play multiple arpeggios of selected chordsVSAvoidsystem structure for chord and arpeggio mapping
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The MIDI keyboard output is divided into separate chord generator and arpeggiator sections, allowing independent control and configuration of multiple arpeggios for selected chords. This segmentation enables the system to handle multiple arpeggio patterns simultaneously while maintaining operational simplicity through dedicated control areas.

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

The system provides multi-functionality by enabling a single MIDI keyboard to trigger multiple different arpeggios of selected chords through key mapping. Users can assign various arpeggio patterns to different keys, allowing one instrument to perform multiple creative functions that would otherwise require separate devices.

Inventive Principle:
Principle #6Universality (Multi-functionality)

2Adaptability or versatility

If multiple arpeggios of selected chords are enabled, then creative potential is expanded, but the system complexity increases

Engineering Contradiction:
Improveability to alter between arpeggios of a single chordVSAvoidability to program and play different arpeggios
Core Design Contradiction:
Adaptability or versatilityVSEase of operation

Solution Approach 1:

The system allows users to pre-configure chord and arpeggio mappings before performance. By setting up the relationships between keys, chords, and arpeggio patterns in advance, the system reduces the operational complexity during actual use, allowing musicians to focus on creative expression rather than programming.

Inventive Principle:
Principle #10Preliminary action

Solution Approach 2:

The patent introduces a MIDI mapping system as an intermediary layer between the MIDI keyboard and the audio output. This mediator handles the complex mapping logic, translating simple key presses into multiple arpeggio patterns and chord configurations, thereby shielding the user from complexity while enabling versatile arpeggio control.

Inventive Principle:
Principle #24Intermediary (Mediator)

3Productivity

If chord progression recording is implemented, then workflow efficiency is improved, but the processing time and system complexity increase

Engineering Contradiction:
Improveability to record and enable multi-arpeggio functions at any timeVSAvoidtime delay between recording chord progression and enabling arpeggio functions
Core Design Contradiction:
ProductivityVSLoss of time

Solution Approach 1:

The system records chord progressions in advance, storing the sequence of chords for later use. This preliminary recording action allows users to capture the harmonic structure first, then add arpeggio configurations at any subsequent time without needing to program everything simultaneously, improving overall workflow efficiency.

Inventive Principle:
Principle #10Preliminary action

Solution Approach 2:

The system provides dynamic flexibility by allowing users to enable and configure arpeggio functions at any time after recording the chord progression. This dynamic approach lets users work on different aspects of their composition at different times, adapting their workflow to their creative process rather than requiring a rigid sequential process.

Inventive Principle:
Principle #15Dynamics

Data Source

PatentUS10262643B1MIDI mapping system and process for multiple chord and arpeggio triggering
Publication Date: 2019.04.16 KINTER ZACHARY CHARLES
  • US10262643B1 patent drawing
  • US10262643B1 patent drawing
  • US10262643B1 patent drawing

AI summary

Systems and processes that use MIDI mapping technology for multiple chord and arpeggio triggering are disclosed, including a multiple chord and arpeggio triggering MIDI mapping system and process that assigns, selects, and records chord and multi-arpeggio functions into a digital audio workstation (DAW) host program or an internalized sequencer and a two-phase multiple chord and time-delayed arpeggio triggering MIDI mapping process for recording a chord progression and enabling multi-arpeggio functions of the chords in the chord progression to be worked on at any time-delayed instance after recording the chord progression. The system divides output from a MIDI controller into chord generators and arpeggiators to allow users to define full chords with a single key selection, while also making immediate or time-delayed single key selections for different arpeggios.