Percussive Response Unit for Multi-Tone Shakers

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Solution Overview

Problem

Conventional rhythm shakers produce only a single tone or timbre, limiting their versatility in musical performances.

Innovation Solution

A hand-held percussion instrument featuring a percussive response unit with a rod and striker sets of varying widths and materials, along with an acoustic resonator, allowing for multiple sounds based on manipulation and movement.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Adaptability or versatility

If a conventional rhythm shaker uses a consistent shell thickness and single percussive media, then the structure is simple and easy to manufacture, but only a single tone or timbre can be produced

Engineering Contradiction:
Improvesound varietyVSAvoidstructure complexity
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The rhythm shaker is divided into multiple compartments, each containing different percussive media (e.g., metal beads, plastic beads, seeds, stones). This segmentation allows each compartment to produce distinct sounds when shaken, thereby increasing sound variety without requiring a completely different instrument for each tone.

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

Different portions of the shaker shell are designed with varying thicknesses and materials. For example, some areas have thinner walls to produce higher-pitched sounds when struck, while other areas have thicker walls for lower-pitched sounds. This local variation in quality enables a single instrument to produce multiple tones and timbres.

Inventive Principle:
Principle #3Local quality

2Adaptability or versatility

If a rhythm shaker uses multiple percussive media and varying shell thickness, then multiple sounds can be produced, but the manufacturing complexity increases

Engineering Contradiction:
Improvesound varietyVSAvoidmanufacturing difficulty
Core Design Contradiction:
Adaptability or versatilityVSEase of manufacture

Solution Approach 1:

The shaker is constructed as an assembly of separate compartments that can be manufactured independently and then joined together. Each compartment can be filled with specific percussive media during assembly, allowing for standardized production processes while maintaining the ability to produce multiple sounds.

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

The shaker shell is designed as a multi-functional container that serves both as the structural housing and as the resonating chamber for multiple percussive media. This universal design reduces the need for separate manufacturing processes for different sound-producing elements, simplifying production while maintaining sound variety.

Inventive Principle:
Principle #6Universality (Multi-functionality)

3Adaptability or versatility

If a rhythm shaker produces multiple tones through different orientations, then versatility is improved, but the device complexity increases

Engineering Contradiction:
Improvesound varietyVSAvoidinstrument complexity
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

The shaker is designed with asymmetric features such as unevenly distributed percussive media, non-uniform shell thickness in specific directions, or asymmetric opening positions. This asymmetry ensures that shaking the instrument in different orientations produces distinctly different sounds, allowing a single instrument to replace multiple oriented instruments.

Inventive Principle:
Principle #4Asymmetry

Solution Approach 2:

The sound production mechanism is extended from a single-dimensional approach (one type of shaking motion) to multi-dimensional approaches by incorporating different orientations (vertical, horizontal, diagonal shaking) and motion types (circular, linear, rotational shaking). This dimensional expansion allows multiple tones to be produced without adding complex mechanical components.

Inventive Principle:
Principle #17Another dimension (Dimensionality change)

Applied Scientific Principles

This section explains which scientific principles are used to turn an abstract innovation direction into a practical engineering solution.

Function Achieved in This Case

Enables the production of diverse sounds and rhythms through different striking techniques and orientations, enhancing musical expression and versatility.

Implementation Method 1

a coil spring positioned within the acoustic resonator and adapted to contact the rod. The coil spring provides a biasing force to the strikers

Methodology Applied
Scientific EffectElasticity: Elasticity

Implementation Method 2

At least one striker is positioned along the rod shaft and in the first resonance cavity or in the second resonance cavity

Methodology Applied
Scientific EffectImpact Force: Impact Force

Data Source

PatentUS11615770B2Percussive response unit
Publication Date: 2023.03.28 SNYDER ALAN T
  • US11615770B2 patent drawing
  • US11615770B2 patent drawing
  • US11615770B2 patent drawing

AI summary

A percussive response unit, and percussion instruments with same, including a rod having a rod shaft and a first retaining element, such a first head, disposed at a first rod end and having a first head width. At least a first striker set of at least one striker is disposed along a first portion of the rod shaft and is positionable near the first head. Each striker defines an opening that is larger than the outer diameter of the rod shaft to enable at least one direction of movement. A second retaining element such as a second head is connected to the second rod end to secure the first striker set on the rod shaft. Other embodiments include percussion instruments with multiple internal resonance cavities, internal resonance members, and internal and/or external strikers.