Multi-Dimensional Audio Recording System for Spatial Voice Movement

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Solution Overview

Problem

Current sound recording and playback technologies for film and video lack the ability to create the illusion of human voices moving within a three-dimensional sound space, as voices are typically confined to a central channel, limiting creative possibilities and requiring expensive re-mixing for language dubbing.

Innovation Solution

A multi-dimensional spatial recording system that captures and records the real-time position of sound sources and cameras in three-dimensional space, allowing for the manipulation and reproduction of sound movements, and automatically adjusts acoustic characteristics to match the original and playback environments.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Ease of manufacture

If voices are mapped to the central channel for easy language dubbing, then language adaptation becomes simple and cost-effective, but voices lose the ability to move within the three-dimensional sound space

Engineering Contradiction:
Improveease of language dubbingVSAvoidspatial movement of voices
Core Design Contradiction:
Ease of manufactureVSAdaptability or versatility

Solution Approach 1:

The audio signal is segmented into multiple independent channels (center, left, right, surround) with each channel carrying specific spatial information. Voice signals are routed to appropriate channels based on character position, enabling both easy dubbing (by modifying only center channel) and spatial movement (by adjusting multiple channels).

Inventive Principle:
Principle #1Segmentation

Solution Approach 2:

The system transitions from traditional 2D audio positioning (left-right stereo) to 3D spatial audio by adding depth dimension through surround channels and vertical positioning. Voice signals are positioned in three-dimensional space using multiple channels, allowing characters to move naturally while maintaining dubbing efficiency through channel-based processing.

Inventive Principle:
Principle #17Another dimension (Dimensionality change)

2Adaptability or versatility

If multiple microphones are used to capture spatial sound information, then voice movement in three-dimensional space is enabled, but device complexity and recording cost increase

Engineering Contradiction:
Improvespatial sound captureVSAvoidnumber of microphones and channels
Core Design Contradiction:
Adaptability or versatilityVSDevice complexity

Solution Approach 1:

Multiple microphone signals are merged and processed through a unified channel assignment system. Instead of treating each microphone independently, the system combines spatial information from multiple microphones and routes voice signals to appropriate output channels based on character position, reducing overall system complexity while maintaining spatial accuracy.

Inventive Principle:
Principle #5Merging (Combining)

Solution Approach 2:

The multi-channel recording system serves multiple functions simultaneously: it captures spatial position information, enables voice movement, provides surround sound effects, and facilitates easy language dubbing. This multi-functionality justifies the increased device complexity by delivering comprehensive spatial audio capabilities across different application scenarios.

Inventive Principle:
Principle #6Universality (Multi-functionality)

3Ease of operation

If voices are kept isolated in the center channel, then post-production editing becomes simpler, but the creative possibility of voice movement is completely lost

Engineering Contradiction:
Improvepost-production editingVSAvoidcreative limitation
Core Design Contradiction:
Ease of operationVSObject-generated harmful factors

Solution Approach 1:

The system transitions from static voice positioning (fixed in center channel) to dynamic positioning where voice signals can move freely through multiple channels based on character motion. During post-production, editors can dynamically adjust voice positions across channels to match visual action, maintaining editing simplicity while enabling creative voice movement.

Inventive Principle:
Principle #15Dynamics

Solution Approach 2:

The multi-channel audio system acts as an intermediary between the visual scene and the final soundtrack. Voice signals are routed through intermediate channels based on character position data, allowing editors to control voice movement indirectly through channel assignment rather than manually adjusting each audio parameter, thus maintaining ease of operation while enabling creative freedom.

Inventive Principle:
Principle #24Intermediary (Mediator)

Data Source

PatentUS11729571B2Systems, devices and methods for multi-dimensional audio recording and playback
Publication Date: 2023.08.15 CHINCHILLA RAFAEL
  • US11729571B2 patent drawing
  • US11729571B2 patent drawing
  • US11729571B2 patent drawing

AI summary

Systems and methods for recording and playback of multi-dimensional sound are described herein. The systems and methods may include positioning a plurality of multi-dimensional sound recording devices in a location and positioning a plurality of multi-dimensional sound recording sensors within the location. Then, acoustical footprint data can be generated. Next, recording positional data within the location utilizing the plurality of multi-dimensional sound recording devices may occur. The systems and methods may continue to generate spatial data utilizing the recorded positional data and store the generated acoustical footprint data and spatial data. An audio mix-down utilizing the stored acoustical footprint and spatial data is generated. Finally, a consumer-device audio track mix based on the audio mix-down can be generated. Further embodiments may also replace audio tracks to mimic the original recording conditions in other languages and environment. Playback may occur on a device that generates a profile of the playback area.