Video Editing Timeline Metadata Retention

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Solution Overview

Problem

In video post-production, combining video clips with different characteristics such as resolution, frame rate, and color gamut can introduce artifacts like color artifacts, motion artifacts, or undesired smoothness due to unnecessary resampling, which affects the quality of the final playback.

Innovation Solution

A content creation tool that utilizes dynamic metadata associated with each source clip to adjust settings correctly on a compatible display, minimizing resampling artifacts and enabling adaptive color settings, resolutions, and variable refresh rates, thereby improving the playback experience.

Engineering Contradictions & Design Principles

VSEngineering Contradiction Analysis

1Adaptability or versatility

If video clips with different characteristics (resolution, frame rate, color gamut) are combined in post-production, then content versatility and adaptability are improved, but resampling artifacts (color artifacts, motion artifacts, undesired smoothness) increase due to unnecessary resampling

Engineering Contradiction:
Improvecontent versatilityVSAvoidresampling artifacts
Core Design Contradiction:
Adaptability or versatilityVSObject-affected harmful factors

Solution Approach 1:

The system dynamically adjusts timeline settings (resolution, frame rate, color gamut) to match each video clip's native characteristics rather than using fixed settings. This allows the editing software to adapt automatically to different clip properties, eliminating unnecessary resampling while maintaining content versatility.

Inventive Principle:
Principle #15Dynamics

Solution Approach 2:

The invention changes the parameters of the timeline configuration based on the specific video clips being edited. By detecting clip characteristics and adjusting timeline settings accordingly, the system avoids forced resampling and maintains original clip quality while still allowing diverse content to be combined.

Inventive Principle:
Principle #35Parameter changes

2Ease of operation

If video clips are transformed to a common setting (resolution, frame rate, color space) during editing, then compatibility and ease of operation are improved, but quality degradation occurs due to unnecessary resampling

Engineering Contradiction:
ImprovecompatibilityVSAvoidvideo quality
Core Design Contradiction:
Ease of operationVSManufacturing precision

Solution Approach 1:

The system dynamically adjusts timeline settings to match each video clip's native characteristics rather than forcing all clips to a common setting. This maintains clip quality while still allowing diverse content to be combined through automatic adaptation.

Inventive Principle:
Principle #15Dynamics

Solution Approach 2:

The editing software automatically detects and adapts to the native settings of each video clip, performing self-adjustment without requiring manual intervention. This eliminates the need for forced transformation to common settings while maintaining compatibility through automatic parameter matching.

Inventive Principle:
Principle #25Self-service

Data Source

PatentUS12100426B2Video content creation tool and method
Publication Date: 2024.09.24 DOLBY LABORATORIES LICENSING CORP
  • US12100426B2 patent drawing
  • US12100426B2 patent drawing
  • US12100426B2 patent drawing

AI summary

A content-creation tool includes a processor and a memory. The processor is configured to receive a first video clip and a second video clip, a respective first and second metadata-item thereof being set to a respective first and second metadata-value. The memory stores video-editing software that includes a timeline interface and instructions that, when executed by the processor, control the processor to: add the first video clip to the timeline interface as a first timeline-track that retains the first metadata-value; add the second video clip to the timeline interface as a second timeline-track that retains the second metadata-value; and generate a frame sequence that includes a plurality of video frames. Each video frame is a frame of, or a frame derived from, one of (i) the first timeline-track, (ii) the second timeline-track, and (iii) a composited time-line-track composited from at least one of the first and second timeline-tracks.