Micro tremor ngu muscle energy training method for micro cough and non-cough

Abstract

The invention provides a microfibrillation ngu muscle energy sound training method for microcough, which comprises the following steps of: firstly, closing a high-quality sound mixing ratio source and a vocal cord so as to obtain a path of a high-frequency formant; and then external laryngeal muscles are relaxed by using a micro-tremor sound training mode, and finally sound training is carried out by using a micro-tremor type back nose hum sound training mode. The source of the high-quality mixed sound ratio is specifically as follows: when the cypripedium crenatum vitality is greater than the cymbidium crenatum vitality, the body hardness is greater than the cover hardness, and heavy sound, chest sound, local sound or heavy mixed sound is generated; when the vitality of the cymbidium muscle is enhanced and the cymbidium muscle is relaxed, the body strength is similar to the covered strength, and false sound, light sound or light mixed sound is generated. The sound practicing method can ensure that the sound practicing is always in a micro-sound, natural and loose occurrence state. And proper soft sound resonance aggregation and expansion are persisted. The optimal singing channel which can be effectively aggregated and moderately expanded is kept, and a referenced and tried sound practicing mode is provided for vocal music teaching.

Description

Technical Field

[0001] The invention belongs to the technical field of vocal training methods, and in particular relates to a method for training vocal music with micro-trembling ngu muscles that can slightly cough but not cough. Background Art

[0002] The micro-coughing without coughing is the perfect form of the glottal impact theory that has lasted for nearly two centuries. It stands out among many vocal theories. The concept of vocal cord closure in the history of European vocal development is actually the core view of Garcia's glottal impact theory and the cornerstone of the entire glottal impact theory. Moreover, the micro-coughing without coughing is an active choice in the history of vocal development. From a macroscopic perspective, the history of European vocal development can be roughly divided into three periods: primitive, religious, and bel canto, and bel canto can represent the level of professional vocal development. Among them, the history of bel canto development is about 400 years old. During the period, from the 17th to the 18th century until the beginning of the 19th century, the research on Baroque and classical vocal music was generally focused on straightening out the breath, and the research on resonance began to take off; starting from the beginning of the 19th century, romantic music flourished, and the virtuosity of large theater operas put forward higher requirements for resonance, and the resonance school came into being, and catastrophic vocal cord diseases caused by resonance frequently appeared; in the mid-19th century, the study of laryngeal organs marked by Garcia's glottal impact theory and the invention of laryngoscope began to rise, and the 20th century continued the vocal research with the laryngeal organs as the core, adding research on psychological, muscle energy and physical principles; in the 21st century, along the path of Garcia's glottal impact theory and laryngeal research, the study of psychological and physiological functions was integrated, forming a pattern of diversified research that penetrates and blends with each other.

[0003] Moreover, micro-coughing without coughing has been the focus of several major issues in vocal music teaching and research in recent years. Micro-coughing without coughing, in essence, is a concentrated and perfect form of the glottal impact theory. The glottal mixed voice school and the psychofunctional school in the 20th century directly or indirectly inherited the positive achievements therein. Especially in the early 21st century, with the glottal impact theory as the core, a multidisciplinary, diversified and international vocal music pattern with psychology, physiology, physics and other disciplines is taking shape. At the same time, several major and practical problems have also emerged in vocal music teaching and research in the new century, and their internal mechanisms are all focused on the core argument of micro-coughing without coughing. In summary, the main shortcomings are as follows: the work is supreme, and voice training is neglected; the volume is too loud, and the resonance is out of control; the characteristics are emphasized, and the unity of the pitch range is ignored; the air rush is low, and the bite is weak; the throat is tight and the voice is hard, and the performance is weak. The connection with the core idea of ​​micro-coughing without coughing is:

[0004] 1. The prerequisite for a slight cough is the closure of the vocal cords. To achieve effective vocal cord closure, there must be sufficient vocal cord function training.

[0005] 2. The volume emphasized in a slight cough is the glottal impact that is greater than the minimum volume of a whisper, that is, the aggregation and expansion of singing resonance that can be achieved by the minimum volume of effective vocal cord vibration.

[0006] 3. The successor of the micro-cough, the mixed voice school emphasizes the optimal light and heavy functional mixed voice ratio of each individual note in the full range.

[0007] 4. The second mouth dominated by micro-coughing is the oropharynx, which requires a five-level amplification mode from the vocal cords, ventricular folds, epiglottis, oropharynx, and orbicularis oris muscle. The core is that each level of amplification is based on effective aggregation and expansion, and the physiological and physical basis of aggregation and expansion is powerful, dexterous, and moderate bite force and outward force.

[0008] 5. Micro-coughing without coughing advocates a loose hyoid thyroid distance and hyoid thyroid muscle, adheres to the idea of ​​micro-coughing without coughing, and strengthens the training of micro-vowels under the premise of ensuring effective occlusion and expansion.

[0009] Based on this, a method of voice training using the ngu muscle with slight tremors without coughing was proposed. Summary of the invention

[0010] The technical problem to be solved by the present invention is to provide a method for voice training by using the ngu muscle to perform a slight tremor without coughing, in view of the deficiencies of the above-mentioned prior art, so as to solve the problems raised in the above-mentioned background technology.

[0011] In order to solve the above technical problems, the technical solution adopted by the present invention is: a method for training voice by slightly trembling ngu muscles without coughing, comprising the following steps:

[0012] First, improve the source of mixed voice and close the vocal cords to obtain the high-frequency resonance peak; then use the micro-tremolo voice training mode to relax the external laryngeal muscles, and finally train the voice through the micro-tremolo back nasal humming vowel voice training mode.

[0013] As a further explanation of the present invention, the source of high-quality mixed voice ratio is specifically as follows: when the activity of the thyroarytenoid muscle is greater than that of the cricothyroid muscle, the hardness of the body is greater than the hardness of the cover, resulting in heavy voice, chest voice, natural voice or heavy mixed voice; when the activity of the cricothyroid muscle is enhanced and the thyroarytenoid muscle is relaxed, the strength of the body and the strength of the cover are similar, producing falsetto, light voice, or light mixed voice.

[0014] As a further illustration of the present invention, vocal cord closure is accomplished through the cooperation of the arytenoid muscles and the arytenoid cricoid muscles.

[0015] As a further illustration of the present invention, the way to obtain high-frequency resonance peaks is completed through the transmission and filtering functions of the epiglottis muscle. Transmission is the third level of the five-level resonance aggregation and expansion of the vocal cords, ventricular cords, epiglottis, oropharynx, and orbicularis oris. Filtering is to form high-frequency resonance peaks by using the space between the curled epiglottis muscle and the vocal cords when the epiglottis muscle is open and closed.

[0016] As a further illustration of the present invention, the frequency of the high frequency resonance peak for males is 2600-2800 Hz, and the frequency of the high frequency resonance peak for females is 3000-3200 Hz.

[0017] As a further explanation of the present invention, the voice training mode of the micro-tremolo back nasal humming vowel is specifically to complete the aggregation and expansion voice training of the micro-voice ngu by transforming from micro-tremolo + nka to micro-tremolo + nga.

[0018] As a further explanation of the present invention, the aggregation and expansion of the micro-sound ngu is specifically that the micro-cough as a soft start sound is nka, and the no cough is nga.

[0019] Compared with the prior art, the present invention has the following advantages:

[0020] The voice training method of the present invention can ensure that the voice training is always in a micro-voice, natural and relaxed state. It insists on moderate soft start resonance aggregation and expansion. It maintains the best singing channel that can effectively aggregate and moderately expand, and provides a voice training mode that can be used as a reference and tried for vocal music teaching. DETAILED DESCRIPTION

[0021] The technical solutions in the embodiments of the present invention are described clearly and completely below. Obviously, the described embodiments are only part of the embodiments of the present invention, not all of the embodiments. Based on the embodiments of the present invention, all other embodiments obtained by ordinary technicians in this field without creative work are within the scope of protection of the present invention.

[0022] The present invention provides a technical solution: a method for training voice by slightly trembling the ngu muscle without coughing, characterized in that it comprises the following steps:

[0023] First, improve the source of mixed voice and close the vocal cords to obtain the high-frequency resonance peak; then use the micro-tremolo voice training mode to relax the external laryngeal muscles, and finally train the voice through the micro-tremolo back nasal humming vowel voice training mode.

[0024] Among them, the source of high-quality mixed voice ratio is specifically as follows: when the activity of the thyroarytenoid muscle is greater than that of the cricothyroid muscle, the hardness of the body is greater than the hardness of the tegmentum, producing heavy voice, chest voice, natural voice or heavy mixed voice; when the activity of the cricothyroid muscle is enhanced and the thyroarytenoid muscle is relaxed, the strength of the body and the strength of the tegmentum are similar, producing falsetto, light voice, or light mixed voice.

[0025] Vocal cord closure is accomplished through the cooperation of the arytenoid and arytenoid cricolateral muscles.

[0026] The way to obtain high-frequency resonance peaks is through the transmission and filtering functions of the epiglottis muscle. Transmission is the third level of the five-level resonance aggregation and expansion of the vocal cords, ventricular cords, epiglottis, oropharynx, and orbicularis oris. Filtering is to form high-frequency resonance peaks by using the space between the curled epiglottis muscle and the vocal cords when the epiglottis muscle is open and closed.

[0027] In this embodiment, the frequency of the high-frequency resonance peak for males is 2600-2800 Hz, and the frequency of the high-frequency resonance peak for females is 3000-3200 Hz.

[0028] The specific voice training mode of the micro-tremolo back nasal humming vowel is to complete the aggregation and expansion of the voice training of the micro-voice ngu through the transformation from micro-tremolo + nka to micro-tremolo + nga.

[0029] The specific coughing and uncoughing of the vowel a are as follows:

[0030] 1) Breathing: cough, a slight cough, a pictophonetic character, composed of the character for mouth and the sound of "hai", the original meaning of which refers to the laughter of a baby. It directly reflects the innocence of a baby, the deep breath control and the strict control of explosive power. It not only has the aesthetic pursuit of natural innocence in vocal psychology, but also has the support and application of breath in the Bel Canto School, and regards breathing as the basis of singing. It also includes the physiological principles and methods of breathing.

[0031] 2) Starting voice: slightly coughing but not coughing, slightly coughing with a weak and hard starting voice, no coughing with a soft starting voice, therefore slightly coughing but not coughing fully inherits the starting principles of traditional bel canto singing.

[0032] 3) Sound quality: Slight coughing without coughing, as a complete form of glottal impact theory, its core is effective vocal cord vibration based on good vocal cord closure, which can obtain a full, round, relaxed, bright, metallic, resonant and far-reaching sound quality, which fully inherits the most important and valuable characteristics of singing in the bel canto area.

[0033] 4) Unified vocal range: Through the study of the relationship between the thyroarytenoid muscle and the cricothyroid muscle involved in the micro-coughing and non-coughing, it is shown that the best mixed voice ratio can be obtained by properly adjusting the strength of the vocal cord body and the tactile cord, thereby obtaining a unified vocal range across the entire range. Therefore, the micro-coughing and non-coughing fully inherits the tradition of unified vocal range in traditional Bel Canto.

[0034] 5) Continuity: Through continuous coughing, the cough can be continued, thus inheriting the historical tradition of continuity of Bel Canto voice.

[0035] 6) Volume: Through the concept of slight coughing without coughing, the volume control tradition of Bel Canto singing is inherited.

[0036] 7) Tremolo: Through the concept of tremolo without coughing, it inherits the natural and relaxed timbre of early bel canto singing.

[0037] 8) Agility and flexibility: The timbre is comprehensively integrated through five dimensions: glottal impact, slight tremor, relaxation, naturalness, slight cough and no cough, which fully inherits the tradition of agile and flexible timbre of Bel Canto singing.

[0038] The sound of a slight cough is embodied: the vowel used at that time is a, the sound of a slight cough is ka, the sound of no cough is ga, and the soft sound is nka, or nga.

[0039] The aggregation and expansion of the micro-sound ngu is specifically that the micro-cough as a soft start is nka, and the no cough is nga.

[0040] The vocal training method in this embodiment can ensure that the vocal training is always in a micro-voice, natural, and relaxed state. It adheres to moderate soft start resonance aggregation and expansion. It maintains the best singing channel that can be effectively aggregated and moderately expanded, providing a vocal training model that can be used as a reference and tried for vocal music teaching.

[0041] It should be noted that, in this article, relational terms such as first and second, etc. are only used to distinguish one entity or operation from another entity or operation, and do not necessarily require or imply any such actual relationship or order between these entities or operations. Moreover, the terms "include", "comprise" or any other variants thereof are intended to cover non-exclusive inclusion, so that a process, method, article or device including a series of elements includes not only those elements, but also other elements not explicitly listed, or also includes elements inherent to such process, method, article or device.

[0042] Although embodiments of the present invention have been shown and described, it will be appreciated by those skilled in the art that various changes, modifications, substitutions and variations may be made to the embodiments without departing from the principles and spirit of the present invention, and that the scope of the present invention is defined by the appended claims and their equivalents.

Claims

1. A method for training voice by slightly trembling the ngu muscle without coughing, characterized in that: The following steps are involved: First, the source of high-quality mixed voice ratio is improved, and the vocal cords are closed, so as to obtain the high-frequency resonance peak; Then use the micro-tremolo voice training model to relax the external laryngeal muscles, and finally practice the voice through the micro-tremolo back nasal humming vowel voice training model.

2. The method for training voice by slightly trembling the ngu muscle without coughing according to claim 1, characterized in that: The specific sources of high-quality mixed voice ratio are: when the activity of the thyroarytenoid muscle is greater than that of the cricothyroid muscle, the hardness of the body is greater than the hardness of the tegmentum, resulting in heavy voice, chest voice, natural voice or heavy mixed voice; when the activity of the cricothyroid muscle is enhanced and the thyroarytenoid muscle is relaxed, the strength of the body and the strength of the tegmentum are similar, producing falsetto, light voice, or light mixed voice.

3. The method for training voice by slightly trembling the ngu muscle without coughing according to claim 1, characterized in that: Vocal cord closure is accomplished through the cooperation of the arytenoid and arytenoid cricolateral muscles.

4. The method for voice training of the ngu muscle with slight tremor without coughing according to claim 1, characterized in that: The way to obtain high-frequency resonance peaks is through the transmission and filtering functions of the epiglottis muscle. Transmission is the third level of the five-level resonance aggregation and expansion of the vocal cords, ventricular cords, epiglottis, oropharynx, and orbicularis oris. Filtering is to form high-frequency resonance peaks by using the space between the curled epiglottis muscle and the vocal cords when the epiglottis muscle is open and closed.

5. The method for voice training of the ngu muscle with slight tremor without coughing according to claim 4, characterized in that: The frequency of the high-frequency resonance peak is between 2600-2800 Hz for males and between 3000-3200 Hz for females.

6. The method for voice training of the micro-twitching ngu muscle energy without coughing according to claim 1, characterized in that: The specific voice training mode of the micro-tremolo back nasal humming vowel is to complete the aggregation and expansion of the voice training of the micro-voice ngu through the transformation from micro-tremolo + nka to micro-tremolo + nga.

7. The method for training voice by slightly trembling the ngu muscle without coughing according to claim 6, characterized in that: The aggregation and expansion of the micro-sound ngu is specifically that the micro-cough as a soft start is nka, and the no cough is nga.