A method and system for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms

Abstract

This invention discloses an infinite music generation method and system based on bidirectional spatiotemporal sequences and natural rhythms. Using 2026 as the base year (but not limited to 2026), it constructs a bidirectional infinite sequence with positive future and negative history based on infinite non-repeating mathematical constants, ensuring the uniqueness and non-repetition of music segments from the algorithmic root. It employs a unified and standardized digital-note mapping system, simultaneously compatible with numbered musical notation, international standard pitch names (CDEFGAB), and traditional Chinese gongche notation, achieving unified pitch mapping across multiple systems. The system automatically generates music and simultaneously incorporates distributed ledger (including blockchain), rights confirmation, anti-counterfeiting, traceability, and anti-duplication verification modules. The unique ID is compatible with dark media IDs, forming a closed-loop chain from generation to rights confirmation to authorization to operation. This invention addresses the pain points of existing music generation methods, such as insufficient scalability, difficulty in rights confirmation, susceptibility to infringement, low automation, and inconsistent pitch systems. It possesses strong novelty, creativity, and industrial applicability, enabling global-scale commercial operation.

Description

Technical Field

[0001] The present invention relates to the technical fields of music generation technology, mathematical sequence mapping, bidirectional time sequence control, natural rhythm quantization, intelligent music systems, intellectual property rights confirmation, anti-counterfeiting traceability, distributed ledger, and global ecological platform docking. Specifically, it relates to a music generation method and system that takes the benchmark year as the spatio-temporal anchor point and realizes infinite extension, never repeating, fully automatic rights confirmation and anti-counterfeiting based on infinite non-repeating mathematical constants and standardized multi-system pitch mapping rules. Background Art

[0002] The existing music generation technologies generally have the following defects: 1. Only support unidirectional time generation and cannot achieve two-way expansion of historical traceability and future continuation; 2. Lack of a unified, standardized, cross-system digital-note mapping rule, with poor compatibility; 3. Do not simultaneously support numbered musical notation, international standard pitch names (C D E F G A B), and traditional Gongche notation, with insufficient practicality; 4. Cannot guarantee the uniqueness of music from the algorithm root, and is prone to repetition, conflict, and circumvention; 5. Lack reliable rights confirmation, anti-counterfeiting, traceability, and distributed deposit mechanisms, with high property rights risks; 6. Have a low degree of automation, require a large amount of manual intervention, and are difficult to be applied on a large scale and industrially; 7. Cannot form a closed loop with the global ecological platform, with weak commercial extensibility; The present invention addresses all these defects by constructing a four-layer technical closed loop of method + system + rights confirmation and anti-counterfeiting + ecological operation to form a complete intellectual property barrier. Summary of the Invention

[0003] I. Core Innovation Points 1. Bidirectional Spatio-Temporal Sequence Architecture Taking 2026 as the benchmark year (which can be extended to any year), construct a positive future + negative history bidirectional infinite mathematical sequence, with the melody extending permanently and never repeating. Among them, the positive future melody can be expressed with high-pitched timbres, and the negative history melody can be expressed with low or double-low pitched timbres to achieve spatio-temporal emotional differentiation; 2. Unified Standardized Pitch Mapping System Establish a unique mapping between the numbers 0-9 and multi-system pitches: 0: Rest / Empty beat 1 = Do = C = He 2 = Re = D = Si 3 = Mi = E = Yi 4 = Fa = F = Shang 5 = Sol = G = Chi 6 = La = A = Gong 7 = Si = B = Fan 8: Middle Tone Group Identifier 9: High Tone Group Identifier Simultaneously compatible with three major systems: numbered musical notation, international pitch names, and Gongche notation, also compatible with modern musical temperament and traditional embellishment styles, covering the complete heptatonic scale: Do Re Mi Fa Sol La Si / C D E F G A B; 3. Mathematical Operations Drive Melody Generation Adopt standardized operations such as offset, rounding, modulo, piecewise function, sequence transformation, addition and subtraction operations, mapping function, and positive and negative sequence transformation to map the digital sequence to melody parameters such as pitch, duration, dynamics, speed, and timbre; The infinite mathematical constants used include pi (π), the natural constant e, the golden ratio φ, and other infinite non-repeating constants; 4. Natural Rhythm Quantification and Fusion Convert natural rhythms such as the four seasons, solar terms, tides, sun and moon, and meteorology into music dynamics, speed, and timbre parameters to enhance artistry and uniqueness; 5. Fully Automatic Right Confirmation, Bookkeeping, Anti-Counterfeiting, and Traceability System Includes: Unique ID Generation (compatible with dark media ID) Distributed Bookkeeping Unit (including blockchain) Anti-Counterfeiting Code Generation Unit Anti-Duplication Global Verification Unit Full Lifecycle Right Confirmation Tracking Unit Right confirmation, bookkeeping, anti-counterfeiting, anti-duplication, and traceability are all automatically executed throughout the process without manual operation; 6. Global Ecological Platform Docking Natively supports seamless docking with the global ecological platform, realizes a complete commercial closed-loop of global music distribution, authorization, settlement, right confirmation, and operation, and can be applied to all-field scenarios such as personal commemoration, government cultural activities, brand commercial use, film and television scoring, cultural and tourism performances, digital art, smart devices, and AI music platforms.

[0004] II. Complete Technical Solution The present invention discloses an infinite music generation method based on bidirectional spatio-temporal sequences and natural rhythms, including the following steps: (1) Taking 2026 as the reference base year and not limited to 2026, construct a bidirectional infinite mathematical constant sequence of positive future and negative history, and the generated music fragments are unique and never repeat; (2) Using the standardized digital-pitch mapping rule, 0-9 are mapped as follows: 0 is a rest, 1=Do=C=He, 2=Re=D=Si, 3=Mi=E=Yi, 4=Fa=F=Shang, 5=Sol=G=Chi, 6=La=A=Gong, 7=Si=B=Fan, 8 is the middle group, and 9 is the high group; (3) Convert the digital sequence into melodic parameters through mathematical operations such as offset, rounding, modulo, piecewise function, and sequence transformation; (4) Music can be generated infinitely based on a two-way time axis; (5) Quantify and map natural rhythms into musical dynamics, tempo, and timbre parameters; (6) Complete music generation, modular management and commercial licensing.

[0005] In this invention, positive future melodies use high-pitched timbre, while negative historical melodies use low / double low-pitched timbre, thus achieving temporal and spatial emotional differentiation.

[0006] Mathematical operations include, but are not limited to, addition, subtraction, offset, rounding, modulo, piecewise functions, mapping functions, and positive and negative sequence transformations.

[0007] Infinite mathematical constants include pi (π), the natural constant e, the golden ratio φ, and other infinite non-repeating constants.

[0008] The method fully covers the seven-tone scale: Do Re Mi Fa Sol La Si / CDEFGAB.

[0009] It is compatible with modern musical scales, traditional gongche notation, and traditional embellishment styles.

[0010] It is suitable for all fields of application, including personal commemoration, government cultural activities, brand commercial use, film and television scores, cultural tourism performances, digital art, smart devices, and AI music platforms.

[0011] This invention also discloses an infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms, which implements the above method and includes: a spatiotemporal reference module, a parameter configuration module, a core operation module, an automatic generation module, a control output module, and a modular authorization module.

[0012] The system can automatically generate music based on year, solar term, time point, mathematical function, and music style, without the need for manual calculation and mapping.

[0013] The system is compatible with modern pitch systems, traditional gongche notation, and traditional embellishment styles, and can automatically switch and adapt.

[0014] The system also includes a rights confirmation, accounting, and anti-counterfeiting traceability module, which includes: a unique ID generation unit, a distributed ledger unit (including blockchain), an anti-counterfeiting code unit, an anti-duplicate verification unit, and a rights confirmation tracking unit; among which the unique ID is compatible with dark media ID.

[0015] The entire process of confirming ownership, bookkeeping, anti-counterfeiting, anti-duplicate, and traceability is executed automatically without manual operation.

[0016] The system can seamlessly connect to the global ecosystem platform to achieve a complete business loop of global music distribution, licensing, settlement, rights confirmation, and operation. Beneficial effects

[0017] 1. It features a pioneering two-way spatiotemporal structure that can extend infinitely into the past and future, breaking through the limitations of one-way spacetime. 2. Based on an infinite non-repeating constant, the algorithm ensures that the music will never repeat. 3. Establish a unified and standardized mapping system that is compatible with numbered musical notation, International Pitch Names, and Gongche notation; 4. Supports mid-range and high-range zones, with a complete and standardized pitch system, allowing for direct playback to the final product; 5. Quantitative integration of natural rhythms, combining artistry with technical standardization; 6. Compatible with distributed ledger (including blockchain) + unique ID + dark media ID, ensuring trustworthy and tamper-proof ownership verification; 7. Fully automated process, suitable for industrial-scale commercial application; 8. A multi-layered patent protection structure makes infringement difficult to circumvent; 9. It natively connects with ecosystem platforms, forming a global business closed loop, which is of extremely high value. Attached Figure Description

[0018] Figure 1 Overall system architecture diagram; Figure 2 Flowchart for bidirectional spatiotemporal sequence generation; Figure 3 Natural rhythm—mathematics—music mapping diagram; Figure 4 Block diagram of a fully automated music generation system; Figure 5 Flowchart of distributed ownership confirmation ledger and anti-counterfeiting traceability operation. Detailed Implementation

[0019] Example 1: Personalized Commemorative Music Generation Users input their birth date as the base year, corresponding zodiac sign and solar term, and personal preferred style. The system then initiates anti-duplicate verification, automatically completes calculations to generate personalized music, and simultaneously generates a unique ID (which can be connected to dark media IDs), ownership confirmation and accounting records, and a unique anti-counterfeiting code. The generated information is recorded, and the system automatically connects to the ecosystem platform to realize personal music storage and sharing. The entire process requires no manual operation, the ownership is clear, and the source can be permanently traced.

[0020] Example 2: Enterprise Commercial Music Licensing Generation Enterprises can input their brand's establishment year, usage scenarios, and authorization period into the system. The system will automatically generate exclusive brand music, assign a unique ID to the enterprise, record the scope of authorization and usage period, generate a commercial anti-counterfeiting code, automatically record and confirm rights, and simultaneously connect to the ecosystem platform to complete authorization filing and commercial settlement. Enterprises can use the music in compliance with regulations, and any use beyond their authorized permissions can be tracked in real time.

[0021] Example 3: Batch generation of seasonal cultural and tourism music The system automatically generates corresponding theme music according to the 24 solar terms. Each piece of music generates a unique ID and anti-counterfeiting code, automatically records generation parameters and solar term information to avoid duplicate generation, and all music has clear property rights. It can be connected to global cultural and tourism clients in batches through the ecosystem platform to achieve rapid authorization and commercial monetization.

[0022] Example 4: Generation of Historical / Future Symphonic Music By selecting positive and negative bidirectional time axes and corresponding natural rhythm parameters, the system automatically generates long symphonic music, simultaneously completes the confirmation of rights and accounting, generates a unique identifier ID, and binds an anti-counterfeiting code. It can be used for large-scale cultural tourism performances and film and television scores, and relies on the ecological platform to connect global film and television and cultural tourism clients. The property rights are clear and the rights protection is based on evidence.

Claims

1. A method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms, characterized in that, Includes the following steps: (1) Using 2026 as the base year but not limited to 2026, construct a bidirectional infinite mathematical constant sequence with positive future and negative history. The generated music fragments are unique and never repeat. (2) Using the standardized digital-pitch mapping rule, 0-9 are mapped as follows: 0 is a rest, 1=Do=C=He, 2=Re=D=Si, 3=Mi=E=Yi, 4=Fa=F=Shang, 5=Sol=G=Chi, 6=La=A=Gong, 7=Si=B=Fan, 8 is the middle group, and 9 is the high group; (3) Convert the digital sequence into melodic parameters through mathematical operations such as offset, rounding, modulo, piecewise function, and sequence transformation; (4) Music can be generated infinitely based on a two-way time axis; (5) Quantify and map natural rhythms into musical dynamics, tempo, and timbre parameters; (6) Complete music generation, modular management and commercial licensing.

2. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, Positive future melodies use high-pitched timbres, while negative historical melodies use low / double low-pitched timbres to differentiate between temporal and spatial emotions.

3. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, Mathematical operations include, but are not limited to, addition, subtraction, offset, rounding, modulo, piecewise functions, mapping functions, and positive and negative sequence transformations.

4. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, Infinite mathematical constants include pi (π), the natural constant e, the golden ratio φ, and other infinite non-repeating constants.

5. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, Fully covers the seven-tone scale: Do Re Mi Fa Sol La Si / CDEFGAB.

6. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, It is compatible with modern musical scales, traditional gongche notation, and traditional embellishment styles.

7. The method for generating infinite music based on bidirectional spatiotemporal sequences and natural rhythms according to claim 1, characterized in that, It is suitable for all fields of application, including personal commemoration, government cultural activities, brand commercial use, film and television scoring, cultural tourism performances, digital art, smart devices, and AI music platforms.

8. An infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms, characterized in that, Implementing the method of any one of claims 1–7 includes: a spatiotemporal reference module, a parameter configuration module, a core operation module, an automatic generation module, a control output module, and a modular authorization module.

9. The infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms according to claim 8, characterized in that, It can automatically generate music based on year, solar term, time point, mathematical function, and music style, without the need for manual calculation and mapping.

10. The infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms according to claim 8, characterized in that, It is compatible with modern pitch systems, traditional gongche notation, and traditional embellishment styles, and can automatically switch and adapt.

11. The infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms according to claim 8, characterized in that, It also includes a rights confirmation, accounting, and anti-counterfeiting traceability module, which includes: a unique ID generation unit, a distributed ledger unit (including blockchain), an anti-counterfeiting code unit, an anti-duplicate verification unit, and a rights confirmation tracking unit; among which the unique ID is compatible with dark media ID.

12. The infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms according to claim 11, characterized in that, The entire process of confirming ownership, bookkeeping, anti-counterfeiting, anti-duplicate, and traceability is executed automatically without manual operation.

13. The infinite music generation system based on bidirectional spatiotemporal sequences and natural rhythms according to claim 8, characterized in that, It can seamlessly connect to the entire ecosystem platform to achieve a complete business loop of global music distribution, licensing, settlement, rights confirmation, and operation.

Images