Method and system for contest administration

Abstract

Disclosed herein are methods and systems for administering a contest comprising a computer system, the computer system further comprising at least one processor, a graphical user interface, and a computer-usable medium embodying computer program code, the computer-usable medium capable of communicating with the at least one processor, the computer program code comprising instructions executable by the at least one processor and configured for initiating a contest, accepting submissions for the contest, and identifying a winner of the contest.

Description

METHOD AND SYSTEM FOR CONTEST ADMINISTRATIONCROSS REFERENCE TO RELATED PATENT APPLICATION

[0001] This application claims the priority and benefit under 35 U.S.C. §1 19(e) of U.S. Provisional Patent Application Serial No. 63 / 667,397 filed July 3, 2024, entitled “METHOD AND SYSTEM FOR CONTEST ADMINISTRATION.” U.S. Provisional Patent Application Serial Number 63 / 667,397 is herein incorporated by reference in its entirety.TECHNICAL FIELD

[0002] Embodiments are generally related to the field of computer systems. Embodiments are also related to the field of computer applications. Embodiments are further related to publishing art. Embodiments are further related to rights management for musical works, sound recordings, performance rights, reproduction / mechanical rights, sync rights, and master recording rights. Embodiments are further related to artist booking. Embodiments are further related to facilitating talent hiring. Embodiments are further related to live streaming. Embodiments are further related to artist matchmaking. Embodiments are further related to the field of computer devices and mobile devices used for administering contests. Embodiments are also related to methods, systems, and devices for administering contests related to the arts.BACKGROUND

[0003] Traditional marketing tools such as print advertisements, television commercials, and radio spots have long been staples of brand promotion strategies. However, these methods have become increasingly costly and often less effective in the digital age. The high costs associated with producing and distributing traditional media can significantly impact marketing budgets, especially when the reach and engagement of these mediums are declining. Audiences today are more fragmented, and traditional media often fails to capture the targeted, interactive engagement that digital platforms offer.

[0004] In contrast, the trend has shifted towards internet marketing and social media marketing, which provide more cost-effective and measurable ways to reach consumers. Digital platforms allow for precise targeting based on demographics, interests, and behaviors, enabling brands to tailor their messaging directly to the intended audience. Social media platforms in particular, offer the dual advantage of wide reach and the ability to engage directly with consumers through comments, shares, and likes. This interaction not only enhances customer engagement but also boosts brand visibility more organically through viral sharing. The real-time feedback and analytics provided by digital marketing tools offer invaluable insights into campaign performance, making it easier for brands to adjust strategies and optimize spending. This shift is driven by a changing consumer landscape where digital connectivity plays a crucial role in daily interactions and decision-making processes.

[0005] However, reaching the right target audience and attaining global reach is challenging for brands despite the abundance of social media marketing platforms due to several factors:

[0006] First, the digital landscape is cluttered with an overwhelming amount of content across social media platforms, creating a highly competitive environment where it becomes increasingly difficult for brands to capture the attention of their intended audience. Users are constantly bombarded with information, and to stand out, brands must deploy highly strategic and engaging content that not only captures attention but also holds it, making a lasting impression that could lead to brand loyalty and customer retention.

[0007] Additionally, the frequent updates to the algorithms that govern what users see on their feeds can disrupt well-established marketing strategies. These platforms often change their algorithms to improve the user experience or adjust their own revenue models, but this can result in significant variability in how and when content is shown to users. Brands may find their previously successful content suddenly losing reach, forcing them to continuously adapt their strategies to these changes.

[0008] The challenge is compounded when considering the diversity of audiences across different platforms. Each social media platform tends to cater to specific demographics and interests, and a marketing message that resonates on one platform might fall flat on another. Brands are tasked with crafting tailored messages for each platform, which not only requires a deep understanding of the audience but also the ability to maintain a consistent brand voice across multiple channels. This juggling act is not only complex but also resource intensive.

[0009] User fatigue with advertisements is another significant hurdle. With users increasingly showing signs of irritation or disinterest in ads, engagement rates can drop. Brands must innovate continuously to keep their content fresh and engaging to combat this ad fatigue. This might include using newer formats like stories or interactive content, which can renew interest and engagement.

[0010] When targeting a global audience, the importance of understanding and respecting cultural differences becomes paramount. What is effective and appropriate in one culture might be ineffective or offensive in another. Brands aiming for global reach must carefully navigate these cultural nuances to ensure that their marketing messages are well-received across different regions, which involves a lot of research and sometimes localization of content.

[0011] Despite the cost-effectiveness of social media compared to traditional media, competing on a global scale, especially against established brands, can require substantial financial investment. This includes spending on market research, high-quality content creation, and targeted advertising campaigns, which can strain budgets, particularly for smaller or newer brands.

[0012] The abundance of available data from social media platforms also presents a challenge in measurement and analysis. Determining which metrics effectively indicate success and inform strategic decisions requires sophisticated analytical tools and expertise, which may not be readily available to all brands.

[0013] Lastly, increasing privacy concerns and stringent data regulations such as the GDPR impact how brands can collect and utilize data, crucial for personalizing marketingefforts and improving engagement. These regulations necessitate a more cautious approach to data handling, often complicating direct marketing efforts.

[0014] For brands to navigate these multifaceted challenges successfully, they need to be adaptable, deeply understand the specific nuances of each platform and its audience, and be willing to invest in creating genuinely engaging and valuable content that resonates with users across the globe.

[0015] At the same time, the rise of the digital era presents both challenges and opportunities within the creative arts sector. Reaching the right target audience and attaining global reach presents unique challenges for artists, including musicians, dancers, actors, models, painters, and photographers, despite the plethora of social media platforms. The accessibility of social media has democratized the ability for artists to share their work, but this has also led to an explosion in the number of creators on these platforms. As a result, the digital landscape is now highly saturated, making it exceedingly difficult for individual artists to stand out among a sea of talented peers. The competition not only pushes artists to refine their skills but also to innovate continually in how they present and promote their work.

[0016] Many artists create work that appeals to specific, often niche audiences. This specialization can enhance the depth of connection with their audience but simultaneously narrows the potential reach of their work. Expanding their audience without compromising their artistic integrity or diluting their unique voice is a delicate balance to strike. This challenge is intensified by the mechanics of social media algorithms, which are designed to prioritize content based on user engagement and other metrics that might not naturally align with how artistic content is typically consumed. These algorithms can often obscure artistic content, making it harder for artists to reach viewers without strategic adjustments to how and when they post.

[0017] The resource constraints faced by many artists can further complicate these challenges. Effective social media marketing requires not only artistic creativity but also a certain level of proficiency with digital marketing tools and techniques such as search engineoptimization, data analytics, and targeted advertising. Many artists, who prefer to focus on their creative output, find themselves needing to develop these new skills or incur significant expenses to hire professionals, which might not be feasible.

[0018] Moreover, the demand for consistency on social media platforms can clash with the inherently sporadic nature of creative work. Artists are often encouraged to post regularly to maintain visibility; however, high-quality creative projects require time and cannot always be aligned with the frequent posting schedules favored by these platforms. This pressure can stifle the creative process or lead artists to post less thoughtful content, which may diminish their brand.

[0019] Addressing global audiences introduces additional complexities, particularly with cultural and regional sensitivities. Art often conveys themes or messages that are culturally specific, and what resonates well in one region may be misunderstood or even offensive in another. Artists aiming for global reach must be acutely aware of these differences and may need to adapt their work or its presentation to accommodate diverse audiences without compromising their artistic vision.

[0020] Intellectual property concerns also loom large for many artists on social media. The open nature of these platforms, while facilitating broad dissemination of content, also exposes artists to the risk of having their work copied or used without proper authorization. This risk can deter artists from sharing their best or most innovative work, limiting their ability to gain recognition and build a following.

[0021] The dynamics of social media engagement require that artists not only create but also actively engage with their followers. This can be a double-edged sword: while engagement can build a loyal audience and foster a community around an artist's work, it also demands significant time and energy. This time spent engaging with followers is time not spent creating new art, potentially hindering the artist's ability to produce new work.

[0022] Accordingly, a need exists in the art for methods and systems for addressing these issues, as further detailed herein.SUMMARY

[0023] The following summary is provided to facilitate an understanding of some of the innovative features unique to the embodiments disclosed and is not intended to be a full description. A full appreciation of the various aspects of the embodiments can be gained by taking the entire specification, claims, drawings, and abstract as a whole.

[0024] It is, therefore, one aspect of the disclosed embodiments to provide improved methods and systems for publishing art in various forms.

[0025] Embodiments are further related to the field of computer devices and mobile devices used for administering contests.

[0026] Embodiments are also related to methods, systems, and devices for administering contests related to the arts.

[0027] It is another aspect of the disclosed embodiments to provide a method, system, and apparatus for computer devices and mobile devices used for right management for musical works, sound recordings, performance rights, reproduction / mechanical rights, sync rights, and master recording rights.

[0028] It is another aspect of the disclosed embodiments to provide methods, systems, devices, and apparatuses for artist booking.

[0029] It is another aspect of the disclosed embodiments to provide methods, systems, and devices to facilitate talent hiring.

[0030] It is another aspect of the disclosed embodiments to provide methods, systems, and devices for live streaming media content.

[0031] It is another aspect of the disclosed embodiments to provide methods, systems, and devices for live artist matchmaking.

[0032] It is another aspect of the disclosed embodiments to provide methods, systems, and devices for administering contests related to the arts in various forms.

[0033] In certain embodiments, a computer-implemented system and method for brand marketing that leverages creative arts to address the challenges of global brand recognition, brand awareness, and engagement is disclosed. The embodiments enhances brand visibility by offering talent competitions in the creative arts, where content submitted for brand- sponsored competitions overlays brand logos for continued brand recognition. The embodiments further enable artists to set up profiles and participate in competitions in the visual, performing, and literary arts and submit content.

[0034] The embodiments can provide a selectable multilingual user interface to eliminate barriers in global brand promotion, enabling a broader market reach. Aspects may include a communication module that enables brands, artists, and fans to connect, facilitating talent discovery, promotion, and engagement.

[0035] Embodiments may further include modules for user-generated content submission and visual display of audio, video, images, and text leveraging machine learning algorithms and artificial intelligence to analyze and identify inappropriate or harmful content across various media types.

[0036] The embodiments can provide personalized recommendations that tailors content suggestions based on user preferences and interests. Leveraging methods and machine learning, the embodiments can analyze user behavior, content interactions, and profile information. By identifying patterns and trends, the embodiments deliver highly relevant recommendations, ensuring users discover content that aligns with their tastes. Whether in the visual, performing, or literary arts, users receive suggestions that match their interests. This personalized approach enhances user engagement and satisfaction, fostering a deeper connection with the system and encouraging ongoing participation in competitions and community.

[0037] In an embodiment a number of embodiments, preferred and alternative, aredisclosed herein. In an embodiment, a system comprises a computer system, the computer system further comprising: a memory configured to store a set of contest parameters configured to produce a contest when executed, a communication connection, a processor configured to generate a contest according to the set of contest parameters when executed, using the communication connection to receive data representing at least one submission for the contest, using the communication connection to receive data representing judging scores for the submissions for the contest, using the communication connection to receive data representing tokens of appreciation for the submissions for the contest, and generating, by the processor, a winner of the contest. In an embodiment, generating the contest further includes producing a graphical user interface configured to identify the subject matter of the contest, and storing, in the memory, a judging parameters associated with subject matter of the contest for the contest. In an embodiment, the subject matter of the contest comprises one of music, film, fashion, dance, art, and photography. In an embodiment, the system further comprises using the communication connection to receive data representing fan nominations for at least one submission for the contest. In an embodiment, the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified. In an embodiment, the system further comprises using the communication connection to receive data representing comments on a forum. In an embodiment, the forum is configured to accept input indicating a topic of a post and to accept a search query. In an embodiment, the forum is configured to publicly output data representing comments on the forum. In an embodiment, the system further comprises using the communication connection to receive data representing payment for tokens of appreciation and using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation. In an embodiment, the system further comprises using the communication connection to receive data for registration of an account associated with a user. In an embodiment, the system further comprises using the communication connection to receive data for booking an act associated with an account associated with a user. In an embodiment, the system further comprises using the communication connection to receive data for following an account associated with a user.

[0038] In an embodiment, the computer implemented method comprises storing a set of contest parameters configured to produce a contest on a memory associated with a computer, generating a contest according to the set of contest parameters with the computer system, using the communication connection to receive data representing at least one submission for the contest, using the communication connection to receive data representing judging scores for the submissions for the contest, using the communication connection to receive data representing tokens of appreciation for the submissions for the contest, and identifying a winner of the contest with the computer system. In an embodiment, the computer implemented method further comprises producing a graphical user interface configured to identify the subject matter of the contest, and storing, in the memory, a judging parameters associated with subject matter of the contest for the contest. In an embodiment, the subject matter of the contest comprises one of music, film, fashion, dance, art, and photography. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing fan nominations for at least one submission for the contest. In an embodiment, the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing comments on a forum, wherein the forum is configured to accept input indicating a topic of a post and to accept a search query, and wherein the forum is configured to publicly output data representing comments on the forum. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing payment for tokens of appreciation, using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation, using the communication connection to receive data for registration of an account associated with a user, using the communication connection to receive data for booking an act associated with an account associated with a user, and using the communication connection to receive data for following an account associated with a user.

[0039] In an embodiment, a system comprises a computer system, the computer system further comprising at least one processor, a graphical user interface, and a computer-usablemedium embodying computer program code, the computer-usable medium capable of communicating with the at least one processor, the computer program code comprising instructions executable by the at least one processor and configured for initiating a contest, accepting at least one submission for the contest, accepting judges scores or tokens of appreciation relating to each of the at least one submission for the contest, and identifying a winner of the contest.

[0040] BRIEF DESCRIPTION OF THE FIGURES

[0041] The accompanying figures, in which like reference numerals refer to identical or functionally similar elements throughout the separate views and which are incorporated in and form a part of the specification, further illustrate the embodiments and, together with the detailed description, serve to explain the embodiments disclosed herein.

[0042] FIG. 1 illustrates a block diagram of a system for administering a contest, in accordance with the disclosed embodiments;

[0043] FIG. 2 provides a flow chart illustrating steps associated with content delivery, in accordance with the disclosed embodiments;

[0044] FIG. 3A illustrates aspects of a content module, in accordance with the disclosed embodiments;

[0045] FIG. 3B illustrates content explore pages for sample art categories; in accordance with the disclosed embodiments;

[0046] FIG. 3C illustrates a category main page (music) example, in accordance with the disclosed embodiments;

[0047] FIG. 3D illustrates a content display / video player (music) example, in accordance with the disclosed embodiments;

[0048] FIG. 4A illustrates aspects of an artist’s module, in accordance with the disclosed embodiments;

[0049] FIG. 4B illustrates an all artists view for discovery and exploration example interface, in accordance with the disclosed embodiments;

[0050] FIG. 4C illustrates an artist public profile example interface, in accordance with the disclosed embodiments;

[0051] FIG. 4D illustrates an artist public profile - music page example interface, in accordance with the disclosed embodiments;

[0052] FIG. 5A illustrates aspects of discussion forums which can be structured to facilitate organized and meaningful interactions among users, in accordance with the disclosed embodiments;

[0053] FIG. 5B illustrates a discussion forum - dance example interface, in accordance with the disclosed embodiments;

[0054] FIG. 6 illustrates aspects of a marketplace module, in accordance with the disclosed embodiments;

[0055] FIG. 7A illustrates aspects of competition administration, in accordance with the disclosed embodiments;

[0056] FIG. 7B illustrates a competition listing example interface, in accordance with the disclosed embodiments;

[0057] FIG. 8A illustrates aspects of the criteria used for judging music competitions, in accordance with the disclosed embodiments;

[0058] FIG. 8B illustrates aspects of the criteria used for judging film competitions, in accordance with the disclosed embodiments;

[0059] FIG. 80 illustrates aspects of the criteria used for judging fashion competitions, in accordance with the disclosed embodiments;

[0060] FIG. 8D illustrates aspects of the criteria used for judging dancing competitions, in accordance with the disclosed embodiments;

[0061] FIG. 8E illustrates aspects of the criteria used for judging music competitions, in accordance with the disclosed embodiments;

[0062] FIG. 8F illustrates aspects of the criteria used for judging photograph competitions, in accordance with the disclosed embodiments;

[0063] FIG. 8G illustrates an exemplary judges scoring panel interface, in accordance with the disclosed embodiments;

[0064] FIG. 8H illustrates an exemplary view of entries submitted to a competition, rounds, scores, nominations, and medelz awarded, in accordance with the disclosed embodiments;

[0065] FIG. 81 illustrates an exemplary winner artist announcement interface, in accordance with the disclosed embodiments;

[0066] FIG. 9 illustrates aspects of the content upload process, in accordance with the disclosed embodiments;

[0067] FIG. 10 illustrates aspects of image file processing, in accordance with the disclosed embodiments;

[0068] FIG. 1 1 illustrates aspects of audio file processing, in accordance with the disclosed embodiments;

[0069] FIG. 12 illustrates aspects of video file processing, in accordance with the disclosed embodiments;

[0070] FIG. 13 illustrates steps associated with a login process, in accordance with the disclosed embodiments;

[0071] FIG. 14A illustrates steps associated with a registration process, in accordance with the disclosed embodiments;

[0072] FIG. 14B illustrates additional steps associated with a registration process, in accordance with the disclosed embodiments;

[0073] FIG. 14C illustrates an exemplary registration interface, in accordance with thedisclosed embodiments;

[0074] FIG. 15A illustrates steps associated with purchasing and awarding tokens of appreciation (also referred to as “Medelz”), in accordance with the disclosed embodiments;

[0075] FIG. 15B illustrates an exemplary reward token (Medelz) interface, in accordance with the disclosed embodiments;

[0076] FIG. 16 illustrates steps associated with purchasing tokens of appreciation (“Medelz”), in accordance with the disclosed embodiments.

[0077] FIG. 17 illustrates aspects of a chat function, in accordance with the disclosed embodiments;

[0078] FIG. 18 illustrates steps associated with notifications and updates, in accordance with the disclosed embodiments;

[0079] FIG. 19 illustrates steps associated artist booking, in accordance with the disclosed embodiments;

[0080] FIG. 20 illustrates steps associated with following and unfollowing users, in accordance with the disclosed embodiments;

[0081] FIG. 21 A illustrates steps for designating and removing favorites, in accordance with the disclosed embodiments;

[0082] FIG. 21 B illustrates an exemplary favorites interface, in accordance with the disclosed embodiments;

[0083] FIG. 21 C illustrates an exemplary connections interface, in accordance with the disclosed embodiments;

[0084] FIG. 21 D illustrates an additional exemplary connections interface, in accordance with the disclosed embodiments;

[0085] FIG. 22 illustrates an exemplary block diagram of modules associated with a system for administering a contest, in accordance with the disclosed embodiments;

[0086] FIG. 23 depicts a block diagram of a computer system which can be implemented, in accordance with the disclosed embodiments;

[0087] FIG. 24 depicts a graphical representation of a network of data-processing devices in which aspects of the present embodiments may be implemented; and

[0088] FIG. 25 depicts a computer software system for directing the operation of the data- processing system depicted in FIG. 23, in accordance with an example embodiment.DETAILED DESCRIPTION

[0089] The particular values and configurations discussed in the following non-limiting examples can be varied, and are cited merely to illustrate one or more embodiments and are not intended to limit the scope thereof.

[0090] Example embodiments will now be described more fully hereinafter, with reference to the accompanying drawings, in which illustrative embodiments are shown. The embodiments disclosed herein can be embodied in many different forms and should not be construed as limited to the embodiments set forth herein; rather, these embodiments are provided so that this disclosure will be thorough and complete, and will fully convey the scope of the embodiments to those skilled in the art. Like numbers refer to like elements throughout.

[0091] The terminology used herein is for the purpose of describing particular embodiments only and is not intended to be limiting. As used herein, the singular forms "a", "an", and "the" are intended to include the plural forms as well, unless the context clearly indicates otherwise. It will be further understood that the terms "comprises" and / or "comprising," when used in this specification, specify the presence of stated features, integers, steps, operations, elements, and / or components, but do not preclude the presence or addition of one or more other features, integers, steps, operations, elements, components, and / or groups thereof.

[0092] Throughout the specification and claims, terms may have nuanced meanings suggested or implied in context beyond an explicitly stated meaning. Likewise, the phrase “in one embodiment” as used herein does not necessarily refer to the same embodiment and the phrase “in another embodiment” as used herein does not necessarily refer to a different embodiment. It is intended, for example, that claimed subject matter include combinations of example embodiments in whole or in part.

[0093] Unless otherwise defined, all terms (including technical and scientific terms) used herein have the same meaning as commonly understood by one of ordinary skill in the art. Itwill be further understood that terms, such as those defined in commonly used dictionaries, should be interpreted as having a meaning that is consistent with their meaning in the context of the relevant art and will not be interpreted in an idealized or overly formal sense unless expressly so defined herein.

[0094] It is contemplated that any embodiment discussed in this specification can be implemented with respect to any method, kit, or composition of the invention, and vice versa. Furthermore, compositions of the invention can be used to achieve methods of the invention.

[0095] It will be understood that particular embodiments described herein are shown by way of illustration and not as limitations of the invention. The principal features of this invention can be employed in various embodiments without departing from the scope of the invention. Those skilled in the art will recognize, or be able to ascertain using no more than routine experimentation, numerous equivalents to the specific procedures described herein. Such equivalents are considered to be within the scope of this invention and are covered by the claims.

[0096] The use of the word “a” or “an” when used in conjunction with the term “comprising” in the claims and / or the specification may mean “one,” but it is also consistent with the meaning of “one or more,” “at least one,” and “one or more than one.” The use of the term “or” in the claims is used to mean “and / or” unless explicitly indicated to refer to alternatives only or the alternatives are mutually exclusive, although the disclosure supports a definition that refers to only alternatives and “and / or.” Throughout this application, the term “about” is used to indicate that a value includes the inherent variation of error for the device, the method being employed to determine the value, or the variation that exists among the study subjects.

[0097] As used in this specification and claim(s), the words “comprising” (and any form of comprising, such as “comprise” and “comprises”), “having” (and any form of having, such as “have” and “has”), “including” (and any form of including, such as “includes” and “include”) or “containing” (and any form of containing, such as “contains” and “contain”) are inclusive or open-ended and do not exclude additional, unrecited elements or method steps.

[0098] The term “or combinations thereof” as used herein refers to all permutations and combinations of the listed items preceding the term. For example, “A, B, C, or combinations thereof” is intended to include at least one of: A, B, C, AB, AC, BC, or ABC, and if order is important in a particular context, also BA, CA, CB, CBA, BCA, ACB, BAC, or CAB. Continuing with this example, expressly included are combinations that contain repeats of one or more item or term, such as BB, AAA, AB, BBC, AAABCCCC, CBBAAA, CABABB, and so forth. The skilled artisan will understand that typically there is no limit on the number of items or terms in any combination, unless otherwise apparent from the context.

[0099] Terms such as "first", "second", and the like used herein may refer to various elements of various embodiments of the present disclosure, but do not limit the elements. For example, such terms are used only to distinguish an element from another element and do not limit the order and / or priority of the elements. For example, a first user device and a second user device may represent different user devices irrespective of sequence or importance. For example, without departing from the scope of the present disclosure, a first element may be referred to as a second element, and similarly, a second element may be referred to as a first element.

[0100] All of the compositions and / or methods disclosed and claimed herein can be made and executed without undue experimentation in light of the present disclosure. While the compositions and methods of this invention have been described in terms of preferred embodiments, it will be apparent to those of skill in the art that variations may be applied to the compositions and / or methods and in the steps or in the sequence of steps of the method described herein without departing from the concept, spirit, and scope of the invention. All such similar substitutes and modifications apparent to those skilled in the art are deemed to be within the spirit, scope and concept of the invention as defined by the appended claims.

[0101] It should be noted that in the development of any such actual embodiment, numerous implementation-specific decisions must be made to achieve the developer's specific goals, such as compliance with system related and business related constraints,which will vary from one implementation to another. Moreover, it will be appreciated that such a development effort might be complex and time consuming but would nevertheless be a routine undertaking for those of ordinary skill in the art having the benefit of this disclosure. In addition, the composition used / disclosed herein can also comprise some components other than those cited. In the summary and this detailed description, each numerical value should be read once as modified by the term "about" (unless already expressly so modified), and then read again as not so modified unless otherwise indicated in context. Also, in the summary and this detailed description, it should be understood that a physical range listed or described as being useful, suitable, or the like, is intended that any and every value within the range, including the end points, is to be considered as having been stated. For example, "a range of from 1 to 10" is to be read as indicating each and every possible number along the continuum between about 1 and about 10. Thus, even if specific data points within the range, or even no data points within the range, are explicitly identified or refer to only a few specific, it is to be understood that inventors appreciate and understand that any and all data points within the range are to be considered to have been specified, and that inventors possessed knowledge of the entire range and all points within the range.

[0102] One or more of the components, steps, features and / or functions illustrated in the figures may be rearranged and / or combined into a single component, step, feature, or function or embodied in several components, steps, or functions. Additional elements, components, steps, and / or functions may also be added without departing from novel features disclosed herein. The apparatus, devices, and / or components illustrated in the figures may be configured to perform one or more of the methods, features, or steps described herein. The novel algorithms described herein may also be efficiently implemented in software and / or embedded in hardware.

[0103] It is to be understood that the specific order or hierarchy of steps in the methods disclosed is an illustration of exemplary processes. Based upon design preferences, it is understood that the specific order or hierarchy of steps in the methods may be rearranged. The accompanying method claims present elements of the various steps in a sample order and are not meant to be limited to the specific order or hierarchy presented unless specificallyrecited therein.

[0104] FIG. 1 illustrates a block diagram of a system 100 for administering a contest, in accordance with the disclosed embodiments. The system 100 can generally include a mobile device, or user device that provides a user portal. The user portal can serve as the interface through which the user interacts with the system 100.

[0105] The system 100 is configured to administer talent competitions in the creative arts, where content submitted for competitions (which may be brand-sponsored) overlays brand logos for continued brand recognition. The system 100 enables artists to set up profiles and participate in competitions in the visual, performing, and literary arts and submit content. The system 100 also provides a user interface to eliminate barriers in global brand promotion, enabling broader market reach.

[0106] The system 100 can include a communication module that enables brands, artists, and fans to connect, facilitating talent discovery, promotion, and engagement. The system 100 further includes modules for user-generated content submission and visual display of audio, video, images, and text, leveraging machine learning algorithms and artificial intelligence to analyze and identify inappropriate or harmful content across various media types.

[0107] Embodiments may include a personalized recommendations module that tailors content suggestions based on user preferences and interests. Leveraging intelligent algorithms and machine learning, the system 100 can analyze user behavior, content interactions, and profile information. By identifying patterns and trends, the system 100 is configured to deliver highly relevant recommendations, ensuring users discover content that aligns with their tastes. Whether in the visual, performing, or literary arts, users receive suggestions that match their interests. This personalized approach enhances user engagement and satisfaction, fostering a deeper connection with the system and encouraging ongoing participation in competitions and community activities.

[0108] FIG. 1 illustrates high level architecture of a system 100, including various modulesassociated with the system 100. The system 100 includes a user interface 102 which can be embodied as a mobile app, a desktop app, and / or a web application. These serve as entry points for users to interact with the system 100. They connect to the system 100 for various functions such as submitting contest entries, managing content, accessing services, and performing administrative tasks.

[0109] Security functionality is provided via various modules to ensure the protection of the application through Web Application Firewalls (WAF) module 104, DDoS protection module 106, and bot management module 108 to prevent malicious activities and ensure secure user interactions.

[0110] The system 100 can include a network load balancer 110 that distributes incoming traffic across multiple servers for optimal resource utilization, real-time smart routing via router 112, geographic traffic distribution, and automatic failover to maintain high availability and reliability.

[0111] User verification can be provided with a user verification module 1 14, via email verification or phone verification. In the case of email verification, a user email address is validated during the registration and / or login processes to ensure the authenticity of user. Phone verification provides an additional layer of security by verifying user phone numbers, for example, through SMS or phone calls.

[0112] The system 100 can include servers 1 16 that host and run the application, handling the computing, and processing user requests. Separate Ad servers 138 can also be provided. Data storage 118 is provided in various forms including but not limited to audio, video, and image storage, for managing multimedia content that users upload and / or interact with using the system 100.

[0113] Database management is provided as relational DB (Database Management) module 120. The application's structured data, database operations, transactions, and queries are managed with the database management module 120.

[0114] Visual analytics can be provided to perform facial and object recognition tasks viaobject recognition module 134, enhancing the application’s capability to process and analyze visual data. The system 100 can further include a personalization / recommendations module 136 configured to offer personalized recommendations based on user preferences, as further detailed herein.

[0115] A content delivery network (CDN) 122 provides fast and reliable delivery of content to users by caching and serving data from geographically distributed servers.

[0116] Content processing can be provided according to media type. For example, the audio transcoding / streaming module 124 converts audio files into different formats and streams them to users, ensuring compatibility across various devices. The video transcoding / streaming module 126 similarly converts video files and streams them to users, optimizing for different bandwidths and devices. The image optimization and delivery module 128 includes optimization of images for faster loading times and better performance, adjusting resolution and compression as needed.

[0117] Embodiments can further include analytics provided via analytics module 130, used to gather and analyze data on user interactions, system performance, and other metrics to inform decisions and improve the application. Machine learning can be used along with a recommendation system to tailor the user experience based on individual preferences and behaviors.

[0118] Payment processing is provided via a payment gateway module 132 that handles financial transactions securely, enabling users to make payments for services or products offered within the application. Basic system administration can be provided via an administrator module 140, which can be connected to a customer relationship management module 142.

[0119] FIG. 2 provides a flow chart illustrating steps in a method 200 for content delivery in accordance with the disclosed embodiments. The steps illustrated in method 200 can be realized using the system 100 illustrated in FIG. 1. First at step 202, user(s) access the application via a mobile application, desktop application, or through the admin / CRM interfaces.

[0120] At step 204, user inputs and interactions are routed through security checks and load balancers to ensure secure and efficient handling. At step 206, verification services authenticate user information as needed.

[0121] Next at step 208, requests are processed by the servers, which may involve database queries, data storage access, or invoking specialized processing services like visual analytics. At step 210 multimedia content (audio, video, images) is processed and optimized for delivery. The CDN delivers the content to users, ensuring quick and reliable access at step 212. Finally, at step 214, the system continuously monitors and analyzes performance and user behavior to personalize the user experience and inform future improvements.

[0122] FIG. 3A illustrates aspects of a content module 300, in accordance with the disclosed embodiments. The content module 300 controls how content is presented to users on the system 100. As illustrated, user(s) 302 start by creating a profile 304, which can be searched by title at 306, or filtered at 308 based on personal attributes 310, location 312, or skills 314. The filtration process helps users find specific profiles that match their interests or needs.

[0123] Once users have created a profile, they can access various content types 316 available through the system. The content is categorized into different types such as music 318, dance 320, film 322, fashion 324, art 326 (e.g., paintings, digital media, mixed media, etc.), and photography 328. Each category represents a distinct area of interest, allowing users to explore content that aligns with their preferences.

[0124] The availability of content as illustrated at 330, is further divided into three main categories: public content 332, private content 334, and exclusive content 336. Public content 332 is accessible to everyone on the system, ensuring that general users can engage with a wide range of material. Private content 334, on the other hand, is restricted and only accessible to the account owner, providing a level of privacy and control over certain materials. Exclusive content 336 is available to premium subscribers, offering a special tier of access for those who opt for a higher level of subscription. This structure ensures thatusers have varying levels of access based on their engagement and subscription status.

[0125] FIG. 3B illustrates an exemplary rendering 350 showing content explore pages for sample art categories in accordance with the disclosed embodiments. FIG. 3C illustrates an exemplary rendering 352 of a category main page (for music), in accordance with the disclosed embodiments. FIG. 3D illustrates an exemplary rendering 354 of a content display I video player (for music), in accordance with the disclosed embodiments.

[0126] FIG. 4A illustrates an artist’s module 400, in accordance with the disclosed embodiments. Artist profiles are designed to enhance visibility and engagement within a diverse artistic community. User(s) 402 can create detailed profiles 404, categorized by their specific type of artistry such as musicians, dancers, actors, models, artists, painters, and / or photographers. The profile 404 serve as comprehensive portfolios showcasing their work through various forms of content, including audio 438, video 440, and images 442.

[0127] The artists module 400 offers a robust filter and search capabilities, allowing users to find artists based on name 406, location 408, and / or other specific attributes. A sorting module 410 provides the ability to sort results.

[0128] Advanced filters 412 can include collaboration preferences 414, booking availability 416, personal attributes 418, location 444, and skills 420, making it easy for users to locate artists that meet their specific needs and interests. This system ensures that artists are not only searchable but also highly visible to potential collaborators, clients, and fans.

[0129] Additionally, the artist type module 422 supports sorting options for identifying artists of different types including musicians 424, dancers 426, actors 428, models 430, artists 432, photographers 434, or the like. The visibility of content as illustrated at 436, can be further divided into categories including audio content 438, video content 440, and image content 442.

[0130] FIG. 4B illustrates an exemplary rendering 450 of an all artists view for discovery and exploration page, in accordance with the disclosed embodiments. FIG. 4C illustrates an exemplary rendering 452 of an artist public profile page, in accordance with the disclosedembodiments. FIG. 4D illustrates an exemplary rendering 454 of an artist public profile - music page, in accordance with the disclosed embodiments.

[0131] FIG. 5A illustrates aspects of the discussion forums, with a forums module 500, which can be structured to facilitate organized and meaningful interactions among users. Upon accessing the forums 502, users can either select a category 504, or use the topics search bar 506 to find discussions of interest. The embodiments offer several categories, including music forum 508, dance forum 510, film forum 512, fashion forum 514, photography forum 516, and / or an art forum, ensuring a wide range of topics that cater to different interests.

[0132] Selecting a category allows users to delve into specific forums where they can view and participate in discussions relevant to that field. Alternatively, users can use the search bar 506 to access a search topic and find specific topics by name 518, making it easy to locate particular discussions.

[0133] Once inside a forum, users encounter a list of forum posts 520, each displaying various post listing fields 522.

[0134] Each forum post 520 includes a banner 524, post data 526 (such as title, category, genre, and year posted), a post description 528, the username of the poster 530, and counts 532 of views and replies. Additional features include the time elapsed since the post was made 534, a like button 536 for users to show appreciation, and an action button menu 538 offering further interaction options.

[0135] FIG. 5B illustrates an exemplary discussion forum for - dance, in accordance with the disclosed embodiments. It should further be noted that similar discussion forums can be provided for other topics.

[0136] FIG. 6 illustrates aspects of the marketplace module 600 in accordance with the disclosed embodiments. The marketplace 602 is configured to provide users with a seamless shopping experience. Users begin by browsing item cards 604 that display essential product listing details 606, which can include the product cover picture 608, name 610, and price 612.These item cards 604 offer a quick overview, allowing users to scan through multiple products effortlessly.

[0137] When a user selects an item, they are taken to the product detail page 614, where more comprehensive information illustrated as product listing details 616. This page includes the product name 618, rating and reviews count 620, a detailed description 622, and the available payment methods 624. Additionally, users can see the product category 626, add items to their Wishlist 628, which can include a description 630 and extensive product reviews 632. The "Add to Cart" button 634 is prominently featured, and clicking it updates the cart count in the header menu 636, ensuring users can keep track of their selected items.

[0138] FIG. 7A illustrates aspects of the competition administration with a competition module 700 in accordance with the disclosed embodiments. Competitions 702 as disclosed herein, include various stages and modules involved in managing and participating in competitions. Competitions 702 are structured to include several key competition phases 704: submissions 706, qualification 708, winning 710, and highlighting the top 10 entries 712. Submissions 706 are always open, allowing users to submit their entries at any time without restrictions, ensuring continuous engagement and participation. Qualified entries 708 that meet the competition criteria move forward to the next phase, where winners are determined at 710 based on specific ranking criteria. The winners and top 10 entries 712 are then highlighted, determined by judges' scores and / or the number of Medelz awarded.

[0139] In another exemplary embodiment, aspects of the competition administration can be provided in phases based on the quantity / number of entries submitted, and the quantity / number of nominations submitted, which may be referred to as “quantification.” In such embodiments, the submissions phase starts when a greater than zero (0) - a minimum of one (1 ) - entry is submitted after the competition is announced. The submissions can continue either indefinitely or can be limited when a certain (defined) threshold of submissions is received. Thus, the number of submissions may be limited by the quantified submissions thresholds and not bound by time. Similarly, the voting phase can be bound by a quantity voting threshold, such that a minimum of X number of nominations is required for the voting to conclude, again, without a limitation on the amount of time nominations may becast.

[0140] The system 700 includes a creation module 714, enabling administrators or users to create new competitions, and an edit / update module 716, which provides the functionality to edit or update existing competitions. Competitions are listed at 718 in three categories: active 720 (currently running and accepting new entries), upcoming 722 (scheduled to start in the future), and ended 724 (concluded competitions). Competitions can have multiple rounds 726, such as Round 1 , Round 2, and additional rounds as needed, each with specific rules and criteria 728.

[0141] Rankings 730 within the competitions are based on judges' scores 732 and / or “Medelz” 734 awarded. Judges evaluate and score entries, while “Medelz”, which can comprise tokens of appreciation given via the system, contribute to the overall ranking alongside the judges' scores. Although Medelz 734 hold no monetary value, they are crucial for determining rankings. It is important to note that competition rankings 730 are determined solely by the combination of judges' scores 732 and number of Medelz awarded 734; fans' nominations 736 are not considered in this process.

[0142] Fans' nominations 736, while always open and configured for ongoing appreciation, do not influence the official rankings or the determination of winners. Fans can nominate any entry at any time, even after the winners have been announced. This nominating mechanism remains open indefinitely, showcasing entries that receive the most nominations 740 and highlighting consistently top-nominated entries 738, thereby providing a measure of popularity. However, these nominations serve only to gauge popularity and have no bearing on the actual competition rankings. The scoreboard 742 displays the rankings and scores of entries based on the evaluations by judges and the Medelz awarded.

[0143] This architecture of module 700 supports a dynamic and engaging competition environment, where the appreciation of entries by both judges and fans is continually recognized, and the competitive spirit is maintained through an open and inclusive process. The structure ensures that users and fans can continuously participate by submitting entries and voting, maintaining ongoing interaction and engagement with the system.

[0144] FIG. 7B illustrates, an exemplary competition listing page 750, in accordance with the disclosed embodiments.

[0145] Competition judging can be tailored to the nature of the competition. FIGs. 8A-8F illustrate exemplary parameters for judging various types of competitions. It should be appreciated other criteria for judging contests can be used in other embodiments.

[0146] FIG. 8A illustrates aspects of the criteria 802 used for judging music competitions in accordance with the disclosed embodiments. Criteria 802 can be provided to the system 100, as an aspect of the competition module 700. In the music competition, the scoring system for judges is designed to evaluate a range of artistic and technical aspects of each performance. Criteria can comprise:• Skills: Assessing the technical proficiency and mastery of the instrument or vocals displayed by the artists.• Originality: Evaluating the uniqueness of the performance, including the introduction of new ideas or a fresh take on existing musical concepts.• Musicality: Judging the overall musical sensibility of the performance, including timing, rhythm, and harmony.• Composition: Scoring the structure, arrangement, and writing of the music, considering how elements are orchestrated and integrated.• Difficulty: Considering the complexity of the piece performed, looking at factors like tempo, rhythmical patterns, and technical demands on the performers.• Creativity: Rating the creativity displayed in the performance, such as the innovative use of instruments and the dynamic range of the music.• Improv: Assessing the quality and integration of improvisation within the performance, reflecting the artist's ability to innovate spontaneously.• Style Adherence: Evaluating how well the performance adheres to the stylistic conventions of the chosen genre or how well artists express the genre’s characteristics.• Band Interaction: Observing the interaction among band members during theperformance, including cues, synchronization, and collaborative dynamics.• Quality of Sound: Judging the clarity, balance, and overall audio quality of the performance, ensuring the sound effectively conveys the intended musical expressions.

[0147] These criteria provide a comprehensive framework for judges to score performances, ensuring that assessments are balanced between technical ability and artistic expression, and reflecting a holistic view of musical talent and execution.

[0148] FIG. 8B illustrates aspects of the criteria 804 used for judging film competitions in accordance with the disclosed embodiments. Criteria 804 can be provided to the system 100, as an aspect of the competition module 700. In a film competition, the scoring system for judges is structured to thoroughly evaluate various fundamental and artistic aspects of the entries. Here’s a detailed description of each criterion:• Storytelling: Assesses the effectiveness of the narrative, including how well the story is conveyed and engages the audience. Judges look at the coherence, pace, and emotional impact of the storyline.• Directing: Evaluates the director's vision and ability to bring the script to life. This includes the choice of shots, pacing, and the overall management of the artistic and technical elements of the film.• Acting: Judges the performances of actors, focusing on authenticity, expressiveness, and how well actors embody their characters and convey emotions.• Cinematography: Considers the art of visual storytelling including the use of camera angles, movement, framing, lighting, and color palette to enhance the narrative.• Editing: Assesses the assembly of the film, looking at the rhythm, pace, and transitions between shots that contribute to the story’s structure and emotional impact.• Sound Design: Evaluates the auditory elements of the film, including the appropriateness and quality of sound effects, ambient sounds, and the integration of the soundtrack with the visual elements.• Visual Effects: Judges the quality and integration of visual effects into the film,assessing how they enhance or distract from the storytelling.• Production Design: Looks at the visual styling of the set and locations, including how the environment is used to support the storytelling and reflect the film’s era, mood, and characters.• Audience Impact: Measures the emotional or intellectual impact on the audience, considering how compelling and memorable the film is.• Script Originality: Evaluates the uniqueness and creativity of the screenplay, including the originality of the plot, characters, dialogues, and themes.

[0149] This scoring framework allows judges to provide a balanced evaluation that considers both technical prowess and artistic creativity, ensuring that each film is assessed fairly and comprehensively based on its storytelling, technical execution, and overall impact.

[0150] FIG. 80 illustrates aspects of the criteria 806 used for judging fashion competitions in accordance with the disclosed embodiments. Criteria 806 can be provided to the system 100, as an aspect of the competition module 700. In a fashion competition, judges use a specific scoring system designed to evaluate the diverse and intricate aspects of each entry comprehensively. Here’s a breakdown of each criterion used:• Creativity: Assesses the designer's ability to introduce new ideas or innovative approaches within their designs, focusing on how they push boundaries or redefine norms in fashion.• Technical: Evaluates the technical skills involved in the construction of the garments, including tailoring, stitching, and finishing. This criterion ensures the craftsmanship is of high quality and professionally executed.• Wearability: Judges the practicality and comfort of the garments, considering whether they can be realistically worn in appropriate contexts or if they cater to the intended target audience.• Aesthetics: Looks at the overall visual appeal and artistic expression of the collection, including color coordination, pattern mixing, and style consistency.• Presentation: Considers how the collection is showcased, including the effectivenessof the runway show or exhibition, model selection, and how well the presentation complements and enhances the designs.• Sustainability: Evaluates the environmental impact of the materials and methods used in creating the garments. This includes the use of eco-friendly materials and processes that reduce waste and carbon footprint.• Brand Identity: Assesses how well the collection represents and communicates the designer’s brand identity, ensuring consistency and alignment with the brand’s values and aesthetic.• Relevance: Judges the collection’s timeliness and resonance with current fashion trends and societal themes, ensuring the designs are contemporary and market appropriate.• Material Use: Looks at the innovation and appropriateness of the materials used in the designs, including how effectively materials are chosen and utilized to enhance the functionality and aesthetic of the garments.• Originality: Measures the uniqueness of the designs, focusing on how the collection stands out from others in terms of concept, execution, and artistic expression.

[0151] This detailed scoring system allows judges in a fashion competition to provide a nuanced assessment of each entry, balancing artistic vision with practicality and innovation. It ensures that designs are not only evaluated on their aesthetic and creative merits but also on their technical quality, practical applicability, and alignment with contemporary environmental and social standards.

[0152] FIG. 8D illustrates aspects of the criteria 808 used forjudging dancing competitions in accordance with the disclosed embodiments. Criteria 808 can be provided to the system 100, as an aspect of the competition module 700. In a dance competition, judges use a comprehensive scoring system to evaluate various aspects of each performance. Here’s a detailed description of each criterion used:• Choreography: Assesses the originality, complexity, and creativity of the dance arrangement. Judges look at how movements are structured and how well they tell astory or convey the theme.• Performance: Evaluates the energy, precision, and overall execution of the dance by the performers. This includes assessing the effectiveness of their performance in captivating the audience.• Musicality and Timing: Judges the dancers' ability to move in sync with the music, including their timing, rhythm, and how movements are expressed in relation to the musical beats.• Formation and Spacing: Looks at the arrangement of dancers in the space, assessing how effectively they use the stage and maintain formation integrity throughout the performance.• Difficulty: Considers the complexity of the dance moves, including technical challenges and the physical demands of the choreography on the dancers.• Presentation: Evaluates the visual impact of the performance, including costumes, props, and overall staging. This criterion examines how these elements enhance or detract from the dance.• Ensemble Cohesion: Assesses how well the group functions as a unit, focusing on the synchronization and interactivity among dancers. This includes watching for uniformity in movements and the ability to maintain a cohesive presentation under pressure.• Expression: Looks at how effectively the dancers convey emotion and character through their movements and facial expressions, enhancing the storytelling aspect of the dance.• Style Adherence: Evaluates how accurately and effectively the dancers adhere to the specific style they are performing, whether it's ballet, hip-hop, contemporary, or any other defined style.• Technique: Judges the technical skill level of the dancers, including their posture, alignment, balance, and the precision of their movements.

[0153] This scoring system provides judges with a framework to fairly assess performances based on both technical proficiency and artistic expression. It ensures that each aspect of the dance— from the choreography to the final presentation— is meticulously evaluated, allowing for a comprehensive understanding of the competitors' abilities andartistic delivery.

[0154] FIG. 8E illustrates aspects of the criteria 810 used for judging music competitions in accordance with the disclosed embodiments. Criteria 810 can be provided to the system 100, as an aspect of the competition module 700. In an art competition, judges employ a detailed scoring system to evaluate the multifaceted aspects of each artwork. This system ensures a holistic and fair assessment based on artistic merit and technical execution. Here’s a breakdown of each criterion:• Creativity: Assesses the artist's ability to produce innovative and imaginative works. This includes evaluating how original ideas are translated into visual forms and whether the artwork offers a new perspective or approach.• Technical Skill: Evaluates the proficiency and finesse with which the artist employs various techniques. This encompasses the mastery of medium, brushwork, and overall craftsmanship involved in the creation of the artwork.• Composition: Judges the arrangement of visual elements within the artwork, including the balance, layout, and how effectively the components interact to form a cohesive whole.• Color Usage: Looks at how colors are chosen and applied in the artwork. This criterion assesses the harmony, contrast, and the emotional or symbolic use of color to enhance the piece’s impact.• Representation: Evaluates the accuracy, stylization, or abstraction in the depiction of subjects within the artwork, considering how well the intended subjects are conveyed and perceived.• Conceptual Depth: Assesses the underlying themes and messages of the artwork. This includes evaluating the depth of the conceptual framework and how thoughtprovoking and intellectually engaging the artwork is.• Artistic Expression: Looks at the personal style and emotional expression conveyed through the artwork. This criterion evaluates how effectively the artist’s personal voice, and emotions are communicated to the viewer.• Material Use: Considers the choice and application of materials used in creating theartwork. Judges evaluate how materials contribute to the overall texture, form, and conceptual intentions of the piece.• Cultural Relevance: Assesses the artwork’s engagement with cultural themes, including its relevance to contemporary or historical cultural discussions and its ability to resonate with or challenge cultural norms.• Originality: Measures the uniqueness of the artwork, focusing on how the piece stands out from typical or traditional works in terms of idea, execution, and impact.

[0155] This scoring framework allows judges in an art competition to provide a nuanced evaluation that appreciates both the artistic innovation, and the technical quality of the works submitted. It ensures that artworks are not only judged on their aesthetic appeal but also on their conceptual strength and cultural significance, providing a comprehensive basis for recognizing outstanding artistic achievements.

[0156] FIG. 8F illustrates aspects of the criteria 812 used for judging photograph competitions in accordance with the disclosed embodiments. Criteria 812 can be provided to the system 100, as an aspect of the competition module 700. In a photography competition, judges use a structured scoring system to evaluate a broad spectrum of qualities that highlight both the artistic and technical aspects of the submissions. Here’s a detailed description of each criterion:• Creativity: Assesses the photographer's ability to use imagination and original ideas to create something unique and compelling. This includes looking at how conventional subjects are presented in unconventional ways.• Technical Skill: Evaluates the technical aspects of the photograph, such as focus, exposure, lighting, and the effective use of the camera’s settings to achieve the desired result.• Composition: Judges the arrangement of visual elements in the photograph, including the balance and how different components are positioned to create a harmonious and effective image.• Visual Impact: Considers the overall effect of the photograph on the viewer. Thisincludes the power to evoke emotions, provoke thought, or command attention through visual appeal.• Narrative: Evaluates the ability of the photograph to tell a story or convey a message, looking at how effectively the image communicates a theme or a narrative to the viewer.• Use of Color: Assesses the application and impact of color in the photograph. This includes how color enhances the mood, defines shapes, and adds depth or interest to the image.• Aesthetic Quality: Looks at the beauty and artistic value of the photograph, focusing on its style and the pleasing nature of the visual experience.• Subject Matter: Considers the choice of subject and its relevance or intrigue. This involves evaluating how the subject is approached and its significance within the context of the photograph.• Framing & Perspective: Evaluates the use of framing and perspective in enhancing the photograph’s composition and in influencing the viewer’s perception of the subject.• Originality: Measures the uniqueness of the photograph, focusing on how the image stands out from others in terms of concept, perspective, and overall execution.

[0157] This scoring system provides a comprehensive framework for judges, allowing them to fairly assess each entry based on a combination of creative vision and technical expertise. It ensures that photographs are evaluated not only for their aesthetic qualities but also for their ability to connect with the viewer and convey deeper meanings, providing a robust basis for judging in a competitive photographic environment.

[0158] FIG. 8G illustrates an exemplary judges scoring panel interface 850, in accordance with the disclosed embodiments. FIG. 8H illustrates an exemplary view of entries submitted to a competition, rounds, scores, nominations, and medelz awarded 852, in accordance with the disclosed embodiments. FIG. 8I illustrates an exemplary winner artist announcement interface 854, in accordance with the disclosed embodiments.

[0159] FIG. 9 illustrates aspects of the content upload module 900, which can beimplemented using a system such as system 100, in accordance with the disclosed embodiments. The content 902 upload process 904 starts with users selecting a category type 906 of interest. Users navigate to one of the main categories which can include: music 908, dance 910, film 912, fashion 914, art 916, or photography 918. Once the appropriate category is selected, content can be uploaded. Each category supports various formats such as audio, images, and videos, depending on the type of content being submitted.

[0160] After selecting the category type 906 and initiating the upload 904, users specify the type of content within that category. The system’s content filtration system 920 then processes the uploaded material. This system organizes the content and makes it easily accessible through various filters. Users can filter content by type 922, sort it by provided orders 924, search by title 926, or use specific content tags 928. This ensures that the content is correctly categorized and easily searchable based on user preferences.

[0161] This structured approach to content upload ensures that all material is well- organized and accessible. By allowing users to first select a category and then upload their content, the system ensures that the content is appropriately classified. The comprehensive filtration system enhances the user experience by providing multiple ways to filter and sort content, making it easy for users to find the material they are interested in. This process supports a wide range of content types while maintaining an efficient and user-friendly upload system.

[0162] FIG. 10 illustrates aspects of image file processing module 1000 in accordance with the disclosed embodiments. The image file upload process begins with a user uploading images from a local computer at 1002, typically in formats such as .JPG or .PNG file. These images are first stored in a cloud object storage system 1004, ensuring they are securely held while awaiting further processing.

[0163] Once the image is stored, it undergoes content analysis 1006 to ensure it meets the system's guidelines and standards. If the content analysis does not approve the image at 1008, the process is cancelled at 1010, and the user is informed.

[0164] For approved images 1012, the next step involves transferring the image for furtherprocessing at 1014. This stage includes compressing the image and converting it to a more efficient format 1016, such as webp, which helps in reducing file size while maintaining quality. After the compression and conversion process, a link is created 1018 for viewing the converted images, allowing users to access and share their images easily. This structured approach ensures that all uploaded images are processed efficiently, meet quality standards, and are optimized for storage and viewing.

[0165] FIG. 11 illustrates aspects of audio file processing 1100 in accordance with the disclosed embodiments. Audio file processing 1100 can begin with the transfer of audio files at 1 102, such as MP3s, from their local computers to the cloud 1 104. Once the audio file is uploaded to the cloud, it is stored in the cloud object storage system 1106, ensuring secure and scalable storage of the media files. From the cloud object storage 1 106, the audio file undergoes data transfer for processing at 1 108, where it is prepared for further operations.

[0166] The next stage involves audio transcoding 1110, where the uploaded audio file is converted into different formats suitable for various uses and devices. This process ensures that the audio can be streamed efficiently and is compatible with multiple playback systems. After transcoding, the audio file is subjected to format conversion 11 12 specifically for streaming purposes, such as converting it into an m3u8 format, which can be used for HTTP live streaming.

[0167] This process ensures that audio files are properly stored, processed, and optimized for streaming. By converting and transcoding the audio, the embodiments can provide high- quality playback across different devices and streaming conditions, providing users with a seamless audio experience.

[0168] FIG. 12 illustrates aspects of video file processing 1200 in accordance with the disclosed embodiments. The video file processing begins with the upload of video files at 1202, such as MP4s, to the cloud 1204. Upon upload, the video enters an object recognition phase 1206 where the content is analyzed to ensure it meets required standards. If the video does not pass this check at decision block 1208, the process is cancelled at 1210. If the video 1212 is approved, it can proceed to be stored in the cloud object storage 1214 and furtherobject transfer 1216.

[0169] Next, the stored video file is transferred for additional processing, including logo embedding and watermarking at 1218 to ensure branding and protection of the content. Following this, the video undergoes transcoding and image optimization at 1220. This step converts the video into a streaming-friendly format, such as m3u8, enhancing compatibility and playback efficiency across different devices.

[0170] Finally, the processed video generates an m3u8 video link at 1222, which is returned for use. This comprehensive workflow ensures that uploaded videos are properly vetted, securely stored, and optimized for high-quality streaming, providing users with a seamless and reliable viewing experience.

[0171] FIG. 13 illustrates steps associated with a login process 1300 in accordance with the disclosed embodiments. The login process begins with the presentation 1302 of the login page, where they are required to enter their email or username and password at 1304. If the user has forgotten their password, they can initiate a password recovery process by selecting the "forgot password" option 1306. This action prompts them to enter their email or username at 1308 to receive a verification code via email. Upon receiving the code, the user must verify their account by entering the code into the system at 1310. If the verification is successful, they can reset their password at 1312 and are then redirected back to the login page to complete the login process at 1314. If the verification is unsuccessful an option to resend the code at 1324 is presented. An option is also provided to return to the login at 1326.

[0172] For users who remember their login credentials, the system checks the validity of the provided email or username and password. If the credentials are valid at 1316, the user is welcomed with a message 1318 and then directed to the edit profile page 1320. If the login credentials are invalid, an error message is displayed at 1322, prompting the user to correct their input.

[0173] FIG. 14A and 14B illustrates steps associated with a registration process 1400 in accordance with the disclosed embodiments. The process begins by displaying the register page 1402.

[0174] The registration process is configured to cater to three types of users: artists 1404, fans 1406, and businesses 1408. When a new user accesses the registration page, they select their user type, which determines the specific fields they need to fill out. For Artists and Fans, the required fields include first name 1410, last name 1412, email address 1414, mobile number 1416, password 1418, confirm password 1420, date of birth 1422, and gender 1424. For businesses, additional fields such as business name 1426, contact name 1428, business email 1430, mobile number 1432, password 1434, password confirmation 1436 address 1438, country 1440, state 1442, city 1444, zip code 1446, and business category 1448 are required.

[0175] After entering the required information, the system validates the fields at step 1450. If the registration fields are invalid an error message is illustrated at 1452. In FIG. 14B, if the information is correct, the user moves on to the account verification step at 1454. This involves sending a verification code to the user's email at 1456 and / or mobile number at 1458. The user must enter these codes to verify their account. If the verification process is successful (e.g. the code is valid) at 1460, the user receives a welcome message at 1462 and is directed to the edit profile page 1464 to complete their profile setup. If the verification fails or the registration fields are invalid, an error message is displayed at 1466, and the user is prompted to correct the information or resend the verification code at 1468 if necessary.

[0176] FIG. 14C illustrates an exemplary registration interface 1475, in accordance with the disclosed embodiments.

[0177] FIG. 15A illustrates steps associated with a process 1500 for purchasing and awarding tokens of appreciation (also referred to as “Medelz”), in accordance with the disclosed embodiments. An aspect of the disclosed embodiment is purchasing and awarding Medelz. FIG. 15A illustrates the steps from a user's perspective as well as the backend operations that take place. Medelz are tokens of appreciation that users can award to others on the system, that can be purchased.

[0178] The process begins with a user navigating to another user's public profile at 1502. If the user wants to award Medelz, they will click on the "Award Medelz" button at 1504available on the profile. This action triggers the award module 1506, which manages the awarding process.

[0179] Within the award module 1500, two primary functions are performed. First, the Medelz are awarded to the selected user as illustrated at 1508. Second, the Medelz are credited to the recipient's user account at 1510. This crediting is visually represented in the medelz box 1512 on the recipient’s profile. Additionally, each awarding of Medelz is recorded in the Medelz transaction history 1514, providing a record of all Medelz transactions.

[0180] To summarize, the awarding process can involve the following steps: a user clicks on the "Award Medelz" button on another user's public profile, which activates the Award Module. The module then facilitates the awarding of Medelz and credits them to the recipient's account, simultaneously updating the Medelz Transaction History to ensure all transactions are recorded. This process enables users to show appreciation by awarding tokens that are both tracked and displayed on the recipient’s private profile.

[0181] FIG. 15B illustrates an exemplary reward token (Medelz) interface 1550, in accordance with the disclosed embodiments.

[0182] FIG. 16 illustrates steps associated with a process 1600 for purchasing tokens of appreciation (“Medelz”), in accordance with the disclosed embodiments. FIG. 16 outlines the payment process for purchasing Medelz on the system, detailing each step from selecting a package to the completion of the transaction.

[0183] The process begins when a user navigates to their Medelz Box 1602, which contains the option to purchase Medelz. The user selects a buying package 1604 that suits their needs, which triggers a payment popup 1606. This popup 1606 prompts the user to enter their credit card details for processing the transaction.

[0184] Once the payment information is entered, the process proceeds to the credit card processing stage at 1608. If the credit card information provided is valid, the Medelz are credited to the user’s account at 1610. This transaction is then updated in the Medelz Box 1612, reflecting the newly purchased Medelz, and a record of the transaction is added to theMedelz History 1614 for future reference.

[0185] However, if the credit card information is invalid, an error message is displayed at 1616, informing the user that the payment could not be processed. The user is then prompted to correct the payment details and try again.

[0186] FIG. 17 illustrates aspects of a chat function 1700, in accordance with the disclosed embodiments. Social interaction can be facilitated through a robust chat system that allows users to communicate seamlessly. When a user accesses another user's public profile at 1702, they can initiate a conversation by clicking the chat button 1704. This action activates the chat module 1706, which provides a variety of communication options including chat 1714, as well as text, audio, video, and conference calls at 1708. Users can also manage their interactions by utilizing features such as block and mute, ensuring they have control over their social engagements.

[0187] The chat module not only supports real-time communication but also includes a sidebar 1710 for accessing chat history 1712. This feature allows users to view and refer back to previous conversations, maintaining continuity and context in their interactions. By offering diverse communication tools and features, the system ensures that users can interact in ways that suit their preferences and needs, fostering a dynamic and engaging social environment.

[0188] FIG. 18 illustrates steps associated a method 1800 associated with notifications and updates, in accordance with the disclosed embodiments. The embodiments provide means for artists to inform their followers via a “beep” with updates or information. The process begins at 1802 with the artist logging into their private user profile at 1804. Once logged in, they access the menu 1806 and select the option to send a beep. This action opens up the artist beep form at 1808, where the artist fills in the necessary details they want to communicate to their followers. After completing the form, the artist submits a request for the beep to be sent out at 1810.

[0189] The system processes this request by interacting with an API at 1812. If the API responds affirmatively at 1814, indicating that the request has been successfully processed,the artist receives a success message 1816 confirming that the beep has been sent to their followers. However, if the API response indicates an issue, the artist is presented with an error message at 1818, notifying them that the beep could not be sent. This streamlined process allows artists to efficiently communicate updates, announcements, or any other information directly to their followers.

[0190] FIG. 19 illustrates steps associated artist booking process 1900, in accordance with the disclosed embodiments. The artist booking process begins at 1902 when a user navigates to another user's profile at 1904. From the profile page, the user accesses the menu at 1906 and selects the "Hire Me" option 1908. This action opens the artist booking form 1910, which the user must fill out with the necessary details regarding the booking request. After completing the form, the user submits the request for artist booking 1912.

[0191] Once the request is submitted, the system prompts the user to proceed with the payment at 1914. If the payment is not completed, an error message 1916 is displayed, and the booking process is halted. If the payment is successful, a success message 1918 is shown to the user, confirming that the booking request has been processed. Additionally, a notification 1920 is sent to the artist, informing them of the new booking request.

[0192] FIG. 20 illustrates steps associated with a following and unfollowing users process 2000, in accordance with the disclosed embodiments. The follow / unfollow process allows users to manage their content preferences. The process can be initiated at 2002 either by opening a single piece of content or by navigating through a user profile at 2004. From a single content view, users can add or remove the content from their favorites by sending a follow or unfollow request at 2006. Alternatively, users can access profiles, browse content categories, and view the latest content before deciding to follow or unfollow.

[0193] Once the user decides, a request is sent to the system's API. The system then waits for a response from the API at 2008. If the response confirms the request, a success message 2010 is displayed, indicating that the follow or unfollow action is complete. The user then receives updates related to the content they have chosen to follow at 2012. If the API response does not confirm the request, an error message 2014 is displayed, notifying theuser that their request could not be processed.

[0194] FIG. 21 A illustrates steps in a process 2100 for designating and removing favorites, in accordance with the disclosed embodiments. The process of adding and removing favorites starts at 2102 when a user interacts with either individual content 2104 or a user profile 2106. To add or remove a favorite from a single piece of content, the user opens the content and submits a favorite request at 2108. Alternatively, the user can navigate to a profile, browse through content categories at 2110, view all the latest content at 2112, and then decide to add or remove favorites at 2108.

[0195] Once the request is made, it is sent to the system’s API for processing. The system waits for a response from the API at 2114. If the API confirms the request, a success message 2116 is displayed to the user, indicating that the favorite has been successfully added or removed. Subsequently, the user receives updates related to the content they favorited at 2118, ensuring they stay informed about new activities and updates.

[0196] If the API response indicates a failure, an error message 2120 is shown, notifying the user that their request could not be processed. This feedback loop ensures that users are always aware of the status of their actions and can take appropriate steps if necessary. This streamlined process allows users to manage their favorites efficiently, enhancing their engagement and interaction with the system.

[0197] FIG. 21 B illustrates an exemplary favorites interface 2150, in accordance with the disclosed embodiments.

[0198] Embodiments may further include systems and methods for enabling users of a digital platform, specifically artists and businesses operating within creative industries, to establish, manage, and publicly display professional connections with other users or platform entities. These connections can be categorized into “artist connections” and “industry connections” and serve to reflect collaborative networks and affiliations. Embodiments facilitate discoverability, authentication of relationships, and enhanced visibility within the user community and broader industry. Such embodiments, are there for directed to creating, managing, and displaying professional affiliations and relationships among users in thecreative arts ecosystem.

[0199] In certain embodiments, the systems and methods allow registered users, classified as either individual creators (artists, performers, musicians, designers, etc.) or industry entities (labels, production houses, event organizers, etc.), to initiate and maintain structured relational links termed “connections.” These connections are visible on user profiles under designated sections and may be unidirectional or bidirectional, based on user interaction and mutual acknowledgment.

[0200] For example, the system can provide a graphical user interface (GUI) enabling users to search for and select other user profiles to associate with; initiate connection requests with classification (e.g., artist, band, business); and manage existing connections including approval, removal, and status tracking. In certain embodiments the backend server logic processes connection requests, verifies identity (where applicable), and updates user profiles to reflect the current state of network associations. Connections may be flagged as “pending,” “approved,” or “declined”. Upon mutual approval, a connection is rendered verified.

[0201] FIG. 21 C illustrates an exemplary connections interface 2160, in accordance with the disclosed embodiments. FIG. 21 D illustrates an additional exemplary connections interface 2170, in accordance with the disclosed embodiments.

[0202] FIG. 22 provides a block diagram illustrating modules associated with the system 100 in accordance with the disclosed embodiments. The system 100 can be implemented with computer systems and associated hardware, software, and or network connections, as further detailed herein, The system comprises a content module 300 configured to implement method 200, an artist’s module 400 implemented as illustrated in FIG. 4A, a discussion forums module 500 implemented as illustrated in FIG. 5A, a marketplace module 600 implemented as illustrated in FIG. 6, a competition administration module 700 implemented as illustrated in FIG. 7A, a content upload process module 900 implemented as illustrated in FIG. 9, an image processing module 1000 implemented as illustrated in FIG. 10, an audio file processing module 1 100 implemented as illustrated in FIG. 1 1 , a video file processingmodule 1200 implemented as illustrated in FIG. 12, a login module 1300 implemented as illustrated in FIG. 13, a registration process module 1400 implemented as illustrated in FIG. 14A and 14B, a token award module 1500 implemented as illustrated in FIG. 15, a token purchasing module 1600 implemented as illustrated in FIG. 16, a chat module 1700 implemented as illustrated in FIG. 17, a notifications and updates module 1800 implemented as illustrated in FIG. 18, an artist booking module 1900 implemented as illustrated in FIG. 19, a follow / unfollow module 2000 implemented as illustrated in FIG. 20, and a favorites module 2100 implemented as illustrated in FIG. 21.

[0203] The following description provides exemplary use cases of the systems and methods disclosed herein. These use cases are meant to provide context to the foregoing description, and are not meant to limit other potential uses and functions of the systems and methods disclosed.

[0204] One exemplary use case involves a brand-sponsored music competition associated with a streetwear clothing line. In this exemplary scenario a streetwear brand launches a new clothing line popular with R&B artists and sponsors an R&B music competition to promote it.

[0205] In certain embodiments, the sponsor may be offered a sponsorship package with different pricing structures. Such pricing structures can correlate with the number of participants in the competition, number of views, number of rounds of competition, geographic locations, size of the sponsoring company, and the like.

[0206] The competition can be named "Rhythm & Style: The Ultimate R&B Challenge," and is targeted to emerging R&B artists, encouraging them to showcase their talents. This aligns the brand with the R&B culture, reinforcing its identity in both music and fashion.

[0207] The exemplary process begins with a call for entries. Artists submit original R&B tracks that reflect the theme of "expressing individual style through music," emphasizing personal expression that matches the brand’s clothing ethos. A panel of esteemed R&B musicians and producers score the entries, determining the finalists and ultimately the winner based on artistic merit and alignment with the competition's themes. Concurrent with the judging, there is a public nomination process where fans can nominate their favorite entries.While these nominations may not influence the final decision, they highlight fan favorites and engage the audience, increasing interaction and interest in the competition. The winner may receive prizes, a recording session, and potential music label contract. Finalists feature in the brand's promotional campaign for the new clothing line.

[0208] The exemplary use case provides marketing and promotion for the sponsor. For example, the targeted campaign features competition entries, behind-the-scenes content, and promotional clips, which can be shared via social media. Influencer partnerships are also possible. Collaborations with R&B influencers promote both the competition and the clothing line. Merchandising may be offered. Limited edition merchandise, including artist collaborations, can be released to commemorate the competition.

[0209] In this use case, various outcomes are achieved. This can include increased brand engagement, social media followers, and brand visibility; direct sales boosts from the competition’s exposure and artist endorsements; development of a community around the brand’s fusion of streetwear and R&B culture, enhancing loyalty and customer retention; uncovering new and emerging R&B talents, providing them a system for exposure and career advancement; and enabling artists to monetize their creations through competition winnings, merchandise collaborations, and increased visibility, leading to potential deals and partnerships.

[0210] In another exemplary use case, a brand-sponsored short film competition for a surfboard manufacturer can be administered according to the methods and systems disclosed herein. In this example, a company specializing in high-quality surfboards sponsors a short film competition to promote its products and the surfing lifestyle. The competition, named "Waves and Frames," invites filmmakers to create short films that feature the company's surfboards in action, capturing the essence and excitement of surfing.

[0211] This competition aims to celebrate the surf culture while showcasing the brand's surfboards as central elements in each film. It targets both amateur and professional filmmakers who are passionate about surfing, providing a system to display their storytelling and filmmaking skills in conjunction with surfboard performance.

[0212] The exemplary process begins with a call for entries. Filmmakers are invited to submit short films that incorporate the use of the company's surfboards. The films should focus on surfing scenes, surfboard performance, and the overall surfing lifestyle, emphasizing creativity and originality. A panel composed of professionals from the surfing and filmmaking communities judges the entries based on creativity, cinematography, how well the surfboards are integrated into the narrative, and overall impact. While the main winners are determined by the panel of judges, there is also a public voting process where audiences can choose their favorite films. This public nomination serves to recognize fan favorites and does not influence the judges' decisions but helps increase engagement and visibility for the films. The winner, as decided by the judges, receives a cash prize, and their film may be used in the company’s promotional campaigns. Additionally, all finalists might receive surf-related gear and the opportunity for their films to be featured on various systems, promoting both their work and the surfboards.

[0213] The exemplary use case provides marketing and promotion for the sponsor. The company runs targeted social media campaigns featuring clips from the submissions, interviews with filmmakers, and promotional content that highlights the features of their surfboards. The sponsor can collaborate with surf festivals to screen the winning films can provide additional promotional opportunities and integrate the brand into the wider surf community. Engaging surf influencers and professional filmmakers can be used to promote the competition and share their own surf film experiences can broaden the reach and appeal of the campaign.

[0214] In this use case, various outcomes are achieved. Enhanced brand visibility and engagement is fostered through interactive and visually captivating content. The community of surf enthusiasts and filmmakers is strengthened by providing a creative platform for expression. The direct showcase of the surfboards’ performance and design in dynamic surfing environments, underlining product quality and versatility is possible. And new filmmaking talent within the surf community is possible, providing new talent with a platform to gain recognition and further their careers.

[0215] In another exemplary use case, a unique talent sourcing competition can be administered for talent in an unlikely locale, according to the methods and systems disclosed herein. In this exemplary scenario, a cultural event organizer in Tokyo, Japan, seeks to hire a flamenco dancer for a themed event celebrating Spanish culture. Given the rarity of professional flamenco dancers in Japan, finding the right talent locally poses a significant challenge. The disclosed systems and methods can be leveraged by the event organizer to discover and book a flamenco dancer who not only possesses authentic skills but also understands the cultural significance of the dance, ensuring a genuine representation at the event.

[0216] In such an exemplary case, the organizer logs into the system and uses advanced search filters to specify the type of talent needed— flamenco dancers. The search includes filters for location preferences, availability, and past performance reviews. The system provides comprehensive profiles and video portfolios of flamenco dancers registered on the platform. These profiles include detailed information about the artists’ backgrounds, their experience, and content of their past performances. The system enables direct messaging between the organizer and the artists. This feature allows the organizer to discuss the event details, expectations, and any specific requirements directly with the dancers. Once the organizer finds the right match, they can book the artist. The system handles all aspects of the booking process, including contracts and payment arrangements, ensuring a seamless transaction. The organizer uses the system’s promotional tools to advertise the event featuring the flamenco dancer, targeting both expatriates from Spanish-speaking countries and locals interested in Spanish culture. In certain embodiments, the organizer can run targeted ads on the system, reaching out to the system's community interested in cultural events and specific dance forms. Through the system, the organizer engages with a broader community that follows unique dance styles, increasing interest and attendance for the event.

[0217] In this use case, various outcomes are achieved. For example, unique talent acquisition is provided. The organizer can successfully source a hard-to-find flamenco dancer in Tokyo, enhancing the authenticity and appeal of the cultural event. The comprehensive tools for search, communication, and booking make the process efficient,saving the organizer time and resources. Leveraging the system for promotion leads to greater visibility among the target audience, potentially increasing event attendance and participation. The event serves as a focal point for community building among dance enthusiasts and those interested in Spanish culture in Tokyo, fostering a sense of cultural appreciation and exchange.

[0218] Through the system, the cultural event organizer not only overcomes the geographic and logistic barriers in finding specialized talent like a flamenco dancer in Tokyo but also enhances the event's profile and success. This use case exemplifies how this system can be instrumental in bridging the gap between unique artistic talents and diverse event needs, even in the most unlikely locations.

[0219] The disclosed methods and system provide numerous advantages over the current state of the art. For example, an advantage of the disclosed embodiments is the ability to serve as a comprehensive hub for multi-talented and multifaceted artists in the creative arts. The embodiments offer a specialized and niche environment that caters to various artistic disciplines, including music, dance, film, fashion, art, and photography. By providing a full 360-degree ecosystem, the embodiments supports artists in showcasing their work, participating in competitions, engaging with their audience, collaborating with peers, finding connections in the industry, and managing all aspects of their artistic careers. This all- encompassing approach makes it an essential destination for artists seeking to thrive in their creative endeavors. The vibrant artistic community and engaging content make the disclosed embodiments an ideal space for brands to conduct their marketing efforts, as art naturally pulls audiences and fosters engagement, thereby increasing brand awareness and creating meaningful connections with potential customers.

[0220] The embodiments facilitate competitions sponsored by brands. This benefits artists by providing them significant exposure and recognition while offering brands a distinctive way to connect with their target audiences. These competitions are designed to align with the specific marketing objectives of brands, ensuring a partnership that is mutually beneficial.

[0221] The disclosed embodiments also remove barriers, enabling artists to engagedirectly with their fans and monetize their work through various channels such as competition prizes, content sales, subscriptions, and bookings. This transparency in monetization not only boosts artist income but also helps them build sustainable careers in the creative arts. Additionally, it brings the broader creative industry into reach for the artist community, providing access to a wider network of industry professionals, resources, and opportunities. This inclusivity not only empowers artists to expand their horizons but also enriches the creative landscape, allowing for unprecedented collaboration and innovation within the arts.

[0222] Furthermore, the disclosed embodiments integrate all touchpoints within a single platform, allowing artists and brands to manage their interactions, collaborations, and financial transactions seamlessly. This unique ecosystem fosters a more dynamic and interconnected community, enhancing the efficiency and effectiveness of marketing efforts while simultaneously enriching the creative process. This integration benefits brands by providing a streamlined approach to connect with and leverage the creative talents of artists, facilitating deeper engagement and more impactful marketing campaigns.

[0223] FIGS. 23-25 are provided as exemplary diagrams of data-processing environments in which embodiments of the present invention may be implemented. It should be appreciated that FIGS. 23-25 are only exemplary and are not intended to assert or imply any limitation with regard to the environments in which aspects or embodiments of the disclosed embodiments may be implemented. Many modifications to the depicted environments may be made without departing from the spirit and scope of the disclosed embodiments.

[0224] A block diagram of a computer system 2300 that executes programming for implementing aspects of the methods and systems disclosed herein is shown in FIG. 23. A computing device in the form of a computer 2310 configured to interface with sensors, peripheral devices, and other elements disclosed herein may include one or more processing units 2302, memory 2304, removable storage 2312, and non-removable storage 2314. Memory 2304 may include volatile memory 2306 and non-volatile memory 2308. Computer 2310 may include or have access to a computing environment that includes a variety of transitory and non-transitory computer-readable media such as volatile memory 2306 andnon-volatile memory 2308, removable storage 2312 and non-removable storage 2314. Computer storage includes, for example, random access memory (RAM), read only memory (ROM), erasable programmable read-only memory (EPROM) and electrically erasable programmable read-only memory (EEPROM), flash memory or other memory technologies, compact disc read-only memory (CD ROM), Digital Versatile Disks (DVD) or other optical disk storage, magnetic cassettes, magnetic tape, magnetic disk storage, or other magnetic storage devices, or any other medium capable of storing computer-readable instructions as well as data including image data.

[0225] Computer 2310 may include or have access to a computing environment that includes input 2316, output 2318, and a communication connection 2320. The computer may operate in a networked environment using a communication connection 2320 to connect to one or more remote computers, remote sensors, detection devices, hand-held devices, multifunction devices (MFDs), mobile devices, tablet devices, mobile phones, Smartphones, or other such devices. The remote computer may also include a personal computer (PC), server, router, network PC, RFID enabled device, a peer device or other common network node, or the like. The communication connection may include a Local Area Network (LAN), a Wide Area Network (WAN), Bluetooth connection, or other networks. This functionality is described more fully in the description associated with FIG. 24 below.

[0226] Input 2316 can comprise a keyboard, touch screen, scanning device, photo input, RFID, voice recording device, voice translation device, image recognition system, sketch pad, mouse, touch pad, foot switch, or other such devices.

[0227] Output 2318 is most commonly provided as a computer monitor, but may include any output device. Output 2318 and / or input 2316 may include a data collection apparatus associated with computer system 2300. In addition, input 2316, which commonly includes a computer keyboard and / or pointing device such as a computer mouse, computer track pad, or the like, allows a user to select and instruct computer system 2300. A user interface can be provided using output 2318 and input 2316. Output 2318 may function as a display for displaying data and information for a user, and for interactively displaying a graphical userinterface (GUI) 2330.

[0228] Note that the term “GUI” generally refers to a type of environment that represents programs, files, options, and so forth by means of graphically displayed icons, menus, and dialog boxes on a computer monitor screen. A user can interact with the GUI to select and activate such options by directly touching the screen and / or pointing and clicking with a user input device 2316 such as, for example, a pointing device such as a mouse and / or with a keyboard. A particular item can function in the same manner to the user in all applications because the GUI provides standard software routines (e.g., module 2325) to handle these elements and report the user’s actions. The GUI can further be used to display the electronic service image frames as discussed below.

[0229] Computer-readable instructions, for example, program module or node 2325, which can be representative of other modules or nodes described herein, are stored on a computer- readable medium and are executable by the processing unit 2302 of computer 2310. Program module or node 2325 may include a computer application. A hard drive, CD-ROM, RAM, Flash Memory, and a USB drive are just some examples of articles including a computer-readable medium.

[0230] FIG. 24 depicts a graphical representation of a network of data-processing systems 2400 in which aspects of the present invention may be implemented. Network data- processing system 2400 is a network of computers or other such devices such as mobile phones, smartphones, sensors, detection devices, and the like in which embodiments of the present invention may be implemented. Note that the system 2400 can be implemented in the context of a software module such as program module 2325. The system 2400 includes a network 2402 in communication with one or more clients 2410, 2412, and 2414, and external device 2405. Network 2402 may also be in communication with one or more RFID and / or GPS enabled devices or sensors 2404, servers 2406, and storage 2408. Network 2402 is a medium that can be used to provide communications links between various devices and computers connected together within a networked data processing system such as computer system 2300. Network 2402 may include connections such as wiredcommunication links, wireless communication links of various types, fiber optic cables, quantum, or quantum encryption, or quantum teleportation networks, etc. Network 2402 can communicate with one or more servers 2406, one or more external devices such as RFID and / or GPS enabled device 2404, and a memory storage unit such as, for example, memory or database 2408. It should be understood that RFID and / or GPS enabled device 2404 may be embodied as a mobile device, cell phone, tablet device, monitoring device, detector device, sensor microcontroller, controller, receiver, transceiver, or other such device.

[0231] In the depicted example, device 2404, server 2406, and clients 2410, 2412, and 2414 connect to network 2402 along with storage unit 2408. Clients 2410, 2412, and 2414 may be, for example, personal computers or network computers, handheld devices, mobile devices, tablet devices, smartphones, personal digital assistants, microcontrollers, recording devices, MFDs, etc. Computer system 2300 depicted in FIG. 23 can be, for example, a client such as client 2410 and / or 2412.

[0232] Computer system 2300 can also be implemented as a server such as server 2406, depending upon design considerations. In the depicted example, server 2406 provides data such as boot files, operating system images, applications, and application updates to clients 2410, 2412, and / or 2414. Clients 2410, 2412, and 2414 and device 2404 are clients to server 2406 in this example. Network data-processing system 2400 may include additional servers, clients, and other devices not shown. Specifically, clients may connect to any member of a network of servers, which provide equivalent content.

[0233] In the depicted example, network data-processing system 2400 is the Internet with network 2402 representing a worldwide collection of networks and gateways that use the Transmission Control Protocol / lnternet Protocol (TCP / IP) suite of protocols to communicate with one another. At the heart of the Internet is a backbone of high-speed data communication lines between major nodes or host computers consisting of thousands of commercial, government, educational, and other computer systems that route data and messages. Of course, network data-processing system 2400 may also be implemented as a number of different types of networks such as, for example, an intranet, a local area network(LAN), or a wide area network (WAN). FIGS. 23 and 24 are intended as examples and not as architectural limitations for different embodiments of the present invention.

[0234] FIG. 25 illustrates a software system 2500, which may be employed for directing the operation of the data-processing systems such as computer system 2300 depicted in FIG. 23. Software application 2505, may be stored in memory 2304, on removable storage 2312, or on non-removable storage 2314 shown in FIG. 23, and generally includes and / or is associated with a kernel or operating system 2510 and a shell or interface 2515. One or more application programs, such as module(s) or node(s) 2325, may be "loaded" (i.e., transferred from removable storage 2314 into the memory 2304) for execution by the data-processing system 2300. The data-processing system 2300 can receive user commands and data through user interface 2515, which can include input 2316 and output 2318, accessible by a user 2520. These inputs may then be acted upon by the computer system 2300 in accordance with instructions from operating system 2510 and / or software application 2505 and any software module(s) 2325 thereof.

[0235] Generally, program modules (e.g., module 2325) can include, but are not limited to, routines, subroutines, software applications, programs, objects, components, data structures, etc., that perform particular tasks or implement particular abstract data types and instructions. Moreover, those skilled in the art will appreciate that elements of the disclosed methods and systems may be practiced with other computer system configurations such as, for example, hand-held devices, mobile phones, smart phones, tablet devices, multiprocessor systems, printers, copiers, fax machines, multi-function devices, data networks, microprocessor-based or programmable consumer electronics, networked personal computers, minicomputers, mainframe computers, servers, and the like.

[0236] Note that the term “module” or “node” as utilized herein may refer to a collection of routines and data structures that perform a particular task or implements a particular abstract data type. Modules may be composed of two parts: an interface, which lists the constants, data types, variables, and routines that can be accessed by other modules or routines; and an implementation, which is typically private (accessible only to that module), and whichincludes source code that actually implements the routines in the module. The term module may also simply refer to an application such as a computer program designed to assist in the performance of a specific task such as word processing, accounting, inventory management, etc., or a hardware component designed to equivalently assist in the performance of a task.

[0237] The interface 2515 (e.g., a graphical user interface 2330) can serve to display results, whereupon a user 2520 may supply additional inputs or terminate a particular session. In some embodiments, operating system 2510 and GUI 2330 can be implemented in the context of a “windows” system. It can be appreciated, of course, that other types of systems are possible. For example, rather than a traditional “windows” system, other operation systems such as, for example, a real time operating system (RTOS) more commonly employed in wireless systems may also be employed with respect to operating system 2510 and interface 2515. The software application 2505 can include, for example, module(s) 2325, which can include instructions for carrying out steps or logical operations such as those shown and described herein.

[0238] The following description is presented with respect to embodiments of the present invention, which can be embodied in the context of, or require the use of a data-processing system such as computer system 2300, in conjunction with program module 2325, and data- processing system 2400 and network 2402 depicted in FIGS. 23-3. The present invention, however, is not limited to any particular application or any particular environment. Instead, those skilled in the art will find that the systems and methods of the present invention may be advantageously applied to a variety of system and application software including database management systems, word processors, and the like. Moreover, the present invention may be embodied on a variety of different platforms including Windows, Macintosh, UNIX, LINUX, Android, Arduino and the like. Therefore, the descriptions of the exemplary embodiments, which follow, are for purposes of illustration and not considered a limitation.

[0239] Based on the foregoing, it can be appreciated that a number of embodiments,preferred and alternative, are disclosed herein. In an embodiment, a system comprises a computer system, the computer system further comprising: a memory configured to store a set of contest parameters configured to produce a contest when executed, a communication connection, a processor configured to generate a contest according to the set of contest parameters when executed, using the communication connection to receive data representing at least one submission for the contest, using the communication connection to receive data representing judging scores for the submissions for the contest, using the communication connection to receive data representing tokens of appreciation for the submissions for the contest, and generating, by the processor, a winner of the contest. In an embodiment, generating the contest further includes producing a graphical user interface configured to identify the subject matter of the contest, and storing, in the memory, a judging parameters associated with subject matter of the contest for the contest. In an embodiment, the subject matter of the contest comprises one of music, film, fashion, dance, art, and photography. In an embodiment, the system further comprises using the communication connection to receive data representing fan nominations for at least one submission for the contest. In an embodiment, the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified. In an embodiment, the system further comprises using the communication connection to receive data representing comments on a forum. In an embodiment, the forum is configured to accept input indicating a topic of a post and to accept a search query. In an embodiment, the forum is configured to publicly output data representing comments on the forum. In an embodiment, the system further comprises using the communication connection to receive data representing payment for tokens of appreciation and using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation. In an embodiment, the system further comprises using the communication connection to receive data for registration of an account associated with a user. In an embodiment, the system further comprises using the communication connection to receive data for booking an act associated with an account associated with a user. In an embodiment, the system further comprises using the communication connection to receive data for following an account associated with a user.

[0240] In an embodiment, the computer implemented method comprises storing a set of contest parameters configured to produce a contest on a memory associated with a computer, generating a contest according to the set of contest parameters with the computer system, using the communication connection to receive data representing at least one submission for the contest, using the communication connection to receive data representing judging scores for the submissions for the contest, using the communication connection to receive data representing tokens of appreciation for the submissions for the contest, and identifying a winner of the contest with the computer system. In an embodiment, the computer implemented method further comprises producing a graphical user interface configured to identify the subject matter of the contest, and storing, in the memory, a judging parameters associated with subject matter of the contest for the contest. In an embodiment, the subject matter of the contest comprises one of music, film, fashion, dance, art, and photography. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing fan nominations for at least one submission for the contest. In an embodiment, the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing comments on a forum, wherein the forum is configured to accept input indicating a topic of a post and to accept a search query, and wherein the forum is configured to publicly output data representing comments on the forum. In an embodiment, the computer implemented method further comprises using the communication connection to receive data representing payment for tokens of appreciation, using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation, using the communication connection to receive data for registration of an account associated with a user, using the communication connection to receive data for booking an act associated with an account associated with a user, and using the communication connection to receive data for following an account associated with a user.

[0241] In an embodiment, a system comprises a computer system, the computer systemfurther comprising at least one processor, a graphical user interface, and a computer-usable medium embodying computer program code, the computer-usable medium capable of communicating with the at least one processor, the computer program code comprising instructions executable by the at least one processor and configured for initiating a contest, accepting at least one submission for the contest, accepting judges scores or tokens of appreciation relating to each of the at least one submission for the contest, and identifying a winner of the contest.

[0242] It should be appreciated that variations of the above-disclosed and other features and functions, or alternatives thereof, may be desirably combined into many other different systems or applications. It should be understood that various presently unforeseen or unanticipated alternatives, modifications, variations, or improvements therein may be subsequently made by those skilled in the art which are also intended to be encompassed by the following claims.

Claims

CLAIMSWhat is claimed is:

1. A system comprising: a computer system, the computer system further comprising: a memory configured to store a set of contest parameters configured to produce a contest when executed; a communication connection; a processor configured to generate a contest according to the set of contest parameters when executed; using the communication connection to receive data representing at least one submission for the contest; using the communication connection to receive data representing judging scores for the at least one submission for the contest; using the communication connection to receive data representing tokens of appreciation for the at least one submission for the contest; and generating, by the processor, a winner of the contest.

2. The system of claim 1 , wherein generating the contest further includes: producing a graphical user interface configured to identify subject matter of the contest; and storing, in the memory, a judging parameters associated with subject matter of the contest for the contest.

3. The system of claim 2, wherein the subject matter of the contest comprises one of: music; film; fashion; dance; art; and photography.

4. The system of claim 1 , further comprising: using the communication connection to receive data representing fan nomination for at least one submission for the contest.

5. The system of claim 4 wherein the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified.

6. The system of claim 1 , further comprising: using the communication connection to receive data representing comments on a forum.

7. The system of claim 6 wherein the forum is configured to accept input indicating a topic of a post and to accept a search query.

8. The system of claim 6 wherein the forum is configured to publicly output data representing comments on the forum.

9. The system of claim 1 , further comprising: using the communication connection to receive data representing payment for tokens of appreciation; and using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation.

10. The system of claim 1 , further comprising: using the communication connection to receive data for registration of an account associated with a user.11 . The system of claim 10, further comprising:using the communication connection to receive data for booking an act associated with an account associated with a user.

12. The system of claim 1 , further comprising: using the communication connection to receive data for following an account associated with a user.

13. A computer implemented method comprising: storing a set of contest parameters configured to produce a contest on a memory associated with a computer; generating a contest according to the set of contest parameters with a computer system; using a communication connection to receive data representing at least one submission for the contest; using the communication connection to receive data representing judging scores for the submissions for the contest; using the communication connection to receive data representing tokens of appreciation for the submissions for the contest; and identifying a winner of the contest with the computer system.

14. The computer implemented method of claim 13, wherein generating the contest further comprises: producing a graphical user interface configured to identify subject matter of the contest; and storing, in the memory, a judging parameters associated with the subject matter of the contest for the contest.

15. The computer implemented method of claim 14, wherein the subject matter of the contest comprises one of: music; film;fashion; dance; art; and photography.

16. The computer implemented method of claim 13, further comprising: using the communication connection to receive data representing fan nominations for at least one submission for the contest.

17. The computer implemented method of claim 16, wherein the communication connection to receive data representing fan nominations for at least one submission for the contest remains open after a winner of the contest is identified.

18. The computer implemented method of claim 13, further comprising: using the communication connection to receive data representing comments on a forum, wherein the forum is configured to accept input indicating a topic of a post and to accept a search query, and wherein the forum is configured to publicly output data representing comments on the forum.

19. The computer implemented method of claim 13, further comprising: using the communication connection to receive data representing payment for tokens of appreciation; using the communication connection to provide data representing the tokens of appreciation to an account that paid for the tokens of appreciation; using the communication connection to receive data for registration of an account associated with a user; using the communication connection to receive data for booking an act associated with an account associated with a user; and using the communication connection to receive data for following an account associated with a user.

20. A system comprising: a computer system, the computer system further comprising: at least one processor; a graphical user interface; and a computer-usable medium embodying computer program code, the computer-usable medium capable of communicating with the at least one processor, the computer program code comprising instructions executable by the at least one processor and configured for: initiating a contest; accepting at least one submission for the contest; accepting judges scores or tokens of appreciation relating to each of the at least one submission for the contest; and identifying a winner of the contest.

Images