Adjustable microphone rack for national vocal singing

Abstract

The utility model relates to the field of adjustable microphone racks, in particular to an adjustable microphone rack for national vocal singing, which comprises a sleeve rod, a telescopic rod, a clamping sleeve, a threaded piece and the like, the telescopic rod is slidably connected in the sleeve rod, the threaded piece is fixedly connected above the sleeve rod, the threaded piece wraps the outer side of the telescopic rod, and the threaded piece is provided with an opening structure. And the threaded piece is connected with a clamping sleeve through a thread. By adjusting the height of the telescopic rod and the angle of the supporting rod, the microphone can be accurately and stably adjusted to a proper angle according to self requirements, the spring can be compressed by extruding the arc-shaped plate when the microphone is placed in the clamping sleeve, and the counter-acting force of the spring uniformly acts on the microphone to realize a clamping effect; and the device is suitable for microphones with different sizes and specifications.

Description

Technical Field

[0001] This utility model relates to the field of adjustable microphone stands, and more particularly to an adjustable microphone stand for ethnic vocal performances. Background Technology

[0002] A microphone stand is a professional device used to fix and support a microphone. It typically consists of a base, an adjustable support rod, and a microphone clip. Its core function is to provide stable sound pickup for singing, playing musical instruments, or giving speeches. It allows for flexible adjustment of height, angle, and position through a mechanical structure. Traditional microphone stands are mostly used in stage performances, recording studios, and other similar settings.

[0003] Ethnic vocal performance has unique artistic expression requirements. Singers often need to coordinate with a variety of physical movements on stage to complete dynamic performances. Most existing microphone stands can only be adjusted in height and angle, which is not flexible enough to meet the singer's need to quickly change the microphone position according to the performance. Moreover, traditional microphone stands cannot accommodate different microphones. With the increase in microphone types, microphones are prone to not being fixed firmly, and may shift or fall during performance, interfering with the normal performance.

[0004] Therefore, there is a particular need for an adjustable microphone stand for ethnic vocal performances to solve the above problems. Utility Model Content

[0005] In order to overcome the shortcomings of traditional microphone stands in terms of flexibility and adjustability, this utility model provides an adjustable microphone stand for ethnic vocal performances.

[0006] The technical solution of this utility model is as follows: an adjustable microphone stand for ethnic vocal performance, comprising a sleeve rod, a telescopic rod, a clamping sleeve, and a threaded component. The telescopic rod is slidably connected inside the sleeve rod. The threaded component is fixedly connected to the top of the sleeve rod and wraps around the outside of the telescopic rod. It has an open structure. The clamping sleeve is threadedly connected to the threaded component. It also includes a tightening component, a support rod, a clamping sleeve, springs, and an arc-shaped plate. The support rod is rotatably connected to the telescopic rod. The axial connection between the telescopic rod and the support rod is threadedly connected to the tightening component, which is clamped to the support rod. The clamping sleeve is also rotatably connected to the support rod. Four springs are distributed on the left and right sides inside the clamping sleeve. An arc-shaped plate is fixedly connected between two springs on the same side.

[0007] Furthermore, the rotation between the telescopic rod and the support rod is damped, and the rotation between the support rod and the clamping sleeve is damped.

[0008] Furthermore, it also includes connecting rods and casters. Three connecting rods are fixedly attached to the bottom of the sleeve rod in a circular manner. Each connecting rod is rotatably connected to a caster, and each caster is equipped with a braking mechanism.

[0009] Furthermore, it also includes connectors, brackets, threaded rods, and clamps. Connectors are fitted onto the support rod, and one side of the connector is connected to the bracket via a universal ball bearing. The right side of the bracket is connected to the threaded rod via a thread, and a clamp is fixed to the threaded rod.

[0010] Furthermore, it also includes a blowout preventer and a gooseneck tube. The gooseneck tube is fixed to the other side of the connector, and the angle of the gooseneck tube can be bent at will. The blowout preventer is fixed to the gooseneck tube.

[0011] Furthermore, the blowout shield mesh can be made of either metal mesh or nylon mesh, depending on the requirements.

[0012] Beneficial effects: 1. This utility model can adjust the height of the telescopic rod and the angle of the support rod to make the microphone accurately and stably adjusted to the appropriate angle according to its own needs. It can also compress the spring by squeezing the arc plate when the microphone is put into the clamping sleeve. The spring reaction force is evenly applied to the microphone to achieve a clamping effect. It can adapt to microphones of different sizes and specifications, effectively prevent the microphone from falling off due to vibration or accidental collision during use, and ensure the stability of the microphone stand.

[0013] 2. This utility model can drive the universal wheel to rotate by pushing the sleeve rod, thereby moving the entire device. This design not only meets the singer's need to flexibly adjust their position on stage, but also ensures the stability of the microphone stand when stability is required, bringing great convenience to the performance.

[0014] 3. This utility model can change the position of the pop filter by pulling the gooseneck tube, which can effectively avoid the interference of popping sounds generated during singing on audio quality. At the same time, it can also prevent the condenser capsule from getting damp, protect audio equipment, extend its service life, and thus ensure the purity and stability of the singing sound, and improve the overall singing effect. Attached Figure Description

[0015] Figure 1 This is a three-dimensional structural diagram of the present invention.

[0016] Figure 2 This is a three-dimensional structural diagram of the components of this utility model, such as the ferrule, threaded parts, and tightening parts.

[0017] Figure 3 This is a three-dimensional structural diagram of the clamping sleeve, spring, and arc plate components of this utility model.

[0018] Figure 4 This is a three-dimensional structural diagram of the connector, bracket, and threaded rod components of this utility model.

[0019] In the attached diagrams: 1: Sleeve rod, 2: Telescopic rod, 3: Clamping sleeve, 4: Threaded part, 5: Tightening part, 6: Connecting rod, 7: Caster wheel, 8: Support rod, 9: Clamping sleeve, 10: Spring, 11: Arc plate, 12: Connecting part, 13: Bracket, 1301: Threaded rod, 1302: Clamping plate, 14: Gooseneck tube, 15: Blowout shield. Detailed Implementation

[0020] The technical solutions of the present utility model will be clearly and completely described below with reference to the accompanying drawings of the embodiments. Obviously, the described embodiments are only some embodiments of the present utility model, and not all embodiments. Based on the embodiments of the present utility model, all other embodiments obtained by those of ordinary skill in the art without creative effort are within the protection scope of the present utility model.

[0021] Example: An adjustable microphone stand for ethnic vocal performance, such as... Figures 1-4 As shown, the device includes a sleeve rod 1, a telescopic rod 2, a clamping sleeve 3, and a threaded component 4. The telescopic rod 2 is slidably connected inside the sleeve rod 1. The threaded component 4 is fixed above the sleeve rod 1 and wraps around the outside of the telescopic rod 2. It has an open structure, and the clamping sleeve 3 is threadedly connected to the threaded component 4. The two are engaged by the threads. The device also includes a tightening component 5, a support rod 8, a clamping sleeve 9, a spring 10, and an arc-shaped plate 11. The support rod 8 is rotatably connected to the telescopic rod 2. The axial connection between the telescopic rod 2 and the support rod 8 is threadedly connected to the tightening component 5. The tightening component 5 engages with the support rod 8, thereby securing the telescopic rod 2. The rotation of the support rod 8 is restricted. A clamping sleeve 9 is rotatably connected to the support rod 8. Four springs 10 are symmetrically welded inside the clamping sleeve 9. An arc-shaped plate 11 is welded between two springs 10 on the same side. The arc-shaped plate 11 can clamp the microphone by compressing the reaction force of the springs 10. In addition, the rotation between the telescopic rod 2 and the support rod 8 is damped, and the rotation between the support rod 8 and the clamping sleeve 9 is damped. When the support rod 8 and the clamping sleeve 9 rotate, unnecessary rotation of the device due to slight external force interference can be avoided during use.

[0022] When using this device, the singer first adjusts the microphone stand height. Turning the retaining sleeve 3 counter-clockwise releases the pressure on the threaded part 4, thus loosening the threaded part 4's locking of the telescopic rod 2. At this point, the singer can easily pull the telescopic rod 2 up and down, adjusting it to the desired height based on their height, singing habits, and the acoustic environment. Then, turning the retaining sleeve 3 clockwise tightens it, applying pressure to the threaded part 4. The threaded part 4 tightly encloses the telescopic rod 2, achieving a secure lock and ensuring that the telescopic rod 2 will not move during subsequent use. This guarantees the stability of the microphone stand height and provides stable support for singing. Next, the angle of support rod 8 can be adjusted. The singer rotates the tightening device 5 to loosen the clamping force on support rod 8. Because the rotation between the telescopic rod 2 and support rod 8 is damped, this damping structure provides appropriate resistance, allowing the singer to precisely and stably adjust the angle of support rod 8 according to their posture and the coordination of body movements during singing. After adjusting to the ideal angle, tightening device 5 again will firmly fix support rod 8 at that angle, preventing it from changing angle due to accidental collisions or vibrations during singing, thus ensuring the stability of the microphone stand structure and the smooth progress of the performance.

[0023] When using a microphone holder to hold a microphone, considering that microphones come in different sizes, in order to prevent the microphone from not being held securely, it is placed in the clamping sleeve 9. The microphone presses against the arc plate 11, which compresses the spring 10. The reaction force will clamp the microphone so that it does not fall off. This method is not only suitable for microphones of various sizes, but also provides a stable clamping effect. When the microphone is removed, the spring 10 will drive the arc plate 11 to return to its original position.

[0024] like Figure 1 and Figure 2 As shown, it also includes connecting rods 6 and casters 7. Three connecting rods 6 are welded around the lower base of the sleeve rod 1. Each connecting rod 6 is rotatably connected to a caster 7. Each caster 7 is equipped with a braking mechanism. Users can stop the rotation of the caster 7 at any time through the braking mechanism to prevent the device from sliding randomly on the stage.

[0025] In a stage performance, the singer may need to adjust their singing position according to the performance requirements. At this time, simply push the lever 1 gently. Since the three connecting rods 6 at the bottom of the lever 1 are all rotatably connected to casters 7, the casters 7 can rotate flexibly, so the entire microphone stand can be moved easily as the casters 7 roll. When the microphone stand reaches the appropriate position, if the singer wants to keep it stable, they can step on the brake pads on the casters 7 to stop the casters 7 from rotating, thus firmly fixing the microphone stand in the current position.

[0026] like Figure 1 and Figure 4 As shown, it also includes a connector 12, a bracket 13, a threaded rod 1301, and a clamping plate 1302. The right side of the connector 12 is connected to the bracket 13 via a universal ball bearing. The right side of the bracket 13 is connected to the threaded rod 1301 via a thread. The clamping plate 1302 is fixedly connected to the threaded rod 1301.

[0027] In private practice settings, singers sometimes need to refer to scripts or singing instruction videos on their phones. In this case, the singer can place the phone on the stand 13 and then rotate the threaded rod 1301. The threaded rod 1301 will cause the clamping plate 1302 to move towards the phone under the action of the thread until the phone is clamped, effectively preventing the phone from falling during use. Because the stand 13 is connected to the connector 12 through a universal ball bearing, the viewing angle of the phone can be easily adjusted by directly rotating the stand 13.

[0028] like Figure 1 and Figure 4 As shown, it also includes a blowout shield 15 and a gooseneck tube 14. A connector 12 is fitted on the support rod 8. The gooseneck tube 14 is fixed to the left side of the connector 12. The gooseneck tube 14 can be bent and adjusted at any angle. The blowout shield 15 is fixed to the gooseneck tube 14. The mesh surface of the blowout shield 15 can be selected from metal mesh or nylon mesh according to the requirements.

[0029] During singing, singers may produce plosive sounds, and the moisture exhaled from their mouths may cause the condenser capsule to become damp. In such cases, the singer can pull the gooseneck tube 14 to change the position of the pop filter 15, thus avoiding these issues. Because the gooseneck tube 14 is highly flexible and can be bent and adjusted at any angle, the singer can precisely adjust the position of the pop filter 15 according to their mouth position, singing angle, and singing style.

[0030] The above description is merely an embodiment of this utility model and is not intended to limit the scope of this utility model. All equivalent substitutions made within the principles of this utility model should be included within the protection scope of this utility model. Contents not described in detail in this utility model are existing technologies known to those skilled in the art.

Claims

1. An adjustable microphone stand for ethnic vocal performance, characterized in that: The device includes a sleeve (1), a telescopic rod (2), a ferrule (3), and a threaded component (4). The telescopic rod (2) is slidably connected inside the sleeve (1). The threaded component (4) is fixed above the sleeve (1) and wraps around the outside of the telescopic rod (2). It has an open structure. The ferrule (3) is threadedly connected to the threaded component (4). The device is characterized by: It also includes a tightening component (5), a support rod (8), a clamping sleeve (9), a spring (10), and an arc plate (11). The support rod (8) is rotatably connected to the telescopic rod (2). The axial connection between the telescopic rod (2) and the support rod (8) is connected by a threaded fastening component (5). The tightening component (5) is snapped into the support rod (8). The clamping sleeve (9) is also rotatably connected to the support rod (8). Four springs (10) are distributed on the left and right sides inside the clamping sleeve (9). An arc plate (11) is fixed between two springs (10) on the same side.

2. The adjustable microphone stand for ethnic vocal performance as described in claim 1, characterized in that: The rotation between the telescopic rod (2) and the support rod (8) is damped, and the rotation between the support rod (8) and the clamping sleeve (9) is damped.

3. The adjustable microphone stand for ethnic vocal performance as described in claim 2, characterized in that: It also includes connecting rods (6) and casters (7). Three connecting rods (6) are fixedly connected to the bottom of the sleeve rod (1). Each connecting rod (6) is rotatably connected to a caster (7). Each caster (7) is equipped with a braking mechanism.

4. The adjustable microphone stand for ethnic vocal performance as described in claim 3, characterized in that: It also includes a connector (12), a bracket (13), a threaded rod (1301) and a clamp (1302). The connector (12) is sleeved on the support rod (8). The bracket (13) is connected to one side of the connector (12) via a universal ball bearing. The threaded rod (1301) is connected to the right side of the bracket (13) via a thread. The clamp (1302) is fixed on the threaded rod (1301).

5. The adjustable microphone stand for ethnic vocal performance as described in claim 4, characterized in that: It also includes a blowout preventer (15) and a gooseneck tube (14). The gooseneck tube (14) is fixed to the other side of the connector (12), and the gooseneck tube (14) can be bent at will to adjust the angle. The blowout preventer (15) is fixed to the gooseneck tube (14).

6. The adjustable microphone stand for ethnic vocal performance as described in claim 5, characterized in that: The mesh surface of the blowout shield (15) can be made of metal mesh or nylon mesh depending on the requirements.

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