New ink colorful painting method

Abstract

The drawing method comprises the following steps that S1, materials are selected, glue, water, ink, Chinese art paper, rock color and abrasive paper are selected, and common writing brushes and sketch pencils for wash and ink paintings need to be configured; s2, drawing an object, lightly drawing a rough outline of the picture on the Chinese art paper by using a pencil or light ink, including the shape and the position of the object, and constructing a basic structure and a form of the picture; s3, blank filling is conducted, specifically, the blank part of the picture is filled with the prepared rock color through a writing brush or other tools; s4, detail processing: adding some details, such as textures, lines and the like, so as to enhance the sense of reality and the artistic effect of the picture; s5, effect creation: manufacturing a dreamlike effect through techniques such as multi-color and multi-layer spraying, coating, polishing and the like; and S6, improvement: adding or subtracting some elements, adjusting color matching and the like, and the method has the advantages that the drawing method is optimized, and the drawing effect is improved.

Description

Technical Field

[0001] This invention relates to the technical field of ink wash painting with holographic effects, specifically to a new ink wash painting method with holographic effects. Background Technology

[0002] Ink-wash iridescent painting is based on ink-wash painting. It uses the mixing of water and ink to create different shades of ink. Compared with traditional ink-wash painting, ink-wash iridescent painting is richer, brighter, and more vivid in color. It absorbs the painting form of heavy color and adds unique technical means to make the picture present a dreamlike and beautiful effect.

[0003] The process involves sketching and composition, handling background and blank space, blending color and ink, depicting objects, and using special tools (such as spray bottles and brushes) for multi-color and multi-layer spraying and polishing to create a dreamlike effect. After completing the ink-wash iridescent painting, the painting is allowed to dry naturally. Ink-wash iridescent painting is based on traditional ink painting and incorporates new painting concepts and techniques. Its techniques are more complex than those of traditional ink painting. The ink pigments have strong penetrability, and once a mistake is made during the painting process, it is difficult to correct, resulting in a poor iridescent three-dimensional effect. Summary of the Invention

[0004] To address the problems of complex painting methods, difficult restoration during the painting process, and mediocre iridescent effects in current ink wash iridescent painting, this invention provides a new ink wash iridescent painting method.

[0005] To solve the above-mentioned technical problems, the technical solution provided by the present invention is: a novel ink wash painting method, comprising the following steps: S1. Material selection: glue, water, ink, Xuan paper, rock paint, sandpaper. You will need to prepare commonly used ink painting brushes and sketching pencils. S2. Object drawing: Use a pencil or light ink to lightly outline the general shape of the picture on rice paper, including the shape and position of the objects, and construct the basic structure and form of the picture. S3. Fill in the blanks: Use a brush or other tools to fill in the blank areas of the picture with the prepared mineral pigments to achieve the desired effect. S4. Detail processing: Add details such as textures and lines to enhance the realism and artistic effect of the image. S5. Effect Creation: Creates dreamlike effects through multi-color, multi-layer spraying, coating, and sanding techniques. S6. Improvement: Make the picture more harmonious and perfect by adding or subtracting certain elements and adjusting the color scheme.

[0006] Preferably, in S1, special raw Xuan paper is selected, which can better showcase the unique effect of ink wash painting.

[0007] Preferably, in S3, different brushstrokes and techniques, such as rendering, stippling, and outlining, can be used to represent the shape and texture of objects. During the coloring process, multiple layers and adjustments can be made as needed to increase the sense of layering and three-dimensionality of the picture.

[0008] Preferably, in S4, details are added to key parts of the image, such as increasing the gold feel, adding a touch of black to the eyes and outlines, and adjusting the brightness, warmth, and saturation of colors according to the tone and atmosphere of the image.

[0009] Preferably, in S5, the three-dimensionality and depth of the image are created by changing the depth, intensity, wetness and dryness of the colors, including the dripping water method, the salt sprinkling method, the color mixing method, and the rendering method.

[0010] Preferably, the color mixing method involves mixing opaque mineral pigments between transparent colors, broadening the color purity from a single transparent color to three types: transparent, semi-transparent, and opaque; the salt sprinkling method involves sprinkling salt grains onto a wet painted surface, and as the salt grains dissolve, a white, blooming texture effect appears on the painting; the water dripping method involves dripping water onto the painting while it is still wet, and the water droplets will wash away the colors, creating a speckled effect; the water dripping method uses water to express the layering of ink or color, allowing colors to transition naturally from dark to light or from light to dark, without brushstroke marks.

[0011] The advantages of this invention are as follows: This invention introduces a new method for creating ink wash and color painting, which is broken down into multiple steps S1 to S6. This provides a general process constraint for the complex painting method. Blank filling can be done from light to dark, with multiple layers of coloring to avoid coloring errors affecting the entire painting. Finally, the painting effect is created by using different colors and techniques to create a unique dreamlike atmosphere. Attached Figure Description

[0012] Figure 1 This is a schematic diagram of the present invention. Detailed Implementation

[0013] The present invention will now be described in further detail with reference to the accompanying drawings.

[0014] Combined with appendix Figure 1 A new ink wash painting method with iridescent colors includes the following steps: S1. Material selection: glue, water, ink, Xuan paper, rock paint, sandpaper. Commonly used ink painting brushes and sketching pencils are required. Special raw Xuan paper should be selected, as this type of paper can better showcase the unique effect of ink painting. S2. Object drawing: Use a pencil or light ink to lightly outline the general shape of the picture on rice paper, including the shape and position of the objects, and construct the basic structure and form of the picture. S3. Fill in the blanks. Use a brush or other tools to fill in the blank areas of the painting with the prepared mineral pigments to achieve the desired effect. Use different brushstrokes and techniques, such as rendering, dotting, and outlining, to express the shape and texture of the objects. During the coloring process, you can layer and adjust multiple times as needed to increase the sense of layering and three-dimensionality of the painting. This step is to enhance the color layering and richness of the painting. S4. Detail processing: Add details such as textures and lines. Process details in key parts of the image to enhance the gold feel. Use a little black to embellish the eyes and outlines. Adjust the brightness, warmth, and purity of colors according to the tone and atmosphere of the image to enhance the realism and artistic effect of the image, and enhance the three-dimensionality and vividness of the image. S5. Effect Creation: Create dreamlike effects through multi-color and multi-layered spraying, painting, and sanding techniques. Create a sense of three-dimensionality and depth in the image by varying the depth, intensity, and wetness of the colors. This includes techniques such as dripping water, sprinkling salt, layering colors, and rendering. Through different color and technique processing, create a unique dreamlike atmosphere. S6. Improvement: Make the picture more harmonious and perfect by adding or subtracting certain elements and adjusting the color scheme.

[0015] Among these techniques, the "mixing color" method involves blending opaque mineral pigments between transparent colors, expanding the color purity from a single transparent layer to three types: transparent, semi-transparent, and opaque, thus enriching the colors and layers of the painting. The "salt sprinkling method" is suitable for depicting effects such as snowflakes and frost. It involves sprinkling salt grains onto a wet painted surface, and as the salt dissolves, a white, blooming texture effect appears. The "water dripping method" is suitable for depicting effects such as rain and dew. It involves dripping water onto a wet painting, and the water droplets will wash away the colors, creating a speckled effect. The "rendering method" is suitable for depicting large areas of background. It uses water to express the layering of ink or color, allowing colors to transition naturally from dark to light or from light to dark without brushstrokes. By flexibly applying these techniques, one can create iridescent ink paintings with rich colors and layers.

[0016] In the specific implementation of this invention, suitable paper (usually raw Xuan paper) is selected, pigments and inks are prepared (high-quality inks and pigments are selected to ensure the fullness and stability of the colors), and painting tools are prepared, including brushes (of various sizes and models for different painting needs), inkstones (for grinding ink), and brush washers (to keep the brush tips clean). The general outline of the picture is lightly sketched on the Xuan paper with a pencil or light ink. The blank parts of the picture are filled with the prepared mineral pigments using a brush or other tools, and some details such as textures and lines are added. Through multi-color and multi-layer spraying, painting, and polishing techniques, and by adding or subtracting certain elements and adjusting color matching, the picture is made more harmonious and perfect.

[0017] The present invention and its embodiments have been described above. This description is not restrictive, and the accompanying drawings are only one embodiment of the present invention; the actual structure is not limited thereto. In conclusion, if those skilled in the art are inspired by this description and design similar structures and embodiments without departing from the spirit of the invention, such designs should fall within the protection scope of the present invention.

Claims

1. A novel ink wash painting method, characterized by: The steps include the following: S1. Material selection: glue, water, ink, Xuan paper, rock paint, sandpaper; S2. Object drawing: Use a pencil or light ink to lightly outline the general shape of the picture on rice paper, including the shape and position of the objects. S3. Fill in the blanks: Use a brush or other tools to fill in the blank areas of the picture with the prepared mineral pigments to achieve the desired effect. S4. Detail processing: Add details such as textures and lines to enhance the realism and artistic effect of the image. S5. Effect Creation: Creates dreamlike effects through multi-color, multi-layer spraying, coating, and sanding techniques. S6. Improvement: Make the picture more harmonious and perfect by adding or subtracting certain elements and adjusting the color scheme.

2. The novel ink wash painting method according to claim 1, characterized in that: In S1, special raw Xuan paper is used, which can better showcase the unique effect of ink wash painting.

3. The novel ink wash painting method according to claim 1, characterized in that: In S3, different brushstrokes and techniques, such as rendering, stippling, and outlining, can be used to represent the shape and texture of objects. During the coloring process, multiple layers and adjustments can be made as needed to increase the sense of depth and three-dimensionality of the image.

4. The novel ink wash painting method according to claim 1, characterized in that: In S4, details are added to key areas of the image, such as increasing the gold feel, using a little black to accentuate the eyes and outlines, and adjusting the brightness, warmth, and saturation of colors according to the tone and atmosphere of the image.

5. The novel ink wash painting method according to claim 1, characterized in that: In S5, variations in color depth, intensity, and wetness create a sense of three-dimensionality and depth in the image, including techniques such as dripping water, sprinkling salt, layering colors, and rendering.

6. The novel ink wash painting method according to claim 5, characterized in that: The color mixing method involves mixing opaque mineral pigments with transparent colors, broadening the color purity from a single transparent color to three types: transparent, semi-transparent, and opaque. The salt sprinkling method involves sprinkling salt grains onto a wet painted surface; as the salt grains dissolve, a white, blooming texture effect appears. The water dripping method involves dripping water onto a wet painting; the water droplets will wash away the colors, creating a speckled effect. The rendering method uses water to express the layering of ink or color, allowing colors to transition naturally from dark to light or from light to dark without brushstroke marks.

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