High-fidelity oil painting replication method
By employing high-definition scanning, texture layering, and UV printing technologies, combined with varnish application and framing steps, the complexities and low similarity of existing oil painting reproduction processes have been resolved, achieving highly realistic oil painting reproductions and improving the quality and efficiency of the reproductions.
Patent Information
- Application Number
- CN202110813336.X
- Authority / Receiving Office
- CN · China
- Patent Type
- Patents(China)
- Current Assignee / Owner
- Filing Date
- 2021-07-19
- Publication Date
- 2026-01-09
- Estimated Expiration
- 2041-07-19
AI Technical Summary
Existing oil painting reproduction techniques are complex, the reproductions are not very similar, and the prices are high, making it difficult to meet the needs of ordinary people.
High-definition scanning, texture layering, and UV printing technologies are used, combined with varnish application and framing steps, to achieve highly realistic reproduction of oil paintings.
It simplifies the oil painting reproduction process, increases the similarity between the reproduction and the original work to over 95%, and improves the quality and production efficiency of the reproduction.
Abstract
Description
TECHNICAL FIELD
[0001] The present application relates to the technical field of industrial art production, and particularly relates to a high-simulation oil painting replication method. BACKGROUND
[0002] With the national promotion of culture and art, in order to make art more deeply into the life of the people, oil painting art is gradually moving from the high-end market into the life of the common people, and the promotion and popularization of oil painting art is particularly important. Not only is the popularization of oil painting art important, but works of art are also slowly moving into ordinary people's homes. However, the works of famous artists are not only rare in quantity, but also expensive in price, which is not affordable for ordinary people. Therefore, most people will choose to purchase replicas of famous paintings to decorate their homes. However, the existing famous painting replication process, especially the oil painting replication process, is very lacking, and has the shortcomings of too complex process, low similarity of the replicated product, and high price, and there is an urgent need for an oil painting replication method with simple process and high similarity of the replicated product. SUMMARY
[0003] The present application aims to at least solve one of the technical problems existing in the prior art. To this end, the present application proposes a high-simulation oil painting replication method.
[0004] One embodiment of the present application adopts the technical solution to solve its technical problem: a high-simulation oil painting replication method, comprising an electronic document processing step before replication, a printing step, and a manufacturing step.
[0005] The electronic document processing step before replication comprises:
[0006] Step 1, scanning the high-definition texture picture of the original oil painting, the scanning resolution is not less than 1200x1200 dpi, 1:1 reduction of the color of the original oil painting, and color contrast, and converting the scanned file into a printing mode;
[0007] Step 2, obtaining a first texture color layer by inversing the light white texture in the scanned file in the printing mode;
[0008] Step 3, obtaining a second texture color layer by inversing the intermediate color texture in the scanned file in the printing mode;
[0009] Step 4, obtaining a third texture color layer by inversing the dark gray or black texture in the scanned file in the printing mode;
[0010] Step 5, obtaining a fourth texture color layer by inversing the base color texture or brush stroke in the scanned file in the printing mode;
[0011] Step 6, selecting the first, second and third texture color layers and adjusting the color scale, making the highest part of the texture dark gray and the others white, to obtain a fifth texture color layer;
[0012] The printing step comprises:
[0013] Step 1, using a UV printer to print on the copy substrate according to the first, second, third, fourth and fifth texture color layers using different multiples of ink, and adjusting the output according to the difference between the printed texture height and the original oil painting;
[0014] Step 2, when the printed texture height is consistent with the original oil painting, print the corresponding color according to the surface color value of the original oil painting to complete the printing;
[0015] The production step comprises:
[0016] Step 1, place the printed copy in a well-ventilated place for several hours;
[0017] Step 2, apply varnish on the copy, dry in the air, and frame to complete the production of the oil painting copy.
[0018] Further, in step 1 of the electronic document processing step before copying, an HD Ultra i4210s scanner is used for scanning.
[0019] Further, in step 1 of the electronic document processing step before copying, an Epson Artisan Microspray printer is used for color matching.
[0020] Further, in step 1 of the printing step, the UV printer uses a print head of model KJ4A-AA, with a minimum droplet size of 3pL and a resolution of greater than 600x600dpi.
[0021] The present application has the following advantages: the high-simulation oil painting copying method comprises an electronic document processing step before copying, a printing step and a production step, wherein the electronic document processing step before copying comprises scanning of the original oil painting and texture analysis and processing of the scanned file, the printing step is based on the results of the texture analysis and processing, the production step comprises airing, varnishing, drying and framing; the process of copying the oil painting is simplified, the similarity with the original oil painting is greatly improved, which can reach more than 95%, and the quality of the copy and the efficiency of producing the copy are improved. DETAILED DESCRIPTION
[0022] This part will describe the specific embodiments of the present application in detail, so that people can intuitively and visually understand each technical feature and the overall technical solution of the present application, but it cannot be understood as a limitation on the protection scope of the present application.
[0023] In the description of the present application, the meaning of multiple is more than two, greater than, less than, more than, etc. is not included in the number, above, below, within, etc. is understood to include the number. If it is described that the first, second is only used for the purpose of distinguishing technical features, and cannot be understood as indicating or implying relative importance or implicitly indicating the number of indicated technical features or implicitly indicating the sequence of indicated technical features.
[0024] In the description of the present application, it is understood that the description of the orientation is only for the convenience of describing the present application and simplifying the description, and is not intended to indicate or imply that the device or element referred to must have a specific orientation, be constructed and operated in a specific orientation, and therefore cannot be understood as a limitation on the present application.
[0025] In the present application, unless otherwise explicitly limited, the words "set", "install", "connect" and the like should be broadly understood, for example, they can be directly connected, or indirectly connected through an intermediate medium; can be fixedly connected, or can be detachably connected, or can be integrally formed; can be mechanically connected; can be the internal communication or interaction relationship of two elements. The skilled in the art can reasonably determine the specific meaning of the above words in the present application in combination with the specific content of the technical solution.
[0026] The high-simulation oil painting copying method comprises an electronic document processing step before copying, a printing step and a manufacturing step.
[0027] The electronic document processing step before copying comprises:
[0028] Step 1, scanning the high-definition texture picture of the original oil painting, the scanning resolution is not less than 1200x1200 dpi, 1:1 reduction of the color of the original oil painting and color contrast, and converting the scanning file into a printing mode;
[0029] Step 2, obtaining a first texture color layer by inversing the light white texture in the scanning file in the printing mode;
[0030] Step 3, obtaining a second texture color layer by inversing the intermediate color texture in the scanning file in the printing mode;
[0031] Step 4, obtaining a third texture color layer by inversing the dark gray or black texture in the scanning file in the printing mode;
[0032] Step 5, obtaining a fourth texture color layer by inversing the base color texture or brush stroke in the scanning file in the printing mode;
[0033] Step 6, selecting the first texture color layer, the second texture color layer and the third texture color layer and adjusting the color scale thereof, so that the highest part of the texture is dark gray and the others are white, to obtain a fifth texture color layer;
[0034] The printing step comprises:
[0035] Step 1, using a UV printer to print on the copy substrate according to the first, second, third, fourth and fifth texture color layers using different multiples of ink amount respectively, and adjusting the output according to the difference between the printed texture height and the original oil painting;
[0036] Step 2, when the printed texture height is consistent with the original oil painting, print the corresponding color according to the surface color value of the original oil painting to complete the printing;
[0037] The manufacturing step comprises:
[0038] Step 1, place the printed copy in a well-ventilated place for several hours;
[0039] Step 2, apply varnish on the copy, and frame after air drying to complete the manufacture of the oil painting copy.
[0040] Further, in step 1 of the electronic document processing step before copying, an HD Ultra i4210s scanner is used for scanning.
[0041] Further, in step 1 of the electronic document processing step before copying, an Epson Artisan MicroEdge printer is used for color matching.
[0042] Further, in step 1 of the printing step, the UV printer uses a print head of model KJ4A-AA, with a minimum droplet volume of 3pL and a resolution of greater than 600x600dpi.
[0043] In the present application, according to specific embodiments, comprising an electronic document processing step before copying, a printing step and a manufacturing step,
[0044] The electronic document processing step before copying comprises the following steps:
[0045] ①, the original oil painting is scanned by HD Ultra i4210s for high-definition texture picture, with a scanning resolution of 1200x1200dpi and a scanning color of 1:1 reduction, and color matching is performed by Epson Artisan MicroEdge printer; convert the file to printing mode cmyk, browse the picture texture height and highlight area, the highlight color will have light white, intermediate value (gray), dark black, find out the picture highlights, pay special attention to whether the texture at these positions is completely presented when making the texture file;
[0046] 2. Turn to cmyk channel window, find out where the highlight skin texture in the channel display particularly clear, the channel color (such as light color) with clear texture drag to the "create new channel" button release the left mouse button to copy channel, and click the upper right corner of the small triangle function bar to select "channel options", open the settings dialog box to select "color indication - spot color", the name is changed to the first skin color layer, the current picture is black and white, select the menu "image - adjustment - inverse", you will find that the original light color, that is, the skin texture is higher, the convex skin texture from the original light white color into dark gray or black, the output of the dark part will be the most ink and thickest place, this operation locks the highlight skin texture in the print file;
[0047] 3. The intermediate value in the cmyk four color channels can not find the best skin texture color display channel, then save another copy of the original file, and open it in the picture processing software, "image - mode - grayscale" into grayscale, click the channel window, drag the "gray" channel to the "create new channel" button release the left mouse button to copy the channel, and click the upper right corner of the small triangle function bar to select "channel options", open the settings dialog box to select "color indication - spot color", the name is changed to the second skin color layer, now you can see the picture is light gray and dark gray (60%-75% gray) color, select the menu "image - adjustment - inverse", you will find that the color is opposite to the original, the convex skin texture from the original light gray color into dark gray, the output of the dark part will be the most ink and thickest place, this operation locks the intermediate gray skin texture in the print file;
[0048] 4. Dark gray (80% or more), black skin texture file: select the "black channel" in the channel window, drag the "black" channel to the "create new channel" button release the left mouse button to copy the channel, and click the upper right corner of the small triangle function bar to select "channel options", open the settings dialog box to select "color indication - spot color", the name is changed to the third skin color layer, at this time the dark color, black part does not need to be inverse color, because the inverse color becomes white, the skin texture can not be displayed, and the skin texture effect can not be printed out;
[0049] ⑤, the texture or brushstroke production of the ground color: go to the cmyk channel window, find the channel that shows the texture particularly clearly, drag this color channel to the "create new channel" button with the move tool, release the left mouse button to copy the channel, and click the small triangle in the upper right corner of the function bar to select "channel options" to open the settings dialog box. Select "color indication - spot color" and change the name to the fourth texture color layer. Click the menu "image - adjustment - color level" and drag the black triangle in the "input color level" to the right. Set the left box to 46. Then drag the middle value gray triangle to the right until the middle box is set to 0.35. Finally, drag the highlight triangle to the left and set the right box to 194. At this time, you will find that the ground texture is particularly obvious. Select the menu "image - adjustment - inverse", at this time you will find that some channels in the above will overlap. Use the "eraser tool" with "opacity" set to 80% and "hardness" set to 20% to adjust the size of the eraser according to the needs of the figure. Erase the texture position that is not needed to complete the production;
[0050] ⑥, the highest texture production in the picture: select the highest color channel of the first, second and third texture color layer, drag it to the "create new channel" button with the move tool, release the left mouse button to copy the channel, and click the small triangle in the upper right corner of the function bar to select "channel options" to open the settings dialog box. Select "color indication - spot color" and change the name to the fifth texture color layer. Click the menu "image - adjustment - color level" and drag the black triangle in the "input color level" to the right. Set the left box to 41. Then drag the middle value gray triangle to the right until the middle box is set to 1. Finally, drag the highlight triangle to the left and set the right box to 111. This adjustment only shows the highest part of the texture as dark gray and the rest as white. This parameter may vary slightly on different colors;
[0051] ⑦, the water part of the landscape oil painting often shows dark color when inverted, and the ink accumulation is particularly thick when output. The original work has no or slightly convex texture, which means that this part does not need to be printed too thick. To do this, select the area with the magnetic or lasso tool, and adjust the feathering to 10 to make the transition to the surrounding color more natural. Use the sponge tool, set "mode" to "reduce saturation", and set the flow to "60%" in the selected area. Wipe back and forth to absorb the color to light gray.
[0052] ⑧, if the channels are not ideal for texture adjustment, convert the file to grayscale and repeat the processing operation in ② above.
[0053] ⑨, check the color and texture of each white ink channel to ensure that they are displayed accurately, then store them as five files in order;
[0054] The printing steps include the following steps:
[0055] ①, the used printing equipment selects high-precision high-fall nozzle, the model uses KJ4A-AA print head, the minimum liquid drop amount is 3pL, the resolution is high 600x600dpi, and it is suitable for fine printing;
[0056] ②, the printing color is combined with CMYK+LCLM+W+V, and the ink uses UV [ultraviolet curing] ink. The ink refers to that under ultraviolet irradiation, a UV ink photopolymerization initiator absorbs certain wavelength photons, is excited to an excited state, forms free radicals or ions, then through intermolecular energy transfer, the polymerized prepolymer and the light-sensitive monomer and polymer become excited state, and the charge transfer complex is generated. These complex particles continuously crosslink and polymerize, and are cured into a film. The same position can be printed and stacked with ink to achieve the effect of convex and concave relief, so as to form the texture.
[0057] ③, the texture is printed first when outputting, that is, white ink is printed, and the output is set to be white ink only. Among them, the first texture color layer selects 8 times ink output, the second texture color layer selects 4 times ink output, the third texture color layer selects 8 times ink output, the fourth texture color layer selects 8 times ink output, and the fifth texture color layer selects 16 times ink output. Then, the texture height and the original work are checked. If the texture height does not reach the original work, the fourth texture color layer can be outputted with 8-16 times ink.
[0058] ④, when the texture height is consistent with the original work, the corresponding color is printed according to the surface color value of the oil painting original work, and the printing is completed.
[0059] The manufacturing steps include the following steps:
[0060] ①, the finished semi-finished product is placed in a ventilated place for 8 hours, so that the residual odor is completely dissipated;
[0061] ②, the semi-finished product is coated with damar varnish, and after ventilation and drying, it is framed to complete the production of the oil painting copy.
[0062] Of course, the present application is not limited to the above-mentioned embodiments, and those skilled in the art can make equivalent modifications or replacements without departing from the spirit of the present application. These equivalent modifications and replacements are all included in the scope defined by the claims of the present application.
Claims
1. A method of high-fidelity oil painting replication, characterized by: The pre-copying electronic document processing step, the printing step, and the manufacturing step are included. The pre-copying electronic document processing step includes: Step 1, scanning the original oil painting in high-definition texture mode, with a resolution of not less than 1200x1200 dpi, and reducing the color of the original oil painting 1:1 and comparing the color, and converting the scanned file into a printing mode; Step 2, obtaining a first texture color layer by reversing the light white texture in the scanned file in the printing mode; Step 3, obtaining a second texture color layer by reversing the intermediate color texture in the scanned file in the printing mode; Step 4, obtaining a third texture color layer by reversing the dark gray or black texture in the scanned file in the printing mode; Step 5, obtaining a fourth texture color layer by reversing the base color texture in the scanned file in the printing mode; Step 6, selecting the first, second, and third texture color layers and adjusting the color steps to make the highest part of the texture dark gray and the others white to obtain a fifth texture color layer; The printing step includes: Step 1, using a UV printer to print different multiples of ink on the replica substrate according to the first, second, third, fourth, and fifth texture color layers, and adjusting the output according to the difference between the printed texture height and the original oil painting; Step 2, when the printed texture height is consistent with the original oil painting, print the corresponding color according to the surface color value of the original oil painting to complete the printing; The manufacturing step includes: Step 1, placing the printed replica in a well-ventilated place for several hours; Step 2, apply varnish to the replica, and after drying in a well-ventilated place, frame it to complete the manufacturing of the oil painting replica.
2. The method of claim 1, wherein: In step 1 of the pre-copying electronic document processing step, an HD Ultra i4210s scanner is used for scanning.
3. The method of claim 1, wherein: In step 1 of the pre-copying electronic document processing step, an Epson Artisan MicroJet printer is used for color comparison.
4. The method of claim 1, wherein: In step 1 of the printing step, the UV printer uses a print head with a model number of KJ4A-AA, a minimum droplet size of 3pL, and a resolution of greater than 600x600 dpi.
Citation Information
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