A kind of replica paper-cut painting and preparation method thereof

Abstract

The present invention provides a replica of a paper-cut painting and a preparation method thereof, and the preparation method comprises the following steps: S1. Select paper-cut paper with no obvious defects on the surface, fix it to a fixed medium, pre-treat the fixed paper-cut paper, and obtain a material to be printed; S2. Place the material to be printed obtained by S1 in a printer, print and color, and the printing height between the nozzle and the paper-cut paper is 5-6mm to obtain a paper-cut painting draft; S3. Soak the paper-cut painting draft obtained by S2 to remove the fixed medium, the soaking time is 10-15min, and the fixed medium is removed and clamped and dried to obtain the replica paper-cut painting. The paper-cut painting obtained by the preparation method of the present invention has a picture quality that is almost the same as that of hand-painted, a flat surface, rich and beautiful colors, high artistic appeal, good preservation effect, and a high efficiency, easy operation, and low cost. It has important economic value and promotion significance for the inheritance of the intangible cultural heritage of paper-cut painting.

Description

Technical Field

[0001] The present invention relates to the technical field of artwork production, and in particular to a replica of a paper-cut painting and a preparation method thereof. Background Art

[0002] Tongcao painting is also called "pith painting". From the existing cultural relics, Tongcao painting includes two types: gouache on pith paper and watercolour on pith paper. Tongcao painting has a wide range of themes, mainly reflecting the social life scenes and various figures in the late Qing Dynasty, including port customs, market craftsmen, customs and festivals, craft processes, drama performances, punishments, flowers, birds, fish and insects, etc., which truly reflects the social conditions in China in the 18th and 19th centuries. Therefore, Tongcao painting has far-reaching research significance for many disciplines such as art history, Sino-foreign trade history, art, and folklore.

[0003] Tongcao paper is a special paper for Tongcao painting. This kind of paper is not made by pulping in the usual sense, but a plant material made by cutting the pith of the stem of a shrub called Tongcao. The pith of the two-year-old Tongcao is removed and then cut into uniform thickness Tongcao slices with a knife. Tongcao paper is obtained without further processing. Tongcao paper is fragile and brittle, has strong water absorption and is easily deformed when exposed to moisture, making it difficult to preserve. Therefore, traditional Tongcao paintings can only be made by hand by ancient painters, and need to be sealed immediately after painting, but the existing number is still relatively limited.

[0004] In recent years, tongcao painting has attracted more and more attention, and it has important significance for the study of the development of early western painting in China. However, the existing tongcao paintings are mainly collected in Western museums, and the handed down works are almost all abroad. Due to their own nature, it is difficult to preserve and exhibit them continuously, which is not conducive to the inheritance of the intangible cultural heritage of tongcao painting.

[0005] Therefore, it is of great significance to develop a replica of Tongcao painting and a preparation method thereof. Summary of the invention

[0006] In view of the fact that the existing traditional rice paper paintings are mainly collected in Western museums, and due to their own properties, they are difficult to be continuously preserved and exhibited, which is not conducive to the inheritance of the intangible cultural heritage of rice paper paintings, the present invention provides a replica rice paper painting and a preparation method thereof, which overcomes the difficulty that traditional rice paper paintings can only be painted by hand due to their fragile materials, and can realize modern large-scale replica rice paper paintings. The preparation method has high efficiency, easy operation, and low cost, and has important economic value and promotion significance for the inheritance of the intangible cultural heritage of rice paper paintings.

[0007] To achieve the above object, the technical solution adopted by the present invention is:

[0008] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0009] S1. Selecting a rice paper with no obvious surface defects, fixing it to a fixed medium, and pre-treating the fixed rice paper to obtain a material to be printed;

[0010] S2. Place the material to be printed obtained in S1 in the printer, print and color, the printing height between the nozzle and the paper is 5-6mm, and obtain a paper draft;

[0011] S3. Soak the paper-cut drawing obtained in S2 to remove the fixing medium for 10-15 minutes. After removing the fixing medium, clamp and dry to obtain the replica paper-cut drawing.

[0012] Furthermore, the fixing medium in S1 is cardboard or hard paper, and the method of fixing to the fixing medium in S1 is fixing by double-sided tape and / or adhesive.

[0013] Furthermore, the pre-treatment in S1 includes adjusting the positioning of the rice paper relative to the fixed medium, and smoothing and shaping the rice paper.

[0014] Furthermore, after the printing and coloring in S2, the printing material is dried for 24 hours.

[0015] Furthermore, in S3, the fixing medium is removed by soaking at a temperature of 20-25° C., and during soaking, the side fixed with the rice paper is first contacted with water.

[0016] Furthermore, the unit pressure on the surface of the clamped dry rice paper in S3 is 60-100Pa.

[0017] Furthermore, the clamping and drying air humidity in S3 is 30-50%; and the clamping and drying time in S3 is 12-16 hours.

[0018] Furthermore, the clamping drying in S3 further includes placing a hygroscopic medium between the clamped object and the rice paper, replacing the hygroscopic medium every 1-2 minutes, and replacing it 5-8 times.

[0019] Furthermore, the moisture absorbing medium is one or more of absorbent paper, absorbent fiber, absorbent sponge, and rice paper.

[0020] Another object of the present invention is to provide a replica of paper-cut painting.

[0021] A replica paper-cut painting is prepared by any of the aforementioned methods for preparing a replica paper-cut painting.

[0022] Compared with the prior art, the present invention has the following advantages and beneficial effects:

[0023] The replica of the rice paper painting of the present invention is obtained by fixing rice paper onto a fixed medium for printing and coloring, and then removing the fixed medium through post-processing to obtain the replica rice paper painting, which overcomes the difficulty that traditional rice paper paintings can only be painted by hand due to the fragility of the material, and can realize modern large-scale replica rice paper paintings. The traditional rice paper paintings of the past are reproduced by the present invention, so as to achieve the effect of continuous preservation and exhibition, and the artistic life of traditional rice paper paintings can be extended, and precious works of art are preserved. The rice paper paintings obtained by the preparation method of the present invention have a picture quality that is almost the same as that of hand-painted, a smooth surface, rich and beautiful colors, high artistic appeal, good preservation effect, and the preparation method is efficient, easy to operate, and low in cost, which has important economic value and promotion significance for the inheritance of the intangible cultural heritage of rice paper paintings. BRIEF DESCRIPTION OF THE DRAWINGS

[0024] The invention is further described using the accompanying drawings, but the embodiments in the accompanying drawings do not constitute any limitation to the invention. A person skilled in the art can obtain other drawings based on the following drawings without creative work.

[0025] Figure 1 This is a physical picture of the rice paper in Example 1 of the present application.

[0026] Figure 2 This is a physical picture of the replica of the paper-cut painting in Example 1 of the present application.

[0027] Figure 3 This is a physical picture of the replica of the paper-cut painting in comparative example 1 of the present application.

[0028] Figure 4 This is a physical picture of the replica of the paper-cut painting in comparative example 2 of the present application.

[0029] Figure 5 This is a physical picture of the replica of the paper-cut painting in comparative example 3 of the present application. DETAILED DESCRIPTION

[0030] In order to better illustrate the purpose, technical scheme and advantages of the present invention, the present invention is further described by the following examples. Obviously, the following examples are only part of the embodiments of the present invention, rather than all the embodiments; it should be understood that the embodiments of the present invention are only used to illustrate the technical effects of the present invention, rather than to limit the scope of protection of the present invention.

[0031] The raw materials in the examples can all be obtained commercially; unless otherwise specified, the reagents, methods and equipment used in the present invention are conventional reagents, methods and equipment in the art.

[0032] Example 1

[0033] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0034] S1. Selecting rice paper without obvious surface defects, cutting it to the required size, fixing it to the cardboard with double-sided tape, pre-treating the fixed rice paper, adjusting the positioning of the rice paper to the fixed medium, smoothing and shaping the rice paper, and obtaining the material to be printed;

[0035] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 5 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0036] S3. Soak the draft paper drawing obtained in S2 in deionized water to remove the fixing medium at a temperature of 25°C. First, contact one side of the paper with water for 10 minutes. Then transfer the draft paper drawing to a clamp. The surface of the paper is subjected to a unit pressure of 70Pa. Place raw rice paper on the front and back sides of the draft paper drawing and clamp it to dry. Replace the raw rice paper every 1 minute for 8 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 12 hours to obtain the replica paper drawing.

[0037] Example 2

[0038] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0039] S1. Select rice paper with no obvious surface defects, cut it to the required size, fix it to the cardboard with an adhesive, pre-treat the fixed rice paper, adjust the positioning of the rice paper to the fixed medium, smooth the rice paper and shape it to obtain the material to be printed;

[0040] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 5 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0041] S3. Soak the draft paper from S2 in deionized water to remove the fixing medium at a temperature of 20°C. Expose one side of the paper to water first for 15 minutes. Then transfer the draft paper to a clamp. The surface of the paper bears a unit pressure of 95Pa. Place raw rice paper on the front and back sides of the draft paper. Clamp and dry. Replace the raw rice paper every 1 minute. Replace it 6 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 16 hours to obtain the replica paper drawing.

[0042] Example 3

[0043] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0044] S1. Selecting rice paper without obvious surface defects, cutting it to the required size, fixing it to hard paper with double-sided tape, pre-treating the fixed rice paper, adjusting the positioning of the rice paper to the fixed medium, smoothing and shaping the rice paper, and obtaining the material to be printed;

[0045] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 6 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0046] S3. Soak the draft paper from S2 in deionized water to remove the fixing medium at a temperature of 22°C. Expose one side of the paper to water first for 12 minutes. Then transfer the draft paper to a clamp. The surface of the paper bears a unit pressure of 80Pa. Place raw rice paper on the front and back sides of the draft paper. Clamp and dry. Replace the raw rice paper every 1 minute. Replace it 8 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 14 hours to obtain the replica paper drawing.

[0047] Comparative Example 1

[0048] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0049] S1. Selecting rice paper without obvious surface defects, cutting it to the required size, fixing it to the cardboard with double-sided tape, pre-treating the fixed rice paper, adjusting the positioning of the rice paper to the fixed medium, smoothing and shaping the rice paper, and obtaining the material to be printed;

[0050] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 3 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0051] S3. Soak the draft paper from S2 in deionized water to remove the fixing medium at a temperature of 25°C. Expose one side of the paper to water first for 20 minutes. Then transfer the draft paper to a clamp. The surface of the paper bears a unit pressure of 70Pa. Place raw rice paper on the front and back sides of the draft paper. Clamp and dry. Replace the raw rice paper every 1 minute. Replace it 8 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 12 hours to obtain the replica paper drawing.

[0052] Compared with Example 1, the printing height in step S2 of this comparative example is too low.

[0053] Comparative Example 2

[0054] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0055] S1. Selecting rice paper without obvious surface defects, cutting it to the required size, fixing it to the cardboard with double-sided tape, pre-treating the fixed rice paper, adjusting the positioning of the rice paper to the fixed medium, smoothing and shaping the rice paper, and obtaining the material to be printed;

[0056] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 5 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0057] S3. Soak the draft paper from S2 in deionized water to remove the fixing medium at a temperature of 25°C. Expose one side of the paper to water first for 5 minutes. Then transfer the draft paper to a clamp. The surface of the paper bears a unit pressure of 70Pa. Place raw rice paper on the front and back sides of the draft paper. Clamp and dry. Replace the raw rice paper every 1 minute. Replace it 8 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 12 hours to obtain the replica paper drawing.

[0058] Compared with Example 1, the soaking time in step S3 of this comparative example is too short.

[0059] Comparative Example 3

[0060] A method for preparing a replica of a paper-cut painting comprises the following steps:

[0061] S1. Selecting rice paper without obvious surface defects, cutting it to the required size, fixing it to the cardboard with double-sided tape, pre-treating the fixed rice paper, adjusting the positioning of the rice paper to the fixed medium, smoothing and shaping the rice paper, and obtaining the material to be printed;

[0062] S2. Place the printed material obtained in S1 in the printer, set the print head and the printing height of the paper to 5 mm, print and color, dry the printed material for 24 hours, and obtain the paper draft;

[0063] S3. Soak the draft paper from S2 in deionized water to remove the fixing medium at a temperature of 25°C. Expose one side of the paper to water first for 20 minutes. Then transfer the draft paper to a clamp. The surface of the paper bears a unit pressure of 70Pa. Place raw rice paper on the front and back sides of the draft paper. Clamp and dry. Replace the raw rice paper every 1 minute. Replace it 8 times. For the last time, clamp and place the raw rice paper and the paper drawing together. Clamp and dry for a total of 12 hours to obtain the replica paper drawing.

[0064] Compared with Example 1, the soaking time in step S3 of this comparative example is too long.

[0065] Figure 1 This is a real-life picture of the rice paper of Example 1 of the present application. The surface of the rice paper that has not been pre-treated has large undulations, is white throughout, and obvious plant fiber textures can be observed.

[0066] Figure 2This is a real picture of the replica of the paper-cut painting in Example 1 of the present application. The paper-cut painting obtained by the preparation method of the present invention has a quality similar to that of hand-painted paintings, a smooth surface, and rich and beautiful colors. The replica of the paper-cut painting obtained in the other examples is basically consistent with it.

[0067] Figure 3 This is a physical picture of the copy of the paper-cut painting in comparative example 1 of the present application. The printing height of comparative example 1 is too low, resulting in the nozzle being too close to the paper-cut paper, which scratches the pattern. If the printing height is further reduced, the paper-cut paper is easily broken.

[0068] Figure 4 This is a physical picture of the replica paper-cut painting of comparative example 2 of the present application. The immersion time of comparative example 2 is too short, and the replica paper-cut painting is not completely separated from the fixing medium, resulting in damage to the replica paper-cut painting.

[0069] Figure 5 This is a physical picture of the replica of the paper-cut painting in comparative example 3 of the present application. The soaking time of comparative example 3 is too long, and the replica of the paper-cut painting is seriously deformed.

[0070] In summary, the present invention obtains a replica of the rice paper by fixing the rice paper onto a fixed medium for printing and coloring, and then removing the fixed medium through post-processing, thereby overcoming the difficulty that the traditional rice paper painting can only be painted by hand due to its fragile material, and can realize modern large-scale replica of rice paper painting. The rice paper painting obtained by the preparation method of the present invention has a picture quality that is almost the same as that of hand-painted, a flat surface, rich and beautiful colors, high artistic appeal, good preservation effect, and the preparation method is efficient, easy to operate, and low in cost, which has important economic value and promotion significance for the inheritance of the intangible cultural heritage of rice paper painting.

[0071] Finally, it should be noted that the above embodiments are only used to illustrate the technical solution of the present invention, rather than to limit the scope of protection of the present invention. Although the present invention has been described in detail with reference to the preferred embodiments, those skilled in the art should understand that the technical solution of the present invention can be modified or replaced by equivalents without departing from the essence and scope of the technical solution of the present invention.

Claims

1. A method for preparing a replica of a paper-cut painting, comprising the following steps: S1. Selecting a rice paper with no obvious surface defects, fixing it to a fixed medium, and pre-treating the fixed rice paper to obtain a material to be printed; S2. Place the material to be printed obtained in S1 in the printer, print and color, the printing height between the nozzle and the paper is 5-6mm, and obtain a paper draft; S3. Soak the paper-cut drawing obtained in S2 in deionized water to remove the fixing medium. The soaking time is 10-15 minutes at a temperature of 20-25°C. After removing the fixing medium, the paper-cut drawing is clamped and dried to obtain the replica paper-cut drawing.

2. A method for preparing a replica of rice paper painting according to claim 1, wherein the pre-treatment in S1 includes adjusting the positioning of the rice paper relative to the fixed medium and smoothing and shaping the rice paper.

3. A method for preparing a replica of a paper-cut painting according to claim 1, wherein after the printing and coloring in S2, the printing material is further dried for 24 hours.

4. A method for preparing a replica of a rice paper painting according to claim 1, wherein the unit pressure on the surface of the clamped dry rice paper in S3 is 60-100 Pa.

5. A method for preparing a replica of a paper-cut painting according to claim 1, wherein the air humidity of the clamping and drying process in S3 is 30-50%; and the clamping and drying time in S3 is 12-16 hours.

6. A method for preparing a replica of a paper-cut painting according to claim 1, wherein the clamping and drying in S3 further comprises placing a hygroscopic medium between the clamping object and the paper-cut paper, replacing the hygroscopic medium every 1-2 minutes, and replacing it 5-8 times.

Images