Visual phonetic name and singing name contrast compass
By designing an intuitive sound name comparison compass, the problem of difficult memory of the correspondence between the mid-tone name and the roll name of the transposition performance is solved, and the rapid and accurate sound name and roll name conversion is achieved, reducing the performance error rate.
Patent Information
- Application Number
- CN202422576577.9
- Authority / Receiving Office
- CN · China
- Patent Type
- Utility models(China)
- Current Assignee / Owner
- Filing Date
- 2024-10-23
- Publication Date
- 2025-08-26
- Estimated Expiration
- 2034-10-23
AI Technical Summary
When playing the translation, the correspondence between the name and the name of the sound is difficult to quickly remember and accurately convert, especially for beginners or students, the error rate is high.
Design an intuitive compass for the name of the name of the name of the sound, name of the name of the sound, name of the sound, name of the sound, name of the sound and name of the sound, name of the sound and name of the instrument are quickly converted by rotating the upper compass.
It provides a simple structure and easy to use tool, which can quickly and accurately find the reference tone, and when the transfer occurs, the corresponding roll title and sound name can be found by rotating the upper compass, reducing the performance error rate.
Smart Images
Figure CN223272967U_ABST
Abstract
Description
Technical Field
[0001] The utility model relates to music theory knowledge of simplified musical notation, in particular to a compass for the corresponding relationship between note names and solfège. Technical Background
[0002] Note name and solfège are musical terms. Note name refers to the name of a specific pitch, usually represented by English letters. The commonly used order is C, D, E, F, G, A, B. Each letter represents the fixed height of a certain note; solfège refers to the name of each note in the scale, represented by Arabic numerals, 1, 2, 3, 4, 5, 6, 7, and the corresponding singing methods are: do, re, mi, fa, sol, la, si; taking C natural major as an example: the corresponding C key is sung do, D key is sung re, E key is sung mi, F key is sung fa, G key is sung so, A key is sung la, and B key is sung si. In the score, any sharp note in the key signature is sung a semitone higher, and any flat note is sung a semitone lower; for most simplified notations, Solfa is a group, and the corresponding note name is However, sometimes transposition occurs during performance. For example, when singing re in the natural key of C, some subsequent changes will also occur accordingly. At this time, you need to rely on your own memory, which is especially difficult for beginners or students. The error rate is very high when transposing. Summary of the Invention
[0003] Based on the above description, the present invention proposes an intuitive note name and solfège comparison compass, which is composed of an upper and lower compass. The upper and lower compasses have the same center and are fixed by rivets, so that the upper compass can rotate freely relative to the lower compass, thereby quickly converting the note names and solfège corresponding to transposing instruments.
[0004] The technical solution adopted is: an intuitive solfège compass, comprising an upper compass and a lower compass, the upper and lower compasses having the same center and fixed by rivets, so that the upper compass can rotate freely relative to the lower compass; the diameter of the lower compass is larger than that of the upper compass;
[0005] The lower compass is evenly divided into a number of solfège grids, each of which is marked with a solfège; the solfège grids are marked with at least one group of solfèges in a clockwise direction;
[0006] The upper compass is evenly divided into a number of note name grids, each of which is marked with a note name, and the note name grids are marked with at least one group of note names in a clockwise direction;
[0007] The number of grids in the solfège grid and the note name grid is the same; the first note "1" grid in the solfège grid and the first key "C" grid in the note name grid are painted with the same color, and each solfège grid corresponds to a note name grid.
[0008] Furthermore, the note name grid on the upper compass is divided into 12 grids, starting with the note name "C" and going clockwise. That is, the upper compass is divided into groups of 12 notes, which are arranged in a clockwise direction on the upper compass;
[0009] There are 12 solfège grids on the lower compass, starting with solfège “1” and going clockwise. That is, the lower compass is divided into groups of 12 solfèges, which are arranged in a clockwise direction on the lower compass.
[0010] Furthermore, the note name grid on the upper compass is 24 grids, starting with the note name "C" and going clockwise. That is, take 12 notes as a group and circle twice in clockwise direction on the upper compass;
[0011] The solfège grid on the lower compass is 24, starting with solfège “1” and going clockwise.
[0012] That is, the lower compass is divided into groups of 12 solfèges, the alto is a group, and the treble is a group, and they are arranged in a clockwise direction on the lower compass.
[0013] Furthermore, the note name grid on the upper compass is 36, starting with the note name "C" and going clockwise.
[0014] That is, take 12 notes as a group and circle three times in clockwise direction on the upper compass;
[0015] The solfège grid on the lower compass has 36 grids, starting with “1” and going clockwise.
[0016]
[0017] That is, the lower compass is divided into groups of 12 solfèges, the alto is a group, the treble is a group, and the bass is a group, and they are arranged in a clockwise direction on the lower compass.
[0018] The utility model has a simple structure and is easy to use. The "1" and "C" grids are marked with the same color, allowing immediate reference to the note. If transposition occurs, the upper compass can be rotated clockwise to find the corresponding solfège and note name grid. When the upper compass rotates, if any note name coincides with the color-coded solfège grid "1", the corresponding note name in the natural major scale can be quickly converted, facilitating quick comparison of note names and solfège for various transposing instruments. BRIEF DESCRIPTION OF THE DRAWINGS
[0019] Figure 1 This is a schematic diagram of the structure of the reference sound in the present utility model;
[0020] Figure 2 This is a structural diagram of two groups of note names of the utility model
[0021] Figure 3 It is a structural diagram of three groups of note names of the present invention. DETAILED DESCRIPTION
[0022] The present invention will be further described in detail below with reference to the accompanying drawings and examples. The following examples are provided to explain the present invention and are not intended to be limiting. The terms "up" and "down" in this invention represent normal visual directions. This invention illustrates conventional usage. If four groups of note names are required on the upper compass, corresponding solfège numbers are also added to the lower compass.
[0023] Example 1, see Figure 1 , intuitive note name and solfège comparison compass, the upper compass 8 is marked with note names, each note name is marked on each note name grid 81; the lower compass 9 is marked with solfège, each solfège is marked on each solfège grid 91; each note name grid 81 corresponds to a solfège grid 91; the note name grid on the upper compass is 12 grids, starting with the note name "C" and going clockwise in sequence That is, the upper compass is composed of 12 note names, which are arranged in a clockwise direction on the upper compass; the solfège grid on the lower compass 9 is composed of 12 grids, starting with solfège "1", and arranged in a clockwise direction. That is, the lower compass is divided into groups of 12 solfèges, which are arranged in a clockwise direction on the lower compass.
[0024] When there is no key change, the corresponding positions of "1" and "C", that is, "1" and "C" are in the same fan-shaped grid; when the key change occurs during the performance, rotate the upper compass according to actual needs to obtain the required corresponding note name and solfège.
[0025] Example 2, see Figure 2 , intuitive note name and solfège comparison compass, the upper compass 8 is marked with note names, each note name is marked on each note name grid 81; the lower compass 9 is marked with solfège, each solfège is marked on each solfège grid 91; each note name grid 81 corresponds to a solfège grid 91; the note name grid on the upper compass is 24 grids, starting with the note name "C" and going clockwise in order That is, take 12 notes as a group and circle twice in clockwise direction on the upper compass;
[0026] The solfège grid on the lower compass is 24, starting with solfège “1” and going clockwise.
[0027] The lower compass is divided into 12 groups of solfège, one for alto and one for treble, arranged clockwise on the lower compass. Without a key change, "1" and "C" correspond to each other, i.e., they are within the same sector. When a key change occurs during a performance, rotate the upper compass as needed to obtain the corresponding note name and solfège.
[0028] Example 3, intuitive type note name and solfège comparison compass, the upper compass 8 is marked with note names, each note name is marked on each note name grid 81; the lower compass 9 is marked with solfège, each solfège is marked on each solfège grid 91; each note name grid 81 corresponds to a solfège grid 91; the note name grid on the upper compass is 36 grids, starting with the note name "C" key, and in clockwise direction
[0029] That is, take 12 notes as a group and circle three times in clockwise direction on the upper compass;
[0030] The solfège grid on the lower compass has 36 grids, starting with “1” and going clockwise.
[0031] The lower compass is divided into 12 groups of solfège, alto, treble, and bass, arranged in a clockwise direction. Without a key change, "1" and "C" correspond to each other, meaning they are within the same sector. To change the key, rotate the upper compass to find the corresponding note name and solfège.
Claims
1. The intuitive solfège compass features: It includes an upper compass and a lower compass. The upper compass and the lower compass have the same center and are fixed by rivets to achieve the free rotation of the upper compass relative to the lower compass. The diameter of the lower compass is larger than that of the upper compass. The lower compass is evenly divided into a plurality of solfège grids, each of which is marked with a solfège; the solfège grids are marked with at least one group of solfèges in a clockwise direction; The upper compass is evenly divided into a plurality of note name grids, each of which is marked with a note name; the note name grids are marked with at least one group of note names in a clockwise direction; The solfège grid and the note name grid have the same number of grids; the first note "1" grid of the solfège grid and the first tone "C" grid of the note name grid are painted with the same color, and each solfège grid corresponds to a note name grid.
2. The intuitive solfège compass according to claim 1, characterized in that The note name grid on the upper compass has 12 grids, starting with the note name "C", and going clockwise from C to D, E, F, G, A, B; that is, the upper compass is divided into groups of 12 notes, which are arranged in a clockwise direction on the upper compass; The solfège grid on the lower compass is 12, starting with solfège "1" and going clockwise as 1. 2, 3, 4, 5.
6. 7; That is, the lower compass is divided into groups of 12 solfèges, which are arranged in a clockwise direction on the lower compass.
3. The intuitive solfège compass according to claim 1, characterized in that The note name grid on the upper compass has 24 grids, starting with the note name "C", and going clockwise, C, D, E, F, G, A, B, C, D, E, F, G, A, B; that is, take 12 notes as a group and cycle twice in clockwise direction on the upper compass; The solfège grid on the lower compass is 24, starting with solfège "1" and going clockwise as 1. 2, ,3,4, 5.
6. 7, That is, the lower compass is divided into groups of 12 solfèges, the alto is a group, and the treble is a group, and they are arranged in a clockwise direction on the lower compass.
4. The intuitive solfège comparison compass according to claim 1, characterized in that The note name grid on the upper compass has 36 grids, starting with the note name "C", and going clockwise, C, D, E, F, G, A, B, C, D, E, F, G, A, B, C, D, E, F, G, A, B; that is, take 12 notes as a group and circle three times in clockwise direction on the upper compass; The solfège grid on the lower compass is 36 grids, starting with solfège "1" and going clockwise as 1. 2, 3, 4, 5.
6. 7, That is, the lower compass is divided into groups of 12 solfèges, the alto is a group, the treble is a group, and the bass is a group, and they are arranged in a clockwise direction on the lower compass.