A multi-dimensional theater for unmanned drama
By setting up multiple experience lines and interactive areas in a multi-dimensional theater, using elements such as mobile walls and seesaws to achieve the transformation of the identity of the audience and actors, the problem of difficulty for audiences in the existing theater is solved, and the drama experience and sense of participation is enhanced .
Patent Information
- Application Number
- CN201911026814.1
- Authority / Receiving Office
- CN · China
- Patent Type
- Patents(China)
- Current Assignee / Owner
- Filing Date
- 2019-10-26
- Publication Date
- 2025-01-14
- Estimated Expiration
- Not applicable · inactive patent
AI Technical Summary
The existing stage performance theater has a fixed boundary between the audience and the actors, making it difficult for the audience to participate in the drama, and lacks a sense of participation and immersion.
Design a multi-dimensional theater. By setting up multiple experience lines and interactive areas, the experiencer can freely choose the path. The interactive area is equipped with interactive elements such as mobile walls, seesaws, crawling channels, etc., so that the audience and actors can be allowed to be interspersed and interacted through spatial intersperses and interactions. Identity conversion, enhance the drama experience.
Enable the audience to experience the roles of actors and audiences at the same time, increase dramatic participation and immersion, experience self-character transformation, break the boundaries between audiences and actors, and enhance the dramatic effect.
Smart Images

Figure CN110778163B_ABST
Abstract
Description
Technical Field
[0001] The invention relates to a theatre, and in particular to a multi-dimensional theatre for unmanned drama. Background Art
[0002] Drama is a general term for stage performing arts that use language, action, dance, music, puppets, etc. to achieve narrative purposes. However, existing stage performance theater performances mostly use flat, curved screens or circular screens with relatively fixed audience seats. When watching a movie, the actors perform on the stage and the audience sits directly on the seats, mostly in a fixed position or in a relatively fixed position. An invisible wall is set up between the actors and the audience, making it difficult for the audience to feel involved. Summary of the invention
[0003] In view of the shortcomings of the prior art, the purpose of the present invention is to provide a multi-dimensional theater for unmanned drama, in which the performances break the boundary between the audience and the actors in form, allowing the audience to participate in the drama.
[0004] To achieve the above object, the present invention provides the following technical solutions:
[0005] A multi-dimensional theater for unmanned drama, comprising at least two experience routes, each of which comprises a plurality of experience areas arranged in sequence, at least one experience area in the same experience route being an interactive area, each interactive area in the experience route at least spatially overlaps with an interactive area of any other experience route, and each experience area is provided with a passage for experiencers to pass to at least one other experience area.
[0006] By adopting the above technical solutions, the experiencer's inadvertent choice will determine their subsequent drama experience, making the whole experience more dramatic. At the same time, the experiencers on the two paths can interact in the interactive area, acting as both audience and actor. Through the interweaving and interaction process of space, the visitor's self-identity is confused, and the identity of actor and viewer is transformed. Through interaction, interaction, body language and other artistic techniques, a multi-dimensional spatial narrative is jointly created. The audience is better involved in the drama. At the same time, the experiencer understands the other party's choice and compares his own choice during the experience process, which reduces the audience's feeling of being out of the matter and makes them better immersed in it.
[0007] The present invention is further configured as follows: the experience routes are provided with two, namely a first route and a second route; the first route and the second route are both provided with a movable wall area; the movable wall area is an interactive area; a movable wall is provided in the movable wall area to separate the movable wall area into a first area and a second area; the first area is located on the first route; the second area is located on the second route; a driving mechanism is provided in the movable wall area for driving the movable wall to move along its thickness direction; and the movable wall is flexibly arranged and light-transmissive.
[0008] By adopting the above technical solution, the moving wall moves to suppress the participants on one side to the wall. At this time, the participants on the suppressed side are forced to dodge, block and other actions to achieve a dramatic effect. At this time, the participants on the side that are not suppressed are the audience, who can actively approach and interact with the suppressed participants. Then the moving wall starts to move in the opposite direction to suppress the participants who were not suppressed just now. At this time, the roles of the audience and the actors are automatically switched, so that the participants can experience two roles at the same time, better integrate into the drama and experience themselves.
[0009] The present invention is further configured as follows: both the first line and the second line are provided with a seesaw area, the seesaw area is an interactive area, high platforms are provided at both ends of the seesaw area, and a seesaw for connecting the two high platforms is provided between the two high platforms, the seesaw is provided with two and respectively corresponds to the travel route of the first line and the travel route of the second line, the seesaw is rotatably connected to the seesaw area, the seesaw and the high platform are gap-fitted, and the height of one high platform is lower than the height of the other high platform.
[0010] By adopting the above technical solution, when participants enter the theater, there are participants only on the platform on the shorter side. Participants can see the platform and the seesaw. The seesaw requires one person to step on one end of the access board, and the other person can walk steadily to the higher platform. In other words, mutual cooperation is required to accomplish the task, so that the participants can experience the "superego" from the lower part of the space to the higher part of the space under the effect of cooperation. It allows them to truly participate in the drama and experience themselves. The person on the access board is the actor, and the people who observe him climbing on the platforms on both sides are the audience. Every climb is a transformation of a person's role. It allows participants to experience two roles at the same time, breaking the boundary between the audience and the actor in form, and better integrating into the drama.
[0011] The present invention is further configured as follows: the first route is provided with a rest area for rest, the second route is provided with a pipe area for crawling, the pipe area passes through the rest area, and the inner wall of the pipe area is provided with a one-way perspective film that allows the experiencer in the rest area to see the situation in the pipe area.
[0012] By adopting the above technical solution, the participants of the first line directly enter the rest area, and the participants of the second line enter the rest area through the crawling channel. At this time, the participants of the first line are resting, while the participants of the second line need to crawl forward in the crawling channel with difficulty. At this time, the participants in the rest area are spectators from a God's perspective, and they are prone to knocking on the crawling channel. The participants in the crawling channel are actors, and they do not know that they are being watched and the difficulties created are man-made. After both groups have passed through the theater, they exchange roles. At this time, the crawlers just now know that they were just being watched by others, and they will go back and knock on the people who just created obstacles for them. At the same time, the people who just created obstacles for others are now crawling with difficulty. Both have completed the extension and understanding of the individual. The theater allows participants to experience two roles at the same time, breaking the boundary between the audience and the actors in form, and better integrating into the drama.
[0013] The present invention is further configured as follows: the first line is provided with a triple space area for visual communication and auditory communication, the triple space area includes at least two independent spaces, the independent space is provided with a connecting passage for leading from the independent space to at least one other independent space, and each independent space is provided with at least one linkage area connected with at least one other independent space, the linkage area includes one or more of visual interaction, auditory interaction, and tactile interaction.
[0014] By adopting the above technical solution, groups of experiencers enter independent spaces in turn, and the experiencers in two independent spaces can interact through the interactive area. When they enter another independent space, they can interact with the experiencers in the independent space they were in before, so as to experience empathy and exchange roles with their previous selves. Through the interweaving and interaction process of space, the visitors' self-identity is confused, and the identity of actors and viewers is transformed. Through interaction, interaction, body language and other artistic techniques, a multi-dimensional spatial narrative is jointly created, allowing the audience to better participate in the drama.
[0015] The present invention is further configured as follows: the independent spaces are provided with three and are arranged from top to bottom, namely, a first space for people to walk upright, a second space for people to walk upright, and a third space for people to walk or crawl while bending over; an entrance is provided on one side wall of the third space, an exit is provided on one side wall of the first space, a first staircase connected to the second space is provided at one end of the third space away from the entrance, a second staircase connected to the third space is provided at one end of the second space away from the first staircase, a ladder is provided in the middle of the third space which passes through the third space and the second space to reach the first space, and both the entrance and exit are provided with opening and closing doors for closing the entrance or exit.
[0016] By adopting the above technical solution, after entering the third space, the experiencer can make a choice, whether to crawl forward until reaching the stairs to enter the second space, or directly enter the third space through the ladder. Of course, the experiencer does not know the results of the two choices before making a choice. If you go up through the stairs, the crawling time is long and you need to pass through three spaces. If you go up directly through the ladder, although you will be watched during the crawling process, you can reach the sky in one step. It foreshadows different lifestyles and the results of different lifestyles in real life, allowing the experiencer to better experience drama and life.
[0017] The present invention is further configured as follows: a peephole for peeping into the second space is provided at the far upper end of the third space, a transparent baffle is provided on the peephole, the transparent baffle is hemispherical and its opening is facing downward; a periscope is provided in the first space and penetrates into the second space, the observation end of the periscope is located in the first space, and the observed end of the periscope is located in the second space.
[0018] By adopting the above technical solution, the experiencers in the third space can peek into part of the second space by looking up, and the experiencers in the second space can also experience the feeling of walking above the crowd. Since the experiencers in the second space also come from the third space, they can experience the feeling of the second space looking down on them, and the roles are exchanged, so that they can better experience their true self. The experiencers in the first space can observe the experiencers in the second space, and the people in the second space who observe the experiencers in the third space are also observed. The experiencers have multiple roles and switch between multiple roles at the same time, so that they can better experience their true self.
[0019] The present invention is further configured as follows: both the first route and the second route are provided with an anteroom, wherein the anteroom is provided with a first passage connecting to the next experience area of the first route and a second passage connecting to the next experience area of the second route.
[0020] By adopting the above technical solutions, in a completely black space, immersive projection technology is used to surround the life-themed vocabulary in an array, guiding visitors into the context and setting out to find the triple experience of "self, id, and superego".
[0021] The present invention is further configured as follows: the second route is sequentially provided with a lobby for selecting the route, a pipe area for advancing by crawling, a crawling net area for advancing upward by crawling, and a spiral slide area for going from a high place to a low place.
[0022] By adopting the above technical solution, people who choose the second route will experience climbing pipes and nets non-stop, finally climbing to a high place and then sliding down to a low place. If moving forward is regarded as a life goal, there will be a huge psychological gap. If moving forward is just a life experience, then going down is a kind of relief and a new experience. It allows participants to better experience the life insights brought by the drama.
[0023] The present invention is further configured as follows: the first route is provided with seven experience areas in sequence, namely, an introductory hall for route selection, a triple space area for visual and auditory communication, a convergence area, a movable wall area, a seesaw area for coordinated passage, a rest area, and a review area for reviewing the route through monitoring; the second route is provided with nine experience areas in sequence, namely, an introductory hall, a pipe area for advancing by crawling, a crawling net area for advancing upward by crawling, a convergence area, a movable wall area for interacting with the first route, a spiral slide area for passing from a high place to a low place, a seesaw area, a rest area, and a review area for reviewing the experience journey through monitoring, wherein the introductory hall, the convergence area, the movable wall area, the seesaw area, and the rest area are interactive areas, and the pipe area passes through the rest area.
[0024] By adopting the above technical solution, participants can choose different routes. The first route is relatively more comfortable and easy, while the second route is relatively more difficult. The two can see each other during the journey. When they see each other's roads, they may be glad for their choices or regret it. These are the life insights that the theater brings to the experiencers, allowing the experiencers to better immerse themselves in the drama. Regardless of your choice, the final destination is the same, which can also allow the experiencers to better experience their true selves.
[0025] The present invention has the following advantages: 1. It enables participants to experience both the roles of actor and audience at the same time, better integrate into the drama and experience themselves; 2. Participants can choose different paths to better immerse themselves in the drama; 3. Participants constantly switch between the roles of actor and audience, experience the changes in life, and better understand themselves; 4. It has better safety. BRIEF DESCRIPTION OF THE DRAWINGS
[0026] Figure 1 It is a structural schematic diagram of an embodiment;
[0027] Figure 2 This is a schematic diagram of the structure after the top of the triple stack space region is removed in the embodiment;
[0028] Figure 3 It is a cross-sectional view of the triple stack space area at the ladder in the embodiment;
[0029] Figure 4 It is a cross-sectional view of the peephole after removing the cloud layer in the triple stack space area in the embodiment;
[0030] Figure 5 is a cross-sectional view of the convergence area in the embodiment;
[0031] Figure 6 This is a schematic diagram of the structure after the top of the movable wall area is removed in the embodiment;
[0032] Figure 7 is a cross-sectional view of a movable wall area in an embodiment;
[0033] Figure 8 is a cross-sectional view of the movable wall area at the movable wall in the embodiment;
[0034] Fig. 9 for Figure 6 The enlarged view of point A in the middle;
[0035] Fig.10 for Figure 6 The enlarged view of point B in the middle;
[0036] Fig.11 This is a schematic diagram of the structure of the seesaw area after the top is removed in the embodiment;
[0037] Fig.12 is a cross-sectional view of a seesaw region in an embodiment;
[0038] Fig.13 This is a schematic diagram of the structure of the seesaw area after the side panels are removed in the embodiment;
[0039] Fig.14 This is a schematic diagram of the structure of the rest area after the roof is removed in the embodiment;
[0040] Fig.15 This is a schematic diagram of the structure of the rest area in the embodiment after removing the top and side panels;
[0041] Fig.16 is a cross-sectional view of a rest area in an embodiment;
[0042] Fig.17 for Fig.16 Enlarged view of point C in the middle;
[0043] Fig.18 This is a schematic diagram of the structure of the crawling area in the embodiment;
[0044] Fig.19 Schematic diagram of the structure of the review area in the embodiment.
[0045] Figure numerals: 1, preface hall; 2, triple space area; 3, gathering area; 4, moving wall area; 5, seesaw area; 6, rest area; 7, review area; 8, pipeline area; 9, climbing area; 10, spiral slide area; 11, first space; 12, second space; 13, third space; 14, entrance; 15, first staircase; 16, second staircase; 17, exit; 18, opening and closing door; 19, flexible strip; 20, ladder; 21, transparent cover; 22, second lighting strip; 23, peephole; 24, transparent baffle; 25, first lighting strip; 26, lighting device; 27, cloud layer; 28, loudspeaker; 29, periscope; 30, flexible layer; 31, moving wall; 32, frame; 33, flexible cloth; 34, lighting component; 35, light strip; 36, energy supply module; 37. Slide rail; 38. Driving mechanism; 39. Mounting plate; 40. Rotating shaft; 41. Pulley; 42. Driven gear; 43. Driving gear; 44. Driving motor; 45. Guide rail; 46. Guide wheel; 47. Projection cloth; 48. Platform; 49. Seesaw; 50. Base; 51. Pass board; 52. Silence board; 53. Silence groove; 54. Sponge pad; 55. Guardrail; 56. First channel; 57. Second channel; 58. Water mist machine; 59. Fan; 60. Projector; 61. Sponge bottom plate; 62. One-way perspective film; 63. Cylinder; 64. Crawling unit; 65. Support frame; 66. Mounting bolt; 67. Mounting nut; 68. Support part; 69. Reinforcement rod; 70. Fill light assembly; 71. Climbing net; 72. Connecting part; 73. Through groove. DETAILED DESCRIPTION
[0046] like Figure 1 As shown, a multi-dimensional theater for unmanned drama includes two experience routes, namely the first route and the second route. The first route has seven experience areas in sequence, namely the prologue hall 1 for selecting routes, the triple space area 2 for visual and auditory communication, the convergence area 3, the moving wall area 4, the seesaw area 5, the rest area 6 and the review area 7 for reviewing the route through monitoring. The second route has nine experience areas in sequence, namely the prologue hall 1, the pipeline area 8 for crawling, the crawling net area 9 for crawling, the convergence area 3, the moving wall area 4, the spiral slide area 10 for going from high to low, the seesaw area 5, the rest area 6 and the review area 7, among which the prologue hall 1, the convergence area 3, the moving wall area 4, the seesaw area 5 and the rest area 6 are interactive areas.
[0047] Specifically, the preface hall 1 is a closed, light-proof room. A door 18 for entering the preface hall 1 is provided at one end of the preface hall 1. Two doors 18 for leaving the preface hall 1 are provided at the other end of the preface hall 1. The two doors 18 for leaving the preface hall 1 correspond to the first route and the second route, respectively. The doors 18 can be made of cloth, wooden doors, hanging rubber strips, etc. A projector 60 is provided in the preface hall 1, which projects words guiding the experiencer on the wall of the preface hall 1, so that the experiencer begins to be introduced into the drama, and can also guide the experiencer to enter the choice of whether to choose the first channel 56 or the second channel 57.
[0048] like Figure 2 and Figure 3 As shown, the triple space area 2 includes three independent spaces arranged from top to bottom. The three independent spaces are a first space 11 for people to walk upright, a second space 12 for people to walk upright, and a third space 13 for people to walk or crawl while bending over. The three independent spaces are all closed and light-proof rooms.
[0049] like Figure 2 and Figure 3 As shown, an entrance 14 is provided on one side wall of the third space 13, and a first staircase 15 connected to the second space 12 is provided on one end of the third space 13 away from the entrance 14. A second staircase 16 connected to the first space 11 is provided on one end of the second space 12 away from the first staircase 15. An exit 17 is provided on one side wall of the first space 11. Both the entrance 14 and the exit 17 are provided with an opening and closing door 18. The opening and closing door 18 includes a plurality of flexible strips 19 arranged in the height direction, and the flexible strips 19 are black. The upper end of the flexible strip 19 is fixedly connected to the entrance 14 or the exit 17 and the other end abuts against the inner bottom surface of the entrance 14 or the exit 17. The flexible strips 19 are arranged equidistantly, and two adjacent flexible strips 19 abut against each other.
[0050] like Figure 2 As shown, a ladder 20 is provided in the middle of the third space 13, passing through the third space 13 and the second space 12 to reach the first space 11. A transparent cover 21 is provided in the second space 12 along the vertical direction, and both ends of the transparent cover 21 abut against the upper and lower ends of the second space 12, and the transparent cover 21 is covered outside the ladder 20.
[0051] The entrance 14, the third space 13, the first staircase 15, the second space 12, the second staircase 16, the first space 11, and the exit 17 form a path, which is set as path A. The entrance 14, the third space 13, the ladder 20, the first space 11, and the exit 17 form another path, which is set as path B. The experiencer can experience two different paths according to his own choice.
[0052] like Figure 2As shown, in order to improve safety, second lighting strips 22 are provided on both sides of the first staircase 15 and the second staircase 16, and the light of the second lighting strips is a cold light source.
[0053] like Figure 3 and Figure 4 As shown, a peephole 23 for peeping into the second space 12 is provided at the far upper end of the third space 13. A transparent baffle 24 is provided on the peephole 23, and the transparent baffle 24 is arranged in a hemispherical shape and the opening is arranged downward. A first lighting strip 25 is provided on the outer periphery of the lower end of the transparent baffle 24, and the light of the first lighting strip 25 is a warm light source.
[0054] like Figure 3 and Figure 4 As shown, a lighting device 26 is provided in the second space 12, and the light of the lighting device 26 is a cold light source. A cloud layer 27 is provided on the upper end surface of the second space 12, and the cloud layer 27 is formed by a plurality of clouds made of flexible materials densely covering the upper end surface of the second space 12. A loudspeaker 28 is provided in the first space 11 and penetrates into the cloud layer 27, and the sound receiving end of the loudspeaker 28 is located in the first space 11, and the sound amplification end of the loudspeaker 28 is located in the cloud layer 27.
[0055] like Figure 3 and Figure 4 As shown, a periscope 29 is provided in the first space 11 and penetrates into the second space 12. The observation end of the periscope 29 is located in the first space 11, and the observed end of the periscope 29 is located in the second space 12. The periscope 29 is arranged in the second space 12 with one end being curved and the other end being horizontal. The outer wall of the end of the periscope 29 located in the second space 12 is wrapped with a flexible layer 30.
[0056] like Figure 5 As shown, the gathering area 3 is a closed, light-proof room for gathering experiencers coming out of the triple-layer space area 2 and the crawling area 9. The four corners of the gathering area 3 are provided with opening and closing doors 18 for entering and leaving the gathering area 3. Two of the opening and closing doors 18 correspond to the first route, and the other two opening and closing doors 18 correspond to the second route. Experiencers who have experienced multiple role changes in the previous experience area can experience perception and rest in the dark.
[0057] like Figure 6 As shown, the movable wall area 4 is a closed, light-proof room. The movable wall area 4 is provided with opening and closing doors 18 at the four corners for entering and leaving the movable wall area 4, and the opening and closing doors 18 are arranged along the width direction of the movable wall area 4. Two of the opening and closing doors 18 correspond to the first line, and the other two opening and closing doors 18 correspond to the second line.
[0058] like Figure 6 and Figure 7As shown in the figure, a moving wall 31 is provided in the moving wall area 4. The moving wall 31 is arranged along the length direction of the moving wall area 4 and divides the moving wall area 4. The moving wall 31 includes a frame 32 arranged along the inner wall of the moving wall area 4 and a flexible cloth 33 for closing the frame 32. A lighting component 34 for lighting is provided on the inner wall of the frame 32. The lighting component 34 includes a lighting strip 35 arranged circumferentially along the inner wall of the frame 32 and an energy supply module 36 for supplying electric energy to the lighting strip 35. The lighting strip 35 covers three inner walls of the frame 32 and is in a U-shaped with an opening downward. The light emitted by the lighting strip 35 is a cold light source of blue color. The energy supply module 36 can be a storage battery or the like. There are two flexible cloths 33, which are respectively located on both sides of the lighting strip 35. The flexible cloth 33 can be made of the material of silk stockings.
[0059] As Figure 6 shown, on both sides of the upper end of the moving wall area 4 along its width direction, there are slide rails 37. The length of the slide rails 37 is equal to the width of the moving wall area 4. A driving mechanism 38 for driving the frame 32 to slide along the length direction of the slide rails 37 is fixedly connected to the upper end of the frame 32. As Figure 8 , Fig. 9 and Fig.10 shown, the driving mechanism 38 includes a mounting plate 39, a rotating shaft 40 rotatably connected to the mounting plate 39, pulleys 41 fixedly installed at both ends of the rotating shaft 40, a driven gear 42 fixedly sleeved outside the rotating shaft 40, a driving gear 43 rotatably connected to the mounting plate 39, and a driving motor 44 for driving the driving gear 43 to rotate. The mounting plate 39 is fixedly connected to the frame 32, and the driving gear 43 meshes with the driven gear 42. The pulleys 41 are embedded in the slide rails 37 and are slidably connected to the slide rails 37.
[0060] The driving motor 44 drives the driving gear 43 to rotate, and then drives the driven gear 42, the rotating shaft 40 and the pulleys 41 to rotate in sequence, so that the mounting plate 39 can slide along the length direction of the slide rails 37, and then drives the moving wall 31 to slide along the width direction of the moving wall area 4.
[0061] As Figure 8 shown, in order to make the sliding of the frame 32 more stable, there is a gap between the lower end surface of the frame 32 and the bottom surface of the moving wall area 4. Guide rails 45 are arranged along the width direction of the inner bottom surface of the moving wall area 4. There are two guide rails 45, which are respectively located on both sides of the moving wall area 4. Guide wheels 46 are slidably connected in the guide rails 45, and the guide wheels 46 are rotatably connected to the frame 32. The guide rails 45 can play a guiding role for the guide wheels 46, so that the moving wall 31 can slide more stably.
[0062] Participants enter the theater through the opening and closing door 18. At this time, there are participants on both sides of the movable wall 31. Through the movement of the movable wall 31, the participants on one side are pressed against the wall. At this time, the participants on the pressed side are forced to make actions such as dodging and blocking to achieve a dramatic effect. At this time, the participants on the side that are not pressed are the audience, who can actively approach and interact with the suppressed participants. Then the movable wall 31 starts to move in the opposite direction to suppress the participants who were not suppressed just now. At this time, the role conversion of the audience and the actors is automatically realized, so that the participants can experience two roles at the same time, better integrate into the drama, and experience themselves.
[0063] like Figure 6 As shown, in order to make the participants understand the drama content better, projection cloths 47 are provided on the two side walls of the movable wall area 4 along its length direction, and a projector for projecting onto the projection cloth 47 is provided on the top of the movable wall area 4. The projection cloth 47 and the projector (not shown in the figure) can project pictures to guide the participants to complete the actions and make them better integrate into the theater. At the same time, the opening and closing door 18 can be covered so that the participants can mistakenly think that they are locked in a completely closed environment and can better integrate into the theater.
[0064] like Fig.11 and 12 As shown, the seesaw area 5 is a closed, light-proof room. Both ends of the seesaw area 5 are provided with platforms 48, which are arranged along the width direction of the seesaw area 5. The length of the platforms 48 is equal to the width of the seesaw area 5. The height of one of the platforms 48 is lower than the height of the other platform 48. The seesaw area 5 is provided with opening and closing doors 18 at both ends of the side wall on one side along the length direction thereof, which can be used to leave the seesaw area 5. That is, the four corners of the room are provided with opening and closing doors 18. Two of the opening and closing doors 18 correspond to the first line, and the other two opening and closing doors 18 correspond to the second line.
[0065] like Fig.13 As shown, a seesaw 49 is provided between the two high platforms 48, and two seesaws 49 are provided and are respectively located on both sides of the seesaw area 5. The two seesaws 49 correspond to the first line and the second line respectively. The seesaw 49 includes a base 50 installed on the bottom surface of the seesaw area 5 and a pass plate 51 rotatably connected to the base 50. The pass plate 51 is arranged along the length direction of the seesaw area 5, and there is a clearance fit between the pass plate 51 and the high platform 48. The base is located in the middle of the pass plate 51. A muffler plate 52 is laid on the pass plate 51, and a muffler groove 53 is opened on the side wall of the muffler plate 52 along its width direction, and a plurality of muffler grooves 53 are opened along the length direction of the muffler plate 52.
[0066] When experiencing the game, the experiencers of the two experience lines enter the seesaw area 5 from the two opening and closing doors 18 on the same side of the seesaw area 5 and reach the lower platform 48. The seesaw area 5 is in a dark state, and the experiencers on the lower platform 48 cannot see the complete seesaw 49, but can only see the opposite platform 48. At this time, the front and back players need to cooperate with each other, one of the players steps on the seesaw 49 to keep the seesaw 49 in a stable state, and then the other player walks to the opposite platform 48 through the seesaw 49. Until the second to last experiencer reaches the other side, the last experiencer needs to wait for the next round of experiencers.
[0067] like Fig.12 As shown, in order to improve the safety of use, a sponge pad 54 is provided on the bottom surface of the seesaw area 5, and the sponge pad 54 is located below the pass board 51. The projections of both ends of the pass board 51 in the vertical direction fall on the sponge pad 54. When the experiencer has not figured out the correct way to reach the other side, causing the seesaw 49 to hit the ground for a long time, the sponge pad 54 can play a role in buffering and reducing noise, thereby improving safety.
[0068] like Fig.12 and Fig.13 As shown, in order to prevent the experiencers from falling from the high platform and improve the safety of the game, a guardrail 55 is provided on the upper end of the platform 48 facing the center of the seesaw area 5, and a first passage 56 for people to enter the platform 48 is opened on the guardrail 55, and the first passage 56 corresponds to the seesaw 49. A staircase for climbing up the platform 48 is provided in the middle of one end of the seesaw area 5 near one of the platforms 48, and a second passage 57 corresponding to the staircase is opened on the guardrail 55. If there is no next wave of experiencers, the last experiencer can go up to the higher platform 48 through the stairs with the help of the staff.
[0069] like Fig.12 and Fig.13 As shown, in order to give participants a better experience, a water mist machine 58 is provided on the side wall of the high platform 48 connected by the stairs, and several water mist machines 58 are provided along the length direction of the high platform 48. A light assembly 34 facing another high platform 48 is provided at the bottom of the high platform 48 along its length direction. The light assembly 34 can be an ordinary spotlight, spotlight, etc. A projection cloth 47 is provided on the side wall of the seesaw area 5 close to the stairs along the width direction, and a projector 60 is provided at the center of the upper end of the seesaw area 5. During the experience process, water mist is released by the water mist machine 58, combined with the lighting effect, and the projector 60 is used to project the picture on the projection cloth 47, so as to better isolate the experiencers on both sides.
[0070] like Fig.14 and Fig.15As shown, the rest area 6 is a closed, light-proof room. Opening and closing doors 18 are provided on the side walls at both ends of the rest area 6. A sponge bottom plate 61 is laid on the inner bottom surface of the rest area 6, and a plurality of colorful films are distributed and piled on the sponge floor. A plurality of light assemblies 34 with light emitting upward are provided on the inner bottom surface of the rest area 6. The light assemblies 34 are composed of a plurality of floor lamps.
[0071] like Fig.14 and Fig.15 As shown, the duct area 8 passes through the rest area 6. The duct area 8 is a crawling passage passing through the rest area 6. A one-way perspective film 62 is provided in the crawling passage, so that people in the crawling passage cannot see outside, but people outside can see the situation in the crawling passage. The crawling passage is made of hard plastic. Fig.15 and Fig.16 As shown, the crawling channel includes a plurality of interconnected crawling units 64 and a support frame 65 for mounting the crawling units 64. The crawling unit 64 includes a cylinder 63 and connecting portions 72 arranged at both ends of the cylinder 63 along the circumference of the cylinder 63, and a circular arc transition is formed between the connecting portion 72 and the crawling unit 64. Fig.16 and Fig.17 As shown, a mounting bolt 66 is threadedly connected to the connecting portion 72 along its axial direction, and the mounting bolt 66 passes through another connecting portion 72 adjacent to the connecting portion 72. A mounting nut 67 is threadedly connected to one end of the mounting bolt 66 for tightening and fixing the two connecting portions 72, and a plurality of mounting nuts 67 are provided along the circumference of the connecting portion 72. By tightening the mounting nuts 67, two adjacent crawling units 64 are stably connected together.
[0072] like Fig.15 and Fig.16 As shown, the support frame 65 includes two support parts 68 arranged in parallel and a reinforcing rod 69 for connecting the two support parts 68. The support part 68 is H-shaped. The support part 68 is fixedly installed on the inner bottom surface of the rest area 6 through the sponge floor by bolts. The crawling passage is stably supported by the support frame 65, ensuring the safety of the crawling personnel. In order to reduce the impact of the support frame 65 on the colorful environment in the rest area 6, the support part 68 is wrapped with a colorful film. The reinforcing rod 69 is fixedly connected to the support part 68. A fill light component 70 for illuminating the crawling passage is installed on the reinforcing rod 69. The fill light component 70 can be a spotlight, a chasing light, etc. The end of the fill light component 70 that emits light is arranged toward the crawling passage.
[0073] A group of participants enter the theater through the opening and closing door 18, while another group of participants enter the theater through the crawling passage. The colorful film and light assembly 34 in the theater are shining, creating a dreamy lighting effect, and combined with the sponge bottom plate 61, the participants in the rest area 6 feel comfortable. At this time, the other group of participants need to crawl forward in the crawling passage with difficulty. At this time, the participants in the rest area 6 are audiences from a God's perspective, and are prone to knocking the crawling passage. The participants in the crawling passage are actors, and they do not know that they are surrounded and the difficulties created are artificial. After both groups of people have passed through the theater, they exchange roles. At this time, the crawlers just now know that they were just surrounded by people, and will go back to knock the people who just created obstacles for them. At the same time, the people who just created obstacles for others are now crawling with difficulty. Both have completed the extension and understanding of individuals. The theater allows participants to experience two roles at the same time, breaking the boundary between the audience and the actors in form, and better integrating into the drama.
[0074] like Fig.18 As shown, the crawling area 9 is a closed room, and the lower bottom surface of the crawling area 9 is inclined upward. The lower bottom surface of the crawling area 9 is provided with a through groove 73 connecting the two sides of the crawling area 9, and the through groove 73 is equipped with a climbing net 71 covered with through grooves 73. A number of fans 59 and light components 34 are provided on the side wall of the crawling area 9 connected to the higher end of the lower bottom surface. As a result, the experiencer moves forward against the wind when climbing to a high place. That is, the crawling area 9 is a narrow and gentle slope with strong winds passing through, and the experiencer rotates and wanders in the passage in the light and shadow cut by the fan blades. Move forward in the direction of the light source and experience the "self" in the principle of reality. There are opening and closing doors 18 at both ends of the crawling area 9.
[0075] The spiral slide area 10 (not shown in the figure) is a transparent slide that spirals downward in a vertical direction. The experiencer slides down directly from the transparent slide to experience the feeling of landing.
[0076] like Fig.19 As shown, each experience area is equipped with a camera. The review area 7 is a closed room with doors 18 at both ends. The experiencer enters or leaves the review area 7 through the doors 18. The review area 7 is equipped with a mirror and a camera screen. Through the review area 7, you can see the person who is experiencing, so as to review the feeling of your own experience and deepen the experience. Finally, by looking at yourself in the mirror, the drama ends and you return to your true self.
[0077] The above is only a preferred embodiment of the present invention, and the protection scope of the present invention is not limited to the above embodiments. All technical solutions under the concept of the present invention belong to the protection scope of the present invention. It should be pointed out that for ordinary technicians in this technical field, some improvements and modifications without departing from the principle of the present invention should also be regarded as the protection scope of the present invention.
Claims
1. A multi-dimensional theatre for unmanned drama, characterized by: It comprises at least two experience routes, each of which comprises a plurality of experience areas arranged in sequence, at least one experience area in the same experience route is an interactive area, each interactive area in the experience route at least overlaps with the interactive area space of any other experience route, and each experience area is provided with a passage for the experiencer to pass to at least one other experience area; The experience route is provided with two routes, namely a first route and a second route. The first route and the second route are both provided with a movable wall area (4). The movable wall area (4) is an interactive area. A movable wall (31) is provided in the movable wall area (4) to separate the movable wall area (4) into a first area and a second area. The first area is located on the first route, and the second area is located on the second route. A driving mechanism (38) is provided in the movable wall area (4) for driving the movable wall (31) to move along its thickness direction. The movable wall (31) is flexibly arranged and light-transmissive. The first line is provided with a triple space area (2) for visual communication and auditory communication, the triple space area (2) comprising at least two independent spaces, the independent space being provided with a connecting passage for leading from the independent space to at least one other independent space, and each independent space being provided with at least one linkage area connected with at least one other independent space, the linkage area comprising one or more of visual interaction, auditory interaction and tactile interaction; The independent spaces are provided with three spaces arranged from top to bottom, namely a first space (11) for people to walk upright, a second space (12) for people to walk upright, and a third space (13) for people to walk bent over or crawl. An entrance (14) is provided on one side wall of the third space (13), and an exit (17) is provided on one side wall of the first space (11). A first staircase (15) connected to the second space (12) is provided at one end of the third space (13) away from the entrance (14), and a second staircase (16) connected to the third space (13) is provided at one end of the second space (12) away from the first staircase (15). A ladder (20) is provided in the middle of the third space (13) to pass through the third space (13) and the second space (12) to reach the first space (11). Both the entrance (14) and the exit (17) are provided with a door (18) for closing the entrance (14) or the exit (17). A peephole (23) for peeping into the second space (12) is provided at the far upper end of the third space (13); a transparent baffle (24) is provided on the peephole (23); the transparent baffle (24) is hemispherical and has an opening facing downward; a periscope (29) is provided in the first space (11) and penetrates into the second space (12); an observation end of the periscope (29) is located in the first space (11), and an observed end of the periscope (29) is located in the second space (12); The first route is provided with seven experience areas in sequence, namely, a prologue hall (1) for selecting a route, a triple space area (2) for visual and auditory communication, a convergence area (3), a movable wall area (4), a seesaw area (5) for coordinated passage, a rest area (6), and a review area (7) for reviewing the route through monitoring. The second route is provided with nine experience areas in sequence, namely, a prologue hall (1), a pipe area (8) for advancing by crawling, a crawling net area (9) for advancing by crawling upward, a convergence area (3), a movable wall area (4) for interacting with the first route, a spiral slide area (10) for passing from a high place to a low place, a seesaw area (5), a rest area (6), and a review area (7) for reviewing the experience journey through monitoring, wherein the prologue hall (1), the convergence area (3), the movable wall area (4), the seesaw area (5), and the rest area (6) are interactive areas, and the pipe area (8) passes through the rest area (6).
2. The multi-dimensional theater for unmanned drama according to claim 1, characterized in that: The first line and the second line are both provided with a seesaw area (5), the seesaw area (5) being an interactive area, high platforms (48) being provided at both ends of the seesaw area (5), and a seesaw (49) for connecting the two high platforms (48) being provided between the two high platforms (48), the seesaw (49) being provided with two and corresponding to the travel route of the first line and the travel route of the second line respectively, the seesaw (49) being rotatably connected to the seesaw area (5), the seesaw (49) and the high platforms (48) being gap-fitted, and the height of one of the high platforms (48) being lower than the height of the other high platform (48).
3. The multi-dimensional theater for unmanned drama according to claim 1, characterized in that: The first route is provided with a rest area (6) for rest, and the second route is provided with a pipe area (8) for crawling, the pipe area (8) passing through the rest area (6), and the inner wall of the pipe area (8) is provided with a one-way perspective film (62) that enables an experiencer in the rest area (6) to see the situation inside the pipe area (8).
4. The multi-dimensional theater for unmanned drama according to claim 1, characterized in that: The first route and the second route are both provided with an introductory hall (1), wherein the introductory hall (1) is provided with a first passage (56) connected to the next experience area of the first route and a second passage (57) connected to the next experience area of the second route.
5. The multi-dimensional theater for unmanned drama according to claim 1, characterized in that: The second route is provided with a prologue hall (1) for selecting a route, a pipe area (8) for advancing by crawling, a crawling net area (9) for advancing upward by crawling, and a spiral slide area (10) for passing from a high place to a low place.
Citation Information
Patent Citations
Cultural experience platform applied to cultural industry park
CN106907030A
Multi-dimensional theater for unmanned drama
CN211286835U