8K three-dimensional water and ink animation freehand style big cock making method

Abstract

The invention discloses an 8K three-dimensional water-and-ink animation freehand style big cock making method, and belongs to the technical field of range, in the method, traditional water-and-ink paintings are reproduced in a movie and television mode by interpreting, deducting and remolding traditional Chinese medicines and utilizing the unique advantages of the traditional Chinese medicines, so that more excellent animation works are presented, and the market competitiveness of the large cocks is improved. And the movie has a better effect by emphasizing the spatial extension characteristic of the big cock animation lens. According to the method, the lens is well switched under different scene requirements, the picture can be smooth and natural, the authenticity of big cock animation is enhanced, the persuasion and vividness of the picture are enhanced by changing different visual effects and ingeniously changing the perspective relation of the picture on the basis of the modern technical means, the tension, the level and the conversion naturalness of the lens are enriched, and the picture is more vivid and more vivid. The visual relation of perspective and the like in the traditional three-dimensional water-ink animation can be reproduced, so that the obtained big cock animation is more attractive.

Description

Technical Field

[0001] The present invention belongs to the technical field of animated rooster production, and specifically relates to a method for producing an 8K three-dimensional ink-and-wash animation freehand style rooster. Background Art

[0002] Landscape painting, figure painting, and flower-and-bird painting together constitute the three major painting categories of Chinese ink painting. It is a kind of freehand painting that expresses the beauty of mountains and rivers and can seek some spiritual sustenance for human beings. It is mainly based on the depiction of natural scenery of mountains and rivers. In artistic expression, it does not seek realism, but pays attention to artistic conception and charm. Ink painting has various styles and a wide variety of brush and ink techniques, but there are few animation forms. Since the birth of ink animation in 1960, my country has only produced five. Because shooting an ink animation requires a lot of manpower, material resources, and financial resources, and the cycle is also very long, but with the intervention of computer technology, researchers have begun to use computers to simulate ink animation, and have made some breakthroughs, especially in using three-dimensional technology to make flat ink animation. The present and future of ink animation are full of creative space. The research on non-realistic rendering of ink effects is mostly focused on the physical simulation of water, ink, paper, and pen. In my country, it is mainly the simulation of ink painting diffusion effect based on physical modeling at Tianjin University, and some people abroad also study the physical simulation of brushes.

[0003] However, the common generation method cannot ensure the unity of space and time in the big rooster animation, which makes the animation big rooster not smooth enough. Summary of the invention

[0004] The purpose of the present invention is to provide a method for producing an 8K three-dimensional ink-and-wash animation freehand rooster in order to solve the above-mentioned problems.

[0005] The technical solution adopted by the present invention is as follows: a method for producing a freehand rooster in an 8K three-dimensional ink-and-wash animation, the production method comprising the following steps:

[0006] S1: Get the original animation drawing needed to make the ink rooster, select characters and scenes according to the art style of the original drawing, and resolve dimension conflicts;

[0007] S2: In the process of resolving dimensional conflicts, the spatial reproduction of scattered perspective is first achieved by using relief modeling;

[0008] S3: Adjust the visual space of the 8K 3D ink-and-wash animation freehand style rooster;

[0009] S4: Design the scene arrangement of the 8K 3D ink-and-wash animation of a rooster in a freehand style. Arranging various scene shots in the animation of a rooster according to the narrative requirements of the plot is an important means of penetrating spatial relationships and expressing the content of the picture, which can generate different emotions in the audience.

[0010] S5: Conduct post-production special effects production of 8K 3D ink-and-wash animation of a big rooster in freehand style. The big rooster is based on different shooting and presentation effect requirements;

[0011] S6: To connect the big rooster shots and connect some originally incoherent visual images, it is necessary to use animation synthesis processing in the special effects manufacturing stage after shooting to fully ensure the coherence and effect of the entire shot;

[0012] S7: using a computer node stage operation method to perform filter texture and fractal texture processing on the animation original image to generate the ink material of the ink animation;

[0013] S8: Write the theme name or poem, creation time, author's name on the blank space of the 8K 3D ink-wash style rooster picture, stamp it, and draw it in 3D using a modular brush plug-in;

[0014] S9: Perform a lighting test on the same frame in the same 8K 3D ink-and-wash style rooster animation. After the lighting test passes, replace different binding files in the reference mode for rendering test, render out sequence frames, synthesize the same frame sequence to form a complete single frame, and perform color correction. After confirming that each frame is correct, edit and output the entire rooster animation, and then the entire 8K 3D ink-and-wash style rooster animation production process can be completed.

[0015] In a preferred embodiment, in step S2, the texture method is used in the scene to refine and upgrade the elements of traditional Chinese ink painting, so that similar objects can be depicted. The author uses the three-dimensional engraving function of the three-dimensional software and integrates the texture method of traditional painting to show a stronger three-dimensional modeling expression effect. By using the three-dimensional modeling engraving method in three-dimensional modeling, the hierarchical relationship can be presented and the depth of field space can be reproduced. Through software programming, the unique scattered perspective visual effect of traditional ink painting can be presented from different angles. In addition, the free movement of the scattered perspective and stereoscopic perspective of the picture can be realized, and the conversion of scattered perspective in three-dimensional software can be easily realized. By designing the movement method of the virtual camera in space and presenting the natural scenery in a three-dimensional form, a three-dimensional ink animation work that conforms to the visual characteristics of the human body and the spatial view of ink painting can be created.

[0016] In a preferred embodiment, in step S3, push-pull, pan-tilt and other methods in film production are used to draw on the perspective principle of Zong Bing's "distant projection method" to make up for the shortcomings of a single composition, strengthen the visual impact of the picture, and show the momentum of accommodating everything in a fixed frame, giving the picture greater tension. When creating a three-dimensional ink animation, the creator combines the characteristics of ink painting's tranquility and far-reaching nature and the movement tension in Western painting to make personalized aesthetic expression more prominent, thereby perfectly presenting the visual sense of space of traditional Chinese painting on the screen.

[0017] In a preferred embodiment, in step S3, the special perspective can be integrated into the perspective relationship of ink painting by means of a single-sided projection diagram. Freehand brushwork, as a traditional Chinese aesthetic concept and expression method of ink painting art, is completely different from the aesthetics of Western painting. It is a creative process from managing images to image creation and then to the expression of the main body of thought. "Elaborate and sparse, simple and meaningful" is the embodiment of the aesthetic concept of ink painting, and does not pay much attention to the external expression of depicting objects. In the creation process of three-dimensional ink animation, the creator not only needs to grasp the charm subjectively, but also needs to objectively express the specific image, so as to create the effect of virtual and real coexistence. Therefore, in three-dimensional modeling, the creator can try to use the axonometric method to assist in sorting out the front and back levels of flexible and flying lines, and finely shape them while pursuing the satisfaction of the heart to fit the reality.

[0018] In a preferred embodiment, in step S4, the long shot of the rooster is conveyed to the audience according to the natural process of time, and the recorded time and space are continuous and practical, and the problem of poor visual effects during space transformation can be solved by coordinating the scene scheduling with the lens movement. The flexible use of lens language can ensure the unity of space and time in the film, allowing the audience to understand the development of the story from multiple angles, and by emphasizing the spatial extension characteristics of the lens, the film has a better effect. Using the switching of the lens under different scene requirements can make the picture smooth and natural, and enhance the authenticity of the film.

[0019] In a preferred embodiment, in step S4, different scene types cause different visual effects and plot changes in terms of emotional expression and viewpoint changes, and there are large differences in different spatial relationships, psychological penetration and recognition of the audience. It is very important to flexibly use panoramic and mid-view scene types in the production of three-dimensional ink-and-wash animation. Compared with traditional two-dimensional ink-and-wash animation, the spatial construction of three-dimensional ink-and-wash animation is more free. After adding the development of the plot and the performance of the characters, the artistry, continuity and expressiveness of the animation shots are greatly improved.

[0020] In a preferred embodiment, in step S5, different shooting contents and emotional values ​​can be conveyed through different picture tones. The unified and coordinated processing of the overall tones of film and television works can keep the tones of the pictures of different scenes unified and coordinated, so that the pictures show a good texture. In the processing of the synthetic picture, the matte method is also used. This is a method of using computer technology to merge some virtual scenes and actors into one picture after performing a monochrome curtain in the studio, so as to achieve a special effect. This can avoid some shooting in dangerous places, not only ensuring the safety of shooting, but also improving the overall shooting effect of the picture. For example, in the shooting process of some Hollywood films, this matte technology is often used, which can create some virtual special scenes well and enhance the visual impact of the film and television.

[0021] In a preferred embodiment, in step S6, during the production process, it is necessary to ensure that a good transition method is always maintained between different shots. Strengthen the use of three-dimensional software, and use the coordinated processing of deformation, color, and light to enhance the expressiveness of visual elements. For example, in several pictures, using the same visual element at the same time is a kind of element that connects different pictures in series, so as to highlight the specific information content. In the production of many corporate promotional videos, such animation synthesis technology is used to show the cultural connotation of corporate development and enhance the company's publicity ability. In order to present some more complex animation information, it is necessary to incorporate the use of some advanced design technologies into the design process, so as to improve the overall effect of the design. With the increase in the demand for special effects in film and television works, higher technical requirements are put forward for the production of film and television. Practitioners should continue to strengthen the research on animation synthesis technology to cope with more design needs.

[0022] In a preferred embodiment, in step S6, using filters is a common processing method during the picture production process. When using filters to process the picture, it is necessary to calculate new pixel values ​​within a specific range, and then adjust different pixel values ​​to make the picture present different effects. In particular, it can have a very obvious processing effect on the color and expressiveness of the picture. Only by comprehensively strengthening the overall effect of the design can the expressiveness of film and television production be improved.

[0023] In a preferred embodiment, in step S8, as needed, the drawing content (such as rocks, flowers, trees, fruits, insects, roosters, etc.) is modularly processed according to the characteristics of hooking, incising, rubbing, dyeing, and dotting techniques, and the form, content, and style are unified, and three-dimensional drawing is performed in the form of a modular brush plug-in; in the process of synthesizing and shooting the freehand style rooster scene, digital reproduction technology is also required, so that the animation synthesis technology can be used in the corresponding shooting, which can greatly improve the overall level of the technology, and combined with targeted analysis of various technologies, the visual impact of the shooting process is maximized.

[0024] In summary, due to the adoption of the above technical solution, the beneficial effects of the present invention are:

[0025] In the present invention, the present invention actively adopts advanced creative concepts and technical means, through the interpretation, interpretation and reshaping of tradition, using its unique advantages, reproducing traditional ink painting in a film-like manner, thereby presenting more excellent animation works, and at the same time, the present invention flexibly uses lens language to ensure the unity of space and time in the big cock animation, so that the audience can understand the development of the story from multiple angles, and by emphasizing the spatial extension characteristics of the big cock animation lens, the film has a better effect. By making good use of the switching of the lens under different scene requirements, the picture can be made smooth and natural, and the authenticity of the big cock animation can be enhanced. The present invention relies on modern technical means, and by changing different visual effects, the perspective relationship of the picture is cleverly changed, the persuasiveness and vividness of the picture are enhanced, and the tension, level and naturalness of the conversion of the lens are enriched. The visual relationship such as perspective in the traditional three-dimensional ink animation can be reproduced, so that the prepared big cock animation is more aesthetic. BRIEF DESCRIPTION OF THE DRAWINGS

[0026] Figure 1 It is a schematic diagram of the process principle of the present invention. DETAILED DESCRIPTION

[0027] In order to make the purpose, technical solution and advantages of the present invention more clearly understood, the present invention is further described in detail below in conjunction with the accompanying drawings and embodiments. It should be understood that the specific embodiments described herein are only used to explain the present invention and are not used to limit the present invention.

[0028] Reference Figure 1 ,

[0029] A method for producing an 8K three-dimensional ink-and-wash animation freehand style rooster, the method comprising the following steps:

[0030] S1: Get the original animation drawing needed to make the ink rooster, select characters and scenes according to the art style of the original drawing, and resolve dimension conflicts;

[0031] S2: In the process of resolving dimensional conflicts, the spatial reproduction of scattered perspective is first achieved by using relief modeling;

[0032] S3: Adjust the visual space of the 8K 3D ink-and-wash animation freehand style rooster;

[0033] S4: Design the scene arrangement of the 8K 3D ink-and-wash animation of a rooster in a freehand style. Arranging various scene shots in the animation of a rooster according to the narrative requirements of the plot is an important means of penetrating spatial relationships and expressing the content of the picture, which can generate different emotions in the audience.

[0034] S5: Conduct post-production special effects production of 8K 3D ink-and-wash animation of a big rooster in freehand style. The big rooster is based on different shooting and presentation effect requirements;

[0035] S6: To connect the big rooster shots and connect some originally incoherent visual images, it is necessary to use animation synthesis processing in the special effects manufacturing stage after shooting to fully ensure the coherence and effect of the entire shot;

[0036] S7: Using a computer node stage operation method to perform filter texture and fractal texture processing on the original animation image to generate ink material of the ink animation;

[0037] S8: Write the theme name or poem, creation time, author's name on the blank space of the 8K 3D ink-wash style rooster picture, stamp it, and draw it in 3D using a modular brush plug-in;

[0038] S9: Perform a lighting test on the same frame in the same 8K 3D ink-and-wash style rooster animation. After the lighting test passes, replace different binding files in the reference mode for rendering test, render out sequence frames, synthesize the same frame sequence to form a complete single frame, and perform color correction. After confirming that each frame is correct, edit and output the entire rooster animation, and then the entire 8K 3D ink-and-wash style rooster animation production process can be completed.

[0039] In step S2, the brushstrokes are used in the scene to refine and upgrade the elements of traditional Chinese ink painting, and similar objects can be depicted. The author uses the three-dimensional engraving function of the three-dimensional software and integrates the brushstrokes of traditional painting to show a stronger three-dimensional modeling expression effect. The engraving method of three-dimensional modeling in three-dimensional modeling can present the hierarchical relationship and realize the reproduction of the depth of field space. Through software programming, the unique scattered perspective visual effect of traditional ink painting can be presented from different angles. In addition, the free movement of the scattered perspective and stereoscopic perspective of the picture can be realized, and the conversion of scattered perspective in three-dimensional software can be easily realized. By designing the movement method of the virtual camera in space and presenting the natural scenery in a three-dimensional form, a three-dimensional ink animation work that conforms to the visual characteristics of the human body and the spatial view of ink painting can be created.

[0040] In step S3, the push-pull, pan-tilt and other methods used in film production are used to draw on the perspective principle of Zong Bing's "distant projection method" to make up for the shortcomings of the single composition, strengthen the visual impact of the picture, and show the momentum of accommodating everything in a fixed frame, giving the picture greater tension. When creating a three-dimensional ink animation, the creator combines the characteristics of ink painting's tranquility and far-reaching nature and the movement tension in Western painting to make the personalized aesthetic expression more prominent, thereby perfectly presenting the visual sense of space of traditional Chinese painting on the screen.

[0041] In step S3, the special perspective can be integrated into the perspective relationship of ink painting by using a single-sided projection. Freehand brushwork, as a traditional Chinese aesthetic concept and expression method of ink painting art, is completely different from the aesthetics of Western painting. It is a creative process from managing images to image shaping and then to the expression of the main body of thought. "Elaborate and sparse, simple and meaningful" is the embodiment of the aesthetic concept of ink painting, and it does not pay much attention to the external expression of depicting objects. In the creation process of three-dimensional ink animation, the creator not only needs to grasp the charm subjectively, but also needs to objectively express the specific image, so as to create the effect of virtual and real coexistence. Therefore, in three-dimensional modeling, the creator can try to use the axonometric method to assist in sorting out the front and back levels of flexible and flying lines, and finely shape them while pursuing the satisfaction of the heart to fit the reality.

[0042] In step S4, the long shot of the big rooster is conveyed to the audience according to the natural process of time. The recorded time and space are continuous and practical. The problem of poor visual effects during space transformation can be solved by coordinating the scene with the lens movement. The flexible use of lens language can ensure the unity of space and time in the film, allowing the audience to understand the development of the story from multiple angles, and by emphasizing the spatial extension characteristics of the lens, the film has a better effect. Using the switching of lenses under different scene requirements can make the picture smooth and natural, and enhance the authenticity of the film.

[0043] In step S4, different scene types cause different visual effects and plot changes in terms of emotional expression and viewpoint changes. There are also large differences in different spatial relationships, the degree of psychological penetration and recognition of the audience. It is very important to flexibly use panoramic and mid-view scene types in the production of 3D ink-and-wash animation. Compared with traditional 2D ink-and-wash animation, the spatial construction of 3D ink-and-wash animation is more free. After adding the development of the plot and the performance of the characters, the artistry, continuity and expressiveness of the animation shots are greatly improved.

[0044] In step S5, different picture tones can convey different shooting contents and emotional values. The unified and coordinated processing of the overall tones of film and television works can keep the tones of the pictures of different scenes unified and coordinated, so that the pictures show a good texture. In the processing of the synthetic picture, the matte method is also used. This is a method of using computer technology to merge some virtual scenes and actors into one picture after performing a monochrome curtain in the studio, so as to achieve a special effect. This can avoid some shooting in dangerous places, not only ensuring the safety of shooting, but also improving the overall shooting effect of the picture. For example, in the shooting process of some Hollywood films, this matte technology is often used, which can well create some virtual special scenes and enhance the visual impact of the film and television.

[0045] In step S6, during the production process, it is necessary to ensure that a good transition method is always maintained between different shots. Strengthen the use of three-dimensional software, and use the coordinated processing of deformation, color, and light to enhance the expressiveness of visual elements. For example, using the same visual element in several pictures at the same time is a kind of element that connects different pictures in series, so as to highlight the specific information content. In the production of many corporate promotional videos, such animation synthesis technology is used to show the cultural connotation of corporate development and enhance the company's publicity ability. In order to present some more complex animation information, it is necessary to incorporate the use of some advanced design technologies into the design process, so as to improve the overall effect of the design. With the increase in the demand for special effects in film and television works, higher technical requirements are put forward for the production of film and television. Practitioners should continue to strengthen the research on animation synthesis technology to cope with more design needs.

[0046] In step S6, when making the picture, using filters is a common processing method. When using filters to process the picture, it is necessary to calculate new pixel values ​​within a specific range, and then adjust different pixel values ​​to make the picture present different effects. In particular, it can have a very obvious processing effect on the color and expressiveness of the picture. Only by comprehensively strengthening the overall effect of the design can the expressiveness of film and television production be improved.

[0047] In step S8, as needed, the drawing content (such as rocks, flowers, trees, fruits, insects, roosters, etc.) is modularly processed according to the characteristics of hooking, incising, rubbing, dyeing, and dotting techniques, and the form, content, and style are unified, and three-dimensional drawing is performed in the form of a modular brush plug-in; in the process of synthesizing and shooting the freehand style rooster scene, digital reproduction technology is also required, so that the animation synthesis technology can be used in the corresponding shooting, which can greatly improve the overall level of the technology, and combined with the targeted analysis of various technologies, the visual impact of the shooting process is maximized.

[0048] In the present invention, the present invention actively adopts advanced creative concepts and technical means, through the interpretation, interpretation and reshaping of tradition, using its unique advantages, reproducing traditional ink painting in a film-like manner, thereby presenting more excellent animation works, and at the same time, the present invention flexibly uses lens language to ensure the unity of space and time in the big cock animation, so that the audience can understand the development of the story from multiple angles, and by emphasizing the spatial extension characteristics of the big cock animation lens, the film has a better effect. By making good use of the switching of the lens under different scene requirements, the picture can be made smooth and natural, and the authenticity of the big cock animation can be enhanced. The present invention relies on modern technical means, and by changing different visual effects, the perspective relationship of the picture is cleverly changed, the persuasiveness and vividness of the picture are enhanced, and the tension, level and naturalness of the conversion of the lens are enriched. The visual relationship such as perspective in the traditional three-dimensional ink animation can be reproduced, so that the prepared big cock animation is more aesthetic.

[0049] It should be noted that, in this article, relational terms such as first and second, etc. are only used to distinguish one entity or operation from another entity or operation, and do not necessarily require or imply any such actual relationship or order between these entities or operations. Moreover, the terms "include", "comprise" or any other variants thereof are intended to cover non-exclusive inclusion, so that a process, method, article or device including a series of elements includes not only those elements, but also other elements not explicitly listed, or also includes elements inherent to such process, method, article or device. In the absence of further restrictions, the elements defined by the sentence "comprise a ..." do not exclude the existence of other identical elements in the process, method, article or device including the elements.

[0050] The above description enables those skilled in the art to implement or use the present invention. Various modifications to these embodiments will be apparent to those skilled in the art, and the general principles defined herein may be implemented in other embodiments without departing from the spirit or scope of the present invention. Therefore, the present invention will not be limited to the embodiments shown herein, but will conform to the widest scope consistent with the principles and novel features disclosed herein.

Claims

1. A method for producing an 8K three-dimensional ink-and-wash animation freehand style rooster, characterized by: The production method comprises the following steps: S1: Get the original animation drawing needed to make the ink rooster, select characters and scenes according to the art style of the original drawing, and resolve dimension conflicts; S2: In the process of resolving dimensional conflicts, the spatial reproduction of scattered perspective is first achieved by using relief modeling; S3: Adjust the visual space of the 8K 3D ink-and-wash animation freehand style rooster; S4: Design the scene arrangement of the 8K 3D ink-and-wash animation of a rooster in a freehand style. Arranging various scene shots in the animation of a rooster according to the narrative requirements of the plot is an important means of penetrating spatial relationships and expressing the content of the picture, which can generate different emotions in the audience. S5: Conduct post-production special effects production of 8K 3D ink-and-wash animation of a big rooster in freehand style. The big rooster is based on different shooting and presentation effect requirements; S6: To connect the big rooster shots and connect some originally incoherent visual images, it is necessary to use animation synthesis processing in the special effects manufacturing stage after shooting to fully ensure the coherence and effect of the entire shot; S7: using a computer node stage operation method to perform filter texture and fractal texture processing on the animation original image to generate the ink material of the ink animation; S8: Write the theme name or poem, creation time, author's name on the blank space of the 8K 3D ink-wash style rooster picture, stamp it, and draw it in 3D using a modular brush plug-in; S9: Perform a lighting test on the same frame in the same 8K 3D ink-and-wash style rooster animation. After the lighting test passes, replace different binding files in the reference mode for rendering test, render out sequence frames, synthesize the same frame sequence to form a complete single frame, and perform color correction. After confirming that each frame is correct, edit and output the entire rooster animation, and then the entire 8K 3D ink-and-wash style rooster animation production process can be completed.

2. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S2, the brushstrokes are used in the scene to refine and upgrade the elements of traditional Chinese ink painting and depict similar objects; the author uses the three-dimensional carving function of the three-dimensional software to integrate the brushstrokes of traditional painting to show a stronger three-dimensional modeling expression effect; the three-dimensional modeling carving method in three-dimensional modeling is used to present the hierarchical relationship therein and realize the reproduction of the depth of field space; through software programming, the scattered perspective visual effect unique to traditional ink painting is presented from different angles.

3. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S3, the push-pull, pan-tilt method in film production is used to draw on the perspective principle of Zong Bing's "distant projection method" to make up for the shortcoming of single composition, strengthen the visual impact of the picture, show the momentum of accommodating all things in a fixed frame, and give the picture greater tension; When creating three-dimensional ink animation, the tranquility and far-reaching characteristics of ink painting and the dynamic tension of Western painting are combined to make the personalized aesthetic expression more prominent, thus perfectly presenting the visual sense of space of traditional Chinese painting on the screen.

4. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S3, the special perspective is integrated into the perspective relationship of the ink painting by means of a single-sided projection image; freehand brushwork, as a traditional Chinese aesthetic concept and expression method of ink painting art, is completely different from the aesthetics of Western painting. It is a creative process from managing images to image creation and then to the expression of the main body of thought.

5. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S4, the long shot of the big rooster is conveyed to the audience according to the natural process of time, and the recorded time and space are continuous and actual. The problem of poor visual effects during space transformation is solved by coordinating scene scheduling with lens movement; the flexible use of lens language can ensure the unity of space and time in the film, allowing the audience to understand the development of the story from multiple angles, and by emphasizing the spatial extension characteristics of the lens, the film has a better effect; the switching of the lens under different scene requirements is used well to make the picture smooth and natural, thereby enhancing the authenticity of the film.

6. The method for producing an 8K 3D ink-and-wash animation freehand style rooster according to claim 1, characterized in that: In step S4, different shot sizes cause different visual effects and plot changes in terms of emotional expression and viewpoint changes. There are also large differences in different spatial relationships, the degree of psychological penetration and the degree of identification of the audience. It is very important to flexibly use panoramic and medium shots in the production of three-dimensional ink-and-wash animation. Compared with traditional two-dimensional ink-and-wash animation, the spatial construction of three-dimensional ink-and-wash animation is freer. After adding the development of the plot and the performance of the characters, the artistry, continuity and expressiveness of the animation shots are greatly improved.

7. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S5, different shooting contents and emotional values ​​are conveyed through different picture tones; the overall tones of the film and television works are unified and coordinated so that the tones of the pictures of different scenes are unified and coordinated, and the pictures present a good texture.

8. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In step S6, during the production process, it is necessary to ensure that a good transition is always maintained between different shots; Strengthen the use of 3D software, and use the coordinated processing of deformation, color, and light to enhance the expressiveness of visual elements; using the same visual element in several pictures at the same time is a way to connect elements of different pictures to highlight specific information content; many corporate promotional videos have adopted such animation synthesis technology to show the cultural connotation of corporate development and enhance the company's publicity capabilities; in order to present some more complex animation information, it is necessary to incorporate the use of some advanced design technologies into the design process to enhance the overall effect of the design.

9. The method for producing an 8K 3D ink-and-wash animation freehand style rooster as claimed in claim 1, characterized in that: In the step S6, using filters is a common processing method during the picture production process; using filters to process pictures requires calculating new pixel values ​​within a specific range, and then adjusting different pixel values ​​to make the pictures present different effects; especially for the color and expressiveness of the pictures, it has a very obvious processing effect; only by comprehensively strengthening the overall effect of the design can the expressiveness of film and television production be improved.

10. The method for producing an 8K 3D ink-and-wash animation freehand style rooster according to claim 1, characterized in that: In the step S8, as needed, the drawing content is modularized according to the characteristics of the techniques of drawing, incising, rubbing, dyeing and dotting, the form, content and style are unified, and three-dimensional drawing is performed in the form of a modular brush plug-in; in the synthetic shooting process of the freehand style rooster scene, digital reproduction technology is also required, so that the animation synthesis technology is used in the corresponding shooting, which greatly improves the overall level of the technology, and combined with the targeted analysis of various technologies, the visual impact of the shooting process is maximized.

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