Woven gold national wind fabric

The design of the woven traditional Chinese style fabric is formed by interweaving three groups of weft yarns with different warp yarns to form a two-layer triple weft structure, which solves the problems of the traditional woven traditional Chinese style fabric being thick and uneven on the back, and realizes the lightness, flatness and traditional Chinese style effect of the fabric.

CN223316854UActive Publication Date: 2025-09-09浙江巴贝纺织有限公司
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Patent Information

Application Number
CN202422739335.7
Authority / Receiving Office
CN · China
Patent Type
Utility models(China)
Current Assignee / Owner
Filing Date
2024-11-11
Publication Date
2025-09-09
Estimated Expiration
2034-11-11

AI Technical Summary

Technical Problem

The traditional gold weaving process results in thick fabrics and an uneven back, which affects wearing comfort.

Method used

The design of the woven traditional Chinese style fabric is made by interweaving three groups of weft yarns with different warp yarns to form a two-layer triple weft structure, including ground weave, flower weave and contour weave, avoiding the traditional gold sheet and gold twisting operations, and achieving gold weaving on the front of the fabric and a smooth and flat back.

Benefits of technology

While achieving the effect of woven gold and traditional Chinese style, it avoids thread ends on the back of the fabric and improves wearing comfort.

✦ Generated by Eureka AI based on patent content.

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Abstract

The utility model provides a gold-woven national-style fabric, and belongs to the technical field of special textiles. Comprising a ground weave, a flower weave and a contour weave, a two-layer structure is formed on the section, the ground weave is lower, and the flower weave and the contour weave are located on the ground weave; a pattern unit of the fabric comprises three groups of weft yarns, sixteen groups of ground tissue warp yarns, twenty groups of pattern tissue warp yarns and eight groups of contour warp yarns, the three groups of weft yarns and the sixteen groups of ground tissue warp yarns are interwoven to form a ground tissue, and the three groups of weft yarns and the twenty groups of pattern tissue warp yarns are interwoven to form a pattern tissue. Three groups of weft yarns and eight groups of contour warp yarns form a contour structure, and the weft yarns and the warp yarns form a triple weft structure; and the pattern weave, the outline weave and the ground weave are matched to form a two-layer triple-weft fabric pattern. Reappearance of the national-style woven gold fabric is achieved, by means of the fabric structure, thread residues are prevented from being reserved, and the effects that the front face of the fabric is woven gold, and the back face of the fabric is smooth and flat are achieved.
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Description

Technical Field

[0001] The present application relates to a woven gold-woven traditional Chinese style fabric, belonging to the technical field of special textiles. Background Art

[0002] Zhijin, also known as Nashishi or Jindazi, is a double-weft weave, typically consisting of three groups of weft threads: gold thread, pattern weft, and ground weft, creating a ground knot structure. This weaving method continues to this day. As a traditional fabric for Hanfu, Zhijinjin brocade uses gold thread to create a pattern, creating a resplendent effect. The gold thread used can be either flat or round. The production method involves beating gold into foil, backed with paper or animal skin, and then cutting it into strong, silky strands. Alternatively, the flat gold can be wrapped around a core thread to create a rounded, twisted gold thread.

[0003] In addition to being used as clothing materials, gold weaving is also often used in curtains, quilts, chair cushions, and backrests for daily use in the inner court and bedrooms, as well as in the emperor's carriages and ceremonial objects. For example, the golden Kuilong and peony gold weaving brocade kang mat of Emperor Kangxi of the Qing Dynasty, and the Eight Immortals celebrating birthday brocade screen with a gauze background bestowed by Emperor Kangxi.

[0004] The basic structures of common brocade include brocade woven with gold, brocade damask, brocade satin, brocade yarn, brocade gauze, and brocade banknotes (Mao Huiwei, "A Comparative Study of Nashishi and Jinduanzi, Mongol and Yuan Dynasty Brocade") To imbue the fabric with vibrant and opulent hues, precious materials such as gold, silver, and colored thread were often used. This demanding craftsmanship required exceptionally high technical standards. For example, the "Six Codes of the Tang Dynasty" describes fourteen gold-making techniques, including gold-plating, gold-plating, gold-weaving, and gold-polishing. These meticulous details contribute to the fact that current brocade craftsmanship is largely handmade, with few attempts to replicate the craft using looms, particularly fully automated ones. Furthermore, due to the unique nature of traditional brocade craftsmanship, the resulting product typically has a significant amount of thread residue on the back, resulting in a heavier product. While trimming the back of the thread residue reduces weight, it also creates an uneven surface on the back, making it difficult to eliminate residual residue, which compromises wearer comfort. Utility Model Content

[0005] In view of this, the present application provides a gilded traditional Chinese style fabric, which not only achieves the reproduction of the traditional Chinese style gilded fabric, but also avoids the retention of thread ends by means of the setting of the fabric structure, and achieves the effect of gilding on the front of the fabric and smoothness on the back.

[0006] Specifically, this application is implemented through the following solutions:

[0007] A woven fabric with a traditional Chinese style, comprising a ground weave, a pattern weave and a contour weave, forms a two-layer structure in cross section, wherein the ground weave is below, and the pattern weave and the contour weave are above the ground weave; the pattern unit of the fabric comprises three groups of weft yarns and sixteen groups of ground weave warp yarns, twenty groups of pattern weave warp yarns and eight groups of contour warp yarns, wherein the three groups of weft yarns are interwoven with the sixteen groups of ground weave warp yarns to form the ground weave, the three groups of weft yarns are interwoven with the twenty groups of pattern weave warp yarns to form the pattern weave, the three groups of weft yarns are interwoven with the eight groups of contour warp yarns to form the contour weave, the weft yarns and the warp yarns form a triple weft structure, and the eight groups of contour warp yarns are all sunk on the back side, so that the pattern weave, the contour weave and the ground weave cooperate to form a two-layer triple weft fabric pattern.

[0008] The above scheme is based on three groups of weft yarns, which are combined with different warp yarns to form the ground weave, pattern weave and outline weave respectively. The weft yarns are combined with the three warp yarns to form a two-layer three-weft structure (the ground weave is one layer, and the pattern weave and outline weave are the second layer). The combination of the pattern weave, outline weave and ground weave achieves the distinctive gold weaving pattern on the ground weave, avoiding the thick fabric and uneven back caused by traditional gold sheeting, gold twisting and other operations.

[0009] Furthermore, as a preference:

[0010] In the ground structure of the pattern unit of the fabric, the three groups of weft yarns include the first weft, the second weft and the third weft. The positional relationship of the first weft relative to the ground warp yarns satisfies the following: one up, one down, one up, four down, two up, three down, two up, two down. The positional relationship of the second weft relative to the ground warp yarns satisfies the following: one up, seven down, one up, seven down. The positional relationship of the third weft relative to the ground warp yarns satisfies the following: one up, seven down, one up, three down, one up, three down. More preferably, the first weft enters from above the first group of ground warp yarns, descends to below the second group of ground warp yarns, then ascends to above the third group of ground warp yarns, then descends to below the fourth group of ground warp yarns until the seventh group of ground warp yarns, then ascends to above the eighth and ninth groups of ground warp yarns, then descends to below the tenth group of ground warp yarns until the twelfth group of ground warp yarns, then ascends to above the thirteenth and fourteenth groups of ground warp yarns, and then descends to below the fifteenth and sixteenth groups of ground warp yarns; the second weft enters from above the first group of ground warp yarns, descends to the second group of ground warp yarns The third weft enters from above the first group of ground weave warp yarns, descends to below the second group of ground weave warp yarns and reaches below the eighth group of ground weave warp yarns, then ascends to above the ninth group of ground weave warp yarns, then descends to below the tenth group of ground weave warp yarns and reaches below the twelfth group of ground weave warp yarns, then ascends to above the thirteenth group of ground weave warp yarns, then descends to below the fourteenth group of ground weave warp yarns and reaches below the sixteenth group of ground weave warp yarns.

[0011] In the flower structure of the flower unit of the fabric, three groups of weft yarns include a first weft, a second weft and a third weft. The position relationship of the first weft relative to the flower structure warp yarns satisfies the following: eleven up, one down, seven up, one down; the position relationship of the second weft relative to the flower structure warp yarns satisfies the following: one up, five down, one up, six down, one up, six down; and the position relationship of the third weft relative to the flower structure warp yarns satisfies the following: one up, five down, one up, six down, one up, six down. More preferably, the first weft enters from above the first group of flower tissue warp yarns, goes above the eleventh group of flower tissue warp yarns, descends to below the twelfth group of flower tissue warp yarns, then goes up to above the thirteenth group of flower tissue warp yarns, goes above the nineteenth group of flower tissue warp yarns, and descends to below the twentieth group of flower tissue warp yarns; the second weft enters from above the first group of flower tissue warp yarns, descends to below the second group of flower tissue warp yarns, goes below the sixth group of flower tissue warp yarns, then goes up to above the seventh group of flower tissue warp yarns, descends to below the eighth group of flower tissue warp yarns, goes below the thirteenth group of flower tissue warp yarns, then goes up to above the fourteenth group of flower tissue warp yarns, then descends to below the fifteenth group of flower tissue warp yarns, and goes below the twentieth group of flower tissue warp yarns; the third weft has the same direction as the second weft.

[0012] In the outline structure of the pattern unit of the fabric, the three groups of weft yarns include a first weft, a second weft, and a third weft. The positional relationship of the first weft relative to the outline warp yarns satisfies the following: one up and seven down; the positional relationship of the second weft relative to the outline warp yarns satisfies the following: one up and seven down; and the positional relationship of the third weft relative to the outline warp yarns satisfies the following: seven up and one down. More preferably, the first weft enters from above the first group of outline warp yarns, then descends below the second group of outline warp yarns, and continues below the eighth group of outline warp yarns; the second weft and the first weft have the same direction; the third weft enters from above the first group of outline warp yarns, continues above the seventh group of outline warp yarns, and then descends below the eighth group of outline warp yarns.

[0013] In the above solution, the sixteen groups of ground weave warp yarns and the twenty groups of fancy weave warp yarns are all made of mulberry silk, and among the three groups of weft yarns, two groups are made of mulberry silk and one group is made of gold and silver thread.

[0014] By adopting the above-mentioned scheme of the present application, it is possible to realize the weaving of traditional textiles and to efficiently obtain colorful brocade products. The finished product can be thickly woven to ensure the product's golden weaving effect, while avoiding a large amount of residual thread ends on the back and improving wearing comfort. BRIEF DESCRIPTION OF THE DRAWINGS

[0015] In order to more clearly illustrate the technical solutions in the embodiments of the present application, the following briefly introduces the drawings required for use in the embodiments or descriptions of the prior art. Obviously, the drawings described below are only some embodiments of the present application. For ordinary technicians in this field, other drawings can be obtained based on these drawings without any creative work.

[0016] Figure 1 A schematic diagram of the structure of the organization in this application;

[0017] Figure 2 This is a schematic diagram of the structure of the floral tissue in this application;

[0018] Figure 3 This is a schematic diagram of the structure of the outline organization in this application.

[0019] Numbers in the figure: 1. First weft; 2. Second weft; 3. Third weft; 4. Ground warp; 401. Ground warp one; 402. Ground warp two; 403. Ground warp three; 404. Ground warp four; 405. Ground warp five; 406. Ground warp six; 407. Ground warp seven; 408. Ground warp eight; 409. Ground warp nine; 410. Ground warp ten; 411. Ground warp eleven; 412. Ground warp twelve; 413. Ground warp thirteen; 414. Ground warp fourteen; 415. Ground warp fifteen; 416. Ground warp sixteen; 5. Flower warp; 501. Flower warp one; 502. Flower warp two; 503. Flower warp three; 504. Flower warp four; 505. Flower warp five; 506. Flower warp yarn six; 507. Flower warp yarn seven; 508. Flower warp yarn eight; 509. Flower warp yarn nine; 510. Flower warp yarn ten; 511. Flower warp yarn eleven; 512. Flower warp yarn twelve; 513. Flower warp yarn thirteen; 514. Flower warp yarn fourteen; 515. Flower warp yarn fifteen; 516. Flower warp yarn sixteen; 517. Flower warp yarn seventeen; 518. Flower warp yarn eighteen; 519. Flower warp yarn nineteen; 520. Flower warp yarn twenty; 6. Contour weave warp yarn; 601. Contour warp yarn one; 602. Contour warp yarn two; 603. Contour warp yarn three; 604. Contour warp yarn four; 605. Contour warp yarn five; 606. Contour warp yarn six; 607. Contour warp yarn seven; 608. Contour warp yarn eight. DETAILED DESCRIPTION

[0020] In order to make the technical problems, technical solutions and beneficial effects to be solved by this application more clearly understood, the technical solutions in the embodiments of this application will be further described in detail below in conjunction with the drawings in the embodiments of this application. It should be understood that the specific embodiments described herein are only used to explain this application and are not used to limit the technical solutions of this application. Based on the embodiments in this application, all other embodiments obtained by ordinary technicians in this field without making creative efforts shall fall within the scope of protection of this application.

[0021] It should be noted that the terms "first" and "second" are used for descriptive purposes only and should not be understood to indicate or imply relative importance or implicitly specify the number of technical features. "Multiple" means two or more, unless otherwise specifically defined.

[0022] Example 1

[0023] This embodiment provides a woven traditional Chinese style fabric, including three parts: a ground weave, a flower weave and a contour weave, which forms a two-layer structure in the cross section, wherein the ground weave is below, and the flower weave and the contour weave are located above the ground weave; the raw materials include weft yarns consisting of a first weft 1, a second weft 2, and a third weft 3, and the warp yarns include several groups of ground weave warp yarns 4, flower weave warp yarns 5 and contour weave warp yarns 6, and the weft yarns and the warp yarns form a triple weft structure. In this way, the ground weave, the flower weave and the contour weave form two layers of triple weft woven traditional Chinese style fabric.

[0024] Specifically, in a pattern unit, in addition to the three weft yarns (first weft 1, second weft 2, and third weft 3), there are also sixteen ground warp yarns 4, twenty pattern warp yarns 5, and eight outline warp yarns 6. The first weft 1 is made of five-strand mulberry silk, the second weft 2 is made of five-strand mulberry silk, the third weft 3 is made of five-strand gold or silver silk, the sixteen ground warp yarns 4 are made of two-strand mulberry silk, the twenty pattern warp yarns 5 are made of two-strand mulberry silk, and the eight outline warp yarns are all sunk to the back and can be made of cooked silk.

[0025] Combine Figure 1 The first weft 1, the second weft 2, the third weft 3 and the sixteen groups of ground warp yarns 4 are interwoven to form the ground weave, and their positional relationship satisfies:

[0026] The first weft 1 enters from above the ground warp yarn one 401, descends to below the ground warp yarn two 402, then ascends to above the ground warp yarn three 403, then descends to below the ground warp yarn four 404, ground warp yarn five 405, ground warp yarn six 406, and ground warp yarn seven 407, then ascends to above the ground warp yarn eight 408 and ground warp yarn nine 409, then descends to below the ground warp yarn ten 410, ground warp yarn eleven 411, and ground warp yarn twelve 412, then ascends to above the ground warp yarn thirteen 413 and ground warp yarn fourteen 414, and then descends to below the ground warp yarn fifteen 415 and ground warp yarn sixteen 416, forming a positional relationship of one up, one down, one up, four down, two up, three down, and two up, two down.

[0027] The second weft 2 enters from above the ground warp yarn 1 401, descends to below the ground warp yarn 2 402, ground warp yarn 3 403, ground warp yarn 404, ground warp yarn 5 405, ground warp yarn 6 406, ground warp yarn 7 407 and ground warp yarn 8 408, then ascends to above the ground warp yarn 9 409, and then descends to below the ground warp yarn 10 410, ground warp yarn 11 411, ground warp yarn 12 412, ground warp yarn 13 413, ground warp yarn 14 414, ground warp yarn 15 415 and ground warp yarn 16 416, forming a positional relationship of one up and seven down, and seven up and seven down.

[0028] The third weft 3 enters from above the ground warp yarn 1 401, descends to below the ground warp yarn 2 402, ground warp yarn 3 403, ground warp yarn 404, ground warp yarn 5 405, ground warp yarn 6 406, ground warp yarn 7 407 and ground warp yarn 8 408, then ascends to above the ground warp yarn 9 409, descends to below the ground warp yarn 10 410, ground warp yarn 11 411 and ground warp yarn 12 412, then ascends to above the ground warp yarn 13 413, and descends to below the ground warp yarn 14 414, ground warp yarn 15 415 and ground warp yarn 16 416, forming a positional relationship of one up, seven down, three down, one up, and three down.

[0029] Combine Figure 2 The first weft 1, the second weft 2, the third weft 3 and the twenty groups of flower weave warp yarns 5 are interwoven to form a flower weave, and their positional relationship satisfies:

[0030] The first weft 1 enters from above the flower warp yarn 1 501, and passes through above the flower warp yarn 2 502, the flower warp yarn 3 503, the flower warp yarn 4 504, the flower warp yarn 505, the flower warp yarn 6 506, the flower warp yarn 7 507, the flower warp yarn 8 508, the flower warp yarn 9 509, the flower warp yarn 10 510, and the flower warp yarn 11 511 in sequence, then descends to below the flower warp yarn 12 512, and then ascends to above the flower warp yarn 13 513, the flower warp yarn 14 514, the flower warp yarn 15 515, the flower warp yarn 16 516, the flower warp yarn 17 517, the flower warp yarn 18 518, and the flower warp yarn 19 519 in sequence, then descends to below the flower warp yarn 20 520, forming a positional relationship of eleven up and one down, and seven up and one down.

[0031] The second weft 2 enters from above the flower warp yarn 1 501, first descends to below the flower warp yarn 2 502, the flower warp yarn 3 503, the flower warp yarn 4 504, the flower warp yarn 505, and the flower warp yarn 6 506, then ascends to above the flower warp yarn 7 507, then descends to below the flower warp yarn 8 508, the flower warp yarn 9 509, the flower warp yarn 10 510, the flower warp yarn 11 511, the flower warp yarn 12 512, and the flower warp yarn 13 513, then ascends to above the flower warp yarn 14 514, and finally descends to below the flower warp yarn 15 515, the flower warp yarn 16 516, the flower warp yarn 17 517, the flower warp yarn 18 518, the flower warp yarn 19 519, and the flower warp yarn 20 520, forming a positional relationship of one up, five down, six down, one up, and six down.

[0032] The third weft 3 enters from above the flower warp yarn one 501, first descends to below the flower warp yarn two 502, flower warp yarn three 503, flower warp yarn four 504, flower warp yarn five 505, and flower warp yarn six 506, then ascends to above the flower warp yarn seven 507, then descends to below the flower warp yarn eight 508, flower warp yarn nine 509, flower warp yarn ten 510, flower warp yarn eleven 511, flower warp yarn twelve 512, and flower warp yarn thirteen 513, then ascends to above the flower warp yarn fourteen 514, and finally descends to below the flower warp yarn fifteen 515, flower warp yarn sixteen 516, flower warp yarn seventeen 517, flower warp yarn eighteen 518, flower warp yarn nineteen 519, and flower warp yarn twenty 520, forming a positional relationship of one up, five down, six down, one up, six down.

[0033] Combine Figure 3 , the first weft 1, the second weft 2, the third weft 3 and the eight groups of outline warp 6 yarns form a contour structure, and their position relationship satisfies:

[0034] The first weft 1 enters from above the outline warp yarn 1 601, and then goes down to below the outline warp yarn 2 602, the outline warp yarn 3 603, the outline warp yarn 4 604, the outline warp yarn 5 605, the outline warp yarn 606, the outline warp yarn 7 607, and the outline warp yarn 8 608, forming a positional relationship of one up and seven down.

[0035] The second weft 2 enters from above the outline warp yarn 1 601, and then goes down to below the outline warp yarn 2 602, the outline warp yarn 3 603, the outline warp yarn 4 604, the outline warp yarn 5 605, the outline warp yarn 606, the outline warp yarn 7 607, and the outline warp yarn 8 608, forming a positional relationship of one up and seven down.

[0036] The third weft 3 enters from above the outline warp yarn 1 601, passes through above the outline warp yarn 2 602, the outline warp yarn 3 603, the outline warp yarn 4 604, the outline warp yarn 5 605, the outline warp yarn 606, and the outline warp yarn 7 607 in sequence, and then descends to below the outline warp yarn 8 608, forming a seven-up, one-down position relationship.

[0037] The above solution is based on three sets of weft yarns, which are combined with different warp yarns to form the ground weave, pattern weave, and outline weave, respectively. The weft yarns work together with the three warp yarns to form a two-layer structure (the ground weave is one layer, and the pattern weave and outline weave are the second layer). The pattern weave, outline weave, and ground weave work together to achieve the distinctive brocade pattern on the ground weave, avoiding the heavy fabric and uneven backing caused by traditional brocade weaving techniques such as sheeting and twisting. This solution also allows traditional textile weaving to be used, achieving efficient production of brocade products. The finished product achieves a thick weave, ensuring the product's traditional brocade effect while avoiding the large amount of residual thread on the back, improving wearing comfort.

[0038] The above-described embodiments merely represent several feasible implementation methods of the present invention. The description thereof is relatively specific and detailed, but it should not be understood as limiting the scope of the invention. The embodiments are not intended to limit the scope of protection in the claims of the present invention. For those skilled in the art, various modifications and improvements can be made without departing from the concept of the present invention. Any equivalent implementation or modification that does not depart from the scope of the present invention should be included in the technology of the present invention.

Claims

1. A woven gold-woven traditional Chinese style fabric, characterized by: It includes three parts: ground weave, pattern weave and contour weave, which form a two-layer structure in the cross section, wherein the ground weave is below, and the pattern weave and contour weave are located above the ground weave; the pattern unit of the fabric includes three groups of weft yarns and sixteen groups of ground weave warp yarns, twenty groups of pattern weave warp yarns and eight groups of contour warp yarns, the three groups of weft yarns are interwoven with the sixteen groups of ground weave warp yarns to form the ground weave, the three groups of weft yarns are interwoven with the twenty groups of pattern weave warp yarns to form the pattern weave, the three groups of weft yarns are interwoven with the eight groups of contour warp yarns to form the contour weave, the weft yarns and the warp yarns form a triple weft structure, and the eight groups of contour warp yarns are all sunk on the back side; the pattern weave, contour weave and ground weave cooperate to form a two-layer triple weft fabric pattern.

2. The woven gold-woven traditional Chinese style fabric according to claim 1, characterized in that: In the ground structure of the pattern unit of the fabric, three groups of weft yarns include a first weft, a second weft and a third weft. The positional relationship of the first weft relative to the ground warp yarns satisfies the following: one up, one down, one up, four down, two up, three down, two up, two down. The positional relationship of the second weft relative to the ground warp yarns satisfies the following: one up, seven down, one up, seven down. The positional relationship of the third weft relative to the ground warp yarns satisfies the following: one up, seven down, one up, three down, one up, three.

3. The woven gold-woven traditional Chinese style fabric according to claim 2, characterized in that: The first weft enters from above the first group of ground weave warp yarns, descends to below the second group of ground weave warp yarns, then ascends to above the third group of ground weave warp yarns, then descends to below the fourth group of ground weave warp yarns until the seventh group of ground weave warp yarns, then ascends to above the eighth and ninth groups of ground weave warp yarns, then descends to below the tenth group of ground weave warp yarns until the twelfth group of ground weave warp yarns, then ascends to above the thirteenth and fourteenth groups of ground weave warp yarns, and then descends to below the fifteenth and sixteenth groups of ground weave warp yarns; the second weft enters from above the first group of ground weave warp yarns, descends to below the second group of ground weave warp yarns The third weft enters from above the first group of ground weave warp yarns, descends to below the second group of ground weave warp yarns and ends under the eighth group of ground weave warp yarns, then ascends to above the ninth group of ground weave warp yarns, descends to below the tenth group of ground weave warp yarns and ends under the twelfth group of ground weave warp yarns, then ascends to above the thirteenth group of ground weave warp yarns, then descends to below the fourteenth group of ground weave warp yarns and ends under the sixteenth group of ground weave warp yarns.

4. The woven gold-woven traditional Chinese style fabric according to claim 1, characterized in that: In the flower structure of the flower unit of the fabric, three groups of weft yarns include a first weft, a second weft and a third weft. The position relationship of the first weft relative to the flower structure warp yarns satisfies the following: eleven up, one down, seven up, one down; the position relationship of the second weft relative to the flower structure warp yarns satisfies the following: one up, five down, one up, six down, one up, six down; and the position relationship of the third weft relative to the flower structure warp yarns satisfies the following: one up, five down, one up, six down, one up, six down.

5. The woven gold-woven traditional Chinese style fabric according to claim 4, characterized in that: The first weft enters from above the first group of pattern warp yarns, goes above the eleventh group of pattern warp yarns, descends to below the twelfth group of pattern warp yarns, then ascends to above the thirteenth group of pattern warp yarns, goes above the nineteenth group of pattern warp yarns, and descends to below the twentieth group of pattern warp yarns; the second weft enters from above the first group of pattern warp yarns, descends to below the second group of pattern warp yarns, goes below the sixth group of pattern warp yarns, then ascends to above the seventh group of pattern warp yarns, descends to below the eighth group of pattern warp yarns, goes below the thirteenth group of pattern warp yarns, then ascends to above the fourteenth group of pattern warp yarns, then descends to below the fifteenth group of pattern warp yarns, and goes below the twentieth group of pattern warp yarns; The third weft runs in the same direction as the second weft.

6. The woven gold-woven traditional Chinese style fabric according to claim 1, characterized in that: In the contour structure of the pattern unit of the fabric, three groups of weft yarns include a first weft, a second weft and a third weft. The positional relationship of the first weft relative to the contour structure warp yarns satisfies: one up and seven down, the positional relationship of the second weft relative to the contour structure warp yarns satisfies: one up and seven down, and the positional relationship of the third weft relative to the contour structure warp yarns satisfies: seven up and one down.

7. The woven gold-woven traditional Chinese style fabric according to claim 6, characterized in that: The first weft enters from above the first group of contour weave warp yarns, then descends to below the second group of contour weave warp yarns, and continues to below the eighth group of contour weave warp yarns; the second weft has the same direction as the first weft; the third weft enters from above the first group of contour weave warp yarns, continues to above the seventh group of contour weave warp yarns, and then descends to below the eighth group of contour weave warp yarns.

8. The woven gold-woven traditional Chinese style fabric according to any one of claims 1 to 7, characterized in that: The sixteen groups of ground weave warp yarns and the twenty groups of fancy weave warp yarns are all mulberry silk, and among the three groups of weft yarns, two groups are mulberry silk and one group is gold and silver thread.