METHOD OF CREATING ORGANIC FRESCOES

Abstract

The method of making organic frescoes characterized in that on a prepared, flat, clean, mold-free, cohesive, dried, cured base wall without sintering layers, without efflorescence, without separating agents and coated with breathable glue or on a transferable support is applied straight, clean, mold-free, cohesive, dried, cured without sintering layers, efflorescence, separating agents penetrating material, on which is then applied a thin-layer elastic tintable plaster of silicone or acrylic with a grain size of 0.05 mm to 1.00 mm, thickness of 1 mm to 7 mm, then the organic glaze or the glaze with additives is inserted and rubbed into the organic plaster with an application tool or organic colors or a tintable organic plaster or their combinations, while to apply the plaster, its color shades, glaze and colors, to create grooves and possibly fill them with other shades of plaster or colors,or to smooth and create waves, cracks, and to press and push the surface of organic plaster, artistic tools and aids are used.,

Description

Title of the invention: METHOD FOR PRODUCING ORGANIC FRESCOES

[0001] The invention relates to the method of producing organic frescoes using a thin layer of organic coating on the base material.

[0002] The creation of frescoes in the past and still today is linked only to the creation on the basis of inorganic plaster substrates and inorganic pigments which were highly sensitive to atmospheric conditions. The mentioned material used for the creation of frescoes did not exhibit color fastness, resistance to mosses, algae and molds. Many frescoes were altered because the material from which they were made was not mechanically resistant and required frequent maintenance and conservation.

[0003] The shortcomings described in the prior art are eliminated by the invention based on the fact that the fresco is made with a material and technique resistant to microorganisms (algae, mold), mechanical deformation, it does not require additional preservation, it is vapor permeable, highly water-repellent and very colorfast. On a prepared, flat, clean, mold-free, cohesive, dry, cured base wall without sintering layers, without efflorescence, without release agents and coated with an air-permeable adhesive or on a flat, clean, mold-free, cohesive, dried, cured base material without sintering layers, without efflorescence, without separating agents, a penetrating material is applied on which a silicone or elastic acrylic coating to be tinted in a thin layer with a grain size of 0.05 to 1,0 mm thick from 1 mm to 7 mm and provided with dye or stain with organic additives or colorants or a tintable organic coating or their combination, by applying the coating, its shades of colors, stains and colors to create grooves and possibly fill them with other shades of coating or colors, with stains or to sand and create waves and to press, push the surface of the organic plaster, a tool such as a construction cutter, a sharp or blunt knife, fine nylon, string, a spatula, a plane, a brush is used, and then, after drying, the organic surface is impregnated.

[0004] Alternatively, a thin-layer elastic silicone or acrylic tintable organic coating with a grain size of 0.05 to 0.5 mm is applied to the penetrating material by gradually applying different shades of organic coating next to each other in close proximity and with a sufficient thickness of 1 mm to 7 mm using an application tool such as a construction cutter, a sharp or blunt knife, thin nylon, string, spatula, planer, brush and then, after drying, the organic surface is impregnated.

[0005] To create the outline of the objects on the surface of the organic fresco, after drying of the surface of the organic coating, the surface of the organic coating is grooved using a cutting tool such as a construction cutter, a sharp or blunt knife, followed by the complete addition of tintable organic coating into the grooves using an application tool.

[0006] To create a smooth surface of the fresco, after drying before impregnation of the surface of the fresco, this surface is sanded by hand or with a sander, and to create a glossy surface, the sanded surface is mechanically polished by hand or with an electric sander until completely shiny, then the sanded or polished surface is impregnated.

[0007] Impregnation is carried out with, for example, silicone oils (transparent, non-transparent, accent), impregnation oils (transparent, non-transparent), concrete oils, waxes for coatings, stains, epoxies, polyurethanes for coatings.

[0008] To create cracks and crevices, the coating is applied more thinly or the drying process is accelerated by heat or air drying or a combination of both.

[0009] The fresco is made by material and technique resistant to microorganisms (algae, mold), mechanical deformation, it does not require additional preservation, it is vapor permeable, highly water-repellent and very colorfast. On a prepared, flat, clean, mold-free, cohesive, dried, cured base wall without sintering layers, without efflorescence, without separating agents and coated with a breathable adhesive or on a portable, clean, moldy, free, cohesive, dried, cured flat base material without sintering layers, without efflorescence, without separating agents, a penetrating material is applied on which a thin-layer elastic silicone or acrylic plaster with a grain size of 0.05 mm to 1.00 mm and thickness of 1 mm to 7 mm and provided with glaze or glaze with organic additives or colorants, while for the application of plaster, its color shades and colors,To create grooves and their possible filling with other shades of plaster or colors or to smooth and create waves, a tool such as a construction cutter is used, a sharp or blunt knife, thin nylon, string, spatula, plane, brush, then, after drying, the organic surface is impregnated.

[0010] To create a smooth surface of the fresco, after drying and before impregnation of the surface of the fresco, this surface is sanded by hand or with a sander, then the sanded surface is impregnated.

[0011] Impregnation is carried out with, for example, silicone oils (transparent, non-transparent, accent), impregnation oils (transparent, non-transparent), concrete oils, coating waxes.

[0012] To create cracks and crevices, the coating is applied more thinly or the drying process is accelerated by heat or air drying or a combination of both.

[0013] Examples of implementation

[0014] 1. The fresco is created by organic material and a micro-resistant technique organisms (algae, mold), to mechanical deformation, it does not require additional preservation, it is vapor permeable, highly water-repellent and very colorfast, where on a modified substrate flat, clean, mold-free, coherent, dried, cured without sinter layers, without efflorescence, without separating agents and coated with an air-permeable adhesive or on flat portable base material, clean, mold-free, coherent, dried, cured without sinter layers, efflorescence, separating agents, waterproof (e.g. Doka 3S building boards, waterproof furniture boards, laminated plywood, waterproof boards, painting cloths, painting cloths for cardboard) a penetrating material (e.g. STO-Putzgrund, Baumit UniPrimer) is applied, then it is applied tintable organic thin-layer elastic silicone or acrylic filler with a grain size of 0.05 to 1.00 mm (e.g. Stolit Milano STO,Baumit CreativTop Silk) and thickness from 1 mm to 7 mm. Then, using an application tool, glazes (e.g. Baumit Lasur, StoLook Lasura) or glazes with additives (e.g. StoLook Diamant, StoLook Ballotini) or organic colors (e.g. acrylic, silicone) or tintable organic fillers or their combinations are inserted and rubbed into the organic plaster, while to apply the plaster, its shades and colors, to create grooves, and possibly fill them with other shades of plaster or colors or to smooth and create waves, cracks and to press, push the surface of the organic plaster, a tool such as a construction cutter, a sharp or blunt knife, thin nylon, string, a spatula, a planer, a brush are used, then after drying, the organic surface is impregnated (e.g. Akemi for impregnating organic stone). ,

[0015] To create a smooth surface of the fresco, after drying before impregnation of the surface of the fresco, this surface is sanded by hand or with a sander, and to create a glossy surface, the sanded surface is mechanically polished by hand or with an electric sander until completely shiny, then the sanded or polished surface is impregnated.

[0016] Impregnation is carried out for example with silicone oils (transparent, non-transparent, accent), impregnating oils (transparent, non-transparent), concrete oils, coating waxes, varnishes, epoxies, polyurethanes for coatings.

[0017] To create cracks and crevices, the coating is applied more thinly or the drying process is accelerated by heat or air drying, or a combination of both.

[0018] 2. The fresco is made of organic material and by a technique resistant to microorganisms (algae, mold), to mechanical deformation, it does not require additional preservation, it is vapor permeable, highly water-repellent and very colorfast, where on a flat, clean, mold-free, coherent, dried, cured without sinter layers, without efflorescence, without separating agents and coated with a breathable adhesive or on a flat, portable, clean, mold-free, coherent, dried, cured without sinter layers, efflorescence, separating agents, waterproof base material (e.g. Doka 3S building boards, waterproof furniture boards, laminated plywood, waterproof boards, painting cloths, cardboard painting cloths) a penetrating material (e.g. STO-Putzgrund, Baumit UniPrimer) is applied.A thin-layer elastic silicone or acrylic tintable organic coating with a grain size of 0.05 to 0.5 mm (e.g. Stolit Milano STO, Baumit CreativTop Silk) is applied to the penetrating material by gradually applying different shades of coating next to each other in close proximity and in sufficient thickness of 1 mm to 7 mm using an application tool such as a construction cutter, a sharp or blunt knife, thin nylon, string, spatula, plane, brush. Then, after drying, the organic surface is impregnated (e.g. Akemi for impregnating organic stone).

[0019] To create the outline of the objects on the surface of the organic fresco, after drying of the surface of the organic plaster, the surface of the organic plaster is grooved using a cutting tool such as a construction cutter, a sharp or blunt knife, followed by the complete addition of tintable organic plaster into the grooves using an application tool.

[0020] To create a smooth surface of the fresco, after drying before impregnation of the surface of the fresco, this surface is sanded by hand or with an electric sander, and to create a glossy surface, the sanded surface is mechanically polished by hand or by electric sander. Then the sanded surface is impregnated.

[0021] The impregnation is carried out for example with silicone oils (transparent, non-transparent, lightening), impregnating oils (transparent, non-transparent), concrete oils, waxes for coatings, stains, epoxies, polyurethanes for coatings.

[0022] To create cracks and crevices, the coating is applied more thinly or the drying process is accelerated by heat or air drying or a combination of both.

[0023] Industrial uses

[0024] The final product of this method of creating frescoes is a work created directly on a modified wall or on a portable base material, intended for the aesthetic decoration of walls indoors or in a space where the work will not be exposed to harsh environmental conditions, especially high humidity, high temperature, during which the base material deforms together with the plaster. The work can also be placed as a decoration or hung firmly against the wall.

Claims

Claims

1. The method for producing organic frescoes characterized in that on a prepared, flat, clean, mold-free, cohesive, dried, cured base wall without sintering layers, without efflorescence, without separating agents and coated with breathable glue or on a transferable support is applied straight, clean, mold-free, cohesive, dried, cured without sintering layers, efflorescence, separating agents penetrating material, on which is then applied a thin-layer elastic tintable coating of silicone or acrylic with a grain size of 0.05 mm to 1.00 mm, thickness of 1 mm to 7 mm, then the organic glaze or the glaze with additives is inserted and rubbed into the organic coating with an application tool or organic colors or a tintable organic coating or their combinations, while to apply the coating, its color shades, glaze and colors,to create grooves and possibly fill them with other shades of plaster or colors, or to smooth and create waves, cracks, and to press and push the surface of organic plaster, artistic tools and aids are used.,

2. The method of producing organic frescoes according to claim 1 characterized in that to create a smooth surface of the fresco, after drying of the surface of the fresco, this surface is sanded by hand or with a sander, then the sanded or polished surface is impregnated.

3. The method for producing organic frescoes according to claim 2, characterized in that the impregnation is carried out with transparent or non-transparent silicone oils or accent oils, transparent or non-transparent impregnation oils, concrete oils, waxes, stains, epoxies, polyurethanes for coatings.

4. The method of producing organic frescoes according to the preceding claims characterized in that to create cracks and crevices, the coating is applied more thinly or the drying process is accelerated by drying with heat or in the open air or by a combination of the two.

5. The method of producing organic frescoes according to the preceding claims characterized in that an organic coating Thin-layer tintable elastic silicone or acrylic with a grain size of 0.05 to 0.5 mm is applied to the penetrating material by gradually applying different shades of organic plaster next to each other in close proximity and with a sufficient thickness of 1 mm to 7 mm using an application tool.

6. The method of producing organic frescoes according to the preceding claims characterized in that to create the outline of the objects on the surface of the organic fresco, after drying of the surface of the organic coating, the surface of the organic coating is grooved using a cutting tool such as a construction cutter, a sharp or blunt knife, followed by the complete addition of tintable organic coating in the grooves using an application tool.