Wall-mounted photo studio systems

Abstract

A wall-mounted photo studio system includes a first frame configured to be mounted to a wall and a second frame movably coupled to the first frame. The second frame has a display panel on a first side and a photo studio receiving portion on a second side. The second frame is movable between an artwork display configuration in which the display panel is visible while the photo studio receiving portion is hidden and a photo studio configuration in which the top portion of the second frame moves further from the first frame and the photo studio receiving portion is accessible for receiving or holding a photo studio for taking pictures or videos.

Description

WALL-MOUNTED PHOTO STUDIO SYSTEMS CROSS REFERENCE TO RELATED APPLICATION

[0001] The present disclosure claims priority to and the benefit of U.S. Patent Application No.63 / 711,673, entitled "Wall Mounted Photo Studio 2," filed on October 24, 2024, the content of which is incorporated by reference herein in its entirety.FIELD

[0002] The present disclosure relates to systems and methods for providing a photo studio to take pictures or videos, and more particularly relates to systems and methods for hiding the photo studio and becoming decorative artwork when the photo studio is not in use.BACKGROUND

[0003] Photography and videography have become integral parts of modem business, education, and personal expression, with applications ranging from product marketing and documentation to content creation and artistic endeavors. Professional-quality images and videos often require controlled lighting environments and consistent backgrounds to achieve optimal results. Photo studios and light boxes provide these controlled environments by offering enclosed spaces with integrated lighting systems and neutral backgrounds that eliminate unwanted shadows and reflections. Traditional photo studios range from large, dedicated rooms with professional lighting equipment to smaller portable light boxes designed for product photography and small-scale content creation.

[0004] Portable photo studio light boxes have gained popularity as they offer a compromise between professional results and practical constraints such as space, cost, and setup time. These systems typically consist of collapsible enclosures with integrated lighting and removable backgrounds that can be assembled when needed and stored when not in use. However, even portable systems present challenges in terms of storage space and setup requirements. When deployed, they occupy valuable desk, table, or floor space that may be needed for other activities. When stored, they require dedicated storage areas such as closets, shelves, or comers where they can remain out of the way but accessible. The process of repeatedly setting up and breaking down these systems can be time-consuming and may discourage frequent use, leading many users to leave them permanently deployed, thereby continuously occupying workspace.

[0005] Accordingly, there is a need for photo studio systems that can provide professional lighting and controlled photography environments while minimizing space requirements bodi during use and storage.SUMMARY

[0006] The presently disclosed embodiments generally relate to wall-mounted photo studio light box systems that provide dual-function capabilities for both displaying artwork and creating controlled photography and videography environments. These systems address space limitations in offices, homes, and professional settings where dedicated photography equipment can be cumbersome and space-consuming when not in use. The systems can transition between an artwork display configuration where they appear as conventional wall-mounted artwork and a photo studio configuration where they provide functional photography spaces with controlled lighting and background surfaces.

[0007] In an aspect, embodiments relate to a wall-mounted photo studio system including a first frame and a second frame. The first frame is configured to be mounted to a wall. The second frame is movably coupled to the first frame, with tire second frame having a display panel on a first side and a photo studio side on a second side opposite tire first side. The second frame is movable with respect to the first frame to move the wall-mounted photo studio system between an artwork display configuration in which the display panel is visible while the photo studio side is hidden and a photo studio configuration in which at least one of a top portion, a bottom portion, and a side portion of the second frame is further away from a respective top portion, a bottom portion, and a side portion of the first frame as compared to locations of the respective top portions, bottom portions, and side portions of the first and second frames in tire artwork display configuration and the photo studio side is accessible and a location is provided for a photo studio to be used in conjunction with taking at least one of pictures or videos.

[0008] One or more of tire following features can be included. The wall-mounted photo studio system can further include a collapsible photo studio disposed between the first frame and the second frame, with the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration. The photo studio can be configured to be in an expanded state when the photo studio system is in the photo studio configuration, with the photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio. The photo studio can be integrated into at least one of the first frame or thesecond frame such that it is configured to automatically deploy from die collapsed state to the expanded state as the second frame moves with respect to the first frame and die photo studio system moves from the artwork display configuradon to the photo studio configuration. The photo studio can be configured to be deployed to the expanded state after the photo studio system moves from the artwork display configuration to the photo studio configuration.

[0009] In at least some embodiments the photo studio back panel can be integrated widi the first frame, and the second frame can be configured to move with respect to the first frame by the entire frame moving outward, thereby maintaining a substantially parallel configuration between the first frame and the second frame in the photo studio configuration such that the collapsible photo studio is moved to the expanded state and at least a portion of the display panel is at least one of removed to form the photo studio opening or the photo studio opening is included as part of the display panel. In at least some other embodiments the second frame can include a first door and a second door such that an outer surface of the first door and an outer surface of the second door comprise the display panel and an inner surface of the first door and an inner surface of the second door comprise the photo studio side. In some such embodiments the photo studio system can further include a first hinge connecting the first door to the first frame, and a second hinge connecting the second door to tire first frame, with the first and second hinges enabling the respective first and second doors to rotate with respect to the first frame to move the wall-mounted photo studio system between the artwork display configuration and tire photo studio configuration, tire first and second doors forming an angle with the first frame that is at least about 90 degrees in the photo studio configuration.

[0010] The photo studio can be integrated into at least one of the first frame or the first and second doors such that it is configured to automatically deploy from the collapsed state to the expanded state as the first and second doors move with respect to the first frame and the photo studio system moves from the artwork display configuration to the photo studio configuration. The photo studio can be configured to be deployed to the expanded state after the photo studio system moves from the artwork display configuration to the photo studio configuration. The wall-mounted photo studio system can further include a light source integrated into tire photo studio and configured to illuminate tire photo studio. In some such embodiments, the light source can be configured to automatically turn on as the phot studio moves to the expanded state and / or when the photo studio is in the expanded state. In at least some such embodiments. The wall-mounted photo studio system can further include a power pad integrated into the photo studio and configured to provide wireless power to an object disposed thereon. The wall-mounted photostudio system can further include a turntable at least one of disposed on or integrated into the photo studio bottom panel of die photo studio.

[0011] The wall-mounted photo studio system can further include a hinge connecting the first frame to die second frame, with the hinge enabling die second frame to rotate with respect to the first frame to move the wall-mounted photo studio system between the artwork display configuration and the photo studio configuration, the second frame forming an angle with the first frame that is approximately in the range of about 45 degrees to about 180 degrees, and the photo studio side being accessible for at least one of receiving or holding a photo studio, in the photo studio configuration. The wall-mounted photo studio system can further include a collapsible photo studio disposed between the first frame and the second frame, with the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration. The photo studio can be configured to be in an expanded state when the photo studio system is in the photo studio configuration, with the photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio.

[0012] The photo studio can be integrated into at least one of the first frame or the second frame such that it is configured to automatically deploy from the collapsed state to the expanded state as the second frame rotates with respect to the first frame as the photo studio system moves from the artwork display configuration to the photo studio configuration. The photo studio can be configured to be deployed to the expanded state after the photo studio system moves from tire artwork display configuration to the photo studio configuration. The wall-mounted photo studio system can further include a wall mounting bracket configured to mount the first frame to the wall, with the wall mounting bracket including a cleat extending from an upper portion of the wall mounting bracket. The first frame can include a corresponding mounting feature configured to engage with the cleat to secure the first frame to the wall mounting bracket.

[0013] The wall-mounted photo studio system can further include a camera mount configured to be removably and replaceably coupled to at least one of the first frame or the second frame, with the camera mount being movable to position a camera at different positions with respect to a photo studio disposed on the photo studio side. The wall-mounted photo studio system can further include a camera mount coupled to at least one of the first frame and tire second frame, with the camera mount being configured to be moved from a stowed configuration when the photo studio system is in an artwork display configuration and a use configuration when the photo studio system is in a photo studio configuration. The wall-mounted photo studio systemcan further include a latch disposed on one of the first frame and tire second frame and a latch release disposed on the other of the first frame and tire second frame and configured to be selectively engaged and disengaged from the latch, with the latch release being configured to be engaged with the latch when the photo studio system is in the artwork display configuration and the latch release being configured to be disengaged from the latch when the photo studio system is in the photo studio configuration.

[0014] The display panel can include a prefabricated image that serves as artwork. The display panel can be configured to allow for artwork to be added as part of the display panel. The display panel can be configured to allow for the artwork to be a physical art specimen. The display panel can be configured to allow for the artwork to be digital.

[0015] In another aspect, embodiments relate to a method of using a photo studio including moving a second frame with respect to a first frame to expose a photo studio side of the second frame, with the photo studio side of tire second frame not being accessible for use prior to moving the second frame. The method includes one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state. The method includes operating a camera to at least one of take pictures or videos of one or more objects disposed in the photo studio.

[0016] One or more of the following features can be included. One of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state can further include deploying the photo studio into the expanded state after the second frame is moved to expose the photo studio side. One of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state can further include causing the photo studio to deploy into the expanded state by performing the action of moving the second frame with respect to the first frame to expose the photo studio side of the second frame. Moving the second frame with respect to the first frame can include moving the second frame away from the first frame while maintaining a substantially parallel configuration between the first frame and tire second frame.

[0017] Moving a second frame with respect to a first frame can include rotating a first door of the second frame with respect to the first frame and rotating a second door of the second frame with respect to the first frame to cause each of the first and second doors to form an angle with the first frame that is at least about 90 degrees. Moving a second frame with respect to a firstframe can include rotating the second frame with respect to the first frame to cause the second frame to form an angle with the first frame that is approximately in the range of about 45 degrees to about 180 degrees. The method can further include providing charging power to one or more electronics placed on the photo studio. The method can further include activating a light source integrated into the photo studio to illuminate the photo studio in conjunction with the photo studio being deployed into the expanded state.

[0018] The method can further include one of removing the photo studio from the location accessible in view of the photo studio side being exposed or causing the photo studio to return to a collapsed state, and moving the second frame with respect to the first frame to allow a display panel of the second frame to be visible as artwork. Moving the second frame with respect to the first frame can cause the photo studio to return to a collapsed state such that the photo studio is in the collapsed state when the display panel of the second frame is visible as artwork.BRIEF DESCRIPTION OF DRAWINGS

[0019] This disclosure will be more fully understood from tire following detailed description taken in conjunction with the accompanying drawings, in which:

[0020] FIG. 1 is a perspective view of one embodiment of a photo studio system in a photo studio configuration with a photo studio deployed;

[0021] FIG. 2 is a front perspective view of the photo studio system of FIG. 1 in an artwork display configuration:

[0022] FIG. 3 is a back perspective view of the photo studio system of FIG. 2 in the artwork display configuration;

[0023] FIG. 4A is a schematic detailed side view of the photo studio system of FIG. 1 in the artwork display configuration, illustrating a relationship between a first frame, a second frame, and a hinge;

[0024] FIG. 4B is a schematic detailed side view of the first frame, the second frame, and the hinge of FIG. 4 A in the photo studio configuration;

[0025] FIG. 5 is a perspective front view of the photo studio system of FIG. 1 in the artwork display configuration showing a display panel;

[0026] FIG. 6 is a perspective view of the photo studio system of FIG. 5 in the photo studio configuration showing a photo studio receiving portion;

[0027] FIG. 7 is a perspective view of tire photo studio system of FIG. 1 in the photo studio configuration with the photo studio deployed and showing wall mounting components;

[0028] FIG. 8 is a perspective view of the photo studio system of FIG. 7 showing additional wall mounting components;

[0029] FIG. 9 is a side view of another embodiment of a photo studio system having a first frame, a second frame, and a speed limiter;

[0030] FIG. 10A is a front perspective view of still another embodiment of a photo studio system in an artwork display configuration;

[0031] FIG. 10B is a front perspective view of the photo studio system of FIG. 10A in a semideployed configuration;

[0032] FIG. 10C is a front perspective view of the photo studio system of FIG. 10A in a deployed photo studio configuration;

[0033] FIGs. 11 A-l IE are perspective views of one embodiment of a small prototype of a photo studio moving from a collapsed state to an expanded state;

[0034] FIG. 12 is a perspective view of one embodiment of a flat pattern layout for a photo studio showing pre-formed fold lines;

[0035] FIGs. 13A-13E are perspective views of another embodiment of a small prototype of a photo studio moving from a collapsed state to an expanded state;

[0036] FIGs. 14A-14D are side views illustrating a sequence of deployment positions for one embodiment of a photo studio system;

[0037] FIGs. 15A-15D are side views illustrating a sequence of deployment positions for another embodiment of a photo studio system;

[0038] FIGs. 16A-16C are side views illustrating a sequence of deployment positions for still another embodiment of a photo studio system;

[0039] FIGs. 17A-17D are top views illustrating a sequence of deployment positions for another embodiment of a photo studio system;

[0040] FIGs. 18A-18D are top views illustrating a sequence of deployment positions for yet another embodiment of a photo studio system;

[0041] FIGs. 19A-19C are top views illustrating a sequence of deployment positions for another embodiment of a photo studio system;

[0042] FIGs. 20A-20D are top views illustrating a sequence of deployment positions for still another embodiment of a photo studio system;

[0043] FIGs. 21A-21C are top views illustrating a sequence of deployment positions for another embodiment of a photo studio system;

[0044] FIG. 22 is a front perspective view of one embodiment of a wall mounting bracket with a cleat for use with photo studio systems of the present disclosure;

[0045] FIG. 23 is a side view of the wall mounting bracket of FIG. 22;

[0046] FIG. 24 is a side cross-sectional view of the wall mounting bracket of FIG. 22 with a first frame of a photo studio system mounted thereon;

[0047] FIG. 25 is a front perspective view of another embodiment of a wall mounting bracket with a cleat and screw receiving mounts for use with photo studio systems of the present disclosure;

[0048] FIG. 26 is a bottom perspective view of a photo studio system mounted to a wall mounting bracket similarly constructed as die wall mounting bracket of FIG. 25;

[0049] FIG. 27 is a side perspective view of one embodiment of a wall mounting bracket widi a spring clip for use in coupling a first frame of a photo studio system to die wall mounting bracket;

[0050] FIG. 28 is a side perspective view of one embodiment of a wall mounting bracket widi a set screw for use in coupling a first frame of a photo studio system to the wall mounting bracket;

[0051] FIG. 29 is a back view of one embodiment of a wall mounting bracket with sliding moundng tabs for use in coupling a first frame of a photo studio system to the wall mounting bracket;

[0052] FIG. 30 A is a perspective view of one embodiment of a photo studio system in a photo studio configuration with one embodiment of a camera mount;

[0053] FIG. 30B is a perspective view of the photo studio system of FIG. 30A in the photo studio configuration with another embodiment of a camera mount;

[0054] FIG. 30C is a perspective view of the photo studio system of FIG. 30A in the photo studio configuration with still another embodiment of a camera mount;

[0055] FIG. 31 is a perspective view of another embodiment of a photo studio system in a photo studio configuration with another embodiment of a camera mount, the figure including Inset A to provide further detail related to the camera mount;

[0056] FIG. 32 is a perspective view of yet another embodiment of a photo studio system mounted to a wall with one embodiment of an integrated camera mount;

[0057] FIGs. 33A-33B are perspective views of another embodiment of a photo studio system widr another embodiment of a camera mount, the camera mount being moved between a first position and a second position, respectively;

[0058] FIGs. 34A-34B are perspective views of die photo studio system of FIG. 33A widi still another embodiment of a camera mount, die camera mount being moved between a stowed configuradon and a use configuradon, respectively; and

[0059] FIGs. 35A-35B are perspecdve views of the photo studio system of FIG. 33A widi another embodiment of a camera mount, die camera mount being moved between a first position and a second position, respectively.DETAILED DESCRIPTION

[0060] Certain embodiments will now be described to provide an overall understanding of the principles of the structure, function, manufacture, and use of the systems and related components (e.g., photo studios, wall mounting brackets, camera mounts, cameras), and methods disclosed herein. One or more examples of these embodiments are illustrated in the accompanying drawings. Those skilled in the art will understand that the systems and methods specifically described herein and illustrated in the accompanying drawings are non-limiting exemplary embodiments and that the scope of the present disclosure is defined solely by the claims. The features illustrated or described in connection with one embodiment may be combined with the features of other embodiments. Such modifications and variations are intended to be included within the scope of the present disclosure. Further, to the extent features, components, frames, panels, or the like are described as being "first," "second," "third," etc., and / or "top," "bottom," "side," etc., such numerical and / or location ordering / identification is generally arbitrary, and thus such numbering can be interchangeable unless indicated or otherwise understood by those skilled in the art to not be interchangeable.

[0061] To die extent drat linear or circular dimensions or shapes are used or described herein, such dimensions are not intended to limit the types of shapes or sizes of such devices, components, etc. A person skilled in die art will recognize that an equivalent to such linear and / or circular dimensions or shapes can be easily determined for any geometric shape (e.g., references to widths and diameters being easily adaptable for circular and linear dimensions, respectively, by a person skilled in the art). While in some embodiments movement of one component isdescribed with respect to another, a person skilled in the art will recognize that other movements are possible. Further, to the extent arrows are used to describe a direction a component can expand or move, these arrows are illustrative and in no way limit the direction the respective component can expand or move. A person skilled in the art will recognize other ways and directions for creating the desired tension or movement.

[0062] Still further, in the present disclosure, like-numbered components of various embodiments generally have similar features when those components are of a similar nature and / or serve a similar purpose, unless otherwise noted or otherwise understood by a person skilled in the art. To the extent the present disclosure includes prototypes, mock-ups, bench models, or the like (e.g., prototype photo studios), a person skilled in the art will recognize how to rely upon the present disclosure to integrate tire techniques, systems, components, and methods into a product, such as wall-mounted photo studio systems for commercial, residential, and / or professional photography and / or videography applications. A number of terms may be used throughout the disclosure interchangeably but will be understood by a person skilled in the art. By way of non-limiting examples, the terms "artwork display configuration," "stowed configuration," and other similar references may be used interchangeably with one another, and the terms "photo studio configuration," "deployed configuration," and other similar references may be used interchangeably with one another. Further, to die extent taking photos or taking videos is referenced, even if both actions are not mentioned, it is understood that taking photos and videos in each configuration provided for herein is possible unless otherwise indicated or understood by a person skilled in the art to not be possible. Moreover, it will be appreciated that although features may be discussed with respect to one embodiment within the present disclosure, these features can be applied to every embodiment of the present disclosure where such feature would be supported.

[0063] To the extent terms like "approximately," "about," and "substantially" are used herein, a person skilled in the art will appreciate the scope those words convey in the context of their usage. In the context of wall-mounted photo studio systems, obtaining a certain degree of alignment, positioning, angular orientation, and / or dimensional accuracy, among other positioning and the like, may be difficult, and thus use of terms like "approximately," "about," and "substantially" is intended to address this difficulty. A person skilled in the art will understand what constitutes how close a particular dimension or placement should be to still fall within the spirit of the quantification and description provided for herein. Even in instances where such terminology is not used, and a dimension or positioning just includes the number or term (e.g., "perpendicular" is used instead of "substantially perpendicular"), a person skilled in the artwill appreciate that, unless explicitly indicated otlierwise, terms like "approximately," "about," and "substantially" are applicable to those dimensions and terms as well. The foregoing notwithstanding, a person skilled in the art will appreciate that terms like "approximately," "about," and "substantially" at least encompass dimensions, angles, and positioning that are ±10%, 10°, etc. of the provided amount, or encompass dimensions that are ±5%, 5°, etc. of the provided amount, unless indicated otherwise or otherwise known to those skilled in the art. The present disclosure appreciates that a person skilled in the art, in view of the present disclosure, understands suitable placements for various features of the disclosed photo studio systems, and related components of any of the same, and thus to the extent a particular positioning or dimension is described, unless it is explicitly indicated that such positioning or dimension is critical, a person skilled in the art will appreciate other positioning or dimensions that are possible without impacting the overall photo studio system.

[0064] The present disclosure relates to wall-mounted photo studio systems that provide a dualfunction solution for both displaying artwork and creating controlled photography and videography environments. These systems address the common challenge of limited space in offices, homes, and professional settings where dedicated photography equipment can be cumbersome and space-consuming when not in use. A wall-mounted photo studio system can serve as decorative wall art during normal use while concealing a fully functional photo studio tliat can be deployed when needed for product photography, documentation, or other imaging applications.

[0065] The wall-mounted photo studio systems of tire present disclosure can transition between two primary configurations to maximize space efficiency and aesdietic appeal. In an artwork display configuration, the systems can appear as conventional wall-mounted artwork, such as framed pictures, photographs, canvas prints, paintings, drawings, mirrors, or other decorative displays. During this configuration, photo studio components may remain hidden behind the displayed artwork, maintaining a clean and professional appearance in the installation environment. When photography or videography capabilities are needed, the systems can be transitioned to a photo studio configuration where the artwork display can be moved to reveal and provide access to a functional photo studio space.

[0066] The transition between configurations can be accomplished through various mechanical arrangements tliat allow portions of tire system to move relative to other portions. This movement can expose photo studio components that were previously concealed and can create die necessary space and access for photography and videography operations. The photo studio components can include controlled lighting environments, background surfaces, and mounting provisions forcameras or other imaging equipment. After photography or videography activities are completed, the systems can be returned to die artwork display configuration, once again concealing die photo studio components and restoring the decorative appearance.

[0067] The wall-mounted photo studio systems can accommodate various sizes and types of photography subjects, from small products and jewelry to larger items, depending on die specific dimensions and configuration of the deployed photo studio space. The systems can integrate lighting elements, power management components, and / or camera mounting features to provide a comprehensive photography solution that rivals dedicated photo studio equipment while occupying minimal space when not in active use.

[0068] PHOTO STUDIO SYSTEMS

[0069] Referring to FIG. 1, a photo studio light box 10, also referred to as a photo studio system, includes a first frame 20 and a second frame 40 that can be movably coupled together to provide a dual-function system for both artwork display and photography applications. The photo studio light box 10 can be considered a system in at least some instances, and that system may or may not include various accessories (e.g., photo studios, camera mounts, lighting, power pads, turntables, etc.) disclosed herein. The photo studio light box 10 may be configured to transition between different operational configurations to maximize space efficiency while providing functional photography capabilities when needed. A hinge 30 can connect the first frame 20 to the second frame 40, as well as a speed limiter, one or both of which enable controlled movement between the frames to facilitate the transition between configurations. In some embodiments, a photo studio 60 may be positioned within the photo studio light box 10 to provide a controlled environment for photography and videography operations. In some other embodiments, the photo studio 60 can be placed onto the second frame 40 after the second frame is moved into a position in which it can receive tire photo studio 60.

[0070] The first frame 20 may be configured to be mounted to a wall and can serve as the primary structural support for the entire photo studio light box 10. The first frame 20 can provide the mounting interface and structural foundation that allows the photo studio light box 10 to be securely attached to wall surfaces in residential, commercial, or professional environments. In some embodiments, the first frame 20 may incorporate mounting features or interfaces that facilitate secure wall attachment while distributing the weight and operational loads of the system across the mounting surface.

[0071] With continued reference to FIG. 1, the second frame 40 may be movably coupled to the first frame 20 and can be configured to move with respect to the first frame 20 to enable thetransition between different operational configurations. The second frame 40 can include a display panel 42 on a first side and a photo studio receiving portion 44 on a second side opposite the first side, allowing tire second frame 40 to serve dual functions depending on the operational configuration of the photo studio light box 10. The second frame 40 may be movable with respect to the first frame 20 to move the wall-mounted photo studio light box 10 between an artwork display configuration, in which artwork on the display panel 42 is visible, and a photo studio configuration, in which the photo studio receiving portion 44 is accessible to receive and / or hold tire photo studio 60.

[0072] As shown in FIG. 2, the photo studio light box 10 may be positioned in an artwork display configuration where tire second frame 40 can be positioned to display artwork or decorative content. In the artwork display configuration, tire display panel may be visible while the photo studio receiving portion can remain hidden, allowing the photo studio light box 10 to function as conventional wall-mounted artwork. The artwork display configuration can provide an aesthetically pleasing appearance that integrates seamlessly with interior design elements while concealing the photography and videography functionality of the system.

[0073] FIG. 3 illustrates a back perspective view of the photo studio light box 10 in the artwork display configuration, showing the structural relationship between the first frame 20 and second frame 40. The first frame 20 and second frame 40 can be positioned in a substantially aligned or parallel configuration during the artwork display configuration, creating a compact profile that minimizes the space occupied by the system when photography functions are not needed. The parallel configuration in which main planes extending through main surfaces of each of the respective frames 20 and 40 are substantially parallel to each other. The back perspective view demonstrates how tire frames can be arranged to create a unified structure that appears as a single wall-mounted display unit.

[0074] Referring to FIGs. 4A and 4B, schematic side views illustrate the transition between tire artwork display configuration and photo studio configuration of the photo studio light box 10. FIG. 4A shows the second frame 40 positioned adjacent to the first frame 20 with a hinge 30 that is a hinge pin 32 providing the mechanical connection between the frames. A person skilled in the art will appreciate other hinge mechanisms that can be used in conjunction with any of tire embodiments disclosed herein, in lieu of or in addition to a hinge pin, such as, by way of nonlimiting examples, living hinges, ball bearing hinges, piano hinges, spring hinges, magnetic hinges, double-action hinges, and pivot hinges. In this artwork display configuration, tire first frame 20 and second frame 40 may be substantially aligned and substantially parallel with respect to each other, creating a compact wall-mounted profile. The display panel 42 can be positionedon the outward-facing side of die second frame 40 to present artwork or decorative content to viewers.

[0075] FIG. 4B demonstrates the photo studio configuration where die second frame 40 may be positioned substantially perpendicular to die first frame 20. The hinge pin 32 can enable rotadonal movement between the first frame 20 and second frame 40, allowing die transition between configurations, hi the photo studio configuration, a top portion of the second frame 40 may be further away from a top portion of the first frame 20 as compared to the locations of the top portions in the artwork display configuration. The photo studio receiving portion 44 can become accessible on the inward-facing side of the second frame 40, providing space and support for the photo studio 60, other photo studios, and / or photo studio components.

[0076] As shown in FIG. 5, the display panel 42 may be positioned within the second frame 40 to create a frat surface for displaying artwork or decorative content. The display panel 42 can serve as the visible component when the photo studio light box 10 is in the artwork display configuration, functioning as die primary aestiietic element tiiat viewers observe when the system is not being used for photography or videography. In some embodiments, the display panel 42 may comprise a prefabricated image tiiat serves as artwork, providing a ready-to-display solution that requires no additional artwork installation. The display panel 42 may be configured to allow for artwork, i.e., a physical specimen, to be added as part of the display panel 42, enabling customization and personalization of the displayed content. Examples of physical specimen that can be added as part of the display panel 42 include photographs, prints, paintings, drawings, or other tangible artistic works tiiat can be mounted or attached to the display panel 42. In some embodiments, the display panel 42 may be configured to allow for the artwork to be digital, incorporating electronic display technology that can present digital images, videos, or other electronic content. Digital display panels can provide dynamic content capabilities, allowing users to change displayed artwork electronically without physical replacement of display materials. The display panel 42 may provide backlighting, perimeter lighting, and / or edge lighting when stowed, creating enhanced visual effects and improved artwork presentation.

[0077] The display panel 42 may be available in various sizes and aspect ratios to accommodate different aestiietic preferences and space requirements. For example, the display panel 42 can be configured in dimensions such as 36 inches by 24 inches or other standard or custom sizes tiiat suit specific installation environments. The display panel 42 may be designed as a replaceable component for easy artwork changes, allowing users to update displayed content without replacing the entire photo studio light box 10.

[0078] Referring to FIG. 6, the photo studio receiving portion 44 can be positioned on the second side of the second frame 40, opposite to the display panel 42. The photo studio receiving portion 44 may be accessible for receiving or holding a photo studio, such as the photo studio 60, for use in conjunction with taking pictures or videos when the photo studio light box 10 is in the photo studio configuration. In some embodiments, a portion of the second frame 40 can bound the photo studio receiving portion 44, providing structural support and positioning features that maintain photo studio components in proper alignment during photography operations. This can be referred to as a lip of die second frame 40. As described herein, in some embodiments the photo studio receiving portion 44 may not actually receive or hold a photo studio, but more generally may be a surface that becomes exposed in the photo studio configuration after being hidden in conjunction with being in the artwork display configuration. Use of the term “receiving” when describing a photo studio receiving portion does not require that the portion receive or hold anything, but rather is used to refer to a portion of the second frame 40 that is opposed to the display panel 42 where artwork is visibly displayed in the artwork display configuration. Accordingly, the term photo studio receiving portion can be used interchangeably with the “term photo studio panel” or “photo studio side.”

[0079] The hinge 30 can enable the second frame 40 to rotate with respect to the first frame 20 to move the wall-mounted photo studio light box 10 between the artwork display configuration and the photo studio configuration. In the photo studio configuration, tire second frame 40 may be substantially perpendicular to the first frame 20, and the photo studio receiving portion 44 can be accessible for receiving or holding a photo studio. As described in further detail below, other, non-perpendicular configurations are possible. The hinge 30, as well as the speed limiter 34, can provide controlled rotational movement that allows smooth and stable transitions between configurations while maintaining structural integrity during operation.

[0080] In some embodiments, the second frame 40 may translate up, down, left, right, or directly away from the wall instead of hinging, providing alternative movement mechanisms for transitioning between configurations. The second frame 40 can slide along tracks instead of hinging, offering guided linear movement that may be suitable for certain installation environments or user preferences. The second frame 40 may rotate to different angles, such as 135 degrees instead of just 90 degrees, providing flexibility in positioning and access angles for photography operations. Suitable angles formed by the first and second frames 20 and 40 in the photo studio configuration in some embodiments can be approximately in the range of about 45 degrees to about 135 degrees, while in other embodiments the angle can be up to 180 degrees orlarger, such as some instances where the second frame 40 exposes the photo studio 60 without contacting, holding, or receiving tire photo studio 60.

[0081] As illustrated in FIG. 7, the photo studio light box 10 may further comprise a collapsible photo studio 60 disposed between the first frame 20 and the second frame 40. As explained in greater detail below, the photo studio 60 can be in a collapsed state when the photo studio light box 10 is in the artwork display configuration, allowing the system to maintain a compact profile when photography functions are not needed. The photo studio 60 may be configured to be in an expanded state when the photo studio light box 10 is in the photo studio configuration, providing a functional photography environment when deployed.

[0082] The photo studio 60 can include a photo studio top panel 62, a photo studio bottom panel 64, two photo studio side panels 66, and a photo studio back panel 68 that together form the structural boundaries of the photography / videography space. These panels can create an enclosed or semi -enclosed environment that provides controlled lighting conditions and background surfaces for photography and videography subjects. A photo studio opening 70 opposed to the photo studio back panel 68 can be configured to have a camera positioned nearby such that the camera can take pictures or videos of one or more objects disposed in the photo studio 60.

[0083] The photo studio 60 may be constructed using various materials and configurations to optimize photography performance and system functionality. In some embodiments, the photo studio 60 can be made of fabric materials with reinforcements for easy folding and unfolding, providing flexibility and compact storage capabilities. The photo studio 60 may be made of fabric (various types), rubber, plastic, metal, paper, or natural materials, depending on the specific performance requirements and aesthetic preferences of the application. The photo studio 60 can have a variety of thicknesses, layers, translucence, etc. In at least some embodiments, the photo studio may not include reinforcements, such as not having reinforcements built into fabric panels, such that the photo studio is only externally supported. In still other embodiments, some and up to all of the supports may be internal and it may not necessarily rely on the frames 20, 40 to hold it open or up.

[0084] The photo studio 60 may be lined with reflective material for maximum internal reflection of light within the photography space, enhancing illumination uniformity and reducing shadows on photography subjects. In some embodiments, the photo studio 60 can be made of transparent or translucent material to act as a light tent for external light diffusion, allowing ambient lighting to contribute to the photography environment while providing controlled light distribution.

[0085] The photo studio 60 may be configured as a sphere or partial sphere to eliminate edges instead of a traditional box shape, providing seamless background transitions and reducing unwanted shadow lines in photographs. Spherical or curved configurations can create more natural lighting distributions and eliminate the sharp comers that can create distinct shadow patterns in traditional rectangular photo studios. In at least some such embodiments, the first frame 20 and / or the second frame 40 can likewise have a different shape, such as a circular or elliptical shape that accounts for the shape of a spherical or partial spherical photo studio.

[0086] With reference to FIG. 8, the photo studio light box 10 may include a wall mounting bracket 25 that facilitates secure attachment to wall surfaces. The wall mounting bracket 25 can include a mounting cleat 22 along the upper edge and / or a wall mount 26 disposed on a lower portion of die first frame 20 for securing the assembly to a wall surface. The mounting cleat 22 can provide a secure mechanical interface that distributes mounting loads and enables reliable wall attachment even when the photo studio light box 10 is transitioning between configurations or supporting photography equipment loads. The wall mounting bracket 25 may be configured to mount the first frame 20 to the wall, providing the primary structural connection between the photo studio light box 10 system and the mounting surface.

[0087] Referring to FIG. 9, an alternative embodiment of a photo studio light box 110 illustrates a speed limiter 134 that can be used in conjunction with a pivoting mating element, such as a hinge (not visible, but illustrated and described with respect to other embodiments), that couples a first frame 120 to a second frame 140. The features of tire first and second frames 120 and 140 can be similar to those of the first and second frames 20 and 40, and thus further descriptions related to the same are unnecessary. Further, tire functionality of a hinge can be similar to the hinge 30, and thus it enables rotational movement that allows the photo studio light box 110 to transition between an artwork display configuration and a photo studio configuration. Further, the hinge and / or speed limiter 134 can provide smooth and controlled rotation while maintaining structural stability throughout the range of motion between configurations and can create the necessary movement for exposing photo studio functionality. The hinge and / or the speed limiter 134 can be designed to support the weight and operational loads of the second frame 140 and any associated components while providing reliable mechanical operation over extended use periods. In tire illustrated embodiment, tire speed limiter 134 incorporates damping or speed control features to provide controlled movement during transitions between configurations, preventing rapid or uncontrolled motion that could damage components or create safety concerns. A person skilled in the art, in view of the present disclosures, will appreciate one or more speed limiters can be incorporated into various embodiments disclosed herein. Further, such speed limiters canbe disposed at various locations with respect to first and second frames. Different types of speed limiters can be used to achieve similar results and / or different benefits. Non-limiting examples of speed limiters include the illustrated linear speed limiter, and rotational dampers. One or more speed limiters can be incorporated into any embodiments provided for herein or otherwise derivable from the present disclosure.

[0088] PHOTO STUDIO LIGHT BOX TRANSITION

[0089] Referring to FIGs. 10A-10C, a photo studio light box 210 demonstrates a transition sequence from an artwork display configuration through a semi-deployed configuration to a fully deployed photo studio configuration. The photo studio light box 10 includes a first frame 220 mounted to a wall and a second frame 240 movably coupled to the first frame 220 to provide controlled transitions between operational configurations. A hinge 230 can connect the first frame 220 to the second frame 240, enabling rotational movement that facilitates die configuration changes while maintaining structural stability throughout the transition process. A speed limiter 234 can also be coupled to the first and second frames 220, 240.

[0090] As shown in FIG. 10 A, the photo studio light box 210 may be positioned in the artwork display configuration where a display panel 242 can be visible to present artwork or decorative content. The artwork in the illustrated embodiment is a palm tree with multicolor sky. In the artwork display configuration, die second frame 240 can be positioned adjacent to the first frame 220 in a substantially parallel configuration, creating a compact wall-mounted profile that conceals the photography functionality of the system, such as a photo studio and / or portions that can receive a photo studio. The display panel 242 may serve as the primary aesthetic element during this configuration, allowing the photo studio light box 210 to function as conventional wall-mounted artwork while the photo studio components remain hidden from view.

[0091] FIG. 10A also shows a person causing the photo studio light box 20 to transition from tire artwork display configuration to die photo studio configuration. As shown, die person can press a release (not visible) that causes a top portion of die second frame 240 to decouple from a top portion of the first frame 220. The second frame 240 may release from the first frame 220 using a variety of mating configurations that provide secure engagement during the artwork display configuration and controlled release when transitioning to the photo studio configuration. In some embodiments, the release mechanism can include a latch and latch release system where one component is disposed on the first frame 220 and the corresponding component is disposed on the second frame 240. The latch release can be configured to be engaged witii the latch when die photo studio light box 210 is in the artwork display configuration and can be disengaged from the latch when die photo studio light box 210 is transitioning to or is in die photo studioconfiguration. Other mating configurations known to those skilled in the art may include magnetic latches, spring-loaded mechanisms, friction-fit connections, and / or mechanical fasteners that provide secure engagement and controlled release capabilities.

[0092] FIG. 10B illustrates the photo studio light box 210 in a semi-deployed configuration where the second frame 240 can be partially rotated with respect to the first frame 220. During this intermediate configuration, in embodiments in which a photo studio 260 is disposed within the photo studio light box 210, the photo studio 260 may begin to transition from a collapsed state toward an expanded state as the movement of the second frame 240 creates space for the photo studio components to deploy.

[0093] The photo studio light box 210 may include a first photo studio receiving portion 244 and a second photo studio receiving portion 224 that can interface with each other to house components of the photo studio 260 when the system is in the artwork display configuration. The first photo studio receiving portion 244 can be positioned on die second frame 240, while the second photo studio receiving pordon 224 may be positioned on the first frame 220. These receiving portions can work togedier to provide secure storage and positioning for the photo studio 260 components during transitions between configurations and when the system is stowed. In the illustrated embodiment, a portion of the photo studio — a photo studio bottom panel 264 — is disposed in the first photo studio receiving portion 244 and another portion of the photo studio — a photo studio back panel 268 — is disposed in the second photo studio receiving portion 224.

[0094] With reference to FIG. 10C, the photo studio light box 210 may be shown in the fully deployed photo studio configuration where the second frame 240 can be positioned substantially perpendicular to the first frame 220. As noted earlier, in other embodiments the fully deployed photo studio configuration may result in an angle formed between the first and second frames 220 and 240 that is greater than or less than 90 degrees. The photo studio 260 can be in an expanded state and may comprise a photo studio top panel 262, the photo studio bottom panel 264, two photo studio side panels 266, and the photo studio back panel 268. These panels can create an enclosed or semi-enclosed environment that provides controlled lighting conditions and background surfaces for photography and videography subjects. A photo studio opening 270 can be configured to have a camera positioned nearby such that the camera can take pictures or videos of one or more objects disposed in the photo studio 260.

[0095] The photo studio light box 210 may further comprise a light source 272 integrated into the photo studio 260 and configured to illuminate the photo studio 260. In t lie illustrated embodiment, the light source 272 is integrated into the photo studio top panel 262. The lightsource 272 can provide controlled lighting conditions that enhance photography and videography operations by creating uniform illumination and reducing unwanted shadows on subjects positioned within the photo studio 260. In some embodiments, the light source 272 may be dimmable with adjustable color temperature settings, allowing users to customize the lighting characteristics to match specific photography requirements or subject matter. The light source 272 may be movable in location, rotation, and / or orientation to provide flexible lighting positioning that can accommodate different photography angles and subject arrangements. More than one light source can be provided in conjunction with a single photo studio 260.

[0096] As further shown in FIG. 10C, the photo studio light box 210 may include a power cord 212 that can provide electrical power to the system components, including the light source 272 and other electronic features. The power cord 212 can connect to standard electrical outlets to supply power for lighting, control systems, and other electrical components integrated into the photo studio light box 210. In some embodiments, the system may be powered by standard batteries like AA, C, or D batteries, providing portable power options that eliminate the need for electrical outlet connections. The system may be powered by solar energy or gravity-generated power, offering alternative power sources that can reduce electrical consumption and provide operation in locations where standard electrical power may not be readily available.

[0097] The photo studio light box 210 may include a retractable power cord that stores in die frame when not in use, providing a clean appearance and preventing power cord interference when the system is in the artwork display configuration. The retractable power cord can be deployed when electrical power is needed and can be stored widiin the first frame 220 or second frame 240 when die photo studio light box 210 is returned to die artwork display configuration.

[0098] In at least some embodiments the light source 272 can be powered wirelessly instead of by die power cord 212, providing greater flexibility in positioning and reducing die complexity of electrical connections widiin the photo studio light box 210. In some embodiments, the light source 272 can be controlled by mobile devices, apps, and cameras through Bluetooth or other wireless communication protocols, enabling remote operation and integration with digital photography workflows. The wireless control capabilities can allow users to adjust lighting parameters without physically accessing the light source 272, providing convenience during photography sessions.

[0099] The photo studio light box 210 may further comprise a power pad integrated into the photo studio 260, for example into the photo studio bottom panel 264, and configured to provide wireless power to an object disposed thereon. The power pad can enable wireless charging of mobile devices, camera batteries, or other electronic equipment used during photographysessions, providing convenient power access without requiring separate charging cables or adapters. The wireless power capability can enhance tire functionality of the photo studio light box 210 by integrating power management features directly into the photography workspace.

[0100] In some embodiments, the photo studio light box 210 may further comprise a turntable disposed on or integrated into the photo studio bottom panel 264 of the photo studio 260. The turntable can provide controlled rotation of photography subjects, enabling 360-degree photography or videography that captures subjects from multiple angles without requiring manual repositioning. The turntable may be powered by the same electrical system that supplies power to the light source 272 and other components, providing integrated operation that can be controlled through the same interface systems used for other photo studio light box 210 functions. In at least some embodiments, tire turntable can be maneuvered manually rather than be powered.

[0101] COLLAPSIBLE PHOTO STUDIOS

[0102] Referring to FIGs. 11 A-l ID, a photo studio 360 demonstrates a collapsible prototype design that can be adapted for use with any of the photo studio light boxes disclosed herein. The photo studio 360 may be constructed using flexible materials that enable controlled deployment from a collapsed state to a fully expanded state, providing a functional photography and videography environment that can be integrated into wall-mounted photo studio light box systems. The photo studio 360 can comprise several interconnected panels that work together to create an enclosed photography space when deployed.

[0103] As shown in FIG. 11A, the photo studio 360 may include a photo studio top panel 362, a photo studio bottom panel 364, two photo studio side panels 366, and a photo studio back panel 368 in an initial collapsed or partially collapsed configuration. The photo studio 360 can be constructed of flexible material that maintains consistent coloring throughout the surface while exhibiting defined fold lines that allow for controlled deformation and shape transformation. The flexible material construction may enable the photo studio 360 to be folded into a compact configuration for storage within photo studio light boxes when not in use.

[0104] With reference to FIG. 1 IB, the photo studio 360 is shown in a partially expanded state where the photo studio top panel 362, tire photo studio bottom panel 364, the two photo studio side panels 366, and tire photo studio back panel 368 begin to separate from each other to create internal volume. The flexible material construction can allow the panels to unfold in a controlled manner while maintaining structural integrity during the deployment process. The photo studio 360 demonstrates how the interconnected panels can transition from a flat or compressed configuration toward a three-dimensional photography space.

[0105] As illustrated in FIG. 11C, tire photo studio 360 is positioned in a more fully expanded configuration where tire photo studio top panel 362, the photo studio bottom panel 364, the two photo studio side panels 366, and the photo studio back panel 368 create a more defined internal space. A photo studio opening 370 can become more readily visible and accessible as the panels expand to their operational positions. The photo studio opening 370 may be configured to provide access for photography equipment and subjects while maintaining the controlled environment created by the surrounding panels.

[0106] FIG. 1 ID demonstrates the photo studio 360 in a fully expanded state where the photo studio top panel 362, the photo studio bottom panel 364, die two photo studio side panels 366, and die photo studio back panel 368 can be positioned to create a complete photography and videography environment. The photo studio opening 370 can be fully accessible in this configuration, providing clear access for cameras and photography subjects while the surrounding panels create controlled lighting conditions and background surfaces. The fully expanded configuration may provide maximum internal volume for photography operations while maintaining the structural stability needed for reliable use.|0107| The photo studio 360 can be integrated as part of photo studio light boxes by positioning the collapsed photo studio 360 within the photo studio receiving portions of the frame systems. The photo studio 360 may be configured to deploy automatically as the second frame moves with respect to tire first frame during the transition from artwork display configuration to photo studio configuration. In some embodiments, the photo studio 360 can be deployed manually after the photo studio light box transitions to the photo studio configuration, providing user control over the deployment timing and process. In still other embodiments, the photo studio 360 can be introduced to a photo studio light box after the photo studio light box is moved to its photo studio configuration.

[0108] The photo studio 360 may be constructed using various deployment mechanisms that enable the transition from collapsed to expanded states. In some embodiments, tire photo studio 360 can deploy using an expanding bellows mechanism instead of folding panels, providing smooth and controlled expansion that creates the photography space through accordion-style movement of flexible material sections. The bellows mechanism may enable compact storage while providing reliable deployment and structural stability in tire expanded configuration.

[0109] In some embodiments, the photo studio 360 can deploy using an inflation mechanism where the flexible material construction can be inflated with air or other gases to create the three-dimensional photography space. The inflation mechanism may provide rapid deployment capabilities and can create smooth, curved internal surfaces that eliminate sharp comers andprovide seamless background transitions for photography subjects. The inflatable construction can enable extremely compact storage when deflated while providing substantial internal volume when inflated.

[0110] The photo studio 360 may deploy using spring steel or nitinol ribbing and structure integrated into the flexible material construction. The spring steel or nitinol ribbing can provide structural support that enables the photo studio 360 to maintain its expanded shape while allowing controlled collapse for storage. The metallic ribbing may be designed to provide shape memory characteristics that automatically return the photo studio 360 to its expanded configuration when released from the collapsed state, enabling automatic deployment without requiring manual assembly of the photography space.

[0111] Referring to FIG. 12, a photo studio 460 demonstrates a flat pattern layout that can be used for efficient manufacturing and compact storage of collapsible photo studio components. The flat pattern layout may provide a two-dimensional template that defines how the various panels and structural elements of the photo studio 460 can be arranged before folding into a three-dimensional photography and videography environment. The flat pattern approach can enable cost-effective manufacturing processes while ensuring precise dimensional control and consistent assembly characteristics across multiple units.

[0112] As shown, the photo studio 460 can include multiple interconnected panels arranged in a specific geometric pattern that facilitates controlled folding and deployment. A photo studio top panel 462 and a photo studio bottom panel 464 can be part of the flat pattern to define the upper and lower boundaries of the photography / videography space when the photo studio 460 is assembled into its three-dimensional configuration. The photo studio top panel 462 and the photo studio bottom panel 464 may be dimensioned and positioned to create die desired internal height and provide mounting locations for lighting elements or other accessories when die photo studio 460 is deployed. Alternatively, such lighting elements or other accessories can be included as part of any of the photo studio panels.

[0113] The flat pattern layout may include multiple photo studio side panel portions that can be arranged in sequence to create tire lateral boundaries of the photography / videography space. As shown, a photo studio side panel first portion 466a, a photo studio side panel second portion 466b, and a photo studio side panel third portion 466c can be positioned relative to each other and to the photo studio top panel 462 and the photo studio bottom panel 464 to enable proper folding and assembly. The multiple side panel portions can provide flexibility in tire folding sequence and can accommodate complex three-dimensional geometries that would be difficult to achieve with single-piece side panels.

[0114] A photo studio back panel 468 can be part of tire flat pattern layout to provide die rear boundary surface of the photography and videography environment when the photo studio 460 is assembled. The photo studio back panel 468 can serve as the primary background surface for photography / videography subjects and may be dimensioned to provide the desired backdrop area for the intended photography / videography applications. The photo studio back panel 468 may be positioned relative to the odier panels to ensure proper alignment and structural continuity when the flat pattern is folded into the diree-dimensional configuration.

[0115] Multiple photo studio preformed folds 478 can be incorporated into the flat pattern layout to define the fold lines between the various panels and facilitate controlled assembly of the three-dimensional photography space. The photo studio preformed folds 478 may be created during the manufacturing process using scoring, creasing, or other material processing techniques that create preferential folding locations without compromising the structural integrity of tire panel materials. The photo studio preformed folds 478 can ensure consistent folding behavior and can prevent random creasing or deformation that could affect the appearance or functionality of the assembled photo studio 460.|0116| The flat pattern layout can enable efficient manufacturing processes by allowing the photo studio 460 to be produced using sheet material processing techniques such as cutting, printing, laminating, or coating operations that can be performed on flat substrates. The flat pattern approach can reduce manufacturing complexity compared to three-dimensional molding or assembly processes while providing precise dimensional control and consistent quality characteristics. The flat pattern layout can accommodate various material types including fabric, plastic, paper, or composite materials that can be processed in sheet form and subsequently folded into tire desired three-dimensional configuration.

[0117] The photo studio preformed folds 478 can enable repeated folding and unfolding cycles without material degradation or loss of structural integrity, providing reliable long-term operation of the collapsible photography system. The flat storage configuration can minimize the space required for inventory, shipping, and storage of photo studio components.

[0118] The flat pattern layout demonstrated by the photo studio 460 can result in photo studios similar to those illustrated in FIGs. 11 A-l ID and FIGs. 13 A-13E, among other illustrated photo studios provided for herein or otherwise known to those skilled in the art, when folded and assembled into three-dimensional configurations. The photo studio 460 flat pattern may be adapted to create various photo studio geometries and sizes by modifying the dimensions and proportions of the individual panels while maintaining tire fundamental folding relationships defined by the photo studio preformed folds 478. The flat pattern approach can accommodatedifferent aspect ratios, internal volumes, and opening configurations to meet specific photography requirements or integration needs with different photo studio light box systems.

[0119] The photo studio 460 flat pattern layout may be scaled to different sizes to accommodate various photography applications, from small product photography requiring compact internal dimensions to larger applications requiring substantial internal volume for bigger subjects. The scalability of the flat pattern approach can enable a family of photo studio products that share common manufacturing processes and assembly techniques while providing different functional capabilities. The photo studio 460 design principles can be applied to create photo studios with different panel configurations, fold patterns, or material specifications while maintaining the benefits of flat pattern manufacturing and compact storage.

[0120] Referring to FIGs. 13A-13E, a photo studio 560 demonstrates an alternative collapsible prototype design that can be adapted for use with any of the photo studio light boxes disclosed herein. The photo studio 560 may provide a different folding mechanism and deployment sequence compared to other photo studio designs, offering alternative approaches for creating functional photography and videography environments that can be integrated into wall-mounted photo studio light box systems. The photo studio 560 can be constructed using flexible materials that enable controlled deployment from a collapsed state to a fully expanded state while providing structural stability and consistent performance characteristics.

[0121] As shown in FIG. 13 A, the photo studio 560 may be positioned in an initial collapsed or compact configuration where the various panels can be folded together to minimize storage volume. The photo studio 560 can be constructed of flexible material that maintains structural integrity while allowing controlled deformation during folding and unfolding operations. The collapsed configuration may enable tire photo studio 560 to be stored within photo studio receiving portions of photo studio light box systems when photography functions are not needed, providing space-efficient storage that maintains the compact profile of the overall system.

[0122] With reference to FIG. 13B, the photo studio 560 is illustrated in a partially deployed state where a photo studio top panel 562, a photo studio bottom panel 564, and two photo studio side panels 566 begin to separate from each other to create internal volume for photography operations. As illustrated in FIG. 13C, the photo studio 560 continues to expand with the photo studio top panel 562 and the two photo studio side panels 566 moving further apart. The photo studio bottom panel 564 may not be easily visible in this configuration due to the viewing angle, but the panel continues to provide structural support and defines the lower boundary of the photography space. The continued expansion demonstrates the progressive deployment sequence that enables the photo studio 560 to transition from a compact storage configuration to afunctional photography environment through controlled panel movement. FIG. 13D shows the photo studio 560 in an even more advanced deployment state. A photo studio opening 570 becomes more readily visible as the panels expand to their operational positions.

[0123] With reference to FIG. 13E, the photo studio 560 is demonstrated in a fully expanded state where the photo studio top panel 562, the photo studio bottom panel 564, and the two photo studio side panels 566 can be positioned to create a complete photography and videography environment. The photo studio top panel 562 and the photo studio bottom panel 564 can define the upper and lower boundaries of the photography space, while the two photo studio side panels 566 may provide lateral containment and background surfaces. The photo studio opening 570 can be fully accessible in this configuration, providing clear access for cameras and photography / videography subjects while the surrounding panels create controlled lighting conditions and background surfaces for optimal photography / videography results. The fully expanded configuration may provide maximum internal volume for photography / videography operations while maintaining the structural stability needed for reliable use during photography sessions.

[0124] The photo studio 560 demonstrates an alternative folding mechanism for deployment that differs from other photo studio designs disclosed herein. The folding mechanism may provide different deployment characteristics, storage configurations, and / or structural properties that a person skilled in the art, in view of the present disclosure, will appreciate can be advantageous for specific applications or integration requirements widi photo studio light box systems. The alternative folding approach can offer flexibility in manufacturing processes, material selection, or assembly procedures while maintaining die functional capabilities needed for photography and videography applications.

[0125] The photo studio 560 may be adapted for use with any of the photo studio light boxes disclosed herein by positioning the collapsed photo studio 560 within photo studio receiving portions of the frame systems. The photo studio 560 can be configured to deploy automatically as the second frame moves with respect to the first frame during the transition from artwork display configuration to photo studio configuration, providing integrated operation that eliminates the need for separate deployment steps. In some embodiments, the photo studio 560 can be deployed manually after the photo studio light box transitions to tire photo studio configuration, allowing users to control the deployment timing and process according to their specific photography requirements. In still other embodiments, such as those in which no photo studio is integrated into a photo studio light box, the photo studio 560 can be placed on the photo studio light box after the photo studio light box is deployed into a photo studio configuration.

[0126] The photo studio 560 can be integrated as part of photo studio light boxes by incorporating mounting features, attachment points, and / or positioning elements that interface with the photo studio receiving portions of the frame systems. The integration may include mechanical connections that enable the photo studio 560 to be secured within the photo studio light box during storage and transportation while allowing controlled deployment when photography functions are needed. Further, the photo studio 560 may be designed to interface with lighting systems, power management components, or camera mounting features that can be integrated into photo studio light box systems to provide comprehensive photography solutions.

[0127] The photo studio 560 design principles can be applied to create photo studios with different panel configurations, fold patterns, or material specifications while maintaining the benefits of compact storage and reliable deployment. The photo studio 560 may be scaled to different sizes to accommodate various photography applications, from small product photography requiring compact internal dimensions to larger applications requiring substantial internal volume for bigger subjects. The scalability of the photo studio 560 design can enable adaptation to different photo studio light box systems while maintaining consistent deployment characteristics and structural performance.

[0128] Although the illustrated embodiments generally provide for photo studios having five panels — a top panel, a bottom panel, two side panels, and a back panel — photo studios that can be used with or integrated into the photo studio light boxes of the present disclosure, as well as photo studio light boxes derivable from the present disclosure, using any number of panels, including as few as one panel. In such embodiments, tire photo studio can be a backdrop against which photos and / or videos can be taken. For example, in the illustrated embodiments described above and below, the photo studio may only be a photo studio back panel.

[0129] ALTERNATIVE DEPLOYMENT CONFIGURATIONS FOR PHOTO STUDIO LIGHT BOXES

[0130] Referring to FIGs. 14A-14D, a photo studio light box 610 demonstrates an upward hinging deployment sequence that enables transition from an artwork display configuration to a photo studio configuration through controlled rotational movement. The photo studio light box 610 may be mounted to a wall 600 and can include a first frame 620 and a second frame 640 connected by a hinge 630. As shown in FIG. 14A, the photo studio light box 610 may be positioned in the artwork display configuration where a display panel 642 can be visible to present artwork or decorative content while mounted to the wall 600.

[0131] FIG. 14B illustrates the photo studio light box 610 during die transition process where the second frame 640 can begin rotating upward away from the first frame 620 and the wall 600. A second frame movement arrow 645 indicates the direction of rotational movement as the hinge 630 enables controlled rotation between the frames. The transition process involves a bottom portion and two side portions of the second frame 640 decoupling from a respective bottom portion and two side portions of the first frame 620 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on the bottom portions of the first and second frames 620, 640, for example. Further, as shown, during this transition phase, a photo studio 660 disposed within the photo studio light box 610 may remain in a collapsed state while moving with the second frame 640. The photo studio 660 can be a collapsible photo studio disposed between the first frame 620 and the second frame 640, with the photo studio 660 being in the collapsed state when the photo studio light box 610 is in the artwork display configuration.

[0132] With reference to FIG. 14C, the photo studio light box 610 is shown with the second frame 640 fully rotated upward such that the second frame 640 can be substantially perpendicular to the first frame 620, placing tire photo studio lightbox 610 in the photo studio configuration. In tire photo studio configuration, a photo studio receiving portion 644 of tire second frame 640 is accessible for holding the photo studio 660. As shown, tire photo studio receiving portion 644 holds a photo studio top panel 662. The photo studio 660 may remain in an undeployed configuration at this stage.

[0133] As illustrated in FIG. 14D, the photo studio light box 610 may be positioned in the photo studio configuration with the photo studio 660 being deployed downward as indicated by a photo studio movement arrow 674. The photo studio 660 can be configured to be in an expanded state when the photo studio light box 610 is in the photo studio configuration. The photo studio 660 may include the photo studio top panel 662, a photo studio bottom panel 664, two photo studio side panels 666, a photo studio back panel 668, and a photo studio opening 670, similar to other embodiments provided for herein. The deployment sequence demonstrates how the photo studio 660 can be deployed to the expanded state after the photo studio light box 610 moves from the artwork display configuration to tire photo studio configuration, providing user control over the timing of photo studio deployment. The upward hinging mechanism demonstrated by the photo studio light box 610 may provide advantages for installations where downward clearance below the mounted system can be limited or where upward deployment can be more convenient for user access.

[0134] Referring to FIGs. 15A-15D, a photo studio light box 710 demonstrates a downward hinging deployment sequence that provides an alternative approach for transitioning between artwork display and photo studio configurations. The photo studio light box 710 may be mounted to a wall 700 and can include a first frame 720 and a second frame 740 connected by a hinge 730. The downward hinging mechanism can provide different access characteristics and installation advantages compared to upward hinging systems, offering flexibility for various mounting environments and user preferences. As shown in FIG. 15 A, the photo studio light box 710 may be positioned in the artwork display configuration where a display panel 742 can be visible while mounted to the wall 700.

[0135] FIG. 15B illustrates the photo studio light box 710 during the transition process where die second frame 740 can begin rotating downward away from the first frame 720 and die wall 700. A second frame movement arrow 745 indicates the direction of rotational movement as the hinge 730 enables controlled downward rotation between the frames. The transition process involves a top portion and two side portions of the second frame 740 decoupling from a respective top portion and two side portions of the first frame 720 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on the top portions of the first and second frames 720, 740, for example. Further, as shown, a photo studio 760 disposed within the photo studio light box 710 may move with the second frame 740 while remaining in a collapsed state during the initial phase of the transition process.

[0136] With reference to FIG. 15C, the photo studio light box 710 is shown with the second frame 740 fully rotated downward such that the second frame 740 can be substantially perpendicular to the first frame 720, placing the photo studio light box 710 in the photo studio configuration. In the photo studio configuration, a photo studio receiving portion 744 of the second frame 740 is accessible for holding the photo studio 760. As shown, the photo studio receiving portion 744 holds a photo studio bottom panel 764. The photo studio 760 can remain in an undeployed configuration.

[0137] As illustrated in FIG. 15D, the photo studio light box 710 may be positioned in the photo studio configuration with the photo studio 760 being deployed upward as indicated by a photo studio movement arrow 774. The photo studio 760 can include a photo studio top panel 762, a photo studio bottom panel 764, two photo studio side panels 766, a photo studio back panel 768, and a photo studio opening 770, similar to other embodiments provided for herein. The upward deployment of the photo studio 760 from the downward-hinged second frame 740 can provide convenient access for photography operations while maintaining structural stability.

[0138] The deployment sequences can be reversed to return the photo studio light boxes 610 and 710 to their respective artwork display configurations. The method of using these photo studio systems may include removing the photo studio 660 or 760 from the photo studio receiving portion or causing the photo studio 660 or 760 to return to a collapsed state, followed by moving the second frame 640 or 740 with respect to the first frame 620 or 720 to allow the display panel 642 or 742 to be visible as artwork. In some embodiments, moving the second frame 640 or 740 with respect to the first frame 620 or 720 can cause the photo studio 660 or 760 to return to the collapsed state such that tire photo studio 660 or 760 can be in the collapsed state when the display panel 642 or 742 is visible as artwork, providing integrated stowage drat eliminates separate collapse operations.

[0139] Referring to FIGs. 16A-16C, a photo studio light box 810 demonstrates a parallel translation deployment sequence drat provides an alternative movement mechanism for transitioning between artwork display and photo studio configurations. The photo studio light box 810 may be mounted to a wall 800 and can include a first frame 820 and a second frame 840 that work together to provide dual-function capabilities while maintaining a substantially parallel configuration between the frames throughout the deployment process. The parallel translation mechanism can offer different structural characteristics and deployment advantages compared to hinging systems, providing flexibility for various installation environments and user preferences. As shown in FIG. 16A, the photo studio light box 810 may be positioned in die artwork display configuradon where a display panel 842 can be visible to present artwork or decorative content while mounted to the wall 800.

[0140] FIG. 16B illustrates the photo studio light box 810 during the transition process where the second frame 840 can begin moving outward away from the first frame 820 and the wall 800 while maintaining the substantially parallel configuration between the frames. A second frame movement arrow 845 indicates the direction of translational movement as the second frame 840 moves away from the first frame 820. The transition process involves portions of the second frame 840 that are coupled to respective portions of the first frame 820 decoupling from the first frame 820, for example using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otiierwise known to those skilled in the art. The coupled portions may be respective top portions, bottom portions, and / or side portions of die frames 820 and 840. A photo studio 860 disposed within the photo studio light box 810 may begin deploying automatically as the second frame 840 moves outward, demonstrating how the parallel translation movement can enable integrated deployment of the photography components. The photo studio 860 can include a photo studio top panel 862, a photo studio bottom panel 864,two photo studio side panels 866, and a photo studio back panel 868 that remains adjacent to die first frame 820 during the deployment process.

[0141] With reference to FIG. 16C, the photo studio light box 810 is shown in the fully deployed photo studio configuration where die second frame 840 positioned at its maximum extension from the first frame 820 while maintaining die substantially parallel configuradon between the frames. The photo studio 860 can be in an expanded state, and in addition to die aforementioned panels, can include a photo studio opening 870, similar to other embodiments provided for herein. The photo studio back panel 868 may be integrated with a first photo studio receiving portion 824 of the first frame 820, providing structural continuity between the frame system and the photography environment. A second photo studio receiving portion 844 of the second frame 840 can receive terminal ends of the side panels 866 and / or portions of the photo studio 860 diat help form the photo studio opening 870.

[0142] The parallel translation deployment mechanism demonstrated by the photo studio light box 810 can enable the second frame 840 to move witii respect to die first frame 820 by die entire frame moving outward, thereby maintaining the substantially parallel configuration between the first frame 820 and the second frame 840 in the photo studio configuration. This movement mechanism can cause the collapsible photo studio 860 to be moved to the expanded state as the translation creates the necessary space for the photo studio components to deploy. In some embodiments, at least a portion of tire display panel 842 may be removed to form the photo studio opening 870, or tire photo studio opening 870 can be included as part of the display panel 842, providing integrated functionality tiiat eliminates the need for performing any actions to provide for an opening.

[0143] In alternative embodiments, the second frame 840 may not include a display panel 842, and instead it may be empty space, serving as the photo studio opening 870. In such embodiments, tire photo studio back panel 868 can double as tire artwork, and can thus serve a similar purpose as the display panel. In the expanded state, a portion of the photo studio back panel 868 that includes the artwork can be removed for use as a photo studio, it can be removable as artwork, such as by folding it up or down so it is out of the way (e.g., it could be hinged to move out of the way), or it can already be set-up to be a photo studio, such as already being a single color (e.g., blue, green, etc.).

[0144] The parallel translation mechanism can provide structural advantages by maintaining consistent load distribution between tire first frame 820 and second frame 840 throughout the deployment process. The substantially parallel configuration may enable tire use of linear guides, tracks, or sliding mechanisms that provide smooth and controlled movement while supporting theweight of the second frame 840 and associated components. The parallel translation approach can accommodate different extension distances to provide various photo studio sizes while maintaining structural stability and alignment between tire frame components.

[0145] The deployment sequence demonstrated by the photo studio light box 810 can be integrated into methods of using photo studio systems where moving die second frame 840 widi respect to the first frame 820 may comprise moving the second frame 840 away from the first frame 820 while maintaining the substantially parallel configuration between the first frame 820 and the second frame 840. This movement approach can provide consistent access characteristics and can enable automated deployment systems that use linear actuators or motorized mechanisms to control die translation movement. The parallel translation method can offer advantages for installations where rotational clearance may be limited or where linear movement can be more suitable for the mounting environment and user access requirements.

[0146] Referring to FIGs. 17A-17D, a photo studio light box 910 demonstrates a sideways hinging deployment sequence that provides an alternative rotational movement mechanism for transitioning between artwork display and photo studio configurations. The photo studio light box 910 may be mounted to a wall 900 and can include a first frame 920 and a second frame 940 connected by a hinge 930. The sideways hinging mechanism can provide different access characteristics and installation advantages compared to upward or downward hinging systems, offering flexibility for various mounting environments and user preferences where lateral clearance may be available for deployment operations. As shown in FIG. 17A, die photo studio light box 910 may be positioned in the artwork display configuration where a display panel 942 can be visible while mounted to the wall 900.

[0147] FIG. 17B illustrates the photo studio light box 910 during tire transition process where the second frame 940 can begin rotating outward away from the first frame 920 and the wall 900. A second frame movement arrow 945 indicates the direction of rotational movement as the hinge 930 enables controlled sideways rotation between the frames. The transition process involves a side portion, a top portion, and a bottom portion of the second frame 940 decoupling from a respective side portion, top portion, and bottom portion of the first frame 920 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on the side portions of the first and second frames 920, 940, for example. Alternatively, they can be on the respective top portions and / or bottom portions, which is the case for any of tire embodiments provided for herein. A photo studio 960 disposed within the photo studio light box 910 may remain with the first frame 920 as the second frame 940 moves away from the firstframe 920 during tire initial phase of the transition process. The photo studio 960 can be a collapsible photo studio disposed between the first frame 920 and the second frame 940, with tire photo studio 960 being in a collapsed state when tire photo studio light box 910 is in the artwork display configuration.

[0148] With reference to FIG. 17C, the photo studio light box 910 is shown with the second frame 940 rotated outward such that the second frame 940 can be substantially perpendicular to the first frame 920, placing the photo studio light box 910 in the photo studio configuration. The hinge 930 can enable the second frame 940 to rotate with respect to the first frame 920 to move the wall-mounted photo studio light box 910 between the artwork display configuration and the photo studio configuration, with the second frame 940 being substantially perpendicular to the first frame 920 in tire photo studio configuration. Similar to other embodiments, the second frame 940 does not need to be substantially perpendicular to the first frame 920, and in fact, with respect to at least the present embodiment, the second frame 940 can rotate a full 180 degrees with respect to the first frame 920 such that the two frames are aligned. This is at least because a portion described as a photo studio receiving portion of a second frame in other embodiments that is opposed to the display panel does not necessarily have to hold or bound a photo studio. The photo studio 960 may remain in an undeployed configuration at this stage, demonstrating an embodiment where the photo studio 960 can be configured to be deployed to the expanded state after the photo studio light box 910 moves from the artwork display configuration to the photo studio configuration.

[0149] As illustrated in FIG. 17D, tire photo studio light box 910 may be positioned in the photo studio configuration with the photo studio 960 being deployed outward as indicated by a photo studio movement arrow 974. The photo studio 960 can be configured to be in an expanded state when the photo studio light box 910 is in the photo studio configuration. The photo studio 960 can include a photo studio top panel 962, two photo studio side panels 966, a photo studio back panel 968, and a photo studio opening 970, similar to other embodiments provided for herein. The deployment sequence demonstrates how the photo studio 960 can be deployed to the expanded state after the photo studio light box 910 moves from the artwork display configuration to die photo studio configuration, providing user control over die timing of photo studio deployment. As shown, a first photo studio receiving portion 924 of the first frame 920 can have the photo studio back panel 968 integrated or odierwise associated therewith. A second photo studio receiving portion 944, which is a portion of the second frame 940 opposed to the display panel 942, may not hold or otherwise engage the photo studio 960 but can still be referred toherein as a photo studio receiving portion, as the terminology is more generally intended to refer to a portion of tire second frame that is opposed to the display panel, as explained above.

[0150] Referring to FIGs. 18A-18D, a photo studio light box 1010 demonstrates an alternative sideways hinging deployment sequence that provides similar rotational movement characteristics while offering a different location for deployment of integrated photo studio components. The photo studio light box 1010 may be mounted to a wall 1000 and can include a first frame 1020 and a second frame 1040 connected by a hinge 1030. As shown in FIG. 18A, the photo studio light box 1010 may be positioned in the artwork display configuration where a display panel 1042 can be visible while mounted to the wall 1000.

[0151] FIG. 18B illustrates the photo studio light box 1010 during the transition process where the second frame 1040 can begin rotating outward away from the first frame 1020 and the wall 1000. A second frame movement arrow 1045 indicates the direction of rotational movement as tire hinge 1030 enables controlled sideways rotation between the frames. The transition process involves a side portion, a top portion, and a bottom portion of the second frame 1040 decoupling from a respective side portion, top portion, and bottom portion of the first frame 1020 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on the side portions of the first and second frames 1020, 1040, for example. A photo studio 1060 disposed within die photo studio light box 1010 may move with the second frame 1040 while remaining in a collapsed state during the initial phase of the transition process, demonstrating an alternative approach to photo studio positioning during frame movement.

[0152] With reference to FIG. 18C, the photo studio light box 1010 is shown with the second frame 1040 positioned fully rotated outward such that tire second frame 1040 can be substantially perpendicular to tire first frame 1020, placing the photo studio light box 1010 in the photo studio configuration. In the photo studio configuration, a photo studio receiving portion 1044 of tire second frame 1040 is accessible for holding the photo studio 1060. As shown, the photo studio receiving portion 1044 holds a photo studio side panel 1066. The photo studio 1060 may remain in an undeployed configuration at this stage, similar to the deployment sequence demonstrated by the photo studio light box 910.

[0153] As illustrated in FIG. 18D, the photo studio light box 1010 may be positioned in the photo studio configuration with the photo studio 1060 being deployed outward as indicated by a photo studio movement arrow 1074. The photo studio 1060 can include a photo studio top panel 1062, a photo studio bottom panel (not visible), two photo studio side panels 1066, a photo studio back panel 1068, and a photo studio opening 1070, similar to other embodiments provided forherein. The deployment sequence demonstrates how die photo studio 1060 can be configured to be deployed to die expanded state after die photo studio light box 1010 moves from die artwork display configuration to the photo studio configuration, providing consistent deployment timing control across different sideways hinging embodiments.

[0154] Referring to FIGs. 19A-19C, a photo studio lightbox 1110 demonstrates another sideways hinging deployment sequence, diis time with integrated automatic photo studio deployment that occurs simultaneously with frame movement. The photo studio light box 1110 may be mounted to a wall 1100 and can include a first frame 1120 and a second frame 1140 connected by a hinge 1130. This embodiment demonstrates how the photo studio can be integrated into at least one of the first frame 1120 or die second frame 1140 such that the photo studio can be configured to automatically deploy from a collapsed state to an expanded state as the second frame 1140 rotates widi respect to the first frame 1120 as the photo studio tight box 1110 moves from the artwork display configuration to the photo studio configuration. As shown in FIG. 19A, the photo studio light box 1110 may be positioned in the artwork display configuration where a display panel 1142 can be visible while mounted to the wall 1100.

[0155] FIG. 19B illustrates the photo studio light box 1110 during the transition process where the second frame 1140 can begin rotating outward away from the first frame 1120 and the wall 1100. A second frame movement arrow 1145 indicates the direction of rotational movement as the hinge 1130 enables controlled sideways rotation between the frames. The transition process involves a side portion, a top portion, and a bottom portion of the second frame 1140 decoupling from a respective side portion, top portion, and bottom portion of the first frame 1120 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on the side portions of the first and second frames 1120, 1140, for example. A photo studio 1160 disposed within the photo studio light box 1110 may begin deploying automatically as the second frame 1140 rotates away from the first frame 1120, demonstrating how the sideways rotation movement can enable integrated deployment of the photography components. The photo studio 1160 can include a photo studio top panel 1162, a photo studio bottom panel (not visible, but opposed to the top panel 1162), two photo studio side panels 1166, a photo studio back panel 1168. As shown, one of the two side panels 1166 is integrated with the second frame 1140, for example at a second photo studio receiving portion 1144, such that it remains adjacent to the second frame 1140 during the deployment process, and the photo studio back panel 1168 is integrated with the first frame 1120, for example at a first photo studio receiving portion 1124, such that it remains adjacent to the first frame 1120 during the deployment process.

[0156] With reference to FIG. 19C, the photo studio light box 1110 is shown in the fully deployed photo studio configuration where the second frame 1140 can be positioned substantially perpendicular to the first frame 1120 while the photo studio 1160 can be fully deployed. The photo studio 1160 can be in an expanded state, with a photo studio opening 1170 that is opposed to the photo studio back panel 1168 being accessible and the panels and opening of the photo studio 1160 being similar to other embodiments provided for herein. The integrated deployment sequence demonstrates how die photo studio 1160 can be configured to automatically deploy from the collapsed state to the expanded state as die second frame 1140 moves with respect to the first frame 1120 and die photo studio light box 1110 moves from the artwork display configuradon to die photo studio configuration.

[0157] The sideways hinging deployment sequences demonstrated by the photo studio light boxes 910, 1010, and 1110 can be integrated into methods of using photo studio systems where moving a second frame with respect to a first frame may comprise rotating die second frame widi respect to the first frame to cause the second frame to be substantially perpendicular to the first frame, although, as indicated, other configurations between the first and second frames are possible. The method may include deploying the photo studio into the expanded state after the second frame is moved to expose the photo studio receiving portion, as demonstrated by the photo studio light boxes 910 and 1010. In some embodiments, die method can include causing the photo studio to deploy into die expanded state by performing die action of moving the second frame with respect to the first frame to expose the photo studio receiving pordon of die second frame, as demonstrated by the photo studio light box 1110 where deployment occurs simultaneously with frame movement.

[0158] The deployment sequences can be reversed to return the photo studio light boxes 910, 1010, and 1110 to their respective artwork display configurations. The method of using these photo studio systems may include removing the photo studio 960, 1060, or 1160 from the photo studio receiving portion or causing the photo studio 960, 1060, or 1160 to return to a collapsed state, followed by moving the second frame 940, 1040, or 1140 with respect to the first frame 920, 1020, or 1120 to allow die display panel 942, 1042, or 1142 to be visible as artwork. In some embodiments, moving die second frame 940, 1040, or 1140 with respect to die first frame 920, 1020, or 1120 can cause die photo studio 960, 1060, or 1160 to return to the collapsed state such that the photo studio 960, 1060, or 1160 can be in the collapsed state when die display panel 942, 1042, or 1142 is visible as artwork, providing integrated stowage that eliminates separate collapse operations.

[0159] Referring to FIGs. 20A-20D, a photo studio light box 1210 demonstrates a double door deployment sequence that provides an alternative approach for transitioning between artwork display and photo studio configurations through rotational movement of multiple door components. At least sometimes the movement of the doors may be coordinated. The photo studio light box 1210 may be mounted to a wall 1200 and can include a first frame 1220 and a second frame 1240. The second frame 1240 may comprise a first door 1240a and a second door 1240b that each can be configured to rotate independently with respect to the first frame 1220 to enable controlled transitions between operational configurations.

[0160] As shown in FIG. 20A, die photo studio light box 1210 may be positioned in the artwork display configuration where the first door 1240a and the second door 1240b can be closed such that together they form a display panel 1242 that is visible while mounted to the wall 1200. More particularly, an outer surface of the first door 1240a and an outer surface of die second door 1240b may comprise the display panel 1242, creating a unified aesthetic appearance that functions as conventional wall-mounted artwork or other types of displays as provided for herein or otherwise known to those skilled in the art. The first door 1240a and the second door 1240b can be positioned adjacent to the first frame 1220 in a closed configuration, creating a compact wall-mounted profile that conceals photography functionality while the photo studio components remain hidden from view.

[0161] The photo studio light box 1210 may further comprise a first hinge 1230a connecting the first door 1240a to the first frame 1220, and a second hinge 1230b connecting the second door 1240b to the first frame 1220. The first hinge 1230a and the second hinge 1230b can enable the respective first door 1240a and second door 1240b to rotate with respect to the first frame 1220 to move the wall-mounted photo studio light box 1210 between the artwork display configuration and the photo studio configuration. The hinge connections may provide controlled rotational movement that allows smooth and stable transitions between configurations while maintaining structural integrity during operation of the double door system.

[0162] FIG. 20B illustrates the photo studio light box 1210 during the transition process where the first door 1240a and the second door 1240b can begin rotating outward away from the first frame 1220 and the wall 1200. A first door movement arrow 1245a indicates the direction of rotational movement of the first door 1240a as the first hinge 1230a enables controlled rotation, while a second door movement arrow 1245b indicates the direction of rotational movement of the second door 1240b as the second hinge 1230b enables controlled rotation. The transition process involves a top portion, a bottom portion, and a side portion that is furthest from the respective hinges 1230a, 1230b of the respective first and second doors 1240a, 1240b decoupling from arespective top portion and bottom portion of the first frame 1220 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on top portions of the first and second doors 1240a, 1240b and the top portion of the first frame 1220, for example.

[0163] A photo studio 1260 disposed within the photo studio light box 1210 may remain with the first frame 1220 as the first door 1240a and the second door 1240b move away from the first frame 1220 during the initial phase of the transition process. The photo studio 1260 can be a collapsible photo studio disposed between the first frame 1220 and the second frame 1240, with the photo studio 1260 being in a collapsed state when the photo studio light box 1210 is in the artwork display configuration.

[0164] With reference to FIG. 20C, the photo studio light box 1210 is shown with the first door 1240a and the second door 1240b rotated outward such that each can be substantially perpendicular to tire first frame 1220, placing the photo studio light box 1210 in the photo studio configuration. More particularly, the first hinge 1230a and the second hinge 1230b can enable the first door 1240a and tire second door 1240b to rotate with respect to the first frame 1220 such that the first door 1240a and the second door 1240b are substantially perpendicular to the first frame 1220 in the photo studio configuration. Similar to other embodiments, the first and second doors 1240a and 1240b do not need to be substantially perpendicular to the first frame 1220, and in fact, with respect to at least the present embodiment, the first and second doors 1240a and 1240b can rotate a full 180 degrees with respect to tire first frame 1220 such that the two doors 1240a and 1240b and the frame 1220 are substantially aligned. This is at least because a portion described as a photo studio receiving portion of a second frame in other embodiments that is opposed to tire display panel does not necessarily have to hold or bound a photo studio. More particularly, an inner surface of the first door 1240a and an inner surface of the second door 1240b may comprise a photo studio receiving portion that becomes accessible when the doors are rotated to the open position but do not necessarily hold or bound the photo studio 1260. The photo studio 1260 may remain in an undeployed configuration at this stage, demonstrating an embodiment where the photo studio 1260 can be configured to be deployed to die expanded state after die photo studio light box 1210 moves from the artwork display configuration to the photo studio configuration.

[0165] As illustrated in FIG. 20D, die photo studio light box 1210 may be positioned in the photo studio configuration with the photo studio 1260 being deployed outward as indicated by a photo studio movement arrow 1274. The photo studio 1260 can be configured to be in an expanded state when the photo studio light box 1210 is in the photo studio configuration. Thephoto studio 1260 may include a photo studio top panel 1262, a photo studio bottom panel (not visible in this view, but opposed to die photo studio top panel 1262), two photo studio side panels 1266, a photo studio back panel 1268, and a photo studio opening 1270, similar to other embodiments provided for herein. As shown, a first photo studio receiving portion 1224 of the first frame 1220 can have the photo studio back panel 1268 integrated or otherwise associated therewith. A second photo studio receiving portion 1244, which can comprise inner surfaces of the first and second doors 1240a, 1240b that are opposed to the outer surfaces of the first and second doors 1240a, 1240b that form the display panel 1242, may not hold or otherwise engage die photo studio 1260 but can sdll be referred to herein as a photo studio receiving portion, as the terminology is more generally intended to refer to a portion of the second frame that is opposed to the display panel. As shown, the inner surfaces of the first door 1240a and the second door 1240b that form the second photo studio receiving portion 1244 can be disposed adjacent to the two photo studio side panels 1266 if desired, or they can be more fully rotated (z.e., greater than 90 degrees) if desired, for example up to 180 degrees or more. The deployment sequence demonstrates how the photo studio 1260 can be deployed to the expanded state after the photo studio light box 1210 moves from the artwork display configuration to the photo studio configuration, providing user control over the timing of photo studio deployment.

[0166] Referring to FIGs. 21A-21C, a photo studio light box 1310 demonstrates an alternative double door deployment sequence with integrated automatic photo studio deployment that occurs simultaneously with door movement. The photo studio light box 1310 may be mounted to a wall 1300 and can include a first frame 1320 and a second frame 1340, with the second frame 1430 including a first door 1340a and a second door 1340b. This embodiment demonstrates how the photo studio can be integrated into at least one of the first frame 1320 or the first door 1340a and second door 1340b such that the photo studio can be configured to automatically deploy from a collapsed state to an expanded state as the first door 1340a and second door 1340b move with respect to tire first frame 1320 and the photo studio light box 1310 moves from the artwork display configuration to the photo studio configuration.

[0167] As shown in FIG. 21 A, tire photo studio light box 1310 may be positioned in the artwork display configuration where the first door 1340a and tire second door 1340b can be closed such that together they form a display panel 1342 that is visible while mounted to the wall 1300. The outer surfaces of the first door 1340a and the second door 1340b may combine to form the display panel 1342, creating a unified aesthetic appearance that functions as conventional wall-mounted artwork while concealing the photography functionality of the system. The photo studio light box 1310 may further comprise a first hinge 1330a connecting the first door 1340a to thefirst frame 1320, and a second hinge 1330b connecting the second door 1340b to the first frame 1320, operating similar to the hinges 1230a and 1230b.

[0168] FIG. 21B illustrates the photo studio light box 1310 during the transition process where the first door 1340a and the second door 1340b can begin rotating outward away from the first frame 1320 and the wall 1300. A first door movement arrow 1345a indicates tire direction of rotational movement of the first door 1340a as tire first hinge 1330a enables controlled rotation, while a second door movement arrow 1345b indicates the direction of rotational movement of the second door 1340b as the second hinge 1330b enables controlled rotation. The transition process involves a top portion, a bottom portion, and a side portion that is furthest from the respective hinges 1330a, 1330b of the respective first and second doors 1340a, 1340b decoupling from a respective top portion and bottom portion of the first frame 1320 using one or more selective mating mechanisms (e.g., latch and latch release, magnet, etc.) provided for herein or otherwise known to those skilled in the art. The selective mating mechanism(s) can be disposed on top portions of the first and second doors 1340a, 1340b and the top portion of the first frame 1320, for example.

[0169] A photo studio 1360 disposed within the photo studio light box 1310 may begin deploying automatically as the first door 1340a and the second door 1340b rotate away from the first frame 1320, demonstrating how the double door rotation movement can enable integrated deployment of the photography components. The photo studio 1360 can include a photo studio top panel 1362, a photo studio bottom panel (not visible in this view, but opposed to the photo studio top panel 1362), two photo studio side panels 1366, and a photo studio back panel 1368 that remains adjacent to the first frame 1320 during the deployment process. As shown, one of the two side panels 1366 is integrated with an inner surface of the first door 1340a that serves as a second photo studio receiving portion 1344 and a second of the two side panels 1366 is integrated with an inner surface of the second door 1340b that also serves as the second photo studio receiving portion 1344. Further, the photo studio back panel 1368 is integrated with the first frame 1320, for example at a first photo studio receiving portion 1324, such that it remains adjacent to the first frame 1320 during the deployment process.

[0170] With reference to FIG. 21C, the photo studio light box 1310 is shown in the fully deployed photo studio configuration where the first door 1340a and the second door 1340b can be positioned substantially perpendicular to the first frame 1320 while the photo studio 1360 can be fully deployed. The photo studio 1360 can be in an expanded state, with a photo studio opening 1370 that is opposed to the photo studio back panel 1368 being accessible and the panels and opening of the photo studio 1360 being similar to other embodiments provided for herein. Theintegrated deployment sequence demonstrates how the photo studio 1360 can be configured to automatically deploy from tire collapsed state to the expanded state as the first door 1340a and the second door 1340b move with respect to tire first frame 1320 and the photo studio light box 1310 moves from tire artwork display configuration to the photo studio configuration.

[0171] The double door deployment sequences demonstrated by the photo studio light boxes 1210 and 1310 can be integrated into methods of using photo studio systems where moving a second frame with respect to a first frame may comprise rotating a first door of the second frame with respect to the first frame and rotating a second door of the second frame with respect to the first frame to cause each of the first and second doors to be substantially perpendicular to the first frame. The method may include deploying the photo studio into the expanded state after the first and second doors are moved to expose the photo studio receiving portion, as demonstrated by the photo studio light box 1210. In some embodiments, the method can include causing the photo studio to deploy into the expanded state by performing tire action of moving the first and second doors with respect to the first frame to expose the photo studio receiving portion, as demonstrated by the photo studio light box 1310 where deployment occurs simultaneously with door movement.

[0172] The deployment sequences can be reversed to return the photo studio light boxes 1210 and 1310 to their respective artwork display configurations. The method of using these photo studio systems may include removing the photo studio 1260 or 1360 from the photo studio receiving portion or causing tire photo studio 1260 or 1360 to return to a collapsed state, followed by moving the first door 1240a or 1340a and the second door 1240b or 1340b with respect to the first frame 1220 or 1320 to allow the display panel 1242 or 1342 to be visible as artwork. In some embodiments, moving the first door 1240a or 1340a and the second door 1240b or 1340b with respect to the first frame 1220 or 1320 can cause the photo studio 1260 or 1360 to return to the collapsed state such that the photo studio 1260 or 1360 can be in the collapsed state when the display panel 1242 or 1342 is visible as artwork, providing integrated stowage that eliminates separate collapse operations.

[0173] The deployment sequences demonstrated by the photo studio light boxes 610, 710, 810, 910, 1010, 1110, 1210, and 1310 may include automatic deployment capabilities using motors, linear actuators, or gas springs that can provide powered movement during transitions between configurations. The automatic deployment systems can eliminate the need for manual force application during configuration changes and can provide consistent, controlled movement characteristics. In some embodiments, tire systems may include motion sensors for hands-freeactivation, enabling users to initiate deployment sequences through proximity detection or gesture recognition without requiring physical contact with tire system components.

[0174] The hinges 630, 730, 930, 1030, 1130, 1230a, 1230b, 1330a, and 1330b can incorporate speed control mechanisms, such as speed limiters (e.g., the speed limiters 34, 134, 234, etc.) that regulate tire rotational velocity during deployment and stowage operations. The speed control can prevent rapid movement that could cause component damage or create safety hazards during operation. Alternatively, or additionally, the hinges 630, 730, 930, 1030, 1130, 1230a, 1230b, 1330a, and 1330b can incorporate a linear speed limiter to control the motion during deployment, preventing rapid or uncontrolled movement that could damage components or create safety concerns during the transition between configurations. The controlled motion can ensure smooth operation and can extend the operational life of the mechanical components. In some embodiments, the systems can be controlled by a wall switch for deploy, stow, and lighting functions, providing centralized control that can be integrated with building electrical systems and can enable remote operation of the photo studio light box functions.

[0175] While the illustrated embodiment provide for a location where a camera can be placed for taking pictures or videos, in alternative embodiments a camera can be positioned on any side of the photo studio and / or one or more cameras can be integrated into any panel of a photo studio. A person skilled in the art, in view of the present disclosures, will understand how to adapt die various embodiments to include a camera(s) at other locations besides the opening that is opposed to the back panel of die photo studio.

[0176] WALL MOUNTS

[0177] Referring to FIG. 22, a wall mounting bracket 1425 demonstrates a mounting system that can facilitate secure attachment of photo studio light boxes to wall surfaces. The wall mounting bracket 1425 may be configured to mount die first frame to the wall and can provide a reliable structural interface that distributes mounting loads while enabling controlled installation and removal of photo studio tight box components. The wall mounting bracket 1425 can include a cleat 1427 extending from an upper portion of the wall mounting bracket 1425, providing a mechanical engagement feature that interfaces with corresponding mounting features on frame components. In the illustrated embodiment the wall mounting bracket 1425 maintains a rectangular configuration with consistent material thickness throughout the perimeter, creating a stable mounting platform that can support the operational loads of photo studio light box systems during transitions between configurations and photography operations. A person skilled in the art, in view of the present disclosures, will appreciate other shapes and configurations are possible.

[0178] FIG. 23 illustrates a side view of the wall mounting bracket 1425, better showing an angled relationship between the cleat 1427 and a main body of the mounting bracket. The cleat 1427 may be positioned along an upper edge of the wall mounting bracket 1425 and can extend horizontally across the top portion to provide a mounting interface for attachment purposes. The cleat 1427 can be constructed as an integral part of the wall mounting bracket 1425 or may be attached as a separate component, depending on manufacturing requirements and structural specifications. The wall mounting bracket 1425 may demonstrate a simple geometric design with straight edges and right angles forming the rectangular shape, providing consistent dimensional characteristics that enable reliable engagement with frame mounting features.

[0179] With reference to FIG. 24, the wall mounting bracket 1425 is illustrated in a side cross-sectional view that demonstrates the engagement between the cleat 1427 and a first frame 1420. The first frame 1420 may include a corresponding mounting feature configured to engage with the cleat 1427 to secure the first frame 1420 to tire wall mounting bracket 1425. The corresponding mounting feature can be designed to interface with the cleat 1427 through mechanical engagement that provides secure attachment while enabling controlled installation and removal operations. The first frame 1420 can mount onto the cleat 1427 to securely fasten the first frame 1420 to a wall through the wall mounting bracket 1425, creating a reliable connection that can support tire weight and operational loads of tire photo studio light box system.

[0180] The cleat 1427 may extend at a defined angle relative to the main body of tire wall mounting bracket 1425, creating an engagement surface that interfaces with the corresponding mounting feature of the first frame 1420. This angle can be approximately in tire range of about 15 degrees to about 90 degrees (at 90 degrees it can create a shelf to hang on), in some embodiments approximately in the range of about 20 degrees to about 40 degrees, and in some embodiments it can be about 32 degrees. The angular relationship between the cleat 1427 and the wall mounting bracket 1425 can provide mechanical advantage during installation by enabling the first frame 1420 to be positioned and engaged through controlled movement that aligns the mounting features. The cleat 1427 can distribute the mounting loads across the upper portion of the wall mounting bracket 1425, reducing stress concentrations and providing stable support for the photo studio light box system.

[0181] The mounting process using the wall mounting bracket 1425 and cleat 1427 system can enable easy installation and removal of photo studio light box components while maintaining secure attachment during operation. The wall mounting bracket 1425 may be attached to the wall surface first, allowing for proper positioning and leveling before the first frame 1420 is engaged with the cleat 1427. This installation sequence can provide flexibility in mounting locations andcan accommodate wall stud positioning that may not align perfecdy with the desired artwork or photo studio light box placement. The cleat 1427 engagement system can enable the first frame 1420 to be removed from the wall mounting bracket 1425 when needed for maintenance, artwork changes, or system modifications without requiring removal of the wall mounting bracket 1425 from the wall surface.

[0182] The wall mounting bracket 1425 configuration can provide structural advantages by creating a distributed mounting system that spreads attachment loads across multiple wall attachment points rather than concentrating forces at individual mounting locations. The rectangular configuration of the wall mounting bracket 1425 may enable multiple wall fasteners to be used for secure attachment, providing redundant mounting capability drat can accommodate various wall construction types and mounting surface conditions. The cleat 1427 system can maintain engagement between the first frame 1420 and the wall mounting bracket 1425 even when operational forces are applied during transitions between artwork display and photo studio configurations, ensuring reliable attachment throughout the operational range of the photo studio light box system.

[0183] A top mount that uses a cleat 1427 can be advantageous for mounting heavier photo studio light boxes, such as those that incorporate mirrors, artwork, and / or more robust frames and / or photo studios. A person skilled in the art will appreciate other ways by which a photo studio light box can be hung or mounted onto a wall, including other ways of using a top mount in lieu of or in addition to a cleat, as well as other types of mounts, such as mounting from a bottom. FIGs. 25-29 provide some non-limiting alternative mounts, at least some of which provide for bottom mounts that can be used in addition to or in lieu of a top mount like the cleat 1427. The mounts illustrated in FIGs. 25-29 can also be adapted for other locations, such as top mounts.

[0184] Referring to FIG. 25, a mounting bracket 1525 demonstrates an enhanced mounting system that provides additional security features for photo studio light box installations. The mounting bracket 1525 may include a cleat 1527 positioned along an upper edge and multiple screw receiving mounts 1529 positioned along a bottom edge of the mounting bracket 1525. The mounting bracket 1525 can maintain a rectangular configuration with consistent material thickness throughout the perimeter, similar to other mounting bracket embodiments disclosed herein. The cleat 1527 can extend horizontally across the top portion of the mounting bracket 1525, while the screw receiving mounts 1529 may be positioned symmetrically along the bottom edge to provide additional attachment points for enhanced mounting security.

[0185] The screw receiving mounts 1529 can provide threaded or non-threaded openings that accommodate fasteners for securing frame components to the mounting bracket 1525. The screw receiving mounts 1529 may be positioned at strategic locations along the bottom edge of the mounting bracket 1525 to distribute attachment loads and provide redundant mounting capability that can accommodate various installation requirements. The combination of the cleat 1527 at the upper edge and the screw receiving mounts 1529 at the bottom edge can create a dual attachment system that provides enhanced security for heavier photo studio light box systems or installations where additional mounting stability may be needed.

[0186] With reference to FIG. 26, a photo studio light box 1610 demonstrates the implementation of the dual attachment mounting system using a mounting bracket 1625 widi integrated screw receiving mounts 1629. The photo studio light box 1610 may include a first frame 1620 that can be secured to the mounting bracket 1625 through both cleat engagement and mechanical fastening systems. A second frame 1640 can be coupled to the first frame 1620 and may include a display panel 1642, providing the dual-function capabilities for artwork display and photography applications similar to other photo studio light box embodiments disclosed herein.

[0187] The mounting bracket 1625 can include the screw receiving mounts 1629 positioned along the bottom edge, which may interface with corresponding mounting features on the first frame 1620. A screw 1631 can engage with the screw receiving mount 1629 to secure the first frame 1620 to the mounting bracket 1625, providing mechanical attachment that supplements the cleat engagement system. The screw 1631 may be a standard threaded fastener that can be installed using conventional tools, or the screw 1631 can be a thumbscrew that enables tool-free installation and removal for convenient access during maintenance or system modifications.

[0188] The dual attachment method demonstrated by tire photo studio light box 1610 can provide additional security for heavier systems by distributing mounting loads between the cleat engagement at the upper portion and the mechanical fastening at the lower portion of the frame connection. The screw 1631 engagement with the screw receiving mount 1629 may create a positive mechanical connection that prevents vertical movement or separation between the first frame 1620 and die mounting bracket 1625 during operation.

[0189] The screw receiving mounts 1629 can accommodate various fastener types including machine screws, self-tapping screws, or specialized fasteners that may be selected based on the specific mounting requirements and frame construction materials. The screw receiving mounts 1629 may be threaded to provide secure engagement with threaded fasteners, or die screw receiving mounts 1629 can be configured as clearance holes that accommodate fasteners widiseparate nuts or other retention mechanisms. The positioning of the screw receiving mounts 1629 along the bottom edge of the mounting bracket 1625 can enable the screws 1631 to be accessed and operated even when tire photo studio light box 1610 is mounted to the wall, providing convenient installation and maintenance capabilities.

[0190] The mounting bracket 1625 configuration can enable the first frame 1620 to be installed by first engaging the cleat system at the upper portion, followed by securing the screw 1631 connections at the lower portion through the screw receiving mounts 1629. This installation sequence may provide controlled positioning that ensures proper alignment between the first frame 1620 and the mounting bracket 1625 before the mechanical fasteners are tightened. The dual attachment system can maintain secure engagement throughout the operational range of die photo studio light box 1610, including during transitions between artwork display and photo studio configurations where operational forces may be applied to die frame system.

[0191] The enhanced mounting security provided by die combination of cleat engagement and screw attachment can enable die photo studio light box 1610 to accommodate larger photo studio components, more substantial lighting systems, or additional accessories that may increase the overall system weight or operational loads. The dual attachment method may provide redundant mounting capability that maintains secure wall attachment even if one attachment method experiences reduced effectiveness due to wall conditions, fastener loosening, or other installation variables. It can be particularly beneficial for photo studio light box systems that include substantial photo studio components, lighting systems, or camera mounting equipment that may create additional operational loads during transitions between configurations and / or in use in tire photo studio configuration. The screw receiving mounts 1629 can be positioned to align with wall stud locations when possible, providing additional mounting strengtir that can support heavier photo studio light box systems or installations where enhanced security may be needed for safety or operational requirements.

[0192] Referring to FIG. 27, a mounting bracket 1725 demonstrates an alternative mounting system that provides secure attachment through friction engagement rather than mechanical fastening. The mounting bracket 1725 may include a spring clip 1729 configured to create a friction fit with a first frame 1720 of a photo studio light box. The spring clip 1729 can extend from the mounting bracket 1725 and may be positioned to engage with the first frame 1720, providing a secure attachment mechanism tirat maintains contact between the first frame 1720 and the mounting bracket 1725 through friction and interference forces. The spring clip 1729 may be constructed of resilient material that can deflect during installation while maintaining consistent engagement force throughout the operational life of the mounting system.

[0193] The spring clip 1729 can provide several advantages over screw-based attachment systems by eliminating the need for threaded fasteners while maintaining secure engagement between the first frame 1720 and the mounting bracket 1725. The friction fit created by the spring clip 1729 may enable rapid installation and removal of photo studio light box components without requiring tools or separate fasteners. The spring clip 1729 can maintain consistent engagement force even when subjected to operational loads during transitions between artwork display and photo studio configurations, providing reliable attachment that accommodates the dynamic forces generated during system operation.

[0194] The mounting bracket 1725 configuration can enable the first frame 1720 to be installed by engaging the cleat system at the upper portion, similar to other mounting bracket embodiments disclosed herein, followed by pressing the first frame 1720 against die spring clip 1729 at the lower portion to create die fricrion fit engagement. The spring clip 1729 may be designed to provide sufficient engagement force to prevent unintentional separation while allowing controlled removal when the first frame 1720 is intentionally pulled away from the mounting bracket 1725. The friction fit system can accommodate slight variations in frame dimensions or mounting tolerances while maintaining secure attachment characteristics.

[0195] With reference to FIG. 28, a mounting bracket 1825 demonstrates another alternative mounting system that uses threaded engagement for secure attachment. The mounting bracket 1825 may engage with a set screw 1829 to mate a first frame 1820 of a photo studio light box to die mounting bracket 1825. The first frame 1820 and a distal -most end of the mounting bracket 1825 can be arranged in a substantially perpendicular configuration, with die set screw 1829 providing secure attachment between the components through threaded engagement that draws the first frame 1820 into contact with the mounting bracket 1825.

[0196] The set screw 1829 can create a flush bottom surface when engaged widi the mounting bracket 1825, providing a clean appearance that eliminates protruding fastener heads or other attachment hardware that might interfere with the aesthetic appearance of the photo studio light box system. The set screw 1829 may be positioned to engage with a corresponding threaded opening or slot in the mounting bracket 1825, creating a positive mechanical connection that prevents movement between the first frame 1820 and the mounting bracket 1825 during operation. The threaded engagement provided by the set screw 1829 can enable precise adjustment of the attachment force and positioning between the first frame 1820 and the mounting bracket 1825.

[0197] The set screw 1829 system can provide advantages in installations where precise positioning control may be needed or where the attachment force between the first frame 1820and the mounting bracket 1825 may need to be adjusted to accommodate specific operational requirements. The set screw 1829 may be accessible for adjustment even after the photo studio light box system is mounted to the wall, enabling fine-tuning of the attachment characteristics without requiring removal of the entire system. The threaded engagement can provide reliable long-term attachment that maintains consistent performance characteristics even when subjected to repeated operational cycles during transitions between artwork display and photo studio configurations.

[0198] Referring to FIG. 29, a mounting bracket 1925 demonstrates a sliding tab engagement system that provides an alternative approach to cleat-based mounting. The mounting bracket 1925 may have a rectangular configuration with bracket mounting tabs 1929 disposed at a bottom of tire mounting bracket 1925 and configured to engage with corresponding frame mounting tabs 1931 on a first frame 1920 of a photo studio light box. A frame movement arrow 1932 indicates a sliding direction of the first frame 1920 with respect to tire mounting bracket 1925 for engaging the frame mounting tabs 1931 with the bracket mounting tabs 1929. The sliding tab engagement system can provide secure attachment through mechanical interference between the tabs while enabling controlled installation and removal through lateral movement.

[0199] The bracket mounting tabs 1929 can be positioned at strategic locations along the bottom portion of the mounting bracket 1925 to provide distributed attachment points that spread mounting loads across multiple engagement locations. The frame mounting tabs 1931 may be configured to interface with the bracket mounting tabs 1929 through sliding engagement that creates mechanical interference when tire first frame 1920 is moved in the direction indicated by the frame movement arrow 1932. The sliding engagement system can provide positive mechanical connection that prevents separation between the first frame 1920 and tire mounting bracket 1925 while enabling controlled installation through lateral movement that aligns the respective mounting tabs.

[0200] The sliding tab system demonstrated by the mounting bracket 1925 can eliminate the need for separate fasteners or threaded connections while providing secure attachment that can accommodate the operational loads of photo studio light box systems. The bracket mounting tabs 1929 and the frame mounting tabs 1931 may be designed to provide mechanical advantage during installation by enabling the first frame 1920 to be positioned and engaged through controlled sliding movement drat progressively increases fire engagement between the tabs. The sliding engagement can create a locking mechanism that maintains secure attachment during operation while enabling controlled release when the first frame 1920 is moved in the opposite direction from the frame movement arrow 1932.

[0201] The alternative mounting systems demonstrated by tire mounting brackets 1725, 1825, and 1925 can provide flexibility in installation approaches that may be suitable for different wall conditions, user preferences, or specific operational requirements. The spring clip 1729 system may be advantageous for installations where rapid installation and removal capabilities are needed, while the set screw 1829 system can provide precise adjustment control for applications where fine-tuning of attachment characteristics may be beneficial. The sliding tab system using the bracket mounting tabs 1929 and the frame mounting tabs 1931 may offer advantages for installations where tool-free attachment and removal capabilities are desired while maintaining secure mechanical engagement.

[0202] In some embodiments, the first frame 1720, 1820, or 1920 can be mounted directly to tire wall without a separate wall mounting bracket, providing a simplified installation approach that eliminates tire need for intermediate mounting hardware. Direct wall mounting may be accomplished using conventional wall fasteners that attach tire first frame directly to the wall surface, reducing the complexity of the mounting system while maintaining secure attachment capabilities. The direct mounting approach can be suitable for installations where the simplified hardware configuration may be preferred or where the mounting loads can be adequately supported through direct attachment to the wall surface.

[0203] The mounting systems disclosed herein may include an integrated bubble level for proper mounting alignment, providing visual indication of level positioning during installation. The bubble level can be incorporated into tire mounting bracket, die first frame, or other system components to assist users in achieving proper horizontal and vertical alignment during installation. The integrated level can eliminate the need for separate leveling tools during installation while ensuring that the photo studio light box system can be mounted in proper alignment for optimal aesthetic appearance and functional performance. The bubble level may be permanently integrated into the system components or can be removable for use during installation and subsequent removal after mounting is completed.

[0204] CAMERA MOUNTS

[0205] Referring to FIGs. 3OA-3OC, a photo studio light box 2010 demonstrates removable and replaceable camera mount configurations that provide flexible positioning capabilities for photography and videography operations. The photo studio light box 2010 may be mounted to a wall 2000 and can include a first frame 2020 and a second frame 2040 connected by a hinge 2030 and a speed limiter 2034, which enable controlled rotational movement between tire frames. The photo studio light box 2010 can provide dual-function capabilities for both artwork display and photography applications while incorporating camera mounting systems that enhance thefunctionality of the photography environment. The camera mounting systems can be removable, as provided for in FIGs. 3OA-3OC, or they can be more permanently affixed to the photo studio light box, as provided for in other embodiments or otherwise understood by a person skilled in the art in view of the present disclosures.

[0206] As illustrated in FIGs. 3OA-3OC, the photo studio light box 2010 may be positioned in the photo studio configuration where the second frame 2040 can be substantially perpendicular to the first frame 2020. A photo studio 2060 can be positioned within the structure and may comprise a photo studio top panel 2062, a photo studio bottom panel 2064, two photo studio side panels 2066, a photo studio back panel 2068, and a photo studio opening 2070, similar to other embodiments provided for herein. A light source 2072 can be integrated into die assembly and may be positioned as part of the photo studio top panel 2062. A photo studio mounting strap 2076 may provide additional support by coupling the photo studio 2060 to the first frame 2020, ensuring stable positioning of the photography environment during operation.

[0207] With reference to FIG. 30 A, the photo studio light box 2010 may further comprise a camera mount 2080 configured to be removably and replaceably coupled to at least one of the first frame 2020 or the second frame 2040. As shown, the camera mount 2080 can be selectively coupled to the second frame 2040 and may feature a camera mount base 2082, a camera mount articulating arm 2084, and a camera mount camera receiver 2086 designed to hold a camera 2090. As shown, the camera base 2082 is a clamp configured to engage the second frame 2040, and the camera mount camera receiver 2086 is a clamp capable of securing the camera 2090, which as shown is a phone. The camera mount 2080 can be movable, for example by way of the camera mount articulating arm 2084, to position the camera 2090 at different positions with respect to the photo studio 2060 disposed on a photo studio receiving portion of the second frame 2040. The camera mount articulating arm 2084 may provide flexible positioning that enables the camera 2090 to be oriented at various angles and distances relative to the photo studio opening 2070 for optimal photography and videography results.

[0208] With reference to FIG. 30B, the photo studio light box 2010 may include an alternative camera mount 2080' that demonstrates different positioning capabilities while maintaining similar functional characteristics. The camera mount 2080' can feature a camera mount base 2082', a camera mount articulating arm 2084', and a camera mount camera receiver 2086' designed to hold a camera 2090’. As shown, tire camera base 2082' is a clamp configured to engage the second frame 2040, and the camera mount camera receiver 2086' is a clamp capable of securing the camera 2090', which as shown is a phone. Similar to the camera mount articulating arm 2084,the camera mount articulating arm 2084' can be moved to position the camera 2090' at different positions with respect to tire photo studio 2060.

[0209] FIG. 30B also illustrated one non-limiting embodiment of mechanisms associated with the frames 2020 and 2040 to allow for selective attachment and detachment to allow the second frame 2040 to be moved with respect to the first frame 2020 between the artwork display configuration and the photo studio configuration. More particularly, the photo studio light box 2010 can include a latch 2022 disposed on one of the first frame 2020 and the second frame 2040 and a latch release 2046 disposed on the other of the first frame 2020 and the second frame 2040 and configured to be selectively engaged and disengaged from the latch 2022. As shown in FIG. 30B, the latch 2022 can be disposed on the first frame 2020, while the latch release 2046 may be disposed on the second frame 2040. The latch release 2046 can be configured to be engaged with the latch 2022 when die photo studio light box 2010 is in the artwork display configuration and the latch release 2046 may be configured to be disengaged from the latch 2022 when the photo studio light box 2010 is in the photo studio configuration. The latch 2022 and latch release 2046 mechanism can provide secure engagement during the artwork display configuration while enabling controlled release when transitioning to the photo studio configuration for photography operations. A person skilled in the art will appreciate a variety of other similar type mechanisms that can be used to provide selective attachment between the first and second frames, at least some of which are provided for herein (e.g., magnetic latches, spring-loaded mechanisms, friction-fit connections, and / or mechanical fasteners).

[0210] As illustrated in FIG. 30C, tire photo studio light box 2010 may incorporate another camera mount 2080" that provides alternative mounting and positioning characteristics. The camera mount 2080" can include a camera mount base 2082", a camera mount hub 2084", and a camera mount camera receiver 2086" designed to hold a camera 2090". The camera mount hub 2084" may provide different articulation characteristics compared to the camera mount articulating arms 2084 and 2084', offering alternative positioning capabilities that can accommodate different photography requirements and camera orientations. For example, the hub 2084" may include a telescoping configuration allowing it to be raised and lowered and / or various rotating capabilities allowing die hub 2084" to be manipulated across up to six degrees of freedom in total. In the illustrated embodiment, the camera mount 2080" is disposed in an opening associated with the latch release 2046, although other openings or mount receivers can be incorporated as part of at least one of the first and second frames 2020 and 2040.

[0211] More generally, the camera mounts 2080, 2080', and 2080" may be designed with telescoping capabilities that enable extension and retraction of the camera mount articulatingarms 2084, 2084' or tire camera mount hub 2084" to provide variable reach and positioning flexibility. The telescoping design can enable the camera mounts to accommodate different photography distances while maintaining structural stability during operation. In some embodiments, tire camera mounts 2080, 2080', and 2080" may incorporate flexible goose neck designs that provide continuous positioning adjustment throughout the range of motion of the articulating arms or hub. The flexible goose neck construction can enable precise camera positioning while maintaining tire selected orientation during photography sessions.

[0212] The camera mounts 2080, 2080', and 2080" may incorporate hinged designs that provide controlled articulation through discrete positioning points rather than continuous adjustment. The hinged design can provide stable positioning at predetermined angles while enabling rapid repositioning between common photography orientations. The camera mount camera receivers 2086, 2086', and 2086" may use standard tripod threads like 1 / 4-20 UNC or 3 / 8-16 UNC for camera attachment, providing compatibility with conventional cameras, camera accessories, and mobile device mounting brackets. The standard threading can enable the camera mounts to accommodate various camera types and sizes while maintaining secure attachment during photography operations.

[0213] The camera mount bases 2082, 2082', and 2082" may be attached to the second frame 2040 using clamps that provide removable and replaceable coupling without requiring permanent modification of the frame structure. The clamp attachment can enable rapid installation and removal of the camera mounts while providing secure engagement during photography operations. In some embodiments, the camera mount bases 2082, 2082', and 2082" can be attached using magnetic connections that provide convenient attachment and removal capabilities while maintaining adequate holding force for photography applications. The magnetic attachment system may be suitable for camera mounts designed for lighter cameras or mobile devices where the magnetic holding force can provide sufficient stability.

[0214] The camera mount bases 2082, 2082', and 2082" may be attached using post-and-hole connections that provide precise positioning and secure mechanical engagement between the camera mounts and the second frame 2040. The post-and-hole system can enable the camera mounts to be positioned at predetermined locations on tire second frame 2040 while providing reliable attachment that can accommodate the operational forces generated during camera positioning and photography operations. The camera mounts 2080, 2080', and 2080" may be designed specifically for mobile phone mounting applications, with the camera mount camera receivers 2086, 2086', and 2086" configured to accommodate the dimensional and attachment characteristics of mobile devices rather than conventional cameras.

[0215] The photo studio 2060 may include openings in the photo studio top panel 2062 and the photo studio side panels 2066 for photography from different angles, enabling top-down photography and side-angle photography that can provide comprehensive documentation of subjects positioned within tire photo studio 2060. The additional openings can be covered when not in use to maintain controlled lighting conditions while providing access for specialized photography angles when needed. In some embodiments, the photo studio 2060 can include a front cover with a port for front photography, providing controlled access for front-facing camera positioning while maintaining the enclosed environment characteristics of the photography space.

[0216] The photo studio 2060 may include integrated or separate turntable functionality that can be positioned on the photo studio bottom panel 2064 to provide controlled rotation of photography subjects. The turntable can enable 360-degree photography that captures subjects from multiple angles without requiring manual repositioning of the subjects or cameras. In some embodiments, tire photo studio 2060 can include multiple cameras mounted internally for 360-degree photography, providing simultaneous capture from multiple angles that can be used for comprehensive product documentation or three-dimensional imaging applications. The multiple camera configuration can eliminate the need for subject rotation while providing complete angular coverage of photography subjects positioned within the photo studio 2060.

[0217] The various features provided for herein for use with the photo studio 2060, including but not limited to camera mounts, lights, and turntables, can be integrated into the photo studio 2060 such that they are part of the photo studio light box 2010 in the artwork display configuration and the photo studio configuration, while in other embodiments one or more such features may be added once the photo studio light box 2010 is in the photo studio configuration such that the components are not stowed within the structure of the photo studio light box 2010 when the photo studio light box 2010 is in the artwork display configuration.

[0218] Referring to FIG. 31 , a photo studio light box 2110 demonstrates a camera mount receiving system that provides convenient and secure positioning capabilities for photography equipment while maintaining the dual-function characteristics of artwork display and photography applications. The photo studio light box 2110 can include a first frame 2120 configured to be mounted to a wall and a second frame 2140 connected by a hinge 2130 and, if desired, a speed limiter 2134, which enable controlled rotational movement between the frames. The photo studio light box 2110 can provide tire same dual-function capabilities as other embodiments disclosed herein while incorporating an integrated camera mounting system that enhances the functionality and convenience of the photography environment.

[0219] The second frame 2140 may include a photo studio receiving portion 2144 that incorporates multiple camera mount receiving holes 2146 integrated direcdy into die structure of the photo studio receiving portion 2144. The camera mount receiving holes 2146 can be positioned at strategic locations within the photo studio receiving portion 2144 to provide multiple mounting options for camera positioning while maintaining the structural integrity of the second frame 2140. The integrated camera mount receiving holes 2146 may eliminate the need for separate mounting hardware or clamp-based attachment systems by providing dedicated mounting locations that are designed specifically for camera mount installation.

[0220] A photo studio 2160 can be positioned within the photo studio receiving portion 2144 and can include a photo studio top panel 2162, a photo studio bottom panel 2164, two photo studio side panels 2166, a photo studio back panel 2168, and a photo studio opening 2170, similar to other photo studio embodiments disclosed herein. A light source 2172 can be integrated into the photo studio 2160 and may be positioned as part of the photo studio top panel 2162 to provide controlled illumination within the photography environment. A photo studio mounting strap 2176 may provide additional support by coupling the photo studio 2160 to the first frame 2120, ensuring stable positioning of the photography environment during operation and maintaining proper alignment between the photo studio components and the frame system.

[0221] A camera mount 2180 can be configured for use with the photo studio light box 2110, for example by being configured to be removably and replaceably coupled to at least one of the first frame 2120 or the second frame 2140. The camera mount 2180 can include a camera mount base 2182, a camera mount arm 2184, and a camera mount camera receiver 2186 designed to hold a camera 2190. The camera mount base 2182 may be configured to be inserted into one of the camera mount receiving holes 2146 to securely position the camera mount 2180 with respect to the second frame 2140.

[0222] The camera mount 2180 may be movable to position the camera 2190 at different positions with respect to the photo studio 2160 disposed on the photo studio receiving portion 2144. The camera mount arm 2184 can provide controlled positioning, for example by being telescoping, that enables the camera 2190 to be oriented at various angles and distances relative to the photo studio opening 2170 for optimal photography and videography results. The camera mount camera receiver 2186 may be configured to accommodate various camera types including mobile devices, digital cameras, or other imaging equipment through standard mounting interfaces or specialized attachment mechanisms.

[0223] The camera mount receiving holes 2146 may be positioned at multiple locations within the photo studio receiving portion 2144 to provide flexibility in camera positioning and toaccommodate different photography and videography requirements. The multiple camera mount receiving holes 2146 can enable users to select tire most appropriate mounting location based on the specific photography angle, subject size, or lighting requirements for particular photography sessions. In some embodiments, at least one of the camera mount receiving holes 2146 may double as a latch release that can be configured to engage with a latch disposed on the first frame 2120 to allow the second frame 2140 to be selectively engaged and disengaged from the first frame 2120, for example at top portions of the two frames as provided for herein.

[0224] The camera mount receiving system demonstrated by the photo studio light box 2110 can provide several advantages over external clamp-based mounting systems by eliminating the need for separate mounting hardware while providing precise positioning capabilities. The camera mount receiving holes 2146 may be designed with specific dimensional characteristics that provide secure engagement with the camera mount base 2182 while enabling rapid installation and removal of the camera mount 2180. The integrated mounting system can reduce the overall complexity of the photography setup while providing reliable camera positioning that maintains stability during photography operations.

[0225] The camera mount base 2182 may be configured with dimensional characteristics that provide interference fit engagement with the camera mount receiving holes 2146, creating secure mechanical connection without requiring threaded fasteners or other retention mechanisms. The interference fit can provide adequate holding force to maintain camera positioning during photography operations while enabling controlled removal when the camera mount 2180 needs to be repositioned or removed from the photo studio light box 2110. In some embodiments, the camera mount base 2182 can include retention features such as spring -loaded detents or expandable elements that provide positive engagement with the camera mount receiving holes 2146 while enabling controlled release when removal is desired.

[0226] Referring to FIG. 32, a photo studio light box 2210 demonstrates another camera mount configuration that provides mounting capabilities when in use but can be separately stowed when not in use while maintaining the dual-function characteristics of artwork display and photography applications. The photo studio light box 2210 may be mounted to a wall 2200 and can include a first frame 2220 configured to be mounted to the wall 2200 and a second frame 2240 coimected by a hinge 2230, and if desired, a speed limiter 2234, which enable controlled rotational movement between fire frames. The photo studio light box 2210 can provide the same dualfunction capabilities as other embodiments disclosed herein while incorporating a camera mounting system that can be integrated directly into the structural components of the frame system rather than being removably attached.

[0227] The second frame 2240 may include a photo studio receiving portion 2244 that provides support and positioning for photography components when the photo studio light box 2210 is in the photo studio configuration. A photo studio 2260 can be positioned within the photo studio receiving portion 2244 and may comprise a photo studio top panel 2262, a photo studio bottom panel 2264, two photo studio side panels 2266, a photo studio back panel 2268, and a photo studio opening 2270, similar to other photo studio embodiments disclosed herein. A light source 2272 can be integrated into the photo studio 2260 and may be positioned as part of the photo studio top panel 2262 to provide controlled illumination within the photography environment. A photo studio mounting strap 2276 may provide additional support by coupling the photo studio 2260 to the first frame 2220, ensuring stable positioning of die photography environment during operation.

[0228] The photo studio light box 2210 may further comprise a camera mount 2280 diat can be integrated directly into the structure of the second frame 2240, providing secure mounting capabilities. The camera mount 2280 can include a camera mount base 2282 that may be selectively coupled and decoupled from the second frame 2240, and when decoupled, the second frame 2240, or the photo studio light box 2210 more generally, can include a channel or the like in which the camera mount 2280 can be stowed when not in use. Such a channel can be designed and positioned to receive the camera mount 2280 with die camera mount 2280 in its illustrated location, or the channel can be located anywhere within photo studio light box 2210 such diat die camera mount 2280 can be disconnected and stowed in the channel. Alternatively, a user can store the camera mount 2280 separate from the photo studio light box 2210.

[0229] A camera mount arm 2284 can extend from die second frame 2240 through the camera mount base 2282 to provide controlled positioning capabilities for photography equipment. The camera mount arm 2284 may be designed to position a camera mount camera receiver 2286 at various locations relative to the photo studio opening 2270, enabling optimal camera positioning for photography and videography operations. As shown, die arm 2284 can include at least one pivot to allow adjustment thereof, and as provided for in other embodiments, the arm 2284 may be designed with telescoping capabilities that enable extension and refraction to provide variable reach and positioning flexibility while maintaining die integrated structural characteristics of the mounting system. In some embodiments, the camera mount arm 2284 may incorporate flexible positioning mechanisms that provide continuous adjustment throughout the range of motion while maintaining the selected camera position during photography sessions. The camera mount camera receiver 2286 can be designed to hold a camera 2290, which as shown may be a mobiledevice such as a phone, and can provide secure attachment that maintains camera stability during photography sessions.

[0230] The camera mount camera receiver 2286 may be configured to accommodate various camera types including mobile devices, digital cameras, or other imaging equipment through standard mounting interfaces such as 1 / 4-20 UNC or 3 / 8-16 UNC threading. The standard threading can enable the camera mount 2280 to accommodate various camera types and sizes while maintaining secure attachment during photography operations. In some embodiments, the camera mount camera receiver 2286 can be designed specifically for mobile device mounting applications, with dimensional and attachment characteristics configured to accommodate the specific requirements of mobile phones or tablets used for photography and videography.

[0231] The camera mount 2280 can be movable to position the camera 2290 at different positions with respect to the photo studio 2260 disposed on the photo studio receiving portion 2244. The camera mount arm 2284 may provide articulation capabilities that enable the camera mount camera receiver 2286 and tire camera 2290 to be positioned at various angles and distances relative to tire photo studio opening 2270 for optimal photography and videography results. The integrated mounting system can provide consistent positioning characteristics while eliminating the potential for misalignment or instability that may occur with removable mounting systems.

[0232] The integrated camera mount 2280 configuration demonstrated by the photo studio light box 2210 can provide several advantages over removable mounting systems by eliminating the need for separate mounting hardware while providing permanent availability of camera positioning capabilities. The camera mount base 2282 being coupled directly to the second frame 2240 can ensure that camera mounting capabilities are always available when the photo studio light box 2210 is deployed to the photo studio configuration, eliminating the need to locate and install separate camera mounting components. The integrated design may also provide enhanced structural characteristics by distributing mounting loads directly through the frame structure rather than concentrating forces at attachment points used by removable mounting systems.

[0233] The integrated camera mount 2280 can be designed to stow within tire profile of tire photo studio light box 2210 when the system is in the artwork display configuration, maintaining the compact aesthetic appearance while providing immediate availability when the system is deployed to the photo studio configuration. The camera mount arm 2284 may be configured to fold or retract against the second frame 2240 when not in use, eliminating protrusion that could interfere with fire artwork display function or create an unattractive appearance when the photo studio light box 2210 is serving as wall-mounted artwork. One or more channels may be formed widiin the first and / or second frames 2220 and 2240 to accommodate tire camera mount 2280.The integrated design can provide the convenience of permanent camera mounting availability while maintaining tire dual-function characteristics that enable the photo studio light box 2210 to serve effectively as both artwork display and photography equipment.

[0234] Referring to FIGs. 33A-35B, a photo studio light box 2310 demonstrates adjustable and stowable camera mount configurations drat provide enhanced flexibility for positioning cameras while enabling compact storage when the photo studio light box 2310 is in the artwork display configuration. The photo studio light box 2310 may be configured to be mounted to a wall and can include a first frame 2320 and a second frame 2340 connected by a hinge 2330 and, if desired, a speed limiter 2334. The second frame 2340 may include a photo studio receiving portion 2344 that, in the illustrated embodiment, provides support and positioning for photography components when the photo studio light box 2310 is in the photo studio configuration. A photo studio 2360 can be disposed on the photo studio receiving portion 2344 and may comprise a photo studio top panel 2362, a photo studio bottom panel 2364, two photo studio side panels 2366, a photo studio back panel 2368, and a photo studio opening 2370, similar to other embodiments provided for herein. A light source 2372 can be integrated into the assembly and a photo studio mounting strap 2376 may connect to at least one of the frames, as shown the first frame 2320.

[0235] As illustrated in FIGs. 33A and 33B, the photo studio light box 2310 may further comprise a camera mount 2380 that demonstrates adjustable articulating arm capabilities for flexible camera positioning. The camera mount 2380 can be coupled to the structure and may feature a camera mount base 2382, a camera mount articulating arm 2384, and a camera mount camera receiver 2386 designed to hold a camera 2390. The camera mount 2380 can be configured to be removably and replaceably coupled to at least one of the first frame 2320 or the second frame 2340, providing flexibility for positioning and enabling removal when not needed for photography operations. The camera mount 2380 may be movable to position the camera 2390 at different positions with respect to the photo studio 2360 disposed on die photo studio receiving portion 2344, enabling optimal camera positioning for various photography and videography requirements.

[0236] The camera mount articulating arm 2384 can provide controlled positioning fliat enables the camera 2390 to be oriented at various angles and distances relative to the photo studio opening 2370 for optimal photography and videography results. FIG. 33A shows the camera mount articulating arm 2384 in a first position, while FIG. 33B demonstrates die camera mount articulating arm 2384 moved upward toward the photo studio top panel 2362, thus placing the camera 2390 at a different location for taking pictures or videos. The adjustable posifioningcapability of the camera mount articulating arm 2384 may enable users to select optimal camera angles and distances based on the specific requirements of photography subjects and lighting conditions within the photo studio 2360.

[0237] With reference to FIGs. 34A and 34B, die photo studio light box 2310 may incorporate a camera mount 2380' drat demonstrates stowable configuration capabilities for compact storage when the photo studio light box 2310 is in the artwork display configuration. The camera mount 2380' can feature a camera mount base 2382', a camera mount articulating arm 2384', and a camera mount camera receiver 2386' designed to hold a camera. The camera mount 2380' may be configured to be moved from a stowed configuration when the photo studio light box 2310 is in the artwork display configuration and a use configuration when the photo studio light box 2310 is in the photo studio configuration.

[0238] As shown in FIG. 34A, die camera mount 2380' may be disposed in the stowed configuration in which the camera mount 2380' can be substantiady flush with the second frame 2340, allowing the camera mount 2380' to be stowed within the photo studio light box 2310 when the photo studio light box 2310 is in the artwork display configuration. The camera mount base 2382' can be disposed on one side of the second frame 2340 and the camera mount camera receiver 2386' may be disposed on an opposite side of the second frame 2340 in the stowed configuration, creating a compact profile that does not interfere with the connection between the two frames 2320 and 2340 or the artwork display function of the system. FIG. 34B demonstrates die camera mount 2380' moved from the stowed configuration to the use configuration, with die camera mount articulating arm 2384' moved upward toward die photo studio top panel 2362, thus moving the camera mount 2380' to a position where a camera 2390' can be engaged by die camera mount camera receiver 2386' and positioned at a desired location for photography operations.

[0239] Referring to FIGs. 35A and 35B, the photo studio light box 2310 may include a camera mount 2380" that provides centrally-mounted articulating capabilities with rotational adjustment features. The camera mount 2380" can feature a camera mount base 2382", a camera mount articulating arm 2384", and a camera mount camera receiver 2386" designed to hold a camera. The location of the camera mount base 2382" may be more central with respect to the second frame 2340 as compared to the camera mount bases 2382 and 2382' of the other camera mount configurations, providing different positioning characteristics and rotational capabilities.

[0240] FIG. 35A shows the camera mount 2380" in a first position, while FIG. 35B demonstrates the camera mount articulating arm 2384" moved in a clockwise direction, as illustrated by an articulating arm movement arrow 2385", toward die photo studio side panel2366, thus moving the location of the camera mount camera receiver 2386". A camera 2390" can be engaged by tire camera mount camera receiver 2386" and positioned at a desired location for taking pictures or videos by moving the camera mount articulating arm 2384" in the direction indicated by the articulating arm movement arrow 2385". The rotational adjustment capability of the camera mount articulating arm 2384" may enable precise positioning of the camera 2390" around the photo studio opening 2370 to accommodate different photography angles and subject arrangements.

[0241] The various camera mount configurations demonstrated by the camera mounts 2380, 2380', and 2380" can provide flexibility for different photography requirements while accommodating tire dual-function characteristics of the photo studio light box 2310. The adjustable articulating arm configuration of the camera mount 2380 may be suitable for applications where frequent repositioning of cameras is needed during photography sessions. The stowable configuration of the camera mount 2380' can be advantageous for installations where maintaining a compact profile during the artwork display configuration may be important for aesthetic or space considerations. The centrally-mounted articulating configuration of the camera mount 2380" may provide enhanced rotational positioning capabilities that enable comprehensive angular coverage around the photo studio opening 2370. The designs of these different mounts can be mixed and matched, as can designs of other mounts provided for herein.

[0242] The photo studio 2360, or other photo studios provided for herein, may include digital backgrounds using backlit or reflective panels that can provide dynamic background options for photography and videography operations. Digital background systems can enable users to change background content electronically without requiring physical replacement of background materials, providing flexibility for different photography themes or subject requirements. The backlit panels may incorporate electronic display technology that can present digital images, videos, or other electronic content as backgrounds for photography subjects positioned within the photo studio 2360. Reflective panels can be configured to reflect available light from the light source 2372 or other lighting systems to create illuminated background effects that enhance the photography environment. The foregoing notwithstanding, although tire present application describes photo studios like the photo studio 2360 as being able to have one or more light sources incorporated therein or otherwise associated therewith, and although various embodiments are referred to as photo studio light boxes, in at least some embodiments no light may be provided, or at least no light may be integrated as part of the photo studio.

[0243] The photo studio 2360, or other photo studios provided for herein, may be designed as a removable component for transport to other locations, enabling users to utilize the photographyenvironment in different settings beyond the wall-mounted photo studio light box 2310. The removable design can provide portability diat allows tire photo studio 2360 to be used for field photography, temporary installations, or other applications where the controlled lighting and background characteristics of the photo studio environment may be beneficial. The photo studio mounting strap 2376 and other attachment mechanisms may be configured to enable rapid removal and reinstallation of the photo studio 2360 while maintaining proper alignment and positioning when the component is returned to the photo studio receiving portion 2344.Alternatively, or additionally, die entire box 2310, or odier photo studio light boxes provided for herein, can be used as a standalone rather than mounted to a wall.

[0244] In some embodiments, the photo studio 2360, or other photo studios provided for herein, may include a grid interior of known dimensions for VR / MR / AR applications and 3D mapping operations. The grid interior can provide reference points and dimensional standards that enable accurate mapping of three-dimensional environments and objects positioned within the photo studio 2360. The known dimensions of the grid system may facilitate precise measurement and scaling of photography subjects for virtual reality, mixed reality, and augmented reality applications that require accurate dimensional data. The grid interior can be used for interacting with scale models and environments, live editing of digital assets, entertainment purposes, and other applications that benefit from controlled dimensional references and 3D mapping capabilities.

[0245] The photo studio 2360, or other photo studios provided for herein, may include permanent background colors integrated into interior surfaces instead of removable backgrounds, providing simplified operation that eliminates the need for separate background materials. The permanent background integration can reduce setup time and eliminate the risk of wrinkling or misalignment that may occur with removable background systems. The integrated background colors may be selected to provide optimal photography characteristics for common subject types while maintaining consistent appearance throughout the operational life of the photo studio 2360. In some embodiments, multiple permanent background colors can be integrated into different interior surfaces, enabling users to select appropriate background characteristics by positioning photography subjects relative to different interior surfaces of the photo studio 2360.

[0246] The photo studio 2360, or other photo studios provided for herein, may include cyclorama-style curved backgrounds to eliminate seams and provide seamless background transitions for photography subjects. The curved background configuration can create more natural lighting distributions and eliminate the sharp comers that can create distinct shadow patterns in traditional rectangular photo studios. Cyclorama-style backgrounds may providesmooth transitions between the photo studio bottom panel 2364, the photo studio side panels 2366, and the photo studio back panel 2368, creating a continuous curved surface that eliminates visible seam lines in photographs. The seamless background characteristics can enhance the professional appearance of photography results while reducing the need for post-processing to eliminate unwanted background elements or shadow lines that may be created by traditional rectangular photo studio configurations.

[0247] PHOTO STUDIO LIGHT BOX KITS

[0248] The photo studio light box systems disclosed herein may be provided as comprehensive kits that include multiple components and accessories to enable complete photography and artwork display functionality. The kits can include the primary photo studio light box components such as the first frame, second frame, hinge mechanisms or other such coupling mechanisms to be used to move the second frame with respect to the first frame, and integrated photo studio components, such as photo studios, providing users with all necessary structural elements for wall-mounted installation and operation. The kit approach may enable manufacturers to offer complete solutions while allowing users to select specific configurations that match their particular photography requirements and aesthetic preferences.

[0249] The kits may include interchangeable artwork components designed for use in conjunction with the display panel, enabling users to customize the appearance of their wall-mounted photo studio light box systems. The interchangeable artwork can include prefabricated images, prints, photographs, drawings, mirrors, or other visual content that can be easily installed and replaced within the display panel framework. In some embodiments, the kits may include blank display panels or mounting systems that accommodate user-provided artwork, enabling personalization with custom images, family photographs, or artistic works selected by the user. The interchangeable artwork components can be designed with standardized dimensions and mounting features that ensure compatibility with tire display panel systems across different photo studio light box configurations.

[0250] The kits may include multiple camera mount options that provide flexibility for different photography applications and user preferences. The camera mount components can include removable and replaceable camera mounts with various articulating arm configurations, mounting bases designed for different attachment methods, and camera receivers configured to accommodate different camera types including mobile devices and digital cameras. The kit approach may enable users to select camera mounting solutions that match their specific photography equipment and operational requirements while providing tire option to upgrade or modify camera mounting capabilities as needs change over time.

[0251] In some embodiments, the kits can include multiple photo studio components widi different sizes, configurations, or material specifications, enabling users to select photography environments that match their subject matter and operational requirements. The photo studio components may include collapsible photo studios with different internal dimensions, lighting systems with various illumination characteristics, and background materials with different colors or surface properties. The modular kit approach can enable users to configure their wall-mounted photo studio light box systems for specific applications such as product photography, portrait photography, or specialized documentation requirements.

[0252] The kits may include wall mounting hardware and brackets designed to accommodate different wall construction types and installation environments, including but not limited to mounting hardware disclosed herein. The mounting components can include various bracket configurations, fasteners suitable for different wall materials, and installation tools or templates that facilitate proper positioning and alignment during installation. The comprehensive mounting hardware inclusion may ensure that users have all necessary components for secure wall attachment regardless of their specific installation conditions.102531 The kits can include instruction materials, assembly guides, and operational documentation that provide users with comprehensive information for installation, configuration, and operation of their wall-mounted photo studio light box systems. The documentation may include visual assembly instructions, photography technique guides, and troubleshooting information that enables users to maximize the functionality and performance of their systems. In some embodiments, the kits may include digital access codes or links to online resources that provide additional support materials, software applications, or community forums where users can share photography techniques and system modifications.

[0254] METHODS OF USING PHOTO STUDIO LIGHT BOXES

[0255] The photo studio light box systems disclosed herein can be operated through various methods drat enable users to transition between artwork display and photography configurations while providing controlled environments for capturing images and videos. The methods of using these photo studio systems may incorporate multiple operational sequences that accommodate different deployment configurations and mechanisms, photo studio configurations, and user preferences while maintaining the dual-function characteristics that enable the systems to serve as both decorative wall art and functional photography and videography equipment.

[0256] A method of using a photo studio may comprise moving a second frame with respect to a first frame to expose a photo studio side of the second frame, where the photo studio side of thesecond frame is not accessible for use prior to moving the second frame. The movement of die second frame can be accomplished dirough various mechanisms depending on the specific configuration of tire wall-mounted photo studio light box system. In some embodiments, moving the second frame with respect to the first frame may comprise rotating the second frame with respect to the first frame to cause the second frame to be disposed at an angle with respect to the first frame, such as approximately in the range of about 45 degrees to about 180, including about 90 degrees in some instances. The rotational movement can be facilitated through hinge connections tiiat enable controlled movement between die frames while maintaining structural stability throughout die transition process.

[0257] The metiiod may include moving die second frame witii respect to the first frame by moving die second frame away from the first frame while maintaining a substantiady parallel configuration between die first frame and the second frame. This parallel translation approach can provide different structural characteristics and deployment advantages compared to rotational movement systems, offering flexibility for various installation environments and user preferences. The parallel movement can be accomplished through linear guides, tracks, or sliding mechanisms that provide smooth and controlled movement while supporting the weight of the second frame and associated components.

[0258] In some embodiments, moving the second frame with respect to the first frame may comprise rotating a first door of the second frame with respect to the first frame and rotating a second door of the second frame with respect to the first frame to cause each of the first and second doors to form an angle with the first frame that is at least about 90 degrees (it can also be less than 90 degrees in some instances). The double door configuration can provide enhanced access to the photo studio receiving portion while enabling the outer surfaces of the doors to combine and form a unified display panel when the system is in the artwork display configuration. The coordinated movement of multiple doors can create larger openings for photo studio deployment while maintaining the compact profile needed for effective artwork display functionality.

[0259] The method may further comprise one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing the photo studio to deploy into an expanded state. This can include, for example, placing a photo studio on the photo studio side, although in some embodiments, placement of the photo studio may not involve actually engaging the photo studio side. In instances where the photo studio is caused to deploy into an expanded state, the deployment approach can vary depending on whether the photo studio is integrated into the photo studio light box or is provided as a separate component that is positioned after thesecond frame is moved to expose the photo studio side. In embodiments where the photo studio is integrated into the system, causing tire photo studio to deploy into the expanded state may occur automatically as tire second frame moves with respect to tire first frame, providing integrated operation that eliminates the need for separate deployment steps. This integrated deployment approach can provide automatic expansion of the photo studio components as the frame movement creates the necessary space and positioning for the photography environment. The automatic deployment can be accomplished through mechanical linkages, spring-loaded mechanisms, or other systems that translate the frame movement into photo studio expansion without requiring separate user actions.

[0260] Alternatively, in embodiments where die photo studio is integrated into the system, causing die photo studio to deploy into the expanded state may occur after die second frame is positioned at a location that exposes the photo studio side of the second frame and there is space for the photo studio to expand and be in a useable form. This alternative approach can provide user control over the timing of photo studio deployment, enabling the second frame to be positioned before the photo studio components are expanded into their operational configuration. The sequential deployment process may be advantageous for applications where precise positioning of the photo studio components may be needed or where die deployment process requires user intervention to ensure proper alignment and configuration.

[0261] The method may further comprise operating a camera to at least one of take pictures or videos of one or more objects disposed in the photo studio. The camera operation can be facilitated through various camera mounting systems that position imaging equipment at optimal locations relative to the photo studio opening and photography subjects. The camera mounting systems can include removable and replaceable camera mounts that provide flexible positioning capabilities, integrated camera mounts that provide permanent availability of camera positioning features, and / or camera mount receiving systems that enable convenient installation and removal of camera equipment.

[0262] The method may include positioning the camera using articulating arms, telescoping mechanisms, and / or flexible positioning systems that enable precise camera placement for optimal photography and videography results. The camera positioning capabilities can accommodate various camera types including mobile devices, digital cameras, or other imaging equipment through standard mounting interfaces or specialized attachment mechanisms. The camera operation may include capturing images from multiple angles by repositioning the camera or using multiple cameras positioned at different locations relative to the photo studio opening.

[0263] In some embodiments, the method may further comprise providing charging power to one or more electronics placed on the photo studio. The charging power can be provided through wireless power pads integrated into the photo studio bottom panel or other surfaces within the photography environment. The wireless charging capability can enable convenient power access for mobile devices, camera batteries, or other electronic equipment used during photography sessions without requiring separate charging cables or adapters. The power management features can be integrated into the same electrical system that supplies power to lighting components and other photo studio light box functions, providing coordinated operation that can be controlled through unified interface systems.

[0264] The method may further comprise activating a light source integrated into tire photo studio to illuminate tire photo studio. The light source activation can be accomplished automatically when the photo studio is deployed to die expanded state, or the light source can be controlled manually dirough switches, remote controls, or wireless communication systems. The integrated lighting can provide controlled illumination conditions that enhance photography and videography operations by creating uniform lighting distribution and reducing unwanted shadows on subjects positioned within the photo studio. The light source may be dimmable with adjustable color temperature settings, enabling users to customize the lighting characteristics to match specific photography requirements or subject matter.

[0265] The lighting control capabilities may include wireless operation through mobile devices, apps, or cameras using Bluetooth or other wireless communication protocols, enabling remote adjustment of lighting parameters without physically accessing the light source components. The integrated lighting system can provide various lighting configurations including perimeter lighting, edge lighting, or backlighting that can enhance the photography environment while providing consistent illumination characteristics throughout photography sessions. The light source activation and control can be coordinated with other photo studio light box functions to provide integrated operation that simplifies the photography setup process.

[0266] The method can further include removing the photo studio from the location accessible in view of the photo side being exposed and moving the second frame wrth respect to the first frame to allow a display panel of the second frame to be visible artwork. Alternatively, the method can further include causing the photo studio to return to a collapsed state in conjunction with moving the second frame with respect to the first frame to allow a display panel of the second frame to be visible as artwork. The return to the artwork display configuration can restore the decorative appearance of the wall-mounted photo studio light box system while concealing the photography components for compact storage. The photo studio removal or collapse processcan be accomplished manually by the user or may occur automatically as part of tire frame movement sequence.

[0267] In some embodiments, moving tire second frame with respect to the first frame may cause the photo studio to return to a collapsed state such that tire photo studio is in the collapsed state when the display panel of the second frame is visible as artwork. This integrated stowage approach can eliminate separate collapse operations by coordinating the photo studio collapse with the frame movement that returns the system to the artwork display configuration. The automatic collapse capability can be accomplished through mechanical linkages, spring-loaded mechanisms, or other systems that translate the frame movement into photo studio collapse without requiring separate user actions.

[0268] The method sequences can be adapted to accommodate various deployment mechanisms including upward hinging, downward hinging, sideways hinging, parallel translation, and double door configurations. Each deployment mechanism may provide different access characteristics and operational advantages that can be selected based on installation environments, user preferences, and specific photography requirements. The flexibility in deployment approaches can enable the wall-mounted photo studio light box systems to be adapted for various mounting locations and operational conditions while maintaining consistent photography capabilities.

[0269] The methods of using photo studio light box systems can include additional operational features such as turntable activation for 360-degree photography, background selection for digital display systems, and camera mount positioning for optimal imaging angles. The integrated operation of these features can provide comprehensive photography solutions that rival dedicated photo studio equipment while maintaining the space-efficient characteristics that enable the systems to function as decorative wall art when photography capabilities are not needed. The methods can accommodate various photography subjects and applications, from small product photography to larger items, depending on tire specific dimensions and configuration of the deployed photo studio space.

[0270] Examples of the above-described embodiments can include the following:1. A wall-mounted photo studio system, comprising:a first frame configured to be mounted to a wall; anda second frame movably coupled to the first frame, the second frame having a display panel on a first side and a photo studio side on a second side opposite the first side;wherein the second frame is movable with respect to the first frame to move the wall-mounted photo studio system between an artwork display configuration in which the displaypanel is visible while the photo studio side hidden and a photo studio configuration in which at least one of a top portion, a bottom portion, and a side portion of tire second frame is further away from a respective top portion, a bottom portion, and a side portion of tire first frame as compared to locations of the respective top portions, bottom portions, and side portions of the first and second frames in the artwork display configuration and the photo studio side is accessible and a location is provided for a photo studio to be used in conjunction with taking at least one of pictures or videos.2. The wall-mounted photo studio system of example 1, further comprising a collapsible photo studio disposed between the first frame and the second frame, the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration3. The wall-mounted photo studio system of example 2, wherein the photo studio is configured to be in an expanded state when the photo studio system is in fire photo studio configuration, tire photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio.4. The wall-mounted photo studio system of example 3, wherein the photo studio is integrated into at least one of tire first frame or tire second frame such that it is configured to automatically deploy from tire collapsed state to the expanded state as the second frame moves with respect to the first frame and the photo studio system moves from tire artwork display configuration to the photo studio configuration.5. The wall-mounted photo studio system of example 3, wherein the photo studio is configured to be deployed to the expanded state after the photo studio system moves from tire artwork display configuration to tire photo studio configuration.6. The wall-mounted photo studio system of example 3,wherein tire photo studio back panel is integrated with the first frame, andwherein the second frame is configured to move with respect to the first frame by the entire frame moving outward, thereby maintaining a substantially parallel configuration between the first frame and the second frame in the photo studio configuration such that the collapsible photo studio is moved to the expanded state and at least a portion of the display panel is at least one of removed to form the photo studio opening or the photo studio opening is included as part of the display panel.7. The wall-mounted photo studio system of example 3, wherein the second frame comprises a first door and a second door such that an outer surface of tire first door and an outer surface of the second door comprise the display panel and an inner surface of the first door and an inner surface of the second door comprise the photo studio side, the photo studio system further comprisesa first hinge connecting the first door to the first frame, anda second hinge connecting the second door to the first frame, the first and second hinges enabling the respective first and second doors to rotate with respect to the first frame to move the wall-mounted photo studio system between tire artwork display configuration and the photo studio configuration, the first and second doors forming an angle with the first frame that is at least about 90 degrees in the photo studio configuration.8. The wall-mounted photo studio system of example 7, wherein the photo studio is integrated into at least one of the first frame or the first and second doors such that it is configured to automatically deploy from the collapsed state to tire expanded state as the first and second doors move with respect to the first frame and the photo studio system moves from the artwork display configuration to tire photo studio configuration.9. The wall-mounted photo studio system of example 7, wherein the photo studio is configured to be deployed to the expanded state after the photo studio system moves from the artwork display configuration to the photo studio configuration.10. The wall-mounted photo studio system of any of examples 2 to 9, further comprising a light source integrated into the photo studio and configured to illuminate the photo studio.11. The wall-mounted photo studio system of example 10, wherein the light source is configured to automatically turn on at least one of as the photo studio moves to the expanded state or when the photo studio is in the expanded state.12. The wall-mounted photo studio system of any of examples 2 to 11, further comprising a power pad integrated into the photo studio and configured to provide wireless power to an object disposed thereon.13. The wall-mounted photo studio system of any of examples 2 to 12, further comprising a turntable at least one of disposed on or integrated into the photo studio bottom panel of the photo studio.14. The wall-mounted photo studio system of example 1, further comprising a hinge connecting the first frame to die second frame, die hinge enabling the second frame to rotate with respect to the first frame to move the wall-mounted photo studio system between die artwork display configuration and the photo studio configuration, the second frame forming an angle widi the first frame that is approximately in the range of about 45 degrees to about 180 degrees, and the photo studio side being accessible for at least one of receiving or holding a photo studio, in the photo studio configuration.15. The wall-mounted photo studio system of example 14, further comprising a collapsible photo studio disposed between the first frame and the second frame, the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration.16. The wall-mounted photo studio system of example 15, wherein the photo studio is configured to be in an expanded state when the photo studio system is in the photo studio configuration, the photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio.17. The wall-mounted photo studio system of example 16, wherein the photo studio is integrated into at least one of the first frame or die second frame such diat it is configured to automatically deploy from the collapsed state to the expanded state as the second frame rotates widi respect to the first frame as die photo studio system moves from the artwork display configuration to the photo studio configuration.18. The wall-mounted photo studio system of example 16, wherein the photo studio is configured to be deployed to the expanded state after the photo studio system moves from die artwork display configuradon to die photo studio configuration.19. The wall-mounted photo studio system of any of examples 15 to 18, further comprising a light source integrated into the photo studio and configured to illuminate the photo studio.20. The wall-mounted photo studio system of example 20, wherein the light source is configured to automatically turn on at least one of as the photo studio moves to the expanded state or when the photo studio is in the expanded state.21. The wall-mounted photo studio system of any of examples 15 to 20, further comprising a power pad integrated into the photo studio and configured to provide wireless power to an object disposed thereon.22. The wall-mounted photo studio system of any of examples 15 to 21, further comprising a turntable at least one of disposed on or integrated into the photo studio bottom panel of the photo studio.23. The wall-mounted photo studio system of any of examples 1 to 22, further comprising a wall mounting bracket configured to mount the first frame to the wall, the wall mounting bracket including a cleat extending from an upper portion of the wall mounting bracket.24. The wall-mounted photo studio system of example 23, wherein the first frame includes a corresponding mounting feature configured to engage with tire cleat to secure the first frame to the wall mounting bracket.25. The wall-mounted photo studio system of any of examples 1 to 24, further comprising a camera mount configured to be removably and replaceably coupled to at least one of the first frame or the second frame, the camera mount being movable to position a camera at different positions with respect to a photo studio disposed on the photo studio side.26. The wall-mounted photo studio system of any of examples 1 to 25, further comprising a camera mount coupled to at least one of the first frame and the second frame, the camera mount being configured to be moved from a stowed configuration when the photo studio system is in an artwork display configuration and a use configuration when the photo studio system is in a photo studio configuration.27. The wall-mounted photo studio system of any of examples 1 to 26, further comprising:a latch disposed on one of the first frame and the second frame; anda latch release disposed on the other of the first frame and the second frame and configured to be selectively engaged and disengaged from the latch,wherein tire latch release is configured to be engaged with the latch when the photo studio system is in the artwork display configuration and the latch release is configured to be disengaged from the latch when tire photo studio system is in the photo studio light configuration.28. The wall-mounted photo studio system of any of examples 1 to 27, wherein the display panel comprises a prefabricated image that serves as artwork.29. The wall-mounted photo studio system of any of examples 1 to 28, wherein the display panel is configured to allow for artwork to be added as part of the display panel.30. The wall-mounted photo studio system of example 29, wherein the display panel is configured to allow for the artwork to be a physical art specimen.31. The wall-mounted photo studio system of example 29, wherein the display panel is configured to allow for the artwork to be digital.32. A method of using a photo studio, comprising:moving a second frame with respect to a first frame to expose a photo studio side of the second frame, the photo studio side of the second frame not being accessible for use prior to moving the second frame;one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state; andoperating a camera to at least one of take pictures or videos of one or more objects disposed in the photo studio.33. The method of example 32, wherein one of placing a photo studio at a location accessible in view of die photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state further comprises deploying the photo studio into the expanded state after the second frame is moved to expose the photo studio side.34. The mediod of example 32, wherein one of placing a photo studio at a location accessible in view of die photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state further comprises causing the photo studio to deploy into the expanded state by performing the action of moving the second frame with respect to the first frame to expose the photo studio side of the second frame.35. The method of example 34, wherein moving die second frame widi respect to the first frame comprises moving die second frame away from the first frame while maintaining a substantially parallel configuration between the first frame and the second frame.36. The method of any of examples 29 to 35, wherein moving a second frame with respect to a first frame comprises rotating a first door of the second frame with respect to the first frame androtating a second door of the second frame with respect to the first frame to cause each of the first and second doors to form an angle with the first frame that is at least about 90 degrees.37. The method of any of examples 29 to 35, wherein moving a second frame with respect to a first frame comprises rotating the second frame with respect to the first frame to cause the second frame to form an angle with the first frame that is approximately in the range of about 45 degrees to about 180 degrees.38. The method of any of examples 29 to 37, further comprising providing charging power to one or more electronics placed on the photo studio.39. The method of any of examples 29 to 38, further comprising activating a light source integrated into the photo studio to illuminate the photo studio in conjunction with the photo studio being deployed into the expanded state.40. The method of any of examples 29 to 39, further comprising:one or removing the photo studio from the location accessible in view of the photo studio side being exposed or causing die photo studio to return to a collapsed state; andmoving die second frame widi respect to the first frame to allow a display panel of die second frame to be visible as artwork.41. The method of example 40, wherein moving the second frame with respect to the first frame causes the photo studio to return to a collapsed state such that the photo studio is in the collapsed state when the display panel of the second frame is visible as artwork.

[0271] One skilled in the art will appreciate further features and advantages of the disclosure based on the above-described embodiments. Accordingly, the disclosure is not to be limited by what has been particularly shown and described, except as indicated by the appended claims. By way of example, the wall-mounted photo studio systems can be adapted for use as green screen deployment systems for content creation, baby changing stations that hinge down from decorative wall art, three-dimensional play environments that deploy from children's artwork, or other functional systems that benefit from concealed storage behind decorative displays. A person skilled in the art, in view of the present disclosures, will be able to adapt some or all of the various systems and methods disclosed herein for different sizes and configurations of photo studios, alternative mounting mechanisms, various types of collapsible structures, different camera mounting systems, alternative lighting configurations, and integration with virtual reality,mixed reality, and augmented reality applications. All publications and references cited herein are expressly incorporated herein by reference in dieir entirety.

Claims

CLAIMSWhat is claimed is:

1. A wall-mounted photo studio system, comprising:a first frame configured to be mounted to a wall; anda second frame movably coupled to the first frame, the second frame having a display panel on a first side and a photo studio side on a second side opposite the first side;wherein the second frame is movable with respect to the first frame to move the wall-mounted photo studio system between an artwork display configuration in which the display panel is visible while the photo studio side hidden and a photo studio configuration in which at least one of a top portion, a bottom portion, and a side portion of the second frame is further away from a respective top portion, a bottom portion, and a side portion of the first frame as compared to locations of tire respective top portions, bottom portions, and side portions of the first and second frames in the artwork display configuration and the photo studio side is accessible and a location is provided for a photo studio to be used in conjunction with taking at least one of pictures or videos.

2. The wall-mounted photo studio system of claim 1 , further comprising a collapsible photo studio disposed between die first frame and the second frame, the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration3. The wall-mounted photo studio system of claim 2, wherein the photo studio is configured to be in an expanded state when die photo studio system is in the photo studio configuration, die photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio.

4. The wall-mounted photo studio system of claim 3, wherein the photo studio is integrated into at least one of the first frame or die second frame such that it is configured to automatically deploy from the collapsed state to die expanded state as die second frame moves with respect to the first frame and die photo studio system moves from the artwork display configuration to the photo studio configuration.

5. The wall-mounted photo studio system of claim 3, wherein the photo studio is configured to be deployed to the expanded state after the photo studio system moves from die artwork display configuration to die photo studio configuration.

6. The wall-mounted photo studio system of claim 3,wherein the photo studio back panel is integrated with the first frame, andwherein the second frame is configured to move with respect to the first frame by the entire frame moving outward, thereby maintaining a substantially parallel configuration between the first frame and the second frame in the photo studio configuration such that the collapsible photo studio is moved to the expanded state and at least a portion of the display panel is at least one of removed to form the photo studio opening or the photo studio opening is included as part of the display panel.

7. The wall-mounted photo studio system of claim 3, wherein the second frame comprises a first door and a second door such that an outer surface of the first door and an outer surface of the second door comprise the display panel and an inner surface of the first door and an inner surface of the second door comprise the photo studio side, the photo studio system further comprises a first hinge connecting the first door to the first frame, anda second hinge connecting the second door to the first frame, the first and second hinges enabling tire respective first and second doors to rotate with respect to the first frame to move tire wall-mounted photo studio system between the artwork display configuration and the photo studio configuration, the first and second doors forming an angle with the first frame that is at least about 90 degrees in the photo studio configuration.

8. The wall-mounted photo studio system of claim 7, wherein the photo studio is integrated into at least one of the first frame or die first and second doors such that it is configured to automatically deploy from the collapsed state to the expanded state as the first and second doors move widr respect to the first frame and the photo studio system moves from die artwork display configuration to the photo studio configuration.

9. The wall-mounted photo studio system of claim 7, wherein the photo studio is configured to be deployed to die expanded state after die photo studio system moves from die artwork display configuration to the photo studio configuration.

10. The wall-mounted photo studio system of claim 2, further comprising a light source integrated into the photo studio and configured to illuminate the photo studio.

11. The wad-mounted photo studio system of claim 10, wherein the light source is configured to automatically turn on at least one of as the photo studio moves to the expanded state or when the photo studio is in the expanded state.

12. The wall-mounted photo studio system of claim 2, further comprising a power pad integrated into the photo studio and configured to provide wireless power to an object disposed thereon.

13. The wall-mounted photo studio system of claim 2, further comprising a turntable at least one of disposed on or integrated into the photo studio bottom panel of the photo studio.

14. The wall-mounted photo studio system of claim 1, further comprising a hinge connecting the first frame to the second frame, the hinge enabling the second frame to rotate with respect to the first frame to move the wall-mounted photo studio system between the artwork display configuration and the photo studio configuration, the second frame forming an angle with the first frame that is approximately in the range of about 45 degrees to about 180 degrees, and the photo studio side being accessible for at least one of receiving or holding a photo studio, in tire photo studio configuration.

15. The wall-mounted photo studio system of claim 14, further comprising a collapsible photo studio disposed between the first frame and the second frame, the photo studio being in a collapsed state when the photo studio system is in the artwork display configuration.

16. The wall-mounted photo studio system of claim 15, wherein the photo studio is configured to be in an expanded state when the photo studio system is in the photo studio configuration, the photo studio including a photo studio top panel, a photo studio bottom panel, two photo studio side panels, a photo studio back panel, and a photo studio opening configured to have a camera positioned nearby such that the camera can take at least one of pictures or videos of one or more objects disposed in the photo studio.

17. The wall-mounted photo studio system of claim 16, wherein the photo studio is integrated into at least one of the first frame or the second frame such that it is configured to automatically deploy from the collapsed state to the expanded state as the second frame rotates with respect to the first frame as the photo studio system moves from the artwork display configuration to the photo studio configuration.

18. The wall-mounted photo studio system of claim 16, wherein the photo studio is configured to be deployed to the expanded state after the photo studio system moves from the artwork display configuration to the photo studio configuration.

19. The wall-mounted photo studio system of claim 15, further comprising a light source integrated into the photo studio and configured to illuminate the photo studio.

20. The wall-mounted photo studio system of claim 19, wherein the light source is configured to automatically turn on at least one of as the photo studio moves to the expanded state or when the photo studio is in the expanded state.

21. The wall-mounted photo studio system of claim 15, further comprising a power pad integrated into the photo studio and configured to provide wireless power to an object disposed thereon.

22. The wall-mounted photo studio system of claim 15, further comprising a turntable at least one of disposed on or integrated into the photo studio bottom panel of the photo studio.

23. The wall-mounted photo studio system of claim 1, further comprising a wall mounting bracket configured to mount the first frame to the wall, the wall mounting bracket including a cleat extending from an upper portion of tire wall mounting bracket.

24. The wall-mounted photo studio system of claim 23, wherein the first frame includes a corresponding mounting feature configured to engage with the cleat to secure the first frame to the wall mounting bracket.

25. The wall-mounted photo studio system of claim 1 , further comprising a camera mount configured to be removably and replaceably coupled to at least one of the first frame or the second frame, the camera mount being movable to position a camera at different positions with respect to a photo studio disposed on the photo studio side.

26. The wall-mounted photo studio system of claim 1, further comprising a camera mount coupled to at least one of the first frame and the second frame, the camera mount being configured to be moved from a stowed configuration when the photo studio system is in an artwork display configuration and a use configuration when the photo studio system is in a photo studio configuration.

27. The wall-mounted photo studio system of claim 1, further comprising:a latch disposed on one of the first frame and the second frame; anda latch release disposed on the other of the first frame and the second frame and configured to be selectively engaged and disengaged from the latch,wherein the latch release is configured to be engaged with the latch when the photo studio system is in the artwork display configuration and the latch release is configured to be disengaged from the latch when the photo studio system is in the photo studio light configuration.

28. The wall-mounted photo studio system of claim 1, wherein the display panel comprises a prefabricated image that serves as artwork.

29. The wall-mounted photo studio system of claim 1, wherein the display panel is configured to allow for artwork to be added as part of the display panel.

30. The wall-mounted photo studio system of claim 29, wherein the display panel is configured to allow for the artwork to be a physical art specimen.

31. The wall-mounted photo studio system of claim 29, wherein the display panel is configured to allow for the artwork to be digital.

32. A method of using a photo studio, comprising:moving a second frame with respect to a first frame to expose a photo studio side of the second frame, the photo studio side of the second frame not being accessible for use prior to moving the second frame;one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of the first frame or the second frame to deploy into an expanded state; andoperating a camera to at least one of take pictures or videos of one or more objects disposed in the photo studio.

33. The method of claim 32, wherein one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of tire first frame or the second frame to deploy into an expanded state further comprises deploying the photo studio into the expanded state after the second frame is moved to expose the photo studio side.

34. The method of claim 32, wherein one of placing a photo studio at a location accessible in view of the photo studio side being exposed or causing a photo studio coupled to at least one of tire first frame or the second frame to deploy into an expanded state further comprises causing the photo studio to deploy into the expanded state by performing the action of moving the second frame with respect to the first frame to expose the photo studio side of the second frame.

35. The method of claim 34, wherein moving the second frame with respect to the first frame comprises moving the second frame away from the first frame while maintaining a substantially parallel configuration between the first frame and the second frame.

36. The method of claim 32, wherein moving a second frame with respect to a first frame comprises rotating a first door of tire second frame with respect to the first frame and rotating a second door of the second frame with respect to the first frame to cause each of the first and second doors to form an angle with the first frame that is at least about 90 degrees.

37. The method of claim 32, wherein moving a second frame with respect to a first frame comprises rotating the second frame with respect to the first frame to cause the second frame to form an angle with the first frame that is approximately in tire range of about 45 degrees to about 180 degrees.

38. The method of claim 32, further comprising providing charging power to one or more electronics placed on the photo studio.

39. The method of claim 32, further comprising activating a light source integrated into the photo studio to illuminate the photo studio in conjunction with tire photo studio being deployed into the expanded state.

40. The method of claim 32, further comprising:one or removing the photo studio from the location accessible in view of the photo studio side being exposed or causing the photo studio to return to a collapsed state; andmoving the second frame with respect to tire first frame to allow a display panel of the second frame to be visible as artwork.

41. The method of claim 40, wherein moving the second frame with respect to the first frame causes the photo studio to return to a collapsed state such that the photo studio is in the collapsed state when the display panel of the second frame is visible as artwork.

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