Processing and mounting structure of semi-stereoscopic calligraphy works

Abstract

The utility model discloses a semi-stereoscopic calligraphy work processing and mounting structure which comprises a processing assembly and a mounting assembly, the processing assembly comprises a pattern, and a calligraphy manuscript is arranged on the pattern; the transparent plate covers the pattern; the transparent film covers the transparent plate; the calligraphy painting core is arranged above the transparent film and comprises a plurality of three-dimensional strokes, and the three-dimensional strokes have vertical thickness and comprise a plurality of mutually bonded strip-shaped mixed fiber velveteen; according to the utility model, the work is manufactured by adopting a front facsimile mode, the operation difficulty is lower, a precedent for manufacturing the semi-stereoscopic calligraphy work by using a facsimile type handicraft is created, one calligraphy manuscript can be facsimile infinitely, and the calligraphy painting core can be pasted and fixed in a matched mode. The semi-stereoscopic calligraphy work can keep the unique artistic charm of handwork, can be produced in batches and is suitable for modern industry, and the constructed semi-stereoscopic calligraphy work has strong physical stereoscopic and visual effects and is high in practicability.

Description

Technical Field

[0001] The utility model relates to the technical field of decorative handicrafts, in particular to a processing and mounting structure for semi-stereoscopic calligraphy works. Background Art

[0002] Cotton painting was created by Huang Jiasheng, a craftsman in Zhangzhou, Fujian in 1961. It is a craft painting that uses the soft texture and strong plasticity of cotton, and draws on traditional arts such as sculpture, paper-cutting, and Chinese painting to paste absorbent cotton with peach gum.

[0003] In the prior art, I applied for a patent in 2005 with the patent number: CN200510061490.7, and the patent name is: A Chinese invention patent for a method for making a cotton velvet painting. In the application, a technical solution for painting on the reverse picture and then transplanting the cotton velvet picture onto a drawing board is disclosed, thereby achieving a painting sample that can be copied repeatedly without loss. On the one hand, this process is mainly aimed at painting relatively flat three-dimensional cotton velvet paintings, and the upper end surface of the cotton velvet painting is flat and does not have a strong three-dimensional sense. On the other hand, due to the reverse painting, it is difficult to outline some details on the front, especially when it is necessary to outline the font, and the final product cannot show a very strong physical three-dimensional and visual effect. In addition, the Chinese invention patent with the patent number of CN201210029562.X and the patent name of the method for making a three-dimensional painting of cotton fiber discloses a process for making a three-dimensional painting by outlining the front of cotton fiber. This process adopts the method of applying latex on the composition part, and then using the partially wet cotton fiber, and fixing the cotton fiber on the composition part by the latex recovering its viscosity when it meets water. However, the draft picture in this process cannot be reused, the production cost is high, and in the composition process, since the latex is set on the draft picture, only a thin three-dimensional picture can be made, and a thicker three-dimensional picture cannot be constructed, especially when it is necessary to outline a font with a very strong three-dimensional sense, it cannot be adjusted by thickening and outlining the contour. In addition, in this production method, the operator's painting level is very high, such as which places need what color, which places need to be densely covered, etc. Once the operation is wrong, it is difficult to remove the cotton fiber and re-paint.

[0004] In summary, the production of the above-mentioned three-dimensional paintings is still more inclined to painting, and is not suitable for the production of semi-three-dimensional calligraphy, especially for producing handicraft calligraphy works with strong physical three-dimensional and visual effects. Utility Model Content

[0005] In order to solve the above problems, the utility model proposes a processing and mounting structure for semi-three-dimensional calligraphy works.

[0006] The technical solution adopted by the present utility model is: a processing and mounting structure for a semi-three-dimensional calligraphy work, including a processing component and a mounting component. Among them, the processing component includes:

[0007] A pattern, placed flat on the workbench, with a calligraphy draft printed on the upper part of the pattern;

[0008] A transparent plate, covering the upper part of the pattern;

[0009] A transparent film, covering the upper part of the transparent plate;

[0010] A calligraphy painting core, arranged above the transparent film, and the vertical projection corresponding to the calligraphy draft. The calligraphy painting core includes several three-dimensional strokes. The three-dimensional strokes have a vertical thickness and include several strip-shaped mixed fiber cotton fluffs adhered to each other;

[0011] The mounting component at least includes an outer frame and a bottom plate. Among them, the bottom plate is installed inside the outer frame and is used to cooperate with pasting and fixing the calligraphy painting core.

[0012] The following also provides several optional ways, but it is not an additional limitation to the above overall solution, but only a further supplement or preference. On the premise of no technical or logical contradiction, each optional way can be combined with the above overall solution alone, or multiple optional ways can be combined with each other.

[0013] Preferably, there are two types of the three-dimensional strokes, namely thin strokes and thick strokes. Among them, the construction thickness of the thin strokes is less than the construction thickness of the thick strokes.

[0014] Preferably, pigments are filled in the mixed fiber cotton fluffs and in the gaps between adjacent mixed fiber cotton fluffs.

[0015] Preferably, the outer surface of the three-dimensional strokes includes a lower surface and an upper surface. Among them, the lower surface is a plane, and the outer side of the upper surface is wrapped with a gold-sprinkled foil layer.

[0016] Preferably, the mixed fiber cotton fluffs are formed by carding several fiber cotton fluffs of different colors.

[0017] Preferably, both the transparent plate and the transparent film are made of plastic.

[0018] Preferably, the mounting component further includes a transparent protection plate. The bottom plate is fixed at a lower position inside the outer frame, and the protection plate is fixed at an upper position inside the outer frame. The protection plate is located above the calligraphy painting core.

[0019] More preferably, the distance between the protection plate and the calligraphy painting core is 15 - 25 mm.

[0020] Compared with the prior art, the utility model has the following beneficial effects:

[0021] 1. By laying a transparent plate and a transparent film on the pattern, based on the font structure of the calligraphy manuscript on the pattern, on the transparent film, by face-to-face copying, a thicker three-dimensional stroke is gradually constructed with mixed fiber cotton wool dipped in diluted glue. Increasing the thickness can reflect the three-dimensional sense and the vigor and power of the calligraphy. The mixed fiber cotton wool can be manually adjusted to repair the three-dimensional strokes until it is satisfactory, thereby constructing a very strong physical three-dimensional and visual effect;

[0022] 2. It has created a precedent for using copying handicrafts to make calligraphy works. A calligraphy manuscript can be copied infinitely. The copying production has the advantages of not only maintaining the unique charm of handmade art, but also mass production, which is suitable for modern industry and has low operation difficulty. The operator only needs to have a certain aesthetic appreciation of calligraphy, ending the history of being unable to mass-produce handicraft calligraphy handicrafts and filling a gap in the field of handicraft three-dimensional calligraphy production;

[0023] 3. Through the secondary dyeing process and gold sprinkling process, the calligraphy painting core can be rendered with a more perfect artistic effect and a more beautiful craftsmanship;

[0024] 4. The whole production method has the characteristics of integrating the advantages of handicraft, plasticity, reproducibility, artistic appreciation vision, and easy collection. BRIEF DESCRIPTION OF THE DRAWINGS

[0025] In order to more clearly illustrate the embodiments of the utility model or the technical solutions in the prior art, the drawings required for use in the embodiments or the description of the prior art will be briefly introduced below. Obviously, the drawings described below are only some embodiments of the utility model. For ordinary technicians in this field, other drawings can be obtained based on the structures shown in these drawings without paying creative work.

[0026] Figure 1 It is a cross-sectional schematic diagram of forming a calligraphy painting core on a processing component in one embodiment of the present application;

[0027] Figure 2 It is a cross-sectional schematic diagram of fixing a calligraphy painting core in a mounting assembly in one embodiment of the present application;

[0028] Figure 3 This is an assembly structure diagram of the calligraphy painting core and the transparent film when the words on the calligraphy painting core are "Seeing the good and striving to be like them" in one embodiment of the present application.

[0029] Markings in the attached drawings are: 1-pattern, 2-transparent plate, 3-transparent film, 4-calligraphy core, 5-bottom plate, 6-outer frame, 7-protective plate.

[0030] The realization, functional features, and advantages of the present utility model will be further described in conjunction with embodiments with reference to the accompanying drawings. Detailed implementation manners

[0031] Next, the technical solutions in the embodiments of the present utility model will be clearly and completely described in conjunction with the accompanying drawings in the embodiments of the present utility model. Obviously, the described embodiments are only a part of the embodiments of the present utility model, rather than all embodiments. Based on the embodiments of the present utility model, all other embodiments obtained by those of ordinary skill in the art without making creative efforts belong to the protection scope of the present utility model.

[0032] It should be noted that all directional indications (such as up, down, left, right, front, back...) in the embodiments of the present utility model are only used to explain the relative positional relationship and movement conditions between components in a specific posture (as shown in the accompanying drawings). If the specific posture changes, the directional indications will also change accordingly.

[0033] In addition, the descriptions involving "first", "second", etc. in the present utility model are only for descriptive purposes, and cannot be understood as indicating or implying their relative importance or implicitly indicating the quantity of the indicated technical features. Thus, the features defined with "first" and "second" may explicitly or implicitly include at least one such feature. In addition, the technical solutions between various embodiments can be combined with each other, but it must be based on the fact that those of ordinary skill in the art can implement them. When the combination of technical solutions is contradictory or cannot be implemented, it should be considered that such a combination of technical solutions does not exist and is not within the protection scope required by the present utility model.

[0034] Specific implementation scheme: Refer to Figures 1-3 , the present utility model is a processing and mounting structure for a semi - three - dimensional calligraphy work, including a processing component and a mounting component. Among them, the processing component includes:

[0035] Pattern 1, placed flat on the workbench, with a calligraphy draft printed on the upper part of Pattern 1;

[0036] Transparent plate 2, covering Pattern 1;

[0037] Transparent film 3, covering transparent plate 2;

[0038] Calligraphy painting core 4, arranged above transparent film 3, and its vertical projection corresponds to the calligraphy draft. The calligraphy painting core 4 includes several three - dimensional strokes. The three - dimensional strokes have a vertical thickness and include several strip - shaped mixed fiber cotton fluffs adhered to each other;

[0039] The mounting component at least includes an outer frame 6 and a bottom plate 5. Among them, the bottom plate 5 is installed inside the outer frame 6 and is used to cooperate with pasting and fixing the calligraphy painting core 4.

[0040] Here, before production, the operator can select the required calligraphy draft through a computer and then print it out to form Pattern 1. The operation is very simple.

[0041] In this embodiment, for the production of strip-shaped mixed fiber cotton velvet, the fiber cotton velvet needs to be processed through processes such as degreasing, bleaching, and dyeing. At this time, the fiber cotton velvet has multiple colors. According to needs, select multiple different colors of fiber cotton velvet in proportion and comb them to produce strip-shaped mixed fiber cotton velvet.

[0042] As a preferred implementation manner of this embodiment, when constructing three-dimensional strokes, dip the mixed fiber cotton velvet in diluted glue, and then according to parameters such as the thickness and outline of the three-dimensional strokes to be constructed, gradually stack the thickness of the mixed fiber cotton velvet (the building unit) by means of manual twisting, pulling, bending, folding, and cutting (increasing the thickness can reflect the three-dimensional sense and the vigor of calligraphy), and the construction of the three-dimensional strokes can be completed.

[0043] In this embodiment, there are two types of three-dimensional strokes, namely thin strokes and thick strokes. Among them, the construction thickness of the thin strokes is less than that of the thick strokes. When constructing thick strokes, it needs to be constructed relatively thickly, and when constructing thin strokes, it needs to be constructed relatively thinly until satisfactory.

[0044] In this way, when all the three-dimensional strokes in a font are constructed, due to the different thicknesses, as well as the thickness and outline of different three-dimensional strokes, a very strong physical three-dimensional and visual effect can be formed.

[0045] In this embodiment, if a better artistic effect is required, the calligraphy core 4 needs to be dyed twice or multiple times. After the second dyeing, the mixed fiber cotton velvet and the gaps between adjacent mixed fiber cotton velvets are filled with pigments.

[0046] Then, in this embodiment, the outer surface of the three-dimensional stroke includes a lower surface and an upper surface. Among them, the lower surface is a flat surface, and the outer side of the upper surface is wrapped with a gold-sprinkled foil layer.

[0047] Here, after the second dyeing, the calligraphy core 4 can also be subjected to a gold-sprinkling treatment through a gold-sprinkling process. Gold-sprinkling can use real gold foil or imitation gold foil. After the gold-sprinkling is completed, a gold-sprinkled foil layer can be wrapped on the outer side of the upper surface of the three-dimensional stroke, and the artistic effect is better.

[0048] In this embodiment, both the transparent plate 2 and the transparent film 3 are made of plastic.

[0049] Then, the mounting assembly further includes a transparent protection plate 7. The bottom plate 5 is fixed at a lower position inside the outer frame 6, and the protection plate 7 is fixed at an upper position inside the outer frame 6. The protection plate 7 is located above the calligraphy core 4.

[0050] More specifically, the distance between the protective plate 7 and the calligraphy core 4 is 15-25 mm.

[0051] In this embodiment, the protective plate 7 is made of glass. After the calligraphy work (the processed calligraphy core 4) is framed through the framing process, the calligraphy work is placed inside the outer frame 6 and protected by the protective plate 7. When viewed from the outside, it has a very strong physical three-dimensional and visual effect.

[0052] Regarding the production of the calligraphy core 4, for the convenience of understanding, the following takes the running script calligraphy "Learn from the worthy and emulate them" as an example to illustrate:

[0053] 1. First, print out the pattern 1 with the calligraphy draft of "Learn from the worthy and emulate them" and place the pattern 1 flat on the workbench.

[0054] 2. Lay the transparent plate 2 and the transparent film 3 (both the transparent plate 2 and the transparent film 3 are made of plastic) flat on top of the pattern 1 in sequence. The transparency of the transparent plate 2 and the transparent film 3 is relatively high, so as to ensure that the words "Learn from the worthy and emulate them" can be clearly seen.

[0055] 3. Through processes such as degreasing, bleaching, and dyeing, make two sufficient amounts of fiber cotton fluffs of different colors (black and gray can be selected), and then through the carding process, card the two different colors of fiber cotton fluffs into strip-shaped mixed fiber cotton fluffs in proportion for standby.

[0056] 4. Modulate the diluted glue. The volume ratio of water to glue (water-soluble glue) is 1000-1500 for standby.

[0057] 5. Above the transparent film 3, corresponding to the four characters of "Learn from the worthy and emulate them", start to construct the three-dimensional strokes in sequence according to the stroke order. Here, according to the different calligraphy levels and appreciation levels of the operator, it can be selected whether to refer to the copybook. When constructing the three-dimensional strokes, dip the mixed fiber cotton fluff in the diluted glue, and then according to the parameters such as the thickness and contour of the three-dimensional strokes to be constructed, gradually stack the thickness of the mixed fiber cotton fluff (increasing the thickness can reflect the three-dimensional sense and the vigour of the calligraphy) through manual twisting, pulling, bending, folding and cutting methods, and the preliminary construction of the three-dimensional strokes can be completed. For example, when constructing thick strokes, it needs to be constructed relatively thickly, and when constructing thin strokes, it needs to be constructed relatively thinly until satisfaction is achieved.

[0058] 6. When all the three-dimensional strokes of one character or all the characters are initially constructed, observe the three-dimensional sense and construction effect of the characters as a whole. If there is dissatisfaction, local repair needs to be carried out by adding or removing the mixed fiber cotton fluff or adjusting the placement position of the mixed fiber cotton fluff.

[0059] After all the fonts are constructed and repaired, a three-dimensional fiber cotton calligraphy font of "Seeing the worthy and thinking of emulating them" in black and gray has been pasted (the calligraphy core 4 is completed).

[0060] After the calligraphy core 4 is completed, in order to achieve a more perfect artistic effect, some works can be dyed twice or multiple times. At this time, it enters the secondary dyeing process. The secondary dyeing process in this embodiment will be described in detail below:

[0061] When secondary dyeing is required, the calligraphy core 4 needs to be naturally dried or air-dried until the water content inside is 20-50%. After drying, the size of the water content inside depends on the requirements of the work. When the water content is large, the penetration range of the pigment is large; when the water content is small, the penetration range of the pigment is small.

[0062] Here, still taking the "Seeing the worthy and thinking of emulating them" calligraphy core 4 made above as an example. When making this work, according to the requirements, the calligraphy core 4 needs to be naturally dried or air-dried until the water content inside is 20%. Then, use a writing brush dipped in water-based pigment to contact each three-dimensional stroke on the calligraphy core 4 in turn, and secondary infiltrate and dye all positions of the three-dimensional stroke. The dye will naturally penetrate and spread along the fiber texture of the three-dimensional stroke, with the color and texture being natural, gorgeous, and deep. In addition, due to the mutual penetration and spreading of the remaining water and the dye in the three-dimensional stroke, as time goes by and the water evaporates, a unique natural texture will be produced.

[0063] Of course, if the secondary dyeing still cannot achieve the required artistic effect, multiple dyeings can continue through the above dyeing process. After the secondary or multiple dyeings are completed, the calligraphy core 4 needs to be gilded by the gold leaf gilding process. Real gold leaf or imitation gold leaf can be used for gilding. After gilding is completed, it needs to be naturally dried or dried.

[0064] It should be noted that the present invention has created a precedent for making calligraphy works by the imitative handicraft method. A calligraphy manuscript can be infinitely imitated. The advantages of the imitative production method not only can maintain the unique artistic charm of handicrafts, but also can be mass-produced, which is suitable for modern industry, ending the history of being unable to mass-produce handicraft calligraphy handicrafts and filling a gap in the field of semi-three-dimensional calligraphy of handicrafts.

[0065] The characteristics of the imitative production method are: the same works can be mass-produced without error by handicraft, and the patterns, transparent plates, and transparent films can all be reused.

[0066] Moreover, because it is a direct imitation, the operation difficulty is relatively low. The operator only needs to have a certain calligraphy aesthetic to complete the production of the above calligraphy core 4.

[0067] The processing and mounting structure of a semi-three-dimensional calligraphy work of the present utility model. The above are only the preferred embodiments of the present utility model, and do not limit the patent scope of the present utility model. Any equivalent structural transformation made by using the content of the specification and drawings of the present utility model under the inventive concept of the present utility model, or any direct / indirect application in other related technical fields is included in the patent protection scope of the present utility model.

Claims

1. A processing and mounting structure for semi-three-dimensional calligraphy works, characterized in that: It includes a processing component and a mounting component, wherein the processing component includes: The pattern is placed flat on the workbench, and the calligraphy manuscript is printed on the top of the pattern; A transparent plate, laid over the pattern; A transparent film, laid on top of the transparent plate; A calligraphy painting core is arranged above the transparent film, and its vertical projection corresponds to the calligraphy manuscript. The calligraphy painting core includes a plurality of three-dimensional strokes, the three-dimensional strokes have a vertical thickness, and include a plurality of strip-shaped mixed fiber cotton wool bonded to each other; the mounting assembly includes at least an outer frame and a bottom plate, wherein the bottom plate is installed inside the outer frame for cooperating with pasting and fixing the calligraphy painting core.

2. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 1, characterized in that: There are two types of three-dimensional strokes, namely thin strokes and thick strokes, wherein the construction thickness of the thin strokes is smaller than the construction thickness of the thick strokes.

3. A processing and mounting structure for semi-three-dimensional calligraphy works according to any one of claims 1-2, characterized in that: The mixed fiber cotton wool and the gaps between adjacent mixed fiber cotton wool are filled with pigments.

4. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 3, characterized in that: The outer surface of the three-dimensional strokes includes a lower surface and an upper surface, wherein the lower surface is a plane, and the outer side of the upper surface is wrapped with a gold foil layer.

5. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 4, characterized in that: The mixed fiber lint is formed by combing fiber lints of several different colors.

6. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 1, characterized in that: The transparent plate and the transparent film are both made of plastic.

7. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 1, characterized in that: The mounting assembly also includes a transparent protective plate. The bottom plate is fixed at a lower position inside the outer frame, and the protective plate is fixed at an upper position inside the outer frame. The protective plate is located above the calligraphy painting core.

8. The processing and mounting structure of a semi-three-dimensional calligraphy work according to claim 7, characterized in that: The distance between the protective plate and the calligraphy core is 15 to 25 mm.

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