Multifunctional ancient calligraphy and painting repairing tool

Abstract

The utility model discloses a multifunctional ancient calligraphy and painting repairing tool. The multifunctional ancient calligraphy and painting repairing tool comprises a knife body, a first cutting edge which is gradually thinned from inside to outside is formed on the first side face of the knife body, the first cutting edge is located at the position close to one end of the knife body, and first arc treatment is conducted on the first cutting edge in the thickness direction of the first cutting edge so as to be used for conducting marking on a bottom paper painting of an ancient calligraphy and painting; on the premise of not damaging the bottom paper of the ancient calligraphy and painting, the mark convenient to remove is drawn, so that the repair effect of the ancient calligraphy and painting is improved. The technical problem that the repair effect of the ancient calligraphy and painting is affected due to the fact that the mark is not easy to remove or the backing paper is easy to damage is solved.

Description

Technical Field

[0001] This application relates to the field of ancient calligraphy and painting restoration tools, and more specifically, to a multifunctional ancient calligraphy and painting restoration tool. Background Technology

[0002] In the restoration of ancient calligraphy and paintings, if the four corners of the calligraphy or painting are missing, people need to use a brush, pencil or needle to draw marks on the paper of the calligraphy or painting to outline the outline of the four corners of the original calligraphy or painting, so that people can fill in the missing parts within the outline later.

[0003] However, marks left by brushes, pencils, or needles are either difficult to remove or can easily damage the backing paper, affecting the restoration effect of ancient calligraphy and paintings.

[0004] There is currently no effective solution to the problems in related technologies, such as difficulty in removing marks or easy damage to the backing paper, which affect the restoration effect of ancient calligraphy and paintings. Summary of the Invention

[0005] The main purpose of this application is to provide a multifunctional tool for the restoration of ancient calligraphy and paintings, in order to solve the problems that affect the restoration effect of ancient calligraphy and paintings, such as the difficulty in removing marks or the easy damage to the backing paper.

[0006] To achieve the above objectives, according to one aspect of this application, a multifunctional tool for restoring ancient calligraphy and paintings is provided.

[0007] The multifunctional ancient calligraphy and painting restoration tool according to this application includes: a knife body, on the first side of the knife body a first cutting edge that gradually thins from the inside out, the first cutting edge being located near one end of the knife body and having a first arc treatment in its thickness direction, for drawing an imprint on the base paper of the ancient calligraphy and painting.

[0008] Furthermore, the blade body exhibits a gradually decreasing height from one end to the other.

[0009] Furthermore, a second cutting edge that gradually thins from the inside out is formed on the first side surface. The second cutting edge is located near the other end of the blade body and is used to remove paste when peeling off the mounting.

[0010] Furthermore, the first cutting edge is arc-shaped.

[0011] Furthermore, the second side of the blade body, which is opposite to the first side, is flat and is used to fit against the ruler.

[0012] Furthermore, the blade body has a hand-held portion on the back of the blade near the center.

[0013] Furthermore, the tip of the second cutting edge is made into a second rounded arc.

[0014] Furthermore, the second cutting edge has an angle with the second side surface.

[0015] Furthermore, the blade body is made of cow horn.

[0016] In this embodiment, a multifunctional ancient calligraphy and painting restoration tool is used. The tool has a blade body with a first cutting edge that gradually thins from the inside out on its first side. This first cutting edge is located near one end of the blade body and has a first arc treatment in its thickness direction. This is used to draw marks on the base paper of the ancient calligraphy and painting. This achieves the goal of drawing easily removable marks without damaging the base paper, thereby improving the restoration effect of ancient calligraphy and painting. It also solves the technical problem of the restoration effect being affected by marks that are either difficult to remove or easily damaged on the base paper. Attached Figure Description

[0017] The accompanying drawings, which form part of this application, are used to provide a further understanding of the application and to make other features, objects, and advantages of the application more apparent. The illustrative embodiments and descriptions of this application are used to explain the application and do not constitute an undue limitation of the application. In the drawings:

[0018] Figure 1 This is one of the structural diagrams of a multifunctional ancient calligraphy and painting restoration tool;

[0019] Figure 2 This is the second structural diagram of a multifunctional ancient calligraphy and painting restoration tool;

[0020] Figure 3 yes Figure 1 Enlarged view of point A in the middle;

[0021] Figure 4 yes Figure 2 Enlarged diagram of point B in the middle.

[0022] Figure Labels

[0023] 1. Knife body; 2. First cutting edge; 3. Second cutting edge; 4. Hand grip; 5. First rounded edge treatment; 6. Second rounded edge treatment. Detailed Implementation

[0024] To enable those skilled in the art to better understand the present application, the technical solutions in the embodiments of the present application will be clearly and completely described below with reference to the accompanying drawings. Obviously, the described embodiments are only some embodiments of the present application, and not all embodiments. Based on the embodiments in the present application, all other embodiments obtained by those of ordinary skill in the art without creative effort should fall within the scope of protection of the present application.

[0025] It should be noted that the terms "first," "second," etc., in the specification, claims, and accompanying drawings of this application are used to distinguish similar objects and are not necessarily used to describe a specific order or sequence. It should be understood that such data can be interchanged where appropriate for the embodiments of this application described herein. Furthermore, the terms "comprising" and "having," and any variations thereof, are intended to cover non-exclusive inclusion; for example, a process, method, system, product, or apparatus that comprises a series of steps or units is not necessarily limited to those steps or units explicitly listed, but may include other steps or units not explicitly listed or inherent to such processes, methods, products, or apparatus.

[0026] In this application, the terms "upper," "lower," "left," "right," "front," "rear," "top," "bottom," "inner," "outer," "middle," "vertical," "horizontal," "lateral," and "longitudinal" indicate the orientation or positional relationship based on the orientation or positional relationship shown in the accompanying drawings. These terms are primarily for the purpose of better describing the present invention and its embodiments, and are not intended to limit the indicated device, element, or component to having a specific orientation, or to be constructed and operated in a specific orientation.

[0027] Furthermore, in addition to indicating direction or positional relationship, some of the aforementioned terms may also have other meanings. For example, the term "above" may also be used in some cases to indicate a certain dependency or connection relationship. Those skilled in the art can understand the specific meaning of these terms in this utility model according to the specific circumstances.

[0028] Furthermore, the terms "installation," "setup," "equipped with," "connection," "linking," and "socketing" should be interpreted broadly. For example, they can refer to a fixed connection, a detachable connection, or an integral structure; they can refer to a mechanical connection or an electrical connection; they can refer to a direct connection or an indirect connection through an intermediate medium, or an internal connection between two devices, components, or parts. Those skilled in the art can understand the specific meaning of these terms in this utility model based on the specific circumstances.

[0029] It should be noted that, unless otherwise specified, the embodiments and features described in this application can be combined with each other. This application will now be described in detail with reference to the accompanying drawings and embodiments.

[0030] like Figure 1-4 As shown, this application relates to a multifunctional ancient calligraphy and painting restoration tool, which includes: a knife body 1. In this embodiment, the knife body 1 is made of cow horn, which has good toughness and is not easy to damage the backing paper of the ancient calligraphy and painting during use.

[0031] It is important to understand that the height of the blade body 1 gradually decreases from one end to the other, resulting in a smooth transition and strong overall integrity.

[0032] It is also worth noting that the back of the knife body 1 has a handle 4 near the middle; the handle 4, in conjunction with the fingers, can improve the comfort of holding the knife.

[0033] The first edge 2, which gradually thins from the inside out, is formed on the first side of the knife body 1. When the four corners of the ancient calligraphy and painting are damaged, the outline of the four corners of the original calligraphy and painting can be drawn on the backing paper by drawing marks. These marks are just imprints and do not leave ink or pencil dust that is difficult to erase on the backing paper like a brush or pencil, nor do they leave irreparable pinholes on the backing paper like a needle prick. The marks can be removed by gently smoothing them out, thus improving the restoration effect of the ancient calligraphy and painting.

[0034] Furthermore, the first cutting edge 2 is located near one end of the blade body 1, and it has a first arc treatment 5 in the thickness direction. Through the arc treatment in the thickness direction of the first cutting edge 2, the first cutting edge 2 is sufficiently blunt, so that when drawing marks, the first cutting edge 2 and the base paper form a relatively smooth line contact in the thickness direction, and the base paper will not be damaged due to being too sharp in the thickness direction, thereby further improving the restoration effect of ancient calligraphy and painting.

[0035] Furthermore, the first cutting edge 2 is arc-shaped along its length; this ensures that when making the mark, it forms a relatively smooth line contact with the backing paper along its length, and will not damage the backing paper due to excessive sharpness along its length, thereby effectively improving the restoration effect of ancient calligraphy and paintings.

[0036] It is worth noting that the second side of the knife body 1, which is opposite to the first side, is flat and is used to fit with the ruler. When drawing a mark, the second side can fit with the ruler, which can effectively prevent the mark from being drawn crooked and make the mark straight enough.

[0037] Preferably, a second cutting edge 3, which gradually thins from the inside out, is formed on the first side surface. The second cutting edge 3 is located near the other end of the blade body 1 and is used to remove paste during unmounting. The second cutting edge 3 is designed with a pointed end and the height of the remaining part of the cutting edge is relatively smaller than that of the first cutting edge 2, so that paste can be removed during unmounting. Simply align the second cutting edge 3 with the paste to be removed and gently lift it up. Furthermore, the tip of the second cutting edge 3 has a second arc treatment 6 in its height direction. In order to ensure that the tip of the second cutting edge 3 does not puncture the ancient calligraphy and painting, an arc treatment is also adopted, so that it can make smooth contact with the ancient calligraphy and painting. Furthermore, the second cutting edge 3 has an angle between itself and the second side surface. The angle design of the second cutting edge 3 ensures that personnel can easily perform the smoothing action.

[0038] The above description is merely a preferred embodiment of this application and is not intended to limit this application. Various modifications and variations can be made to this application by those skilled in the art. Any modifications, equivalent substitutions, improvements, etc., made within the spirit and principles of this application should be included within the protection scope of this application.

Claims

1. A multifunctional tool for restoring ancient calligraphy and paintings, characterized in that, include: The knife body has a first cutting edge that gradually thins from the inside out on its first side. The first cutting edge is located near one end of the knife body and has a first arc treatment in its thickness direction, which is used to draw marks on the background paper of ancient calligraphy and paintings.

2. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, The height of the blade body gradually decreases from one end to the other.

3. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, A second cutting edge that gradually thins from the inside out is also formed on the first side. The second cutting edge is located near the other end of the blade body and is used to remove paste when peeling off the mounting.

4. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, The first cutting edge is arc-shaped along its length.

5. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, The second side of the blade body, which is opposite to the first side, is flat and is used to fit against the ruler.

6. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, The blade body has a hand-held part on the back of the blade near the middle.

7. The multifunctional ancient calligraphy and painting restoration tool according to claim 3, characterized in that, The tip of the second cutting edge is made into a second arc.

8. The multifunctional ancient calligraphy and painting restoration tool according to claim 3, characterized in that, The second cutting edge has an angle with the second side surface.

9. The multifunctional ancient calligraphy and painting restoration tool according to claim 1, characterized in that, The main body of the knife is made of cow horn.

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