Paint trapping process for textile decoration

Abstract

Paint trapping process for textile decoration. The process described here aims to trap textile paint in order to solve the major challenges of this artisanal practice. This process consists of depositing an aqueous material (paint, watercolor, etc.) (4) delimited by zones (3), which are enclosed between two transparent fabrics (2) and (5) of the same shape, but with a slightly larger surface. This is to prevent its deterioration on each side. Once this step is completed, the user can add an additional decorative surface (1) if desired, then sew the assembly onto a textile surface (6). This process is particularly intended for the personalization of textile surfaces to enhance a garment. Figure for the abstract: fig 1.

Description

Title of the invention: Method of trapping paint for textile decoration

[0001] The invention relates to a method of trapping paint for textile decoration. It will find its application in particular in the field of crafts.

[0002] In the textile industry, there are several processes for decorating a fabric.

[0003] The two main methods are: the first involves using pre-dyed warp or weft threads, while the second involves creating a printed pattern after the fabric has been woven.

[0004] This second process has developed in recent years because it offers great flexibility for creating varied patterns, whatever the texture and nature of the fibers used.

[0005] The most popular being the screen printing technique, which is a traditional decoration method, as well as the sublimation technique which allows a pattern to be transferred onto a temporary support using pressure and heat.

[0006] Although the various printing techniques are effective in their respective categories, they tend to be relatively low-end and deteriorate over time.

[0007] However, to create a more luxurious and aesthetically pleasing decoration, it is possible to hand-paint a pattern on a textile support using special textile paint, which provides a stronger and more vivid color.

[0008] Unfortunately, this artisanal method remains very costly in terms of time and paint, and is difficult to achieve on a large scale. In addition, textile paint has considerable maintenance defects, as it is easily damaged over time, particularly when washing or coming into contact with other surfaces, even when following the recommended maintenance instructions.

[0009] The most limiting problem with fabric paint is its reaction to heat, which can make it extremely sticky. Sometimes the paint can even detach from the original support and transfer to another surface, making the product difficult to wear or even annoying.

[0010] The aim of the present invention is to propose a decoration method which can trap the paint and which overcomes the aforementioned drawbacks while making it possible to obtain a brilliant artisanal pattern, regardless of the textile support used, with spectacular preservation over time.

[0011] Other advantages of the present invention will appear during the description which follows, which is however given only for information and which is not intended to limit it.

[0012] According to the present invention, the method of trapping paint is characterized by the fact that:

[0013] To achieve the desired graphic result, the first step is to draw the outline of the pattern on a transparent fabric surface. Then, the different areas of the design are filled in by applying paint using a brush or other tool. A second layer of transparent fabric is added to enclose the pattern and protect it.

[0014] Then the result is sewn onto the final fabric by adding a piece of fabric or leather to hide the limit of the plastic fabric. The final result will be a decoration of the textile support that will increase the aesthetics of the piece made.

[0015] The present invention will be better understood on reading the following description, accompanied by the appended drawings which form an integral part thereof.

[0016] [Fig.l] shows the entire process of paint imprisonment, according to the present invention. This process has been divided into layers to better see the composition and understand the final result.

[0017] [Fig.2] shows the same top view angle of [Fig.l] after sewing has been carried out, each decoration phase now forms only one piece which is itself sewn onto the fabric.

[0018] [Fig. 3] shows an example of using this method of [Fig. 1] after positioning on a garment. With reference to these drawings, the different zones (3) are first delimited by painting on the textile support (2). The coloring zones (3) are delimited on the reverse side of the transparent fabric (2).

[0019] The cutting of the textiles (2) and (5) must follow the contour of the original design (4) from above. In the case of the example presented here, the cutting takes the form of a teddy bear, but it is possible to choose any other form.

[0020] Then, for each zone (3), the corresponding paint (4) is deposited on the textile support (2). The paint (4) is applied between the coloring zones (3) on the reverse side of the transparent textile support (2) in order to obtain an opaque result without leaving brush marks on the front surface of the transparent textile (2). After applying the paint, it is left to dry for approximately 10 minutes.

[0021] Finally, to trap the paint (4) deposited on the textile support (2) or (5), the second remaining transparent fabric (5) or (2) is glued onto the one that has just been painted.

[0022] For a more aesthetic finish, an additional perforated surface (1) can be added with the same shape as the drawing (4), but with a 25% larger contour. compared to the cover (2) and (5). This allows the contours (2) and (5) to be hidden while integrating them into the final seam.

[0023] [Fig.3] presents a top view which shows a possible placement for fixing the patch.

[0024] It is important that the size and location of the patch are chosen so as not to cause discomfort to the wearer.

[0025] [Fig.3] illustrates an example of use of this invention: the patch has been fixed on a t-shirt in such a way as not to cause discomfort.

[0026] This illustration demonstrates how the paint trapping technique can be used to decorate clothing in both innovative and aesthetic ways.

[0027] As for the cutting means, it is possible to use a leather press, which offers the advantage of precise and fast cutting. Furthermore, more advanced machines can also be used for more flexibility.

[0028] As far as the quality of the paints is concerned, good results have been obtained with all types of paint. It is even possible to use paints not intended for textiles.

[0029] It is possible to use different techniques to make the patch, such as using felt-tip pens or a combination of different methods. However, using textile paint guarantees the best results in terms of colors.

[0030] Furthermore, with regard to the temperature criteria for fixing, they will no longer be required.

[0031] It is also important to emphasize that other variants of this invention can be envisaged without departing from the scope thereof.

Claims

Claims

1. Method for decorating a textile support (6) by which paint or felt (4), delimited by coloring zones (3) is trapped between two transparent plastic fabrics (2) and (5), and which are then sewn together on the textile support (6) with an additional piece (1) concealing the contours of the transparent plastic fabrics (2) and (5).

2. Method of decorating a textile support according to claim 1 characterized in that the coloring zones (3) are delimited on the reverse side of the transparent fabric (2).

3. A decorating method according to claim 1, characterized in that paints (4) are used.

4. Method for decorating a textile support according to claim 2, characterized in that the paint (4) is applied between the coloring zones (3) on the reverse side of the transparent textile support (2) to obtain an opaque result without leaving brush marks, on the front surface of the transparent textile (2).

5. A decorating method according to claim 4, characterized by adding a second transparent fabric surface (5) to finalize the protection procedure.

6. Method for decorating a textile support according to claim 1, characterized in that, after having delimited the coloring zones (3) and applied the paint (4) between two transparent plastic fabrics (2) and (5), the contours of these plastic fabrics are covered with an additional surface (1), and the assembly is sewn onto the textile surface (6).

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