Manufacturing process of sand-sculpture painting

Abstract

The invention relates to the technical field of sand-sculpture painting manufacturing, and discloses a sand-sculpture painting manufacturing process which comprises the following steps: S1, preparing clean impurity-free sea sand and glue; s2, tools are prepared; s3, sea sand and glue are stirred into compact sand balls; s4, the sand balls are shaped into the needed shape, and the sand-plastic painting is obtained; s5, the shaped sand sculpture is placed in a ventilated environment to be dried; and S6, post-processing the sand-sculpture, adopting various shaping and engraving skills, such as a rubbing method, a round method, a kneading method, a pushing method, an engraving method, a cutting method, a pressing method, an overlapping method, a connecting method and a stabbing method, so that the sand-sculpture works can present rich forms and details, the artistry and the ornamental value of the works are enhanced, and various post-processing methods, such as coloring, combining, mounting and the like, of the sand-sculpture paintings are provided. The innovative post-processing method not only enriches the expression form of the sand-sculpture painting, but also expands the application field of the sand-sculpture painting, so that the sand-sculpture painting works can meet more decoration, display and collection requirements.

Description

Technical Field

[0001] The invention relates to the technical field of sand sculpture painting production, in particular to a sand sculpture painting production process. Background Art

[0002] Sand painting is an art derived from sand sculpture. Sand painting is made of natural material sand mixed with glue. Sand painting is a perfect combination of painting (sand painting) and sculpture (relief). Sand and glue are used as materials. Through creation, it presents a fascinating visual spectacle, making the ordinary grains of sand emit artistic light and produce magical attraction. Sand painting not only reflects the affinity between man and nature, but also makes the natural beauty and artistic beauty of the picture harmonious and unified.

[0003] Sand sculpture painting combines children's paintings full of magic and imagination with sand reliefs. It not only cultivates learners' hands-on practical and innovative abilities through hands-on and brain-based learning, but also enhances the comprehensiveness and exploratory nature of learning activities, enabling learners to improve their imagination and creativity in positive emotional experiences, improve their aesthetic awareness and ability, enhance their love and sense of responsibility for their hometown, nature and human society, and develop the desire and ability to create a better life.

[0004] Traditional sand sculpture art mainly relies on simple shaping techniques, such as stacking and pressing. Although these techniques can produce basic sand sculptures, they are relatively simple in terms of form and detail, which limits the artistry and appreciation of sand sculptures. In addition, traditional sand sculpture post-processing methods are also relatively limited, mainly maintaining the original appearance or simple coloring, which is difficult to meet the modern art market's demand for diversification and personalization of sand sculptures. Therefore, a sand sculpture production process is proposed. Summary of the invention

[0005] The purpose of the present invention is to provide a sand sculpture painting production process to solve the problems raised in the above background technology.

[0006] To achieve the above object, the present invention provides the following technical solution: a sand sculpture painting production process, comprising the following steps:

[0007] S1. Prepare clean sea sand and glue without impurities;

[0008] S2. Prepare tools;

[0009] S3, stir the sea sand and glue into a compact sand mass;

[0010] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0011] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0012] S6. Post-processing of sand sculpture painting.

[0013] Preferably, in the above-mentioned S1, the mass ratio of the sea sand to the glue is: 0.8-1.5:3.5-6.

[0014] Preferably, in the above: in S2, the tools include an oil painting spatula, a plasterer's knife, a fresh-keeping bag, oil paper, a toothpick, lead drawing paper and a liner pen.

[0015] Preferably, in the above-mentioned step S3, while the sea sand and the glue are being stirred, a fresh-keeping bag is placed on the workbench, and the sea sand and the glue inside the fresh-keeping bag are subjected to a process of agglomerating and turning.

[0016] Preferably, in the above step: in S4, the drying time is 3-5 days.

[0017] Preferably, in the above-mentioned S5, the sand ball plasticity includes rolling method, rounding method, kneading method, pushing method, carving method, cutting method, pressing method, stacking method, connecting method and piercing method.

[0018] Preferably, in the above-mentioned step S6, the post-processing includes coloring the sand sculpture painting.

[0019] Preferably, in the above: in S6, the post-processing includes sand sculpture painting combination.

[0020] Preferably, in the above-mentioned step S6, the post-processing includes mounting the sand sculpture painting combination.

[0021] Compared with the prior art, the present invention adopts the above technical solution and has the following technical effects:

[0022] 1. By selecting clean, fine, impurity-free sea sand and environmentally friendly and non-toxic synthetic glue, the quality of the basic materials of sand sculpture painting is ensured, so that the final work has better purity and delicacy. The mass ratio of sea sand to glue is strictly controlled, so that the sand ball has sufficient viscosity but not too sticky, which is convenient for shaping and carving, improving production efficiency and work quality.

[0023] 2. By preparing a series of professional tools, such as oil painting spatulas, plaster knives, plastic bags, oil paper, toothpicks, etc., as well as lead drawing paper, liner pens, gouache paint, watercolor paint, oil pastels, watercolor brushes, palettes, buckets, white Chevron boards, hot melt glue and glue guns according to different needs, these tools meet the various needs in the sand sculpture production process and improve the flexibility and precision of the production.

[0024] 3. It adopts a variety of shaping and carving techniques, such as rubbing, rounding, pinching, pushing, carving, cutting, pressing, stacking, connecting and piercing, etc., so that the sand sculpture works can present rich forms and details, enhance the artistry and ornamental value of the works, and provide a variety of sand sculpture post-processing methods, such as coloring, combination, mounting, etc. The innovative post-processing methods not only enrich the expression form of sand sculpture paintings, but also expand the application field of sand sculpture paintings, so that sand sculpture paintings can be suitable for more decoration, display and collection needs. BRIEF DESCRIPTION OF THE DRAWINGS

[0025] In order to more clearly illustrate the embodiments of the present application or the technical solutions in the prior art, the drawings required for use in the embodiments or the description of the prior art will be briefly introduced below. Obviously, the drawings described below are only some embodiments of the present application. For ordinary technicians in this field, other drawings can be obtained based on these drawings without paying creative work.

[0026] Figure 1 This is the first sand sculpture painting effect diagram of the present invention;

[0027] Figure 2 This is the second sand sculpture painting effect diagram of the present invention;

[0028] Figure 3 This is the third sand sculpture painting effect diagram of the present invention;

[0029] Figure 4 This is the fourth sand sculpture painting effect diagram of the present invention;

[0030] Figure 5 This is the fifth sand sculpture painting effect diagram of the present invention. DETAILED DESCRIPTION

[0031] The following will be combined with the drawings in the embodiments of the present invention to clearly and completely describe the technical solutions in the embodiments of the present invention. Obviously, the described embodiments are only part of the embodiments of the present invention, not all of the embodiments. Based on the embodiments of the present invention, all other embodiments obtained by ordinary technicians in this field without creative work are within the scope of protection of the present invention.

[0032] It should be noted that the structures, proportions, sizes, etc. illustrated in the drawings of this specification are only used to match the contents disclosed in the specification for people familiar with this technology to understand and read, and are not used to limit the conditions under which this application can be implemented. Therefore, they have no substantive technical significance. Any structural modification, change in proportional relationship or adjustment of size should still fall within the scope of the technical content disclosed in this application without affecting the effects and purposes that can be achieved by this application.

[0033] Embodiment 1

[0034] See also Figure 1 The present invention provides a technical solution: a sand sculpture painting production process, comprising the following steps:

[0035] S1. Prepare clean sea sand and glue without impurities;

[0036] The mass ratio of sea sand to glue is 1.3:4.5. Choose clean, fine and impurity-free sea sand as the raw material. The sea sand should be screened first to remove shell fragments, large particles of sand and other impurities to ensure the purity and fineness of the sand. The screened sea sand should be stored in a dry and ventilated environment to avoid moisture;

[0037] Use non-toxic, environmentally friendly synthetic glue with good flexibility and strength after curing. The best mass ratio of sea sand to glue is determined to be 1.3:4.5. This ratio can ensure that the sand ball has sufficient viscosity but not too sticky, which is convenient for shaping and carving.

[0038] S2. Prepare tools;

[0039] Tools include oil painting spatulas, plastering knives, plastic bags, oil paper, and toothpicks;

[0040] Oil painting spatula: used for mixing sand and glue, as well as for leveling and trimming during the shaping process. Choose spatulas of different sizes and shapes to meet different shaping needs;

[0041] Plastering knife: assists in shaping and detail carving. Choose plastering knives of different sizes and shapes to meet different carving needs;

[0042] Fresh-keeping bag: Place on the workbench to prevent glue from sticking.

[0043] Oil paper: It is used to cover the fresh-keeping bag and protect the workbench from glue contamination. The fresh-keeping bag and oil paper should be made of thick and not easy to break;

[0044] Toothpicks: For fine carving and finishing details. Prepare some long and thin toothpicks for better control of carving strength and precision.

[0045] S3, stir the sea sand and glue into a compact sand mass;

[0046] Take an appropriate amount of mixed sand, mix the sea sand and glue, put a fresh-keeping bag on the workbench, and mix and turn the sea sand and glue inside the fresh-keeping bag.

[0047] Place a fresh-keeping bag on the workbench, then pour in an appropriate amount of sea sand, slowly add glue, and stir with an oil painting spatula while adding. During the stirring process, use the process of massing and turning to fully mix the sand and glue to form a compact sand mass that is not easy to loosen;

[0048] When stirring, you should maintain uniform strength to avoid too much or too little glue in some parts. At the same time, pay attention to the texture and viscosity of the sand ball and adjust the amount of glue in time.

[0049] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0050] The plasticity of sand balls includes rolling, rounding, shaping, pushing, carving, cutting, pressing, stacking, connecting and piercing.

[0051] Take an appropriate amount of the mixed sand ball and shape it into the desired shape according to the design concept using techniques such as rolling, rounding, shaping, pushing, carving, cutting, pressing, stacking, connecting and piercing. During the shaping process, you can make continuous adjustments and corrections until you achieve a satisfactory effect.

[0052] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0053] The drying time is 4 days. During the drying process, the work can be gently turned over to prevent sticking and deformation.

[0054] S6. Post-processing of sand sculpture painting.

[0055] Post-processing includes coloring the sand sculpture painting, removing the oil paper, matching the base board, and coloring the sand sculpture painting.

[0056] If you need to enhance the color effect, you can paint the sand sculpture. Use environmentally friendly pigments for coloring or painting, and pay attention to color matching and layering.

[0057] Embodiment 2

[0058] See also Figure 2 The difference between this embodiment and the first embodiment is that:

[0059] S1. Prepare clean sea sand and glue without impurities;

[0060] The mass ratio of sea sand and glue is: 1.3:4.5

[0061] S2. Prepare tools;

[0062] Tools include oil painting spatulas, plastering knives, plastic bags, oil paper, toothpicks, pencil drawing paper and liner pens;

[0063] S3, stir the sea sand and glue into a compact sand mass;

[0064] Take an appropriate amount of mixed sand, mix the sea sand and glue, put a fresh-keeping bag on the workbench, and mix and turn the sea sand and glue inside the fresh-keeping bag.

[0065] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0066] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0067] The drying time is 4 days, and the sand ball plasticity includes strip rubbing, rounding, kneading, pushing, carving, cutting, pressing, stacking, connecting and piercing.

[0068] S6. Post-processing of sand sculpture painting.

[0069] Post-processing includes coloring the sand sculpture painting, removing the oil paper, matching the base board, and coloring the sand sculpture painting.

[0070] First, use line drawing and hand-drawing, use lead drawing paper and a liner pen to make a modeling diagram of the sand sculpture, and then make a sand sculpture painting according to the modeling diagram. First, mix the sand, then put oil paper on it as a base, take the mixed sand to make the structure of the sand sculpture painting, use a plasterer's knife to carve out concave patterns, and use sand to shape raised patterns. Finally, adjust and dry it in the sun; after completion, place the work in a dry place to dry, remove the oil paper after it is completely dry, and put on the base. You can also paint part of it, use environmentally friendly paint to color the sand sculpture to enhance the color effect of the work.

[0071] Embodiment 3

[0072] See also Figure 3 The difference between this embodiment and the first and second embodiments is that:

[0073] S1. Prepare clean sea sand and glue without impurities;

[0074] The mass ratio of sea sand and glue is: 1.3:4.5

[0075] S2. Prepare tools;

[0076] Tools include oil painting spatulas, plastering knives, plastic bags, oil paper, and toothpicks;

[0077] S3, stir the sea sand and glue into a compact sand mass;

[0078] Take an appropriate amount of mixed sand, mix the sea sand and glue, put a fresh-keeping bag on the workbench, and mix and turn the sea sand and glue inside the fresh-keeping bag.

[0079] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0080] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0081] The drying time is 4 days, and the sand ball plasticity includes strip rubbing, rounding, kneading, pushing, carving, cutting, pressing, stacking, connecting and piercing.

[0082] S6. Post-processing of sand sculpture painting.

[0083] Post-processing includes sand sculpture painting combination, taking gouache paint, watercolor paint, oil pastel, watercolor brush, palette and bucket and other materials, taking oil pastel to paint on the surface of sand sculpture painting, convex patterns can also be painted with gouache, and concave lines are painted with paint brush;

[0084] Before painting, make sure the surface of the sand sculpture is flat, free of cracks and impurities. Use oil pastels, gouache, watercolors and other materials to paint according to the design requirements. When painting, you can use hand-painting or spraying, and pay attention to color matching and layering. Raised patterns can be painted with oil pastels or gouache, and concave lines can be painted with watercolor brushes to achieve bright colors and distinct layers.

[0085] After the color is dry, it is matched with a base plate. The colored sand sculpture painting retains the simplicity of the sand and adds color, making the sand sculpture exude a lovely and lively beauty, which is like a painting but not like a painting, and has a unique fun.

[0086] Embodiment 4

[0087] See also Figure 4 The difference between this embodiment and the first, second and third embodiments is that:

[0088] S1. Prepare clean sea sand and glue without impurities;

[0089] The mass ratio of sea sand and glue is: 1.3:4.5

[0090] S2. Prepare tools;

[0091] Tools include oil painting spatulas, plastering knives, plastic bags, oil paper, and toothpicks;

[0092] S3, stir the sea sand and glue into a compact sand mass;

[0093] Take an appropriate amount of mixed sand, mix the sea sand and glue, put a fresh-keeping bag on the workbench, and mix and turn the sea sand and glue inside the fresh-keeping bag.

[0094] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0095] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0096] The drying time is 4 days, and the sand ball plasticity includes strip rubbing, rounding, kneading, pushing, carving, cutting, pressing, stacking, connecting and piercing.

[0097] S6. Post-processing of sand sculpture painting.

[0098] Prepare white chaff board and mixed sand, scrape the sand evenly on the chaff board with a spatula, spread a layer of sand of uniform thickness to create a flat effect, let the chaff board and the sand on the surface stand to dry and set aside; spread a layer of sand on the sand board, use a toothpick to draw various lines to decorate the patterns, sand sculptures are equipped with a base plate for easy storage and display, and can have different forms and materials, the base plate can highlight the beauty of the sand sculpture.

[0099] Embodiment 5

[0100] See also Figure 5 The present embodiment is different from the first embodiment, the second embodiment, the third embodiment and the fourth embodiment in that:

[0101] S1. Prepare clean sea sand and glue without impurities;

[0102] The mass ratio of sea sand and glue is: 1.3:4.5

[0103] S2. Prepare tools;

[0104] Tools include oil painting spatulas, plastering knives, plastic bags, oil paper, and toothpicks;

[0105] S3, stir the sea sand and glue into a compact sand mass;

[0106] Take an appropriate amount of mixed sand, mix the sea sand and glue, put a fresh-keeping bag on the workbench, and mix and turn the sea sand and glue inside the fresh-keeping bag.

[0107] S4, molding the sand ball into a desired shape to obtain a sand sculpture painting;

[0108] S5. placing the shaped sand sculpture in a ventilated environment to dry;

[0109] The drying time is 4 days, and the sand ball plasticity includes strip rubbing, rounding, kneading, pushing, carving, cutting, pressing, stacking, connecting and piercing.

[0110] S6. Post-processing of sand sculpture painting.

[0111] Post-processing includes mounting of sand sculpture painting combination;

[0112] Prepare hot melt glue, dry the sand sculpture painting, dry the base board, the colored base of the chevron board, etc.

[0113] Place the sand sculpture at the appropriate position on the base plate, heat the hot melt glue with a glue gun, apply hot glue on the back of the small sand sculpture, quickly fix the sand sculpture on the surface of the base plate, and press for 5 seconds to bond the sand sculpture to the base plate; add a frame to the outside of the sand sculpture. The sand sculpture combination works are colorful, highlighting the original flavor of sand, and the relief-style creations are extremely expressive, breaking through the original artistic expression form.

[0114] In summary, by selecting clean, fine, impurity-free sea sand and environmentally friendly and non-toxic synthetic glue, the quality of the basic materials of sand sculpture painting is ensured, so that the final work has better purity and delicacy. The mass ratio of sea sand to glue is strictly controlled, so that the sand ball has enough viscosity but not too sticky, which is convenient for shaping and carving, improving production efficiency and work quality.

[0115] By preparing a series of professional tools, such as oil painting spatulas, plaster knives, plastic bags, oil paper, toothpicks, etc., as well as lead drawing paper, liner pens, gouache paint, watercolor paint, oil pastels, watercolor brushes, palettes, buckets, white Chevron boards, hot melt glue and glue guns according to different needs, these tools meet the various needs in the sand sculpture production process and improve the flexibility and precision of the production.

[0116] A variety of shaping and carving techniques are adopted, such as rubbing, rounding, pinching, pushing, carving, cutting, pressing, stacking, connecting and piercing, etc., so that the sand sculpture works can present rich forms and details, enhance the artistry and ornamental value of the works, and provide a variety of sand sculpture post-processing methods, such as coloring, combination, mounting, etc. The innovative post-processing methods not only enrich the expression forms of sand sculpture paintings, but also expand the application fields of sand sculpture paintings, so that sand sculpture paintings can be suitable for more decoration, display and collection needs.

[0117] It will be appreciated by those skilled in the art that the features described in the various embodiments and / or claims of the present invention may be combined and / or combined in various ways, even if such combinations and / or combinations are not explicitly described in the present invention. In particular, the features described in the various embodiments and / or claims of the present invention may be combined and / or combined in various ways without departing from the spirit and teachings of the present invention. All of these combinations and / or combinations fall within the scope of the present invention.

Claims

1. The sand sculpture painting production process is characterized by: The following steps are involved: S1. Prepare clean sea sand and glue without impurities; S2. Prepare tools; S3, stir the sea sand and glue into a compact sand mass; S4, molding the sand ball into a desired shape to obtain a sand sculpture painting; S5. placing the shaped sand sculpture in a ventilated environment to dry; S6. Post-processing of sand sculpture painting.

2. The sand sculpture painting production process according to claim 1, characterized in that: In S1, the mass ratio of the sea sand to the glue is: 0.8-1.5:3.5-6.

3. The sand sculpture painting production process according to claim 2, characterized in that: In S2, the tools include an oil painting spatula, a plasterer's knife, a fresh-keeping bag, oil paper, a toothpick, lead drawing paper and a liner pen.

4. The sand sculpture painting production process according to claim 1, characterized in that: In S3, while the sea sand and glue are being stirred, a fresh-keeping bag is placed on a workbench, and the sea sand and glue inside the fresh-keeping bag are subjected to a process of agglomerating and turning.

5. The sand sculpture painting production process according to claim 1, characterized in that: In S4, the drying time is 3-5 days.

6. The sand sculpture painting production process according to claim 5, characterized in that: In S5, the sand ball plasticity includes rolling into strips, rounding into balls, kneading, pushing, carving, cutting, pressing, stacking, joining and piercing.

7. The sand sculpture painting production process according to claim 1, characterized in that: In S6, the post-processing includes coloring the sand sculpture painting.

8. The sand sculpture painting production process according to claim 1, characterized in that: In S6, the post-processing includes sand sculpture painting combination.

9. The sand sculpture painting production process according to claim 1, characterized in that: In S6, the post-processing includes mounting the sand sculpture painting assembly.

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