Calligraphy art and pottery clay and full-paper fusion method

Abstract

The invention relates to the technical field of pottery clay manufacturing, and particularly discloses a calligraphy art, pottery clay and full-paper fusion method which comprises the following steps: step 1, selecting materials, carefully selecting high-quality Dai paper and clay suitable for high-temperature firing, and ensuring that the materials can still keep certain stability at high temperature; 2, mixing and soaking the Dai paper and different types of mud for half an hour, and then mixing and smashing by a machine; a series of artworks with profound cultural connotation and visual impact are created by combining the traditional calligraphy art with the modern ceramic technology, utilizing the unique material combination of the clay and the Dai paper and combining a high-temperature electric kiln firing process, and the artworks not only show the beauty of calligraphy, but also have a good effect through special treatment of the materials. The fragility of culture civilization and the toughness of inheritance are discussed, and audiences are triggered to think about culture inheritance and protection.

Description

Technical Field

[0001] The invention belongs to the technical field of pottery clay production, and in particular relates to a method for integrating calligraphy art with pottery clay and whole paper. Background Art

[0002] Clay is very plastic and can be molded into various shapes and objects, thus stimulating the maker's creativity and imagination. Through continuous trial and practice, people can create unique works of art. In the process of making clay, it is necessary to precisely control the movements and strength of the hands to achieve the desired effect, which helps to improve the maker's hand-eye coordination ability, which is especially beneficial for the growth of children. Clay making requires a certain amount of time and energy, especially in the detail processing and firing process, which requires the maker to have patience and concentration to complete the entire production process. Clay making can also become part of family parent-child activities. Parents and children making clay together can enhance emotional exchanges between each other and enjoy the fun of making together. Pottery is one of the treasures of our country's traditional culture. Through clay making, people can understand and inherit this traditional skill and feel the profoundness of Chinese culture.

[0003] Uses of clay: Clay is one of the important materials for artistic creation. It can be used to make various sculptures, ceramics and other artworks. These artworks are not only ornamental but also have high collection value. Clay making has become an important part of children's education. Through clay making, children can develop hands-on ability, creativity and imagination, while exercising hand-eye coordination and patience. Various decorations made of clay, such as vases, pottery jars, murals, etc., can be used for home decoration to add interest to life. In ancient times, clay was widely used in the field of construction, such as making bricks and tiles, walls, etc. Although modern building materials are diversified, clay products are still used in some characteristic buildings and landscapes. In addition to artistic creation and home decoration, clay also has certain industrial application value. For example, some industrial products can be made into models or prototypes through clay for subsequent production and processing.

[0004] In the Chinese patent with publication number CN106242502A, a process for making raw clay pottery is mentioned, which includes a blank making stage and a firing stage; wherein, in the blank making stage, it includes: crushing the glue clay into mud; filtering, precipitating, and evaporating the mud in turn; vacuumizing and stirring the mud after evaporation, and pressing it into mud strips, and then pulling the mud strips into a blank; the blank is successively subjected to shade drying, plasticization, and drying; in the firing stage, it includes: applying a lubricant on the surface of the blank after drying; placing the blank with the lubricant on the surface into a kiln for firing; wherein, when the kiln temperature is reduced to 550℃-600℃, pine branches are placed in the kiln to allow the carbon particles in the generated black smoke to penetrate into the blank. The raw clay pottery can be fired by using the process for making raw clay pottery provided by the present invention.

[0005] Compared with the above documents, in the above documents, although the production process of raw clay pottery provided by the above method can be used to fire raw clay pottery, it is not possible to create a series of artworks with profound cultural connotations and visual impact, and it is impossible to explore the fragility of cultural civilization and the tenacity of inheritance, and to trigger the audience's thinking on cultural inheritance and protection. For this reason, a method of integrating calligraphy art with clay and paper is proposed.

[0006] This invention aims to create a series of artworks with profound cultural connotations and visual impact by integrating traditional calligraphy art with modern ceramic technology, utilizing the unique material combination of clay and Dai paper, and combining it with high-temperature electric kiln firing technology. The works not only show the beauty of calligraphy, but also explore the fragility of cultural civilization and the tenacity of inheritance through special material processing, thereby triggering the audience's thinking on cultural inheritance and protection. Summary of the invention

[0007] The object of the present invention is to provide a method for integrating calligraphy art with clay and paper to solve the problems raised in the above-mentioned background technology.

[0008] To achieve the above object, the present invention provides the following technical solutions:

[0009] A method of integrating calligraphy art with clay and paper, including:

[0010] Step 1: Select materials, select high-quality Dai paper and clay suitable for high-temperature firing, and ensure that the materials can still maintain a certain stability at high temperatures;

[0011] Step 2: Mix the Dai paper with different types of mud and soak them for half an hour, then mix and crush them with a machine;

[0012] Step 3: Pour the mixture of crushed paper and mud into a square box and spread it out to dry;

[0013] Step 4: After drying, use a bamboo knife to cut the mud into strips of different rules;

[0014] Step 5: Write on the surface with blue and white glaze mixed with ink;

[0015] Step 6: Put it into the electric kiln for firing.

[0016] Firing system: The choice of firing system (including temperature, time and atmosphere, etc.) also has a great influence on the defects of mud and pulp, so it needs to be carefully controlled;

[0017] Glazing the outer wall of the ceramic after firing has the following benefits:

[0018] Glaze can give the ceramic surface rich colors and luster, making ceramic products more beautiful and attractive. Through the change of glaze color and the decoration process of glaze surface, various ceramic works with artistic value can be produced; the glaze layer can cover the bad color and defects on the surface of the ceramic body, making the surface of the final product smooth and bright, and improving the overall quality;

[0019] The glaze layer has good impermeability, which can reduce the water absorption of ceramic products, thereby preventing water from penetrating into the interior of the ceramics and protecting their structure and performance; the glaze layer makes the ceramic surface not easy to be contaminated and easy to clean, which helps to keep the ceramic products clean and hygienic; for decorative techniques such as underglaze color, the glaze layer can protect the patterns and colors under the glaze layer and prevent them from fading or damage due to wear or chemical corrosion;

[0020] After the glaze layer is combined with the ceramic body, it can improve the product's anti-bending and anti-impact properties, making it more durable, especially for ceramic products, this effect is more obvious; the glaze layer can make the ceramic surface harder and more wear-resistant, reducing the performance degradation caused by wear during use;

[0021] It should be noted that: choose the appropriate glaze color according to the style of the work to improve the wear resistance and corrosion resistance of the work;

[0022] It should be noted that: when designing the work, a double or multi-layer clay structure is used, and reinforcement materials such as metal mesh are embedded inside it;

[0023] The benefits of adding metal mesh to clay during clay making are:

[0024] 1. The metal mesh has a strong supporting force, which can effectively reduce the risk of clay breakage caused by stress concentration during the molding, drying and firing process, and can significantly improve its structural stability and durability;

[0025] Second, the ceramic material itself is brittle, and the addition of metal mesh can improve this characteristic to a certain extent. When the pottery is impacted by external force, the metal mesh can absorb part of the energy, thereby slowing down or preventing the expansion of cracks and improving the impact resistance of the pottery;

[0026] 3. Although there are differences in the thermal expansion coefficients of metals and ceramics, the stress concentration caused by temperature changes can be reduced through reasonable design and reinforcement methods. For example, a buffer layer can be set between the metal mesh and the clay, or a material with a similar thermal expansion coefficient can be used as a transition layer to reduce the risk of damage to the pottery caused by temperature changes.

[0027] 4. The combination of metal mesh and clay can form a sharp contrast in materials, adding a unique visual effect to ceramic works. The luster of the metal and the simplicity of the clay complement each other, enriching the expressiveness of the works and making them more layered and three-dimensional.

[0028] 5. The addition of metal mesh provides more possibilities for ceramic creation. Artists can use the characteristics of metal mesh to make innovative designs and create works with unique forms and styles. At the same time, metal mesh can also be combined with other materials (such as glass, stone, etc.) to further expand the boundaries of ceramic creation.

[0029] In summary, adding metal mesh inside the clay can significantly enhance the structural strength of the pottery, improve its toughness, adapt to temperature changes, enhance artistic expression, and expand creative possibilities. However, in actual operation, attention should be paid to the combination of the metal mesh and the clay and the choice of reinforcement method to ensure the quality and stability of the final work;

[0030] Multilayered clay structures can form a more stable whole through the interaction between different layers. Each layer of clay may have different physical and chemical properties, which can enhance the stability of the overall structure after combination;

[0031] In a multi-layer clay structure, each layer can share the stress and pressure from the upper structure. This layered design helps prevent a single soil layer from being damaged due to excessive stress.

[0032] When cracks appear in a layer of clay, the adjacent clay layers can play a certain restraining role and prevent the cracks from further expanding. This interlayer restraint effect helps to improve the crack resistance of the overall structure.

[0033] In summary, by writing calligraphy on Dai paper and firing it on the outer wall of a pottery jar, a series of calligraphy, clay and Dai paper fusion artworks with unique artistic style and cultural connotations were successfully created; a set of effective material fusion and high-temperature firing technology solutions were proposed and verified, providing a reference for similar artistic creations; through exhibitions and promotion activities, the public's awareness and attention to the inheritance and protection of cultural civilization was enhanced;

[0034] By integrating traditional calligraphy art with modern ceramic technology, using the unique material combination of clay and Dai paper, and combining it with high-temperature electric kiln firing technology, a series of artworks with profound cultural connotations and visual impact are created. The works not only show the beauty of calligraphy, but also through the special processing of materials, explore the fragility of cultural civilization and the tenacity of inheritance, triggering the audience's thinking on cultural inheritance and protection.

[0035] Compared with the prior art, the present invention has the following beneficial effects:

[0036] By writing calligraphy on Dai paper and firing it on the outer wall of a pottery jar, a series of calligraphy, clay and Dai paper fusion artworks with unique artistic style and cultural connotations were successfully created; a set of effective material fusion and high-temperature firing technology solutions were proposed and verified to provide reference for similar artistic creations; through exhibitions and promotion activities, the public's awareness and attention to the inheritance and protection of cultural civilization was enhanced;

[0037] By integrating traditional calligraphy art with modern ceramic technology, using the unique material combination of clay and Dai paper, and combining it with high-temperature electric kiln firing technology, a series of artworks with profound cultural connotations and visual impact are created. The works not only show the beauty of calligraphy, but also through the special processing of materials, explore the fragility of cultural civilization and the tenacity of inheritance, triggering the audience's thinking on cultural inheritance and protection. BRIEF DESCRIPTION OF THE DRAWINGS

[0038] Figure 1 It is a flow chart of the steps of the present invention. DETAILED DESCRIPTION

[0039] The following will be combined with the drawings in the embodiments of the present invention to clearly and completely describe the technical solutions in the embodiments of the present invention. Obviously, the described embodiments are only part of the embodiments of the present invention, not all of the embodiments. Based on the embodiments of the present invention, all other embodiments obtained by ordinary technicians in this field without creative work are within the scope of protection of the present invention.

[0040] Embodiment 1

[0041] A method of integrating calligraphy art with clay and paper, including:

[0042] Step 1: Select materials, select high-quality Dai paper and clay suitable for high-temperature firing, and ensure that the materials can still maintain a certain stability at high temperatures;

[0043] Step 2: Mix the Dai paper with different types of mud and soak them for half an hour, then mix and crush them with a machine;

[0044] Step 3: Pour the mixture of crushed paper and mud into a square box and spread it out to dry;

[0045] Step 4: After drying, use a bamboo knife to cut the mud into strips of different rules;

[0046] Step 5: Write on the surface with blue and white glaze mixed with ink;

[0047] Step 6: Put it into the electric kiln for firing.

[0048] Embodiment 2

[0049] The present invention further specifically details that the auxiliary tools include a brush, a measuring cup and a stirring rod;

[0050] As can be seen from the above, the brush is used to apply glaze or pigment. In the ceramic production process, the measuring cup is mainly used to accurately measure the amount of various raw materials and liquids. The stirring rod is mainly used to stir various mixtures in ceramic production, such as clay, water, glaze and pigment. By stirring, the various ingredients can be fully mixed and evenly mixed, thereby improving the uniformity and consistency of ceramic products.

[0051] Embodiment 3

[0052] The present invention further specifically describes that the clay powder is the main raw material of clay, the components of the clay powder are aluminosilicate, and contain aluminum oxide, silicon dioxide, magnesium, iron, sodium, potassium and calcium, and a coagulant is added to the clay, and the coagulant is alum, watter mercury and rice flour;

[0053] From the above, we can see that when making clay, adding water can make the clay softer and easier to shape, thereby improving the effect of the workers in making the clay body.

[0054] Firing system The choice of firing system (including temperature, time and atmosphere, etc.) also has a great influence on the defects of glaze surface and therefore needs to be carefully controlled;

[0055] Glazing the outer wall of the ceramic after firing has the following benefits:

[0056] It should be noted that:

[0057] Multilayered clay structures can form a more stable whole through the interaction between different layers. Each layer of clay may have different physical and chemical properties, which can enhance the stability of the overall structure after combination;

[0058] In a multi-layer clay structure, each layer can share the stress and pressure from the upper structure. This layered design helps prevent a single soil layer from being damaged due to excessive stress.

[0059] When cracks appear in a layer of clay, the adjacent clay layers can play a certain restraining role and prevent the cracks from further expanding. This interlayer restraint effect helps to improve the crack resistance of the overall structure.

[0060] In summary, by writing calligraphy on Dai paper, we have successfully created a series of calligraphy, clay and Dai paper fusion artworks with unique artistic style and cultural connotations; proposed and verified a set of effective material fusion and high-temperature firing technology solutions, providing reference for similar artistic creations; through exhibitions and promotion activities, we have enhanced the public's awareness and attention to the inheritance and protection of cultural civilization;

[0061] By integrating traditional calligraphy art with modern ceramics technology, using the unique material combination of clay and Dai paper, combined with high-temperature electric kiln firing technology, a series of artworks with profound cultural connotations and visual impact were created. The works not only show the beauty of calligraphy, but also explore the fragility of cultural civilization and the tenacity of inheritance through special material processing, which arouses the audience's thinking on cultural inheritance and protection.

[0062] Furthermore, this design application is applied to the mud and pulp mixture during firing, and calligraphy art is attached to its surface. Through special material treatment, it can explore the fragility of cultural civilization and the tenacity of inheritance, and trigger the audience's thinking on cultural inheritance and protection.

[0063] Although embodiments of the present invention have been shown and described, it will be appreciated by those skilled in the art that various changes, modifications, substitutions and variations may be made to the embodiments without departing from the principles and spirit of the present invention, and that the scope of the present invention is defined by the appended claims and their equivalents.

Claims

1. A method for integrating calligraphy art with clay and paper, characterized in that: include: Step 1: Select materials, select high-quality Dai paper and clay suitable for high-temperature firing, and ensure that the materials can still maintain a certain stability at high temperatures; Step 2: Mix the Dai paper with different types of mud and soak them for half an hour, then mix and crush them with a machine; Step 3: Pour the mixture of crushed paper and mud into a square box and spread it out to dry; Step 4: After drying, use a bamboo knife to cut the mud into strips of different rules; Step 5: Write on the surface with blue and white glaze mixed with ink; Step 6: Put it into the electric kiln for firing.

2. The method for integrating calligraphy art with clay and paper according to claim 1, characterized in that: The firing temperature of the clay body is 1230°C.

3. The method for integrating calligraphy art with clay and paper according to claim 1, characterized in that: The auxiliary tools include a brush, a measuring cup and a stirring rod.

4. The method for integrating calligraphy art with clay and paper according to claim 1, characterized in that: The clay powder is the main raw material of clay.

5. The method for integrating calligraphy art with clay and paper according to claim 1, characterized in that: The firing method is one of wood firing or electric firing.

6. The method for integrating calligraphy art with clay and paper according to claim 1, characterized in that: The kiln is equipped with a controlled atmosphere function, and the controlled atmosphere includes a reducing atmosphere and an oxidizing atmosphere.

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