Manufacturing method of filigree rock color handicraft

Abstract

The invention provides a filigree rock color handicraft manufacturing method, which comprises the steps of manuscript drawing, filigree, bottom making, coloring and the like, through an improved process flow, natural mineral pigments can be widely applied to the surfaces of materials such as wood, stone and glass, the use amount of the mineral pigments is saved, the manufacturing cost is saved, and the production efficiency is improved. The color layering sense and the color development effect are improved, and the artware is endowed with higher artistic value.

Description

Technical Field

[0001] The invention belongs to the technical field of handicraft production, and relates to a method for producing a filigree rock color handicraft. Background Art

[0002] Cloisonne, also known as inlaid enamel, is a handicraft made by pinching out various patterns with gold or copper wire on metal products such as gold and copper, filling them with enamel glaze, and then going through multiple processes such as baking, grinding, and gilding. Cloisonne is mainly used on metal products, while some wood, stone, and glass crafts cannot be fired, so it is difficult to carry out traditional glazing technology. They can only be directly filled with glaze or colored sand. This results in relatively weak color expression and picture layering of cloisonne crafts made on the surface of wood, stone, and glass materials. Summary of the invention

[0003] In view of the shortcomings of the prior art, the present invention proposes a method for making filigree rock color handicrafts, which overcomes the technical difficulties of color fixation and coloring of handicrafts made of wood, stone, glass and other materials, insufficient color levels, insufficient three-dimensional effect, and insufficient granularity.

[0004] The technical solution of the present invention is as follows:

[0005] A method for making a filigree rock color handicraft comprises the following steps:

[0006] ①Draw the draft

[0007] Draw a draft on paper according to the content to be created; print the draft on a substrate;

[0008] ②Filamentation according to the draft pattern

[0009] According to the shape on the base, the wire is made according to the shape of the draft using the filigree technique and fixed on the base;

[0010] ③ Make the bottom

[0011] Apply base color inside or around the filigree pattern on the base; after the sandstone base is completely dried in the shade, mix clam powder (clam powder is a white powder made from oyster or clam shells that have been weathered for more than ten years, ground into powder. It is a natural white pigment. Clam powder has good flowability, is easy to apply evenly, and never changes color. As a base color, it can make the upper pigment develop better, and plays a key role in connecting the upper and lower parts of the picture. It can also replace some of the mineral pigments filled, which has the effect of saving production costs) and gelatin glue solution, mix them thoroughly, evenly apply them on the sandstone base, and dry in the shade;

[0012] The material of the base color is: stone powder and fine sand are mixed, and then mixed with a proper amount of gelatin glue, and other mineral pigments are added according to the color required by the pattern;

[0013] Use a mixture of stone powder, fine sand and gelatin as the base to solve problems such as difficulty in fixing color, difficulty in coloring, and insufficient color filling.

[0014] ④ Coloring

[0015] After the base color is completely dry, use mineral pigments and a brush to draw patterns according to the required color of the creation (in the process of brush painting, due to the complex colors of the patterns, it is generally necessary to color, smudge, and outline the details layer by layer. These are characteristics that are not available when cloisonné enamel is colored. Cloisonné enamel is generally colored with a spatula, and it is difficult to draw lines, silk and other details); after the rock color pigment is completely dry, apply a layer of oily sand-fixing glue on the surface of the picture to increase the firmness of the rock color painting, so that the painting has a certain degree of waterproofness (generally water-proof), and the production is completed.

[0016] Further explanation: Rock color painting is drawn by mixing glue with natural mineral powder. Glue is the most primitive adhesive for painting. Therefore, in the process of filigree rock color production, the use of glue is very important for filling and painting with mineral colors. In the process of filling and coloring, if the glue is too thin, the bonding is not strong and it is easy to fall off. If the glue is too thick, it will affect the color of the pigment or produce more glue marks and easy to crack. After repeated experiments, it was found that when the mineral pigment used is coarse particles, thick glue should be used, and when the mineral pigment used is fine particles, light glue should be used. The currently preferred steps are:

[0017] ① Mix gelatin and water in a volume ratio of 1:4 and stir until the gelatin is fully expanded; ② Slowly add 90°C hot water and stir thoroughly until the gelatin particles are completely dissolved to form a transparent and pure glue solution (this is thick glue. If you need to use thin glue, add an appropriate amount of clean water to the glue solution until there is only slight adhesion when you dip two fingers into the glue solution and then separate them).

[0018] Preferably, the clam powder is used in the following manner: after the sandy and gravel bottom is completely dried in the shade, the clam powder and concentrated glue liquid are fully stirred and mixed in a volume ratio of 1:1, and evenly applied on the sandy and gravel bottom. After it is completely dried in the shade, coloring can begin.

[0019] Preferably, the substrate is made of a material that can be fixed using viscose or gelatin.

[0020] Preferably, the substrate comprises any one of wood, stone and glass.

[0021] Preferably, the pattern is printed on the substrate by rubbing.

[0022] Preferably, the material of the base color is: 80 mesh stone powder mixed with 200 mesh fine sand (mixing coarse and fine particles can make the adhesion stronger, and using this mixture of coarse and fine particles can make the base more solid, smooth, and easy to color), and then blended with concentrated glue, and other mineral pigments are added according to the required color of the pattern; the mass ratio of stone powder, fine sand, and concentrated glue is 1.5:3.5:5.

[0023] Preferably, the thorough drying is drying in the shade.

[0024] Preferably, the mineral pigment includes one or more of cinnabar, hematite, limonite, realgar, malachite, cuprate, azurite, lapis lazuli, kaolin, calcite, mica, talc, graphite, pyrolusite, cinnabar, orpiment, coral, crystal, pearl and the like.

[0025] Preferably, in step ③, the base color thickness is 0.5mm-0.7mm.

[0026] Preferably, the particle size of the mineral pigment is 80-220 mesh microparticles.

[0027] By mixing the base in proportion, compared with directly coloring without a base, the base color can be better adhered to the base, and the adhesion performance of the painted color can be increased, the coloring effect of the mineral pigment can be enhanced, and it can also replace part of the filled mineral pigments, thus saving production costs; in the process of painting and coloring, using a brush for coloring can use a variety of painting techniques to better express the details of the picture, color blending and other effects; using natural mineral colors for painting, strictly controlling the particle size of the base color materials and mineral pigments, and distributing the coarse, medium and fine particles of the mineral color in different proportions in the picture can make the picture have a contrast relationship of thickness, and the picture has a more rhythmic and three-dimensional sense, thereby obtaining a handicraft with a delicate picture, higher preservation value, and strong texture and expressiveness.

[0028] Beneficial effects of the present invention:

[0029] The filigree rock coloring process of the present invention is based on the filigree process, combined with the rock coloring technique, so that natural mineral pigments can be more widely used in the production of craft works on the surface of wood, stone, glass and other materials. Through the improved process of filigree, base making, coloring, etc., sand and stone can be used as the base to replace part of the mineral pigments filled, saving the amount of mineral pigments used to save economic costs, so that the mineral pigments made on wooden, stone, glass and other handicrafts have better color layering, coloring effect, and adhesion performance, and the additional handicrafts have higher artistic value. In addition, wooden and stone materials are natural materials, and there are often defects on the surface. The present invention can cover the defects on the surface of natural materials with designed patterns, thereby improving the utilization rate of wooden and stone materials, and is particularly suitable for precious wood (such as golden nanmu).

[0030] The production method of the invention is simple and convenient, and does not require operations such as firing and polishing, and can obtain a handicraft with rich color layers, strong three-dimensional sense, and both traditional charm and modern aesthetics. BRIEF DESCRIPTION OF THE DRAWINGS

[0031] Figures 1 to 8 : The handicraft made in Example 1 of the present invention. Wherein, Figure 2 , Figure 3 for Figure 1 A local detail of Figure 5 , Figure 6 for Figure 4 Partial detail diagram.

[0032] Figures 9 to 11 : The handicraft made by the method of embodiment 3 of the present invention. Fig. 9 : Filigree rock painting (lily of the valley part 1), Fig.10 : Filigree rock painting (lily of the valley detail 2); Fig.11 : Filigree rock painting (lily of the valley 3).

[0033] Figure 12-13 : Handicrafts made using traditional cloisonné enamel technique. Fig.12 : Cloisonné enamel (lily of the valley 1); Fig.13 : Cloisonné enamel (lily of the valley 2).

[0034] Figure 14-15 : The handicraft made by the method of embodiment 3 of the present invention. Fig.14 : Filigree rock color (iris 1), Fig.15 : Filigree rock color (iris 2).

[0035] Figure 16-17 : Handicrafts made using traditional cloisonné enamel technique. Fig.16 : Cloisonné enamel (iris 1); Fig.17 : Cloisonné enamel (iris 2).

[0036] Fig.18 : The handicraft made by the method of the present invention.

[0037] Fig.19 : Handicrafts made using traditional cloisonné enamel technique.

[0038] Fig. 20 : The handicraft made by the method of the present invention.

[0039] Fig.21 : Handicrafts made using traditional cloisonné enamel technique.

[0040] Figure 22 to Figure 26 : Comparison of the effects of base and no base. Figure 22-23: Comparison between making a base and not making a base. The upper side shows the overall effect after making a base; the lower side shows the overall effect without making a base. Fig.24 , Fig.26 To make a detailed picture of the base, Fig.25 , Fig. 27 This is a detailed picture of a part without a base.

[0041] Figures 28-30 : Embodiment 2 of the present invention uses stone as the base to make a handicraft. Fig.29 , Fig.30 This is a local detail picture.

[0042] Fig.31 : Comparison diagram of the effect of the base after the comparative example 1 of the present invention is made. The left side is made by the method in the embodiment, and the right side is the base effect after the base particles of comparative example 1 are changed to "80 mesh stone powder mixed with 80 mesh fine sand".

[0043] Fig.32 : Comparison diagram of the coloring effect of comparative example 1 of the present invention. The left side shows the coloring effect after mixing 80 mesh stone powder and 200 mesh fine sand as the base, and the right side shows the coloring effect after mixing 80 mesh stone powder and 80 mesh fine sand as the base. It can be seen that the coloring effect on the left side is better, and the coloring effect on the right side is worse. DETAILED DESCRIPTION

[0044] In order to better understand the technical content of the present invention, specific embodiments and drawings are provided below to further illustrate the present invention.

[0045] In the following embodiments, the mineral pigments include cinnabar, hematite, limonite, realgar, malachite, cuprate, azurite, lapis lazuli, kaolin, calcite, mica, talc, graphite, pyrolusite, cinnabar, orpiment, coral, crystal, pearl, etc.

[0046] Embodiment 1 A method for making a filigree rock color handicraft

[0047] ①Draw the draft

[0048] Draw a draft on paper according to the content to be created; print the draft on the golden nanmu base through rubbing.

[0049] ②Filamentation according to the draft pattern

[0050] According to the shape on the base, the wirework technique is used to make the metal wire according to the shape of the draft and fix it to the base with wire glue.

[0051] ③ Make the bottom

[0052] Draw a layer of base color inside or around the filigree pattern on the base, with a thickness of 0.5mm to 0.7mm. After the sand and stone base is completely dried in the shade, mix the clam powder and thick glue in a volume ratio of 1:1, apply it evenly on the sand and stone base, and dry it in the shade.

[0053] The material of the base color is: 80 mesh stone powder is mixed with 200 mesh fine sand, then blended with gelatin, and other mineral pigments are added according to the color required for the pattern; the mass ratio of stone powder, fine sand, and gelatin (concentrated gelatin liquid) is 1.5:3.5:5.

[0054] ④ Coloring

[0055] After completing step ③, use mineral pigments (80-220 mesh micro-particles) to color the surface according to the color required for the creation. After the rock color pigment is completely dry, apply a layer of oil-based sand-fixing glue on the surface of the picture, and the production is completed.

[0056] Embodiment 2 A method for making a filigree rock color handicraft

[0057] ①Draw the draft

[0058] Draw a draft on paper according to the content to be created; print the draft on the stone base through rubbing.

[0059] ②Filamentation according to the draft pattern

[0060] According to the shape on the base, the wirework technique is used to make the metal wire according to the shape of the draft and fix it to the base with wire glue.

[0061] ③ Make the bottom

[0062] Draw a layer of base color inside or around the filigree pattern on the base, with a thickness of 0.5mm to 1mm. After the sand and stone base is completely dried in the shade, mix the clam powder and thick glue in a volume ratio of 1:1, apply it evenly on the sand and stone base, and dry it in the shade.

[0063] The material of the base color is: 80 mesh stone powder is mixed with 200 mesh fine sand, then blended with gelatin, and other mineral pigments are added according to the color required for the pattern; the mass ratio of stone powder, fine sand, and gelatin (concentrated gelatin liquid) is 1.5:3.5:5.

[0064] ④ Coloring

[0065] After completing step ③, use mineral pigments (80-220 mesh micro-particles) to color the surface according to the color required for the creation. After the rock color pigment is completely dry, apply a layer of oil-based sand-fixing glue on the surface of the picture, and the production is completed.

[0066] Embodiment 3 A method for making a filigree rock color handicraft

[0067] ①Draw the draft

[0068] Draw a draft on paper according to the content to be created; print the draft on a glass base through rubbing.

[0069] ②Filamentation according to the draft pattern

[0070] According to the shape on the base, the wire is made according to the shape of the draft using the filigree technique and fixed to the base with glue.

[0071] ③ Make the bottom

[0072] Then draw a layer of base color inside or around the filigree pattern on the base, with a thickness of 0.5mm to 0.7mm. After the sand and stone base is completely dried in the shade, mix the clam powder and thick glue in a volume ratio of 1:1, evenly apply it on the sand and stone base, and dry it in the shade.

[0073] The material of the base color is as follows: 80-mesh stone powder is mixed with 200-mesh fine sand, and then blended with gelatin, and other mineral pigments are added according to the color required for the pattern; the mass ratio of stone powder, fine sand, and gelatin (concentrated gelatin liquid) is 1.5:3.5:5.

[0074] ④ Coloring

[0075] After completing step ③, use mineral pigments (80-220 micro-particles) to color the surface according to the color required for the creation. After the rock color pigment is completely dry, apply a layer of oil-based sand-fixing glue on the surface of the picture, and the production is completed.

[0076] Comparative Example 1: A method for making a filigree rock color handicraft

[0077] The main difference between this comparative example and Example 1 is that the particle size of the base color material is changed.

[0078] ①Draw the draft

[0079] Draw a draft on paper according to the content to be created; print the draft on the golden nanmu base through rubbing.

[0080] ②Filamentation according to the draft pattern

[0081] According to the shape on the base, the wire is made according to the shape of the draft using the filigree technique and fixed to the base with glue.

[0082] ③ Make the bottom

[0083] Then draw a layer of base color inside or around the filigree pattern on the base, with a thickness of 0.5mm to 0.7mm. After the sand and stone base is completely dried in the shade, mix the clam powder and thick glue in a volume ratio of 1:1, evenly apply it on the sand and stone base, and dry it in the shade.

[0084] The material of the base color is as follows: 80-mesh stone powder is mixed with 80-mesh fine sand, and then blended with gelatin, and other mineral pigments are added according to the color required for the pattern; the mass ratio of stone powder, fine sand, and gelatin (concentrated gelatin solution) is 1.5:3.5:5.

[0085] ④ Coloring

[0086] After completing step ③, use mineral pigments (80-220 micro-particles) to color the surface according to the color required for the creation. After the rock color pigment is completely dry, apply a layer of oil-based sand-fixing glue on the surface of the picture, and the production is completed.

[0087] By comparing the comparative example 1 with the embodiment 1, it is found that after the particle size of the background material is changed in the comparative example, the rhythm and three-dimensional sense of the picture are deteriorated, and the value of the handicraft is not high. Relatively speaking, the handicraft made by the above embodiment is more popular with handicraft lovers.

[0088] Comparative Example 2 Cloisonné enamel painting production process

[0089] This comparative example is made using traditional cloisonné enamel craft.

[0090] Compared with traditional cloisonné enamel painting, the present invention uses rock coloring, which is more elegant than enamel coloring, and mineral pigments have a stronger texture, making the product more ornamental. Before coloring, a special base will be made on the existing cloisonné, and then color will be applied layer by layer on the base. Patterns can be drawn on wood, stone, and glass materials, and their colors can be maintained for a long time. The color of the picture will not change significantly after many years of drawing.

[0091] Comparative Example 3: A method for making a filigree rock color handicraft

[0092] The main difference between this comparative example and Example 1 is that no base color is applied.

[0093] Use 2 filigree samples for comparison. Fig. 22 The upper side is the one that has been made according to the production method, and the lower side is the one that has not been made. Then use the same method to color both. The final effect is as follows Fig.23 shown.

[0094] The results show that by making a base, the base color can be better attached to the base, the adhesion of the color painting can be increased, the rock color mineral pigment can be more firmly attached to the smooth surface, and the coloring effect of the mineral pigment is better after coloring; the coloring process of filigree rock color has a stronger sense of layering, a larger space for painting techniques, and can better highlight the details of the picture. The artistic processing of filigree rock color on furniture, soft furnishings, utensils, etc. in daily life can add artistic added value and better combine artistry with practicality.

[0095] The above descriptions are only some embodiments of the present invention and are not intended to limit the present invention. Any modifications, equivalent substitutions, improvements, etc. made within the spirit and principles of the present invention shall fall within the protection scope of the present invention.

Claims

1. A method for making a filigree rock color handicraft, characterized in that: The following steps are involved: ①Draw the draft Draw a rough draft on paper according to what you want to create; Printing the manuscript on a substrate; ②Filamentation according to the draft pattern According to the shape on the base, the wire is made according to the shape of the draft using the filigree technique and fixed on the base; ③ Make the bottom Apply base color inside or around the filigree pattern on the base; after the sand and stone base is completely dried in the shade, mix the clam powder and gelatin solution thoroughly, apply it evenly on the sand and stone base, and dry in the shade; The material of the base color is: stone powder and fine sand are mixed, and then mixed with gelatin glue, and other mineral pigments are added according to the color required by the pattern; ④ Coloring After completing step ③, use mineral pigments and a brush to draw patterns according to the desired colors. After the rock color pigments have dried in the shade, apply a layer of oily sand-fixing glue on the surface of the picture, and the work is complete.

2. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: The substrate is made of a material that can be fixed using viscose glue or gelatin.

3. The method for making the filigree rock colored handicraft according to claim 2, characterized in that: The substrate includes any one of wood, stone and glass.

4. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: The pattern is printed on the substrate by rubbing.

5. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: The mass ratio of stone powder, fine sand and gelatin solution is 1.5:3.5:5; the stone powder specification is 80 meshes, and the fine sand specification is 200 meshes; the gelatin solution is concentrated gelatin solution.

6. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: Clam powder and gelatin solution are mixed in a volume ratio of 1:

1.

7. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: Step ③, the base color thickness is 0.5mm-0.7mm.

8. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: The mineral pigments include one or more of cinnabar, hematite, limonite, realgar, malachite, cuprate, azurite, lapis lazuli, kaolin, calcite, mica, talc, graphite, pyrolusite, cinnabar, orpiment, coral, crystal, and pearl.

9. The method for making the filigree rock colored handicraft according to claim 1, characterized in that: The particle size of the mineral pigment is 80-220 mesh microparticles.

10. A filigree rock color handicraft, characterized in that: It is prepared by the preparation method according to any one of claims 1 to 9.

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