Manufacturing method of inner painting lamp

Abstract

The invention relates to the technical field of interior painting lamps, in particular to an interior painting lamp manufacturing method which comprises the following steps: S1, material selection: selecting a transparent or semitransparent material for manufacturing a lampshade of an interior painting lamp; s2, tire manufacturing, wherein machining is conducted in a grinding mode and a smelting and blowing mode; s3, designing, wherein square, round, long and flat design can be carried out on the lamp type according to pattern requirements; s4, manuscript drawing: directly dipping ink color on the manuscript line of the national painting by using a hooking pen, and hooking the line in a lamp, and drawing the watercress painting by using a light ochre color. Through smooth operation, exquisite packaging and convenient structure assembly of various materials, various lamp types, various pigments and special tools, the selectivity of the overall structure and the theme style of the internal painting lamp is greatly increased, lines are smooth, scene matching is clear, the quality is guaranteed, the internal painting lamp can be stored, and meanwhile, the internal painting lamp is convenient to use. The appearance is attractive, the artistic atmosphere is good, and market popularization is facilitated.

Description

Technical Field

[0001] The invention relates to the technical field of interior painting lamps, and in particular to a method for manufacturing an interior painting lamp. Background Art

[0002] The interior painting lamp is an innovative lighting device that aims to enhance the artistic atmosphere of lighting occasions through its unique artistic light and shadow effects. The design of the interior painting lamp solves the problem of traditional bulb lamps being single-purpose and lacking in creativity. The working principle of the interior painting lamp mainly depends on the design of the bulb shell. The inner wall of the bulb shell is frosted, with patterns and / or text painted on the surface. When the bulb lamp is turned on, these patterns and text will be projected into the environment, creating a unique artistic atmosphere.

[0003] Interior painting lamps are not only suitable for indoor lighting in homes and offices, but can also be used in various occasions that require an artistic atmosphere, such as art exhibitions, hotels, etc. The production of interior painting lamps requires superb painting skills and fine craftsmanship to ensure the clarity and beauty of patterns and texts.

[0004] At present, the existing interior painting lamp products have few choices of overall structure and theme style, which is not conducive to market promotion. Therefore, we propose a method for manufacturing interior painting lamps. Summary of the invention

[0005] The purpose of the present invention is to provide a method for producing an interior painting lamp, which has the advantages of multiple options for overall structure and theme style, good aesthetics, and is conducive to market promotion. It solves the problem that existing interior painting lamp products have fewer options for overall structure and theme style, which is not conducive to market promotion.

[0006] To achieve the above object, the present invention provides the following technical solution: a method for manufacturing an interior painting lamp, comprising the following steps:

[0007] S1. Material selection: The lampshade of the interior painting lamp needs to be made of transparent or translucent materials;

[0008] S2. Tire making: grinding and smelting blowing are used for processing;

[0009] S3. Design: The lamp can be designed to be square, round, long or flat according to the pattern requirements;

[0010] S4. Drafting: For Chinese painting, the draft line is drawn with a hook pen dipped in ink and the lines are drawn in the lamp, while for Western painting, light ochre is used for the draft;

[0011] S5. Coloring: Adjust the prepared color to the required concentration, and use a hook pen to paint it at the required position. Keep your hand speed steady, smooth, and without pauses to avoid uneven thickness or overflow. At the same time, be careful not to damage the lines. After painting a part, you can use a handheld air pump to blow it dry and then continue to paint the next part;

[0012] S6. Background: After the theme is finished, if you want to match the background, you should pay attention to the main and secondary aspects.

[0013] S7. Inscriptions and signatures: Traditional Chinese paintings and calligraphy must be inscribed and signed after completion, which includes the theme name or poem, the creation time, place and the author's name;

[0014] S8. Cover: A perfect interior painting lamp should be equipped with a corresponding lamp cover, and the materials of the lamp cover are gold, jade, wood and stone;

[0015] S9. Boxing: The inner painted lamp box is mainly made of hardwood or brocade, and some are made of gold, silver, ivory, and lacquer;

[0016] S10. Assembly: including the assembly of the main body, reflector, drawing board, fixing bracket and light source body;

[0017] S11. Power connection: A power cord is provided on one side of the main body for connecting the device to an indoor power source.

[0018] Preferably, the grinding includes shaping, hollowing, polishing and frosting, and the smelting and blowing includes lampshade blow molding, annealing and grinding.

[0019] Preferably, the reflector is embedded in the front side of the main body, the drawing board is arranged inside the main body, the fixing bracket is arranged at the top of the main body, and the light source body is arranged at the front end of the fixing bracket.

[0020] Preferably, in steps S4 and S5, the characteristics of the hook pen are as follows:

[0021] 1). Special structure: The inner painting pen has a curved pen holder, which allows the pen tip to be flexibly operated on the inner wall of the inner painting lamp;

[0022] 2) Fine operation: Due to the limited internal space of the interior painting lamp, the brush must be small enough to be able to reach in and perform fine painting;

[0023] 3) Various materials: The materials of inner painting brushes are metal, bamboo, and plastic. The pen tips are usually made of animal hair such as wolf hair and goat hair to meet different painting needs and provide suitable painting texture;

[0024] 4). Homemade features: Many interior painting artists make their own brushes based on their personal habits and painting needs to ensure the applicability and comfort of the brushes.

[0025] Preferably, in steps S4-S7, the characteristics of the pigment used to make the interior painting lamp are as follows:

[0026] 1). Various pigments: Inner painting pigments include Chinese painting colors, oil painting colors, and acrylic paints to suit different painting styles and effects;

[0027] 2) Accurate coloring: Since the inner painting is done on the inner wall, the coloring of the pigment needs to be extremely accurate and appropriate. Any small mistake may lead to the failure of the work.

[0028] 3). Special effects: Sometimes, diamond powder pen is used to make scratches in inner painting to increase the three-dimensional sense and special effects of the work;

[0029] 4). Fusion of pigment and water: During the inner painting process, the pigment needs to be well blended with water in order to achieve the ideal painting effect on the inner wall;

[0030] 5). Interior painting: After the interior painting is completed, it is necessary to prime. First, apply oil paint on the surface of the interior painting, and then use gasoline above No. 95 to dilute and apply evenly.

[0031] Preferably, the Chinese painting color pigment is made of the following raw materials in parts by weight:

[0032] 400-500 parts of lithospermum powder, 350-450 parts of fresh pomegranate leaves, 89-143 parts of lactic acid bacteria agent, 28-41 parts of ground cinnabar, 3-5.5 parts of salt, 0.5-1.8 parts of monosodium glutamate, 1-4 parts of puffed starch and 1-4.5 parts of sodium carboxymethyl cellulose;

[0033] The preparation method thereof comprises:

[0034] (1) Weigh each raw material according to the amount;

[0035] (2) After mixing all the raw materials evenly, add water and ferment;

[0036] (3) After the fermentation is completed, the fermentation product is dried and ground into fine powder.

[0037] Preferably, the fermentation time is 7-10 days, the drying temperature of the fermentation product is between 45-75°C, and the fine powder is a particle of 1-4 microns. Fermentation within a time range of 7-10 days can ensure that the organic components in the raw materials are fully converted and interact with each other, thereby improving the quality and stability of the pigment. The appropriate fermentation time helps to produce more organic acids, special enzyme systems, acid bacteria and other substances, which have a positive effect on the color quality and stability of the pigment. Drying within the temperature range of 45-75°C can avoid the destruction or deterioration of the pigment components that may be caused by excessive temperature, while ensuring that the moisture is effectively removed, which is conducive to the long-term storage and use of the pigment. The pigment of fine powder particles has better tinting power and covering power, and the uniformity of the fine powder helps to evenly distribute the pigment on the medium, improving the color saturation and fineness during painting.

[0038] The components of the above-mentioned Chinese painting color pigment have the following advantages:

[0039] 1. Natural ingredients: The components of the pigment include natural materials such as comfrey powder and fresh pomegranate leaves, which usually have good environmental compatibility and biodegradability.

[0040] 2. Fermentation process: Pigments prepared through the fermentation process may have better color stability and durability because fermentation can increase the activity of organic components in the pigment and improve its binding force with the medium.

[0041] 3. Color diversity: The combination of raw materials in different weights provides a wide range of colors, allowing artists to mix different colors as needed.

[0042] 4. Fine powder particles: Fine powder particles (1-4 microns) help to evenly distribute the pigment on the medium and improve the color saturation and fineness when painting.

[0043] 5. Durability: The pigment preparation method mentioned in the document includes a drying step, which helps to improve the durability of the pigment and make it less susceptible to fading or deterioration due to environmental influences.

[0044] 6. Anti-cracking effect: Ingredients in the pigment, such as sodium carboxymethyl cellulose, may help improve the flexibility of the pigment layer and reduce cracking caused by environmental changes.

[0045] 7. Adhesion: The composition of Chinese painting pigments may help improve the adhesion of the pigments on the inner wall of the lampshade, which is particularly important for the art of inner painting because the pigments need to remain stable on vertical or non-planar surfaces.

[0046] 8. Anti-aging: The weather and aging resistance of pigments means that they can resist the erosion of time and maintain long-term beauty.

[0047] 9. Conductivity: Although not detailed in the document, certain ingredients such as graphene paste may impart some conductivity to the pigment, which may be beneficial in certain special applications.

[0048] 10. Cultural inheritance: Chinese painting pigments prepared using traditional raw materials and methods help to maintain and inherit Chinese traditional culture.

[0049] In summary, the composition of traditional Chinese painting pigments not only helps to improve the quality and aesthetics of artworks, but also contributes to the environmental friendliness, durability and cultural value of the pigments.

[0050] Preferably, the oil painting pigment is made of the following raw materials in parts by weight:

[0051] 18-30 parts of refined cooked linseed oil, 1.8-4.6 parts of printing varnish, 8-11 parts of pigment toner, 10-28 parts of barium sulfate, 0.3-5.5 parts of polyaniline composite dry gel, 2-9 parts of nano silicon dioxide, 0.1-1.3 parts of aluminum stearate, 0.1-1.7 parts of BCM mildew inhibitor;

[0052] The preparation method thereof comprises:

[0053] (1) mixing aluminum stearate and refined cooked linseed oil in a weight ratio, heating and melting to obtain frozen oil a;

[0054] (2) Take the remaining components that meet the weight ratio, blend them together with the frozen oil a, and grind them to obtain a finished product.

[0055] Preferably, the weight ratio of aluminum stearate to refined cooked linseed oil is 1:2.

[0056] Preferably, the acrylic paint is made of the following raw materials in parts by weight:

[0057] Acrylic emulsion 18-40 parts, pigment toner 4.5-18 parts, graphene slurry 8-27 parts, emulsifier 2-18 parts, pull-opening powder BX 2-9 parts, filler 2-18 parts, pH regulator 0.3-6 parts, wetting agent 0.5-1.8 parts, dispersant 0.1-1.2 parts, defoamer 0.2-2.2 parts, water 3-12 parts;

[0058] The preparation method thereof comprises:

[0059] (1) mixing an acrylic emulsion, an emulsifier, a powder BX, a pH regulator, a wetting agent, a dispersant, and water, and grinding the mixture to obtain a gel a;

[0060] (2) The gel a in step (1) is mixed with the graphene slurry, filler, and pigment powder, and then ground evenly, and a defoaming agent is added to obtain a finished product.

[0061] The components of the above oil painting pigments have the following advantages:

[0062] 1. Durability: Ingredients such as barium sulfate and aluminum stearate contained in oil paint pigments can improve the durability and anti-aging ability of the pigments, allowing the oil paintings to maintain their original color and texture for a long time.

[0063] 2. Color stability: The use of pigment powder ensures the purity and stability of color, which is essential for the artistic effect and long-term preservation of oil paintings.

[0064] 3. Anti-mildew: The addition of BCM anti-mildew agent helps prevent oil paintings from mildewing in humid environments and increases the shelf life of the works.

[0065] 4. Good rheological properties: By adding ingredients such as polyaniline composite xerogel and nano-silica, the rheological properties of the pigment can be improved, making the pigment easier to apply and mix in oil painting creation.

[0066] 5. Gloss: The use of refined cooked linseed oil can provide a natural gloss to oil paintings and enhance the visual appeal of the work.

[0067] 6. Covering power of pigment: The addition of printing varnish helps to improve the covering power of pigment, making the colors of oil paintings richer.

[0068] 7. Anti-cracking: The components of oil paint help reduce cracking of the paint layer and maintain the integrity of the surface of the work.

[0069] 8. Environmental protection: Environmentally friendly materials are used in the components of oil painting pigments, reducing the impact on the environment.

[0070] 9. Compatibility: The components of oil paint are designed with compatibility with other oil painting materials in mind, allowing the paint to mix well with other oil painting media and solvents.

[0071] 10. Quick-drying: The preparation of frozen oil a in the preparation method of oil painting pigments helps to increase the drying speed of the pigments and speed up the creation process.

[0072] 11. Rich color levels: By adjusting the proportion of each component, pigments with different transparency and color intensity can be produced to meet the needs of color levels in oil painting creation.

[0073] 12. Uniformity of pigment: Through preparation steps such as grinding, the pigment particles are refined, which helps to improve the uniform distribution of pigment on the canvas.

[0074] In summary, the composition of oil paint pigments is designed to improve the quality and durability of oil paintings while ensuring the stability of color and the artistic effect of the work.

[0075] Compared with the prior art, the present invention has the following beneficial effects:

[0076] The present invention greatly increases the options for the overall structure and theme styles of interior painting lamps through the smooth operation of various materials, various lamp types, multiple pigments, special tools, exquisite packaging and convenient assembly structure, and has smooth lines, clear primary and secondary backgrounds, guaranteed quality and collectible, and at the same time, good aesthetics, good artistic atmosphere, and conducive to market promotion. DETAILED DESCRIPTION

[0077] The following will be combined with the embodiments of the present invention to clearly and completely describe the technical solutions in the embodiments of the present invention. Obviously, the described embodiments are only part of the embodiments of the present invention, not all of the embodiments. Based on the embodiments of the present invention, all other embodiments obtained by ordinary technicians in this field without making creative work are within the scope of protection of the present invention.

[0078] A method for manufacturing an interior painting lamp comprises the following steps:

[0079] S1. Material selection: The lampshade of the interior painting lamp needs to be made of transparent or translucent materials, such as crystal, amber, glass, etc.

[0080] S2. Tire making: grinding and smelting blowing are used for processing;

[0081] S3. Design: The lamp can be designed to be square, round, long or flat according to the pattern requirements;

[0082] S4. Drafting: For Chinese painting, the draft line is drawn with a hook pen dipped in ink and the lines are drawn in the lamp, while for Western painting, light ochre is used for the draft;

[0083] S5. Coloring: Adjust the prepared color to the required concentration, and use a hook pen to paint it at the required position. Keep your hand speed steady, smooth, and without pauses to avoid uneven thickness or overflow. At the same time, be careful not to damage the lines. After painting a part, you can use a handheld air pump to blow it dry and then continue to paint the next part;

[0084] S6. Background: After the theme is finished, if you want to match the background, you should pay attention to the main and secondary aspects.

[0085] S7. Inscriptions and signatures: Traditional Chinese paintings and calligraphy must be inscribed and signed after completion, which includes the theme name or poem, the creation time, place and the author's name;

[0086] S8. Cover: A perfect interior painting lamp should be equipped with a corresponding lamp cover, and the materials of the lamp cover are gold, jade, wood and stone;

[0087] S9. Boxing: The inner painted lamp box is mainly made of hardwood or brocade, and some are made of gold, silver, ivory, and lacquer;

[0088] S10. Assembly: including the assembly of the main body, reflector, drawing board, fixing bracket and light source body;

[0089] S11. Power connection: A power cord is provided on one side of the main body for connecting the device to an indoor power source.

[0090] Specifically, grinding includes shaping, hollowing, polishing and frosting, and smelting and blowing includes lampshade blow molding, annealing and grinding.

[0091] Specifically, the reflector is inlaid on the front side of the main body, the drawing board is arranged inside the main body, the fixing bracket is arranged on the top of the main body, and the light source body is arranged on the front end of the fixing bracket.

[0092] This technical solution: through the smooth operation of various materials, various lamp types, various pigments, special tools, exquisite packaging and convenient assembly structure, the overall structure and theme style of the interior painting lamp are greatly increased, the lines are smooth, the background is clearly divided into primary and secondary, the quality is guaranteed and it can be collected. At the same time, it has good aesthetics, a good artistic atmosphere, and is conducive to market promotion. The overall structure is stable and easy to use. After assembly, it can be given as a holiday gift. The paintings of the interior painting lamp are mainly people, landscapes, animals and plants, and holiday environments, which can expand its sales scope.

[0093] Specifically, in steps S4 and S5, the characteristics of the hook pen are as follows:

[0094] 1). Special structure: The inner painting brush has a curved pen holder. This design allows the pen tip to be flexibly operated on the inner wall of the inner painting lamp. For example, the painting tool of Guangdong inner painting is a curved brush developed by Wu Songling. The pen head is made of iron wire into a curved shape, the tip is equipped with wolf hair, and the pen holder is made of bamboo;

[0095] 2) Fine operation: Due to the limited internal space of the inner painting lamp, the brush must be small enough to be inserted and finely painted. For example, Wang Xisan, the founder of the "Ji School" inner painting, invented a small brush with a metal rod hook. The pen rod is straight and curved, and the direction can be changed at will;

[0096] 3) Various materials: The materials of inner painting brushes are metal, bamboo, and plastic. The pen tips are usually made of animal hair such as wolf hair and goat hair to meet different painting needs and provide suitable painting texture;

[0097] 4). Homemade features: Many interior painting artists make their own brushes based on their personal habits and painting needs to ensure the applicability and comfort of the brushes.

[0098] Specifically, in steps S4-S7, the characteristics of the pigment produced by the interior painting lamp are as follows:

[0099] 1). Various pigments: Inner painting pigments include Chinese painting colors, oil painting colors, and acrylic paints to suit different painting styles and effects;

[0100] 2) Accurate coloring: Since the inner painting is done on the inner wall, the coloring of the pigment needs to be extremely accurate and appropriate. Any small mistake may lead to the failure of the work.

[0101] 3). Special effects: Sometimes, diamond powder pen is used to make scratches in inner painting to increase the three-dimensional sense and special effects of the work;

[0102] 4). Fusion of pigment and water: During the inner painting process, the pigment needs to be well blended with water in order to achieve the ideal painting effect on the inner wall;

[0103] 5). Interior painting: After the interior painting is completed, it is necessary to prime. First, apply oil paint on the surface of the interior painting, and then use gasoline above No. 95 to dilute and apply evenly.

[0104] This technical solution makes the diversity of special tools better suited to the personal habits of interior painting artists, ensures the comfort of interior painting artists when using them, makes them more flexible to use during the interior painting process, and improves the quality of interior painting. The choice of a variety of pigments expands the painting style of interior painting, and has high coloring requirements. It can be specially processed later and can adapt to market development, which has attracted different user groups to a great extent.

[0105] Specifically, the Chinese painting color pigment is made from the following raw materials in parts by weight:

[0106] 400-500 parts of lithospermum powder, 350-450 parts of fresh pomegranate leaves, 89-143 parts of lactic acid bacteria agent, 28-41 parts of ground cinnabar, 3-5.5 parts of salt, 0.5-1.8 parts of monosodium glutamate, 1-4 parts of puffed starch and 1-4.5 parts of sodium carboxymethyl cellulose;

[0107] The preparation method thereof comprises:

[0108] (1) Weigh each raw material according to the amount;

[0109] (2) After mixing all the raw materials evenly, add water and ferment;

[0110] (3) After the fermentation is completed, the fermentation product is dried and ground into fine powder.

[0111] Specifically, the fermentation time is 7-10 days, the drying temperature of the fermentation product is between 45-75° C., and the fine powder is particles of 1-4 microns.

[0112] Specifically, the oil painting color pigment is made from the following raw materials in parts by weight:

[0113] 18-30 parts of refined cooked linseed oil, 1.8-4.6 parts of printing varnish, 8-11 parts of pigment toner, 10-28 parts of barium sulfate, 0.3-5.5 parts of polyaniline composite dry gel, 2-9 parts of nano silicon dioxide, 0.1-1.3 parts of aluminum stearate, 0.1-1.7 parts of BCM mildew inhibitor;

[0114] The preparation method thereof comprises:

[0115] (1) mixing aluminum stearate and refined cooked linseed oil in a weight ratio, heating and melting to obtain frozen oil a;

[0116] (2) Take the remaining components that meet the weight ratio, blend them together with the frozen oil a, and grind them to obtain a finished product.

[0117] Specifically, the weight ratio of aluminum stearate to refined cooked linseed oil is 1:2.

[0118] Specifically, the acrylic paint is made from the following raw materials in parts by weight:

[0119] Acrylic emulsion 18-40 parts, pigment toner 4.5-18 parts, graphene slurry 8-27 parts, emulsifier 2-18 parts, pull-opening powder BX 2-9 parts, filler 2-18 parts, pH regulator 0.3-6 parts, wetting agent 0.5-1.8 parts, dispersant 0.1-1.2 parts, defoamer 0.2-2.2 parts, water 3-12 parts;

[0120] The preparation method thereof comprises:

[0121] (1) mixing an acrylic emulsion, an emulsifier, a powder BX, a pH regulator, a wetting agent, a dispersant, and water, and grinding the mixture to obtain a gel a;

[0122] (2) Mixing the gel a in step (1) with the graphene slurry, filler, and pigment powder, grinding them evenly, and adding a defoaming agent to obtain a finished product.

[0123] The technical solution: The Chinese painting pigments, oil painting pigments and acrylic pigments prepared by the above method have good adhesion, weather resistance and anti-aging, as well as good conductivity and anti-cracking effects, so that the finished interior painting products have the ability to have no color difference, no cracking, and no falling off during the long-term use of the lamp, ensuring the long-term beauty of the interior painting lamp and increasing its service life.

[0124] Importantly, it should be noted that the construction and arrangement of the present application shown in a plurality of different exemplary embodiments are only exemplary. Although only a few embodiments are described in detail in this disclosure, it should be readily understood by those who refer to this disclosure that many modifications are possible (e.g., the size, scale, structure, shape and proportion of various elements, and parameter values ​​(e.g., temperature, pressure, etc.), installation arrangement, use of materials, color, directional changes, etc.) without substantially departing from the novel teachings and advantages of the subject matter described in the application. For example, the element shown as integrally formed can be composed of multiple parts or elements, the position of the element can be inverted or otherwise changed, and the nature or number or position of the discrete element can be changed or changed. Therefore, all such modifications are intended to be included in the scope of the present invention. The order or sequence of any process or method steps can be changed or reordered according to alternative embodiments. In the claims, any "device plus function" clause is intended to cover the structure of performing the function described herein, and is not only structurally equivalent but also equivalent structure. Without departing from the scope of the present invention, other replacements, modifications, changes and omissions can be made in the design, operating conditions and arrangement of the exemplary embodiments. Therefore, the invention is not limited to a specific embodiment, but extends to several modifications still falling within the scope of the appended claims.

[0125] Additionally, in order to provide a concise description of exemplary embodiments, all features of an actual embodiment (ie, those features that are not relevant to the best mode presently contemplated for carrying out the invention or those that are not relevant to implementing the invention) may not be described.

[0126] Finally, it should be noted that the above embodiments are only used to illustrate the technical solution of the present invention, rather than to limit the scope of protection of the present invention. Although the present invention has been described in detail with reference to the preferred embodiments, those skilled in the art should understand that the technical solution of the present invention can be modified or replaced by equivalents without departing from the essence and scope of the technical solution of the present invention.

Claims

1. A method for manufacturing an interior painting lamp, characterized in that: The following steps are involved: S1. Material selection: The lampshade of the interior painting lamp needs to be made of transparent or translucent materials; S2. Tire making: grinding and smelting blowing are used for processing; S3. Design: The lamp can be designed to be square, round, long or flat according to the pattern requirements; S4. Drafting: For Chinese painting, the lines are drawn with a hook pen dipped in ink and then drawn in the lamp, while for Western painting, light ochre is used for the draft; S5. Coloring: Adjust the prepared color to the required concentration, and use a hook pen to paint it at the required position. Keep your hand speed steady, smooth, and without pauses to avoid uneven thickness or overflow. At the same time, be careful not to damage the lines. After painting a part, you can use a handheld air pump to blow it dry and then continue to paint the next part; S6. Background: After the theme is finished, if you want to match the background, you should pay attention to the main and secondary aspects. S7. Inscriptions and signatures: Traditional Chinese paintings and calligraphy must be inscribed and signed after completion, which includes the theme name or poem, the creation time, place and the author's name; S8. Cover: A perfect interior painting lamp should be equipped with a corresponding lamp cover, and the materials of the lamp cover are gold, jade, wood and stone; S9. Boxing: The inner painted lamp box is mainly made of hardwood or brocade, and some are made of gold, silver, ivory, and lacquer; S10. Assembly: including the assembly of the main body, reflector, drawing board, fixing bracket and light source body; S11. Power connection: A power cord is provided on one side of the main body for connecting the device to an indoor power source.

2. The method for manufacturing an interior painting lamp according to claim 1, characterized in that: In step S2: the grinding includes shaping, hollowing, polishing and frosting, and the smelting and blowing includes lampshade blow molding, annealing and grinding.

3. The method for manufacturing an interior painting lamp according to claim 1, characterized in that: In step S10: the reflector is embedded in the front side of the main body, the drawing board is arranged inside the main body, the fixing bracket is arranged at the top of the main body, and the light source body is arranged at the front end of the fixing bracket.

4. The method for manufacturing an interior painting lamp according to claim 1, characterized in that: The Chinese painting color pigment is made from the following raw materials in parts by weight: 400-500 parts of lithospermum powder, 350-450 parts of fresh pomegranate leaves, 89-143 parts of lactic acid bacteria agent, 28-41 parts of ground cinnabar, 3-5.5 parts of salt, 0.5-1.8 parts of monosodium glutamate, 1-4 parts of puffed starch and 1-4.5 parts of sodium carboxymethyl cellulose; The preparation method thereof comprises: (1) Weigh each raw material according to the amount; (2) After mixing all the raw materials evenly, add water and ferment; (3) After the fermentation is completed, the fermentation product is dried and ground into fine powder.

5. The method for manufacturing an interior painting lamp according to claim 4, characterized in that: The fermentation time is 7-10 days, the drying temperature of the fermentation product is between 45-75° C., and the fine powder is particles of 1-4 microns.

6. The method for manufacturing an interior painting lamp according to claim 1, characterized in that: The oil painting pigment is made from the following raw materials in parts by weight: 18-30 parts of refined cooked linseed oil, 1.8-4.6 parts of printing varnish, 8-11 parts of pigment toner, 10-28 parts of barium sulfate, 0.3-5.5 parts of polyaniline composite dry gel, 2-9 parts of nano silicon dioxide, 0.1-1.3 parts of aluminum stearate, 0.1-1.7 parts of BCM mildew inhibitor; The preparation method thereof comprises: (1) mixing aluminum stearate and refined cooked linseed oil in a weight ratio, heating and melting to obtain frozen oil a; (2) Take the remaining components that meet the weight ratio, blend them together with the frozen oil a, and grind them to obtain a finished product.

7. The method for manufacturing an interior painting lamp according to claim 6, characterized in that: The weight ratio of aluminum stearate to refined cooked linseed oil is 1:

2.

8. The method for manufacturing an interior painting lamp according to claim 1, characterized in that: The acrylic paint is made from the following raw materials in parts by weight: Acrylic emulsion 18-40 parts, pigment toner 4.5-18 parts, graphene slurry 8-27 parts, emulsifier 2-18 parts, pull-opening powder BX 2-9 parts, filler 2-18 parts, pH regulator 0.3-6 parts, wetting agent 0.5-1.8 parts, dispersant 0.1-1.2 parts, defoamer 0.2-2.2 parts, water 3-12 parts; The preparation method thereof comprises: (1) mixing an acrylic emulsion, an emulsifier, a powder BX, a pH regulator, a wetting agent, a dispersant, and water, and grinding the mixture to obtain a gel a; (2) The gel a in step (1) is mixed with the graphene slurry, filler, and pigment powder, and then ground evenly, and a defoaming agent is added to obtain a finished product.