Novel battledore folk guitar

Abstract

The utility model relates to the field of folk guitars, and discloses a novel batting folk guitar which comprises a guitar side plate, a guitar panel is arranged on the front face of the guitar side plate, a guitar handle is fixedly connected to the top of the guitar side plate, a guitar head is fixedly connected to the top of the guitar handle, and a lower nut is fixedly connected to the front face of the guitar panel. The front face of the guitar handle is fixedly connected with an upper nut, the rear side of the inner wall of the guitar side plate is fixedly connected with a first guitar cavity sound making baffle, the rear side of the inner wall of the guitar side plate is fixedly connected with a second guitar cavity sound making baffle, and the rear side of the inner wall of the guitar side plate is fixedly connected with a third guitar cavity sound making baffle. According to the utility model, through mutual cooperation of the first guitar cavity sound making baffle plate, the second guitar cavity sound making baffle plate and the third guitar cavity sound making baffle plate, various kinds of board making sounds can be generated when different guitar panel areas are knocked, and different board making accompaniment sounds can be generated when a player needs to knock different areas for playing.

Description

Technical Field

[0001] The utility model relates to the field of folk guitars, in particular to a new type of beat-board folk guitar. Background Art

[0002] Guitars can be divided into several categories: classical guitar, folk guitar, flamenco guitar, jazz guitar, Hawaiian guitar and electric guitar. Folk guitars can be further divided into (rounded guitar) and (cutaway guitar). The former is suitable for playing chords, while the latter is suitable for playing high-position solos. The neck of a folk guitar is relatively thin, with a width of 42mm on the upper fingerboard, 14 frets from the nut to the body, and a crescent-shaped guard on the guitar case. It is played with steel strings;

[0003] The folk guitar is a plucked string instrument that is similar in shape to a violin and usually has six strings. It was first used as an accompaniment instrument for American Western country music and usually appeared as an accompaniment for songs. Its main performance theme is American Western country music. It is regarded as a common instrument in pop music, rock music, blues, and folk songs. It is also used in classical music, with a large number of solo pieces, chamber music, and orchestral music. The electric and acoustic dual-purpose folk guitars that have appeared in recent years have brought great help to stage performers.

[0004] Slapping folk guitar means that when playing, the right hand uses the downward force after plucking the string, and uses the fingers and the lower edge of the palm to hit the string against the fretboard. In addition to silencing the string, it also makes a slapping sound. A louder slapping sound can be obtained at the intersection of the end of the fretboard and the sound hole. Another method is to use the side of the thumb, gently rotate the wrist, hit the string against the fretboard with the side of the thumb, and then use other fingers to mute the string. Because of this, when playing, the rhythm must be distinct and powerful, and the rhythm line must also be very clear. Slapping is generally used as an accompaniment in songs, and sometimes it is paired with another guitar for interludes or impromptu solos. The traditional guitar soundboard hits the guitar panel to share the same cavity with the guitar, and when playing When one wants to make a striking sound, the only way is to strike the string toward the fingerboard to make the striking sound, or to use the side of the thumb, by gently rotating the wrist, and striking the string toward the fingerboard with the side of the thumb. The striking sound is relatively single. When performers perform on stage, the diversity of the accompaniment striking sound needs to be improved. In addition, this patent designs three isolation areas in the guitar cavity that fit the guitar panel to form different sound ranges. When the guitar panel in this sound range is struck, different knocking sounds appear. Therefore, a new type of striking folk guitar is proposed to solve the above problems. Utility Model Content

[0005] In order to make up for the above shortcomings, the utility model provides a new type of folk guitar with a clapping sound, which aims to improve the problem that the folk guitar with a clapping sound in the prior art is relatively single and the diversity of the accompaniment clapping sound when the stage performers play needs to be improved.

[0006] In order to achieve the above purpose, the utility model adopts the following technical solutions:

[0007] A new type of clapperboard folk guitar comprises a guitar side panel, a guitar panel is arranged on the front of the guitar side panel, a neck is fixedly connected to the top of the guitar side panel, a headstock is fixedly connected to the top of the neck, a lower nut is fixedly connected to the front of the guitar panel, an upper nut is fixedly connected to the front of the neck, a first sound-making baffle is fixedly connected to the rear side of the inner wall of the guitar side panel, a second sound-making baffle is fixedly connected to the rear side of the inner wall of the guitar side panel, and a third sound-making baffle is fixedly connected to the rear side of the inner wall of the guitar side panel.

[0008] As a further description of the above technical solution:

[0009] The front side of the first piano cavity sound-making baffle is tightly fitted with the back side of the guitar panel, and the top and bottom of the first piano cavity sound-making baffle are fixedly connected with the inner wall of the guitar side panel.

[0010] As a further description of the above technical solution:

[0011] The front side of the second piano cavity sound-making baffle is tightly fitted with the back side of the guitar panel, and the second piano cavity sound-making baffle is located on the right side of the first piano cavity sound-making baffle.

[0012] As a further description of the above technical solution:

[0013] The front side of the third piano cavity sound-making baffle is tightly fitted with the back side of the guitar panel, and the third piano cavity sound-making baffle is located on the right side of the second piano cavity sound-making baffle.

[0014] As a further description of the above technical solution:

[0015] The top and the bottom of the inner wall of the guitar side panel are both fixedly connected with a panel support block, and the front side of the panel support block contacts the back side of the guitar panel.

[0016] The utility model has the following beneficial effects:

[0017] In the utility model, through the mutual cooperation of the first sound-making baffle, the second sound-making baffle and the third sound-making baffle, a variety of hitting sounds can be produced when striking different areas of the guitar panel, so that different hitting accompaniment sounds can be produced when the performer strikes different areas during performance.

[0018] In the utility model, under the action of the panel support block, the guitar panel can be supported to prevent the guitar panel from shaking when being used inside the guitar side panel, so that the guitar panel can be stably used inside the guitar side panel. BRIEF DESCRIPTION OF THE DRAWINGS

[0019] Figure 1 A three-dimensional schematic diagram of a new type of folk guitar with a beat board proposed by the utility model;

[0020] Figure 2 It is a schematic diagram of the exploded three-dimensional structure of a new type of folk guitar proposed by the utility model;

[0021] Figure 3 The utility model discloses a three-dimensional structural schematic diagram of a sound-making baffle three of a new type of a clapperboard folk guitar.

[0022] Legend:

[0023] 1. Guitar side panel; 2. Guitar panel; 3. Neck; 4. Headstock; 5. Lower nut; 6. Upper nut; 7. First sound-making baffle of the guitar cavity; 8. Second sound-making baffle of the guitar cavity; 9. Third sound-making baffle of the guitar cavity; 10. Panel support block. DETAILED DESCRIPTION

[0024] The following will be combined with the drawings in the embodiments of the utility model to clearly and completely describe the technical solutions in the embodiments of the utility model. Obviously, the described embodiments are only part of the embodiments of the utility model, not all of the embodiments. Based on the embodiments in the utility model, all other embodiments obtained by ordinary technicians in this field without creative work are within the scope of protection of the utility model.

[0025] Reference Figure 1-3 The utility model provides an embodiment: a new type of folk guitar with a clapperboard, comprising a guitar side panel 1, a guitar panel 2 is arranged on the front of the guitar side panel 1, a guitar handle 3 is fixedly connected to the top of the guitar side panel 1, a headstock 4 is fixedly connected to the top of the guitar handle 3, a lower nut 5 is fixedly connected to the front of the guitar panel 2, the lower nut 5 is used to fix and maintain the position of the strings, an upper nut 6 is fixedly connected to the front of the guitar handle 3, the upper nut 6 helps to maintain the correct spacing and height of the strings, a sound-making baffle 7 is fixedly connected to the rear side of the inner wall of the guitar side panel 1, and the sound-making baffle 7 is fixedly connected to the back of the inner wall of the guitar side panel 1. The internal cavity of the guitar side panel 1 is separated so that different hitting sounds can be produced after striking the guitar panel 2. A cavity sound-making baffle 2 8 is fixedly connected to the rear side of the inner wall of the guitar side panel 1. The cavity sound-making baffle 2 8 can separate an intermittent cavity area from the cavity sound-making baffle 1 7 so that different hitting sounds can be produced. A cavity sound-making baffle 3 9 is fixedly connected to the rear side of the inner wall of the guitar side panel 1. The cavity sound-making baffle 3 9 can separate a cavity from the cavity sound-making baffle 2 8 inside the guitar side panel 1 so that different hitting sounds can be produced for accompaniment after the performer strikes the guitar panel 2.

[0026] Reference Figure 1-3The front side of the piano cavity sound-making baffle 1 7 is tightly fitted with the back side of the guitar panel 2, and the top and bottom of the piano cavity sound-making baffle 1 7 are fixedly connected to the inner wall of the guitar side panel 1; it can stably generate sound vibration between the piano cavity sound-making baffle 1 7 and the guitar panel 2, so that the stability of the piano cavity sound-making baffle 1 7 during use is effectively improved; the front side of the piano cavity sound-making baffle 2 8 is tightly fitted with the back side of the guitar panel 2, so that the piano cavity between the piano cavity sound-making baffle 2 8 and the piano cavity sound-making baffle 1 7 and the piano cavity sound-making baffle 3 9 can maintain stable sound emission, and the piano cavity sound-making baffle 2 8 is located on the right side of the piano cavity sound-making baffle 1 7; the front side of the piano cavity sound-making baffle 3 9 is tightly fitted with the back side of the guitar panel 2, so that the piano cavity between the piano cavity sound-making baffle 3 9 and the piano cavity sound-making baffle 2 8 can stably emit a percussion sound, and the piano cavity sound-making baffle 3 9 is located on the right side of the piano cavity sound-making baffle 2 8.

[0027] Reference Figure 1-3 The top and bottom of the inner wall of the guitar side panel 1 are fixedly connected with a panel support block 10, the front of the panel support block 10 contacts the back of the guitar panel 2, and the panel support block 10 can support the guitar panel 2 so that the guitar panel 2 can be stably placed inside the guitar side panel 1 for use.

[0028] Working principle: the sound-making baffle 7 is placed on the back of the guitar panel 2. When the performer strikes the bottom of the front of the guitar panel 2, the area of ​​the guitar cavity between the sound-making baffle 7 and the inner wall of the guitar side panel 1 can produce a hitting sound when struck, which is convenient for the user to produce a hitting sound after striking according to the performance needs. When striking the bottom of the guitar side panel 1, since the guitar side panel 1 and the guitar panel 2 are made of different materials and have different striking areas, the guitar cavity between the sound-making baffle 7 and the guitar side panel 1 can produce another hitting sound for the performer to choose accompaniment. When the user strikes the cavity area between the sound-making baffle 7 and the guitar side panel 1 and the guitar panel 2, a drum-like sound can be produced for enrichment. When the performer strikes the guitar panel 2 on the cavity sound-making baffle 3 9, the cavity sound-making baffle 3 9 and the guitar side panel 1 and the guitar panel 2 have different cavity areas separated by the cavity sound-making baffle 3 9, and a drum-like striking sound can be produced for the performer to choose to strike to produce different sound ranges. Therefore, on the basis of the traditional guitar side panel 1, a variety of striking sounds can be added for selective striking as needed to produce different striking sounds, thereby achieving different striking sounds when striking the guitar panel in different positions and sound ranges, so that the diversity of accompaniment striking sounds can be more selectively achieved.

[0029] Finally, it should be noted that the above is only a preferred embodiment of the present invention and is not intended to limit the present invention. Although the present invention has been described in detail with reference to the aforementioned embodiments, those skilled in the art can still modify the technical solutions described in the aforementioned embodiments or make equivalent substitutions for some of the technical features therein. Any modifications, equivalent substitutions, improvements, etc. made within the spirit and principles of the present invention should be included in the protection scope of the present invention.

Claims

1. A new type of beat-board folk guitar, comprising a guitar side panel (1), characterized in that: The front of the guitar side panel (1) is provided with a guitar panel (2), the top of the guitar side panel (1) is fixedly connected to a neck (3), the top of the neck (3) is fixedly connected to a headstock (4), the front of the guitar panel (2) is fixedly connected to a lower nut (5), the front of the neck (3) is fixedly connected to an upper nut (6), the rear side of the inner wall of the guitar side panel (1) is fixedly connected to a first sound-making baffle (7), the rear side of the inner wall of the guitar side panel (1) is fixedly connected to a second sound-making baffle (8), and the rear side of the inner wall of the guitar side panel (1) is fixedly connected to a third sound-making baffle (9).

2. A new type of folk guitar according to claim 1, characterized in that: The front side of the first sound-making baffle plate (7) is tightly fitted with the back side of the guitar panel (2), and the top and bottom of the first sound-making baffle plate (7) are fixedly connected to the inner wall of the guitar side panel (1).

3. A new type of folk guitar according to claim 1, characterized in that: The front side of the second sound-making baffle (8) is tightly fitted with the back side of the guitar panel (2), and the second sound-making baffle (8) is located on the right side of the first sound-making baffle (7).

4. A new type of folk guitar according to claim 1, characterized in that: The front side of the third sound-making baffle plate (9) is tightly fitted with the back side of the guitar panel (2), and the third sound-making baffle plate (9) is located on the right side of the second sound-making baffle plate (8).

5. A new type of folk guitar according to claim 1, characterized in that: The top and bottom of the inner wall of the guitar side panel (1) are both fixedly connected to a panel support block (10), and the front surface of the panel support block (10) contacts the back surface of the guitar panel (2).

Images