Method for carrying out calligraphy and painting manufacturing on dry plant leaf

Abstract

The invention relates to a method for carrying out calligraphy and painting manufacturing on a dry plant leaf. The method comprises the following concrete steps: firstly, moderately ironing and dehydrating a picked fresh and clean leaf by using a household electric iron like ironing clothes; after dehydrating by 80-85%, putting the leaf in a calligraphy and painting mounting machine to continue to iron and flatten the leaf, controlling the mounting temperature at 80-90 DEG C, observing the drying and dehydration degree of the leaf at any time till the leaf is dehydrated by 88-92%, basically flattening and fixing the shape of the leaf; then, carrying out osmotic treatment and additive treatment on the leaf, and carrying out calligraphy and painting manufacturing on the specially treated leaf to form an artistic leaf; and in order to maintain the integrity of the calligraphy and painting on the leaf and the integrity of the leaf, uniformly spraying homemade gelatin water on the leaf to fix the shape of the leaf. By means of the method disclosed by the invention, through the treatment on the leaf, the leaf can be integrally preserved for a long time; and through the special treatment on ink or Chinese painting pigments, the calligraphy and painting creations on the leaf retain the lingering charm and the inheritance of the traditional Chinese calligraphy and painting.

Description

technical field

[0001] The invention belongs to the art production field, in particular to a method for making calligraphy and painting on dried plant leaves. Background technique

[0002] Traditional Chinese calligraphy and painting usually use rice paper, but making calligraphy and painting on dried plant leaves is a new way of making; this method first requires the leaves to be dry and flat, and secondly, ink or Chinese painting pigments can be evenly penetrated onto the leaves . If the leaves are not specially treated, the flatness of the leaves will be poor, and they will be easily deformed and broken (broken). In particular, ink and Chinese painting pigments cannot penetrate into the leaves and tend to disperse on the leaves, failing to form the basic coherent lines of calligraphy and painting. At present, calligraphy and painting are made on leaves. Due to the particularity of the leaf material, inks and pigments that are not used for Chinese calligraphy and painting...

Examples

Embodiment Construction

[0016] The present invention will be described in detail below in combination with specific manufacturing steps.

[0017] The method of making calligraphy and painting on dry plant leaves is a new artistic production method developed by art workers in recent years. This method can quickly untie the dryness and flatness of plant leaves. And the special addition of Chinese painting pigments makes the creation of calligraphy and painting on the leaves smooth and smooth, which meets the basic requirements of Chinese painting and calligraphy creation. Finally, through special processing, the calligraphy and painting works created on the leaves are shaped and protected, making them not easy to break and broken, and can be preserved for a long time, and even used for mounting. The concrete steps of this preparation method are:

[0018] (1) Dry and smooth leaves

[0019] Use a household electric iron on the picked fresh and clean leaves to dry and dehydrate the leaves moderately, ju...

technical field

[0001] The invention belongs to the art production field, in particular to a method for making calligraphy and painting on dried plant leaves. Background technique

[0002] Traditional Chinese calligraphy and painting usually use rice paper, but making calligraphy and painting on dried plant leaves is a new way of making; this method first requires the leaves to be dry and flat, and secondly, ink or Chinese painting pigments can be evenly penetrated onto the leaves . If the leaves are not specially treated, the flatness of the leaves will be poor, and they will be easily deformed and broken (broken). In particular, ink and Chinese painting pigments cannot penetrate into the leaves and tend to disperse on the leaves, failing to form the basic coherent lines of calligraphy and painting. At present, calligraphy and painting are made on leaves. Due to the particularity of the leaf material, inks and pigments that are not used for Chinese calligraphy and painting...

Examples

Embodiment Construction

[0016] The present invention will be described in detail below in combination with specific manufacturing steps.

[0017] The method of making calligraphy and painting on dry plant leaves is a new artistic production method developed by art workers in recent years. This method can quickly untie the dryness and flatness of plant leaves. And the special addition of Chinese painting pigments makes the creation of calligraphy and painting on the leaves smooth and smooth, which meets the basic requirements of Chinese painting and calligraphy creation. Finally, through special processing, the calligraphy and painting works created on the leaves are shaped and protected, making them not easy to break and broken, and can be preserved for a long time, and even used for mounting. The concrete steps of this preparation method are:

[0018] (1) Dry and smooth leaves

[0019] Use a household electric iron on the picked fresh and clean leaves to dry and dehydrate the leaves moderately, ju...