Apparatus, System and Method for Violin and Viola Vibrato Training

Abstract

A vibrato training tool aids positioning of a violinist's or violist's hand to a location where the player can perform vibrato with support so that the technique is learned more efficiently. For instance, the student wears a glove having a spacer coupled to it that aligns to rest against a bout of the violin so that the fingers can practice the vibrato movement while the student's wrist is supported against the violin or viola body, such as at the bout. An oscillation indicator swings freely relative to the glove to provide a visual indication of the vibrato motion.

Description

CROSS-REFERENCE TO RELATED APPLICATION(S)[0001]This application claims the benefit of provisional application No. 62 / 908,811, filed Oct. 1, 2019, entitled “Apparatus, System and Method for Violin and Viola Vibrato Training”, naming Laurie Scott as inventor, which application is incorporated herein by reference in its entirety.BACKGROUND OF THE INVENTIONField of the Invention[0002]The present invention relates in general to the field of stringed instrument instruction, and more particularly to an apparatus, system and method for violin and viola vibrato training.Description of the Related Art[0003]Stringed instruments vibrate a string to generate sound. Instruments considered as orchestral stringed instruments, violin, viola, cello, and bass, generate vibration on the string by plucking the string, (pizzicato), or through the use of a bow (arco). This apparatus is specifically designed for use with the violin or viola. As with other stringed instruments, four strings of different thi...

AI Technical Summary

Benefits of technology

[0009]Therefore, a need has arisen for a system and method which provides an aid for vibrato study to help a student achieve a balance of the hand and even, controlled vibrato motion.

[0010]In accordance with the present invention, a system and method are provided which substantially reduce the disadvantages and problems associated with previous methods and systems for aiding student vibrato study. A spacer couples to a student's left hand to provide support for training the hand balance during wrist and arm motion to perform vibrato.

[0011]More specifically, the present apparatus assists students in attaining an artistic vibrato by enhancing support of the left hand as balance and points of contact are reduced when the contact of the base knuckle of the first finger is released from the side of the fingerboard. The tool assists the student by creating a kinesthetic support to help train hand balance during wrist and arm oscillations required during the vibrato motion. The tool attaches to the student's left wrist and functions as a cushion against the shoulder (bout) of the instrument for support of the oscillating wrist and arm motion. In one example embodiment, the tool attaches to a student as a glove that slips over the student's wrist and is held from moving relative to the wrist with the student's thumb through a thumb opening. During practice of vibrato technique, the student's wrist is held in desired distances from the bout by a spacer coupled to the glove and aligned to rest against the bout. An oscillation indicator, such as faux animal tail, hangs from the glove to provide to the student a visual indication of the rhythmic quality of the student's vibrato motion. This focus on the goal of even oscillations, rather than a focus on the details of the physical execution of the motion, can be helpful in achieving a more natural motion.

[0012]The present invention provides a number of important technical advantages. One example of an important technical advantage is that student flexibility can be enhanced in all joints of the left hand and arm as the tool's additional support creates a feeling of security achieved by filling the space between the instrument and the wrist. Students can transition from upper positions, in which the bout or shoulder of the instrument isolates wrist motion, to lower positions in which the thumb and finger are the only two points of contact with the neck of the instrument. As the student obtains a feel for the vibrato, the training aid may be removed to practice without support so that the student builds confidence in using vibrato technique in repertoire while maintaining a balanced posture, solid tone and consistent intonation.

Problems solved by technology

For the beginning level performer, playing with a consistently correct intonation, known as playing in tune, presents a challenge that can persist for years as habits related to posture and tone are solidified.

During the initial stages of vibrato study students often have difficulty achieving the balance of the hand and accomplishing an even and controlled vibrato motion.

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