Shoe sole and interchangeable heel

Inactive Publication Date: 2015-04-02
BALLET MAKERS
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  • Summary
  • Abstract
  • Description
  • Claims
  • Application Information

AI Technical Summary

Benefits of technology

[0008]Accordingly, it is the primary object of the invention to provide a three part dance shoe sole and heel assembly which allows a dancer to interchange a shoe heel

Problems solved by technology

Existing taps do not offer dancers the option of sound and weight modification to adjust or enhance a performance.
Current industry methods for adding weight to the heel of a tap shoe (to adjust the percussive quality), as well as aftermarket modifications made by a dancer, may produce both an immediate safety risk as well as long term stress related injury.
While this method is satisfactory, it produces two potentially undesirable problems.
By changing the height of the heel to the extent necessary to achieve the desired sound, a dancer is forced into postures that are potentially dangerous.
To compensate for the additional height, improper technique and body mechanics are used by a dancer, impacting both a dancer's balance and executed performance which over extended periods can lead to injury.
Delamination of the shoe heel is a form of structural breakdown which o

Method used

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  • Shoe sole and interchangeable heel
  • Shoe sole and interchangeable heel
  • Shoe sole and interchangeable heel

Examples

Experimental program
Comparison scheme
Effect test

Example

[0019]With reference to FIGS. 1-10, the dance shoe sole 2 according to the invention will be described. The sole includes an upper surface 4 for receiving an upper (not shown) of the dance shoe. The sole 2 is constructed of any suitable material, including but not limited to leather, suede, rubber, thermoplastic polyurethane, synthetic plastics, or polyurethane.

[0020]As shown in FIGS. 2 and 4, the lower surface 6 of the sole 2 has a toe area 8 with which is connected a percussive tap (not shown) and a heel area 12 including a wall 14 extending from the lower surface 6 about the perimeter of the heel area 12 to define a cavity 16 in the heel area. The heel area 12 also includes one or more locking mechanisms for removably connecting a heel with the sole. As will be developed in greater detail below, these include a channel 18 arranged in the inner surface of the wall 14, a latch assembly 20 and one or more threaded openings 22 for receiving one or more screws (not shown).

[0021]Referr...

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Abstract

A shoe sole and heel assembly includes a sole, an interchangeable heel removably connected with the sole, and at least one locking device for fixing the heel to the sole. The sole includes a wall extending from the heel area of the lower surface of the sole to define a cavity. The inner surface of the wall contains a channel. The heel includes a track extending from the side and rear portions of the heel. The heel is arranged adjacent to the sole with the heel track entering the sole channel. As the heel is displaced rearwardly, the track enters the channel of the sole and prevents vertical and lateral movement of the heel relative to the sole. A latch on the lower surface of the sole engages a notch on the upper surface of the heel to prevent longitudinal displacement of the heel. The sole and heel contain aligned threaded openings for receiving screws to secure the heel to the sole.

Description

BACKGROUND OF THE INVENTION[0001]In tap dancing, a dancer uses a series of percussive foot movements and placements to create sound. The sounds generated by the dancer depend on several variables including technique, weight placed on the foot, force exerted through the foot, type of shoe used, material of taps used, and other variables relating to the shoe heel, including but not limited to heel height and density. All of these variables can be modified in some way, technique can be learned, and weight distribution or force can be controlled by the dancer. The greater problem to solve lies in the shoes. While there are many brands and styles of tap shoes, dancers either have to buy multiple pairs of tap shoes in order to produce a variety of sounds for performances, or they have to physically alter the shoes to create the desired weight to sound ratio. Neither of these options allow for the dancer to have one pair of shoes that can be quickly and safely altered as desired.[0002]The ...

Claims

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Application Information

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IPC IPC(8): A43B13/37A43B5/12A43B21/36
CPCA43B13/37A43B5/12A43B21/36A43B21/025A43B21/03A43B21/04A43B21/06A43B21/20A43B21/42
Inventor TSAI, CHANG-YEN
Owner BALLET MAKERS
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