Production method of Buddha craft

Abstract

A method for making a Buddhist handicraft, belonging to the field of making Jun porcelain handicrafts, comprising the following steps: 1. preparing materials; 2. drawing a blank; 3. repairing a blank; The firing includes several processes of primary oxidation, light reduction, heavy reduction, light reduction again, and oxidation again; the light reduction is carried out immediately after the primary oxidation, and the process is that the temperature in the kiln is raised from 950°C 1050°C, it takes 1.5 hours to 2 hours to complete; it has the characteristics of reducing the base form and glaze layer after removing magazines, initially showing the color of the glaze layer, and laying the foundation for the next step of enriching the glaze color.

Description

technical field [0001] The invention belongs to the field of ceramic handicrafts, in particular to a method for making a Jun porcelain Buddha statue handicraft. Background technique [0002] Ceramics are an integral part of Chinese traditional culture and are widely used in people's life and work; Jun porcelain, as a unique color change and shape in traditional Chinese ceramics, is known as a national treasure in the field of ceramics; Jun porcelain originated in the Eastern Han Dynasty and was one of the five major ceramics in the Song Dynasty. One of the famous kiln porcelain, a treasure in the traditional Chinese porcelain making process, known as the national treasure and treasure. Famous for its unique art of kiln transformation, it has the reputation of "gold is priceless and Jun is priceless" and "a family is rich, but it is not as good as a piece of Jun porcelain". The natural color changes of Jun porcelain add the mystery of Jun porcelain to the unpredictable color...

AI Technical Summary

Problems solved by technology

Famous for its unique art of kiln transformation, it has the reputation of "gold is priceless and Jun is priceless" and "a family is rich, but it is not as good as a piece of Jun porcelain". The natural color changes of Jun porcelain add the mystery of Jun porcelain to the unpredictable color change of Jun porcelain; Buddha statue is a representative work of Jun porcelain crafts, such as figure 1 , including the lower cavity, middle abdomen, upper cavity, upper abdomen, and top cup; the whole vessel is shaped like a sitting Buddha; its wall thickness is less than 10 mm, the total height is 500-600 mm, the diameter of the lower part is 280-350 mm, and the top The diameter of the cup is about 50mm, and the diameter of the middle abdomen is 30mm. Due to the large difference between the diameter of the lower part and the upper part, the middle and upper abdomen need to shrink from the large diameter to the small diameter, and the wall thickness is relatively thin. Blood red is the main color. Through kiln transformation, the overall color is combined with the shape of the vessel, presenting a stable, thick, and vibrant artistic style. The requirements for shape and color are very high. It is difficult to guarantee the Buddha The artistic quality of Zunjun porcelain handicrafts, the yield rate is extremely low

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