Manufacturing method for Buddha handiwork

Abstract

A method for making a Buddhist handicraft, belonging to the field of making Jun porcelain handicrafts, comprising the following steps: 1. preparing materials; 2. drawing a blank; 3. repairing a blank; The glazing includes surface dipping and drying; the surface dipping is to use Jun porcelain glaze material, which is crushed and mixed evenly, and then made into glaze slurry, which is infiltrated on the surface of the billet; the Jun porcelain glaze material includes many Based on 60% yellow feldspar, 15% copper ore; the crushing fineness of the glaze material should reach more than 400 mesh; the thickness of the glaze material on the surface of the blank shape is 2-3 mm; the drying is to apply the glaze The completed blank is placed indoors and dried at a temperature of 60°C for more than 10 hours; it can ensure a good combination of the glaze layer and the blank, and after firing, it can achieve a full color of the handicraft and better reflect the original color. Features of handicraft design features.

Description

technical field [0001] The invention belongs to the field of ceramic handicrafts, in particular to a method for making a Jun porcelain Buddha statue handicraft. Background technique [0002] Ceramics are an integral part of Chinese traditional culture and are widely used in people's life and work; Jun porcelain, as a unique color change and shape in traditional Chinese ceramics, is known as a national treasure in the field of ceramics; Jun porcelain originated in the Eastern Han Dynasty and was one of the five major ceramics in the Song Dynasty. One of the famous kiln porcelain, a treasure in the traditional Chinese porcelain making process, known as the national treasure and treasure. Famous for its unique art of kiln transformation, it has the reputation of "gold is priceless and Jun is priceless" and "a family is rich, but it is not as good as a piece of Jun porcelain". The natural color changes of Jun porcelain add the mystery of Jun porcelain to the unpredictable color...

AI Technical Summary

Problems solved by technology

Famous for its unique art of kiln transformation, it has the reputation of "gold is priceless and Jun is priceless" and "a family is rich, but it is not as good as a piece of Jun porcelain". The natural color changes of Jun porcelain add the mystery of Jun porcelain to the unpredictable color change of Jun porcelain; Buddha statue is a representative work of Jun porcelain crafts, such as figure 1 , including the lower cavity, middle abdomen, upper cavity, upper abdomen, and top cup; the whole vessel is shaped like a sitting Buddha; its wall thickness is less than 10 mm, the total height is 500-600 mm, the diameter of the lower part is 280-350 mm, and the top The diameter of the cup is about 50mm, and the diameter of the middle abdomen is 30mm. Due to the large difference between the diameter of the lower part and the upper part, the middle and upper abdomen need to shrink from the large diameter to the small diameter, and the wall thickness is relatively thin. Blood red is the main color. Through kiln transformation, the overall color is combined with the shape of the vessel, presenting a stable, thick, and vibrant artistic style. The requirements for shape and color are very high. It is difficult to guarantee the Buddha The artistic quality of Zunjun porcelain handicrafts, the yield rate is extremely low

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