Translator for translating chord mark with other melodies in numbered musical notation into C melody chord mark

A technology of translating into and translating, which is applied in the field of translators, which can solve problems such as inability to change chord marks, and achieve the effects of simplifying memory, convenient use, and convenient performance

Inactive Publication Date: 2011-06-08
向杰
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  • Summary
  • Abstract
  • Description
  • Claims
  • Application Information

AI Technical Summary

Problems solved by technology

However, those skilled in the art cannot quickly and directly change the chord marks of the origina...

Method used

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  • Translator for translating chord mark with other melodies in numbered musical notation into C melody chord mark
  • Translator for translating chord mark with other melodies in numbered musical notation into C melody chord mark
  • Translator for translating chord mark with other melodies in numbered musical notation into C melody chord mark

Examples

Experimental program
Comparison scheme
Effect test

Embodiment 1

[0035] Embodiment one: Refer to attached Figure 7 , 10 , 12, 13, the musical score involved in the present invention refers to notation with digital numbered musical notation. The key in the present invention refers to the position of the "1" sound; the chord mark in the present invention is marked by the fixed chord notation method adopted. The sound sequence mentioned in the present invention refers to a list in which sound names are arranged in a certain order. This translator that translates the chord marks of other keys in the numbered notation into C key chord marks includes a base card 14 and a transposition card 22, and the base card 14 is respectively provided with a sharp tone number 13 and a sharp tuning column 15, the described ascending kind of tuning column 15 is the sound name C, # C, D, # D, E, # E. # F, G, # G, A, # A, B, C, # C, D, # D, E, # E. # F, G, # G, A, # A and B are arranged, such as Figure 7 shown. Generally, the commonly used asc...

Embodiment 2

[0036] Embodiment two: Refer to attached Figure 8 , 10 . b D, D, b E, E, F, b G, G, b A, A, b B. b C, C, b D, D, b E, E, F, b G, G, b A, A, b B. b C is arranged as Figure 8 shown. Generally, the commonly used descending tone is 1= b D. b E, F, b G. b A. b B, the arrangement of the commonly used descending tone number 17 is arranged in the order of the note names of the commonly used descending tone appearing for the first time from left to right in the above-mentioned descending tone column 18. The described descending tone number 17 corresponds to the same tone name position that appears for the first time in the described descending tone column 18, when the descending tone number 17 appears for the second time in the descending tone column 18 Then it is not necessary to mark above the descending tuning column 18, and the descending tuning number 17 is arranged on the side corresponding to the descending tuning column 18. Other structures are the same ...

Embodiment 3

[0037] Embodiment three: Refer to attached Figure 9 , 11 . The ascending tone number 13 and the descending tone number 17 are respectively arranged on both sides of the base card 14, and the ascending tone column 15 and the descending tone column 18 are arranged in the middle of the base card 14, wherein the ascending tone The number 13 is arranged on the upper side of the ascending tuning column 5, and the descending tuning number 17 is arranged on the lower side of the descending tuning column 18. Likewise, the arrangement order and setting positions of the ascending tone number 13 and the falling tone number 17 are the same as those in the first and second embodiments; after the base card 14 is changed, the transposer card 22 will of course be changed accordingly. That is, on the transposer card 22, the hollow display holes 21, 21' have two rows, and the pointers 19, 19' are set on the transposer card 22 corresponding to the first sound level "1" of the C major scale 2...

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PUM

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Abstract

The invention discloses a translator for translating a chord mark with other melodies in a numbered musical notation into a C melody chord mark, which comprises a base card and a melody shifting card. The translator is characterized in that a melody number and a sound series are respectively arranged on the base card; the melody number corresponds to the same musical alphabet position generated in the sound series; the melody number is arranged at one side corresponding to the sound series; a C major musical scale marked by the numbered musical notation is arranged on the melody shifting card; the position of a first sound level is provided with a pointer; a corresponding hollow display hole is arranged under the C major musical scale; and one side of the hollow display hole is provided with a musical alphabet corresponding to the sound level in the C major musical scale marked by the numbered musical notation. The pointer on the melody shifting card can align to the corresponding melody number on the base card according to the melody number set in the numbered musical notation, the chord musical alphabets generated in the numbered musical notation can appear in the hollow display hole; the musical alphabet at one side of the hollow display hole is the chord musical alphabet translated by a nonC melody chord musical alphabet generated in the hollow display hole; and the invention has the advantages of simple and visual translation and convenience in use.

Description

technical field [0001] The invention relates to a translator for translating chord marks of other keys in numbered notation into C key chord marks so as to use an electronic keyboard with a transposition function to play numbered notation music in various keys, and belongs to the field of music. Background technique [0002] At present, 1, 2, 3, 4, 5, 6, and 7 are commonly used to record numbered notation. There are two common situations in numbered notation: one is the numbered notation with no chord marks and only melody, such as figure 1 The music notation shown; the second is the numbered notation with both melody and chord marks, such as figure 2 The sheet music shown. Common tunes are 1=C, b D, D, b E, E, F, # F. b G, G, b A, A, b B, B, etc. Each tone is different because of the position of the "1" sound, and the position of the scale on the keyboard is also changed accordingly, and the tone is also changed accordingly, such as image 3 and Figure 4 . Begi...

Claims

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Application Information

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IPC IPC(8): G10H1/00G10H1/053G10H1/20G10H1/34
Inventor 向杰
Owner 向杰
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