Design method of a full-color warp-colored jacquard fabric
A technology of jacquard fabric and design method, applied in the direction of excavation fabric, fabric, embossed fabric, etc., can solve the problems of increasing design difficulty, complicated process, limited space for color innovation, etc., so as to reduce color matching errors and improve production. The effect of efficiency
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Embodiment 1
[0052] A method for designing a full-color jacquard fabric through color development, specifically comprising the following steps:
[0053] (1) Determination of warp and weft colors: determine the colors of the 6 groups of warp threads of the warp-colored jacquard fabric: red, yellow, green, blue, black, and white, and arrange them on the loom at 1:1:1:1:1:1. One or two groups of them are arranged on the surface of the fabric to determine the hue of the fabric color, and the colored warps are designed with different floating lengths to express the purity of the fabric color, and the wefts are placed on the outer and inner layers of the fabric in black and white to adjust the fabric color. The lightness, select 4 groups of wefts 1:1:1:1 weft casting, the colors are thick black, thin black, thick white, fine white, among which thick black and thick white are used to determine the lightness of the fabric color, while fine black, thin black, thick white Fine white is used for fine...
Embodiment 2
[0081] pattern design
[0082] In order to obtain the best definition of the graphics of the six-color warp and three-color weft fabric, each color pixel on the digital pattern needs to correspond to a weave with 6 needles and 3 shuttles. [31] Similarly, each color pixel on the digital pattern of six-color longitude and four-color weft needs to correspond to a weave with 6 needles and 4 shuttles. Therefore, the pixel value of the pattern width is generally set to one-sixth of the total number of stitches in a pattern, and the pixel value of the pattern height is calculated according to the beating density and the finished product size, and is a multiple of the weft cycle number of the weave.
[0083] In order to reflect all the colors in the 256-color color card as much as possible, a digital image containing 8 tones of red, orange, yellow, yellow-green, green, blue, blue, and purple is selected as a pattern, such as Figure 11 ;
[0084] The specification of the original im...
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