Preparation process of magnificent heavy-colored porcelain painting

Abstract

The invention discloses a preparation process of a magnificent heavy-colored porcelain painting. The preparation process comprises the following process steps: (1) black or a bead bright material is used as an ink draft for primary firing of a ceramic finished product; (2) a brush pen is used for staining such coloring materials as yellow, blue or green to underpaint one part needing to be underpainted; and when the underpainting coloring materials are not dried thoroughly, the brush pen is used for staining relatively harmonious ceramic colors (ink mixing oil, frankincense oil and camphor oil are added for mixing) to deepen for secondary firing; (3) the rendering is further performed according to the pattern surface demands; and the uneven part of a picture is filled by the colors for ternary firing; (4) the colors are added according to the fairness of the picture; and the picture is completely and respectively fired; and (5) the colors are added according to picture lines and the finally needed color effect for firing for the fifth time; and the temperature curve in each firing is consistent with the temperature curve in primary firing. The process can guarantee the primary colors of the pigments in the firing process to the greatest extent; the prepared porcelain painting is higher in fidelity; and the picture is vivid.

Description

technical field [0001] The invention relates to the field of porcelain painting production, in particular to a preparation process of resplendent and colorful porcelain paintings. Background technique [0002] Porcelain painting, also known as ceramic painting, is made by porcelain painting artists who transplant the paintings on paper and silk onto porcelain, draw them by hand and then fire them at high temperature. The traditional preparation process of porcelain paintings is to draw (including manual drawing and printing) or decals on plain ceramics, adjust the picture and then fire to produce finished products. However, the fidelity of porcelain paintings produced by this traditional process is low. The lines and contours of the picture are rough and the quality of the picture is poor, and it is impossible to complete the perfect transition from painting to porcelain painting, which greatly reduces the artistic beauty of porcelain painting. Contents of the invention ...

AI Technical Summary

Problems solved by technology

The traditional preparation process of porcelain paintings is to draw (including manual drawing and printing) or decals on plain ceramics, adjust the picture and then fire to produce finished products. However, the fidelity of porcelain paintings produced by this traditional process is low. The lines and outlines of the picture are rough and the quality of the picture is poor, so it is impossible to complete the perfect conversion between painting and porcelain painting, which greatly reduces the artistic beauty of porcelain painting