Inlaying process of Nixing pottery
A technique of inlaying, Nixing pottery, applied in the crafts and decorative arts for producing decorative surface effects, can solve the problems of difficulty in achieving decorative effects, affecting decorative effects, easy to fall off, etc., and achieves high firing rate. Not easy to fall off and crack
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Embodiment 1
[0024] 1) Preparing the billet: mix according to the weight percentage of 60% of Dongni and 40% of Xini, and make a billet with a moisture content of 25% through a series of processes such as grinding and dehydration;
[0025] 2) Preparation of colored mud material: the natural colored clay is ground, press-filtered, vacuum smelted, and aged to make colored mud material with a moisture content of 27.5%;
[0026] 3) Prepare the mixed mud: mix the colored mud material and the blank at a weight ratio of 1:1, add water to make a mixed mud with a moisture content of 80%;
[0027] 4) body forming;
[0028] 5) Engraving and inlaying: draw on the surface of the formed body, wrap the mouth of the body and the part not to be carved with plastic film, carve grooves along the edges of both sides of the ink on the carved part, and apply a layer of mixed ink on the grooves After making the mud, insert the colored mud into the groove and smooth it out. After the colored mud is slightly dry ...
Embodiment 2
[0032] 1) Preparing the billet: mix according to the weight percentage of 60% of Dongni and 40% of Xini, and make a billet with a moisture content of 25% through a series of processes such as grinding and dehydration;
[0033] 2) Preparation of colored mud material: the natural colored clay is ground, press-filtered, vacuum smelted, and aged to make colored mud material with a moisture content of 30%;
[0034] 3) Preparation of mixed mud: mix the colored mud material and the blank at a weight ratio of 1:5, add water to make a mixed mud with a moisture content of 85%;
[0035] 4) body forming;
[0036] 5) Engraving and inlaying: draw on the surface of the formed body, wrap the mouth of the body and the part not to be carved with plastic film, carve grooves along the edges of both sides of the ink on the carved part, and apply a layer of mixed ink on the grooves After making the mud, insert the colored mud into the groove and smooth it out. After the colored mud is slightly dry...
Embodiment 3
[0044] 1) Preparing the billet: mix according to the weight percentage of 60% of Dongni and 40% of Xini, and make a billet with a moisture content of 25% through a series of processes such as grinding and dehydration;
[0045] 2) Preparation of colored mud material: the natural colored clay is ground, press-filtered, vacuum smelted, and aged to make colored mud material with a moisture content of 28%;
[0046] 3) Prepare the mixed mud: mix the colored mud material and the blank at a weight ratio of 1:3, add water to make a mixed mud with a moisture content of 83%;
[0047] 4) body forming;
[0048]5) Engraving and inlaying: paint on the surface of the formed body, wrap the mouth of the body and the part not to be carved with plastic film, carve grooves along the edges of both sides of the ink on the carved part, and apply a layer of mixed ink on the grooves After making the mud, insert the colored mud into the groove and smooth it out. After the colored mud is slightly dry an...
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