Audio speaker cover for enhanced audio performance

Abstract

An audio speaker cover with a central region and a peripheral region. The central region has a surface that faces an observer and a speaker cover body below the surface. The audio speaker cover body defines a plurality of apertures with lands between the apertures. The apertures have cylindrical walls that meet the surface orthogonally. Precisely engineered apertures permit minimal sound transmission loss and allow a high aperture density without sacrificing the ability of intervening lands in the audio speaker cover to protect an underlying speaker.

Description

TECHNICAL FIELD[0001]The present disclosure relates to an audio speaker cover that exhibits superior strength with columnar apertures for enhanced audio performance.BACKGROUND ART[0002]Audio speaker covers have been manufactured for decades from a variety of materials including fabric, thermoplastics, thermosets, perforated metal, expanded metal, woven wire, and the like. Certain materials such as fabric may be thin and have a large open area percentage. This may be ideal for sound transmission. But these materials lack the ability to adequately protect the speaker assembly in environments where human contact and abuse is anticipated. Examples include home audio systems, electronic devices, computers, microphones, portable speakers, and transportation-related audio systems such as cars, trucks, boats, aircraft and the like.[0003]In such applications, substantially rigid audio covers are deployed adjacent to the speaker itself to protect the fragile speaker cone and assembly from dam...

AI Technical Summary

Benefits of technology

[0021]In summary, the innovation produced superior audio performance in relation to conventional approaches and maintained adequate strength to protect the fragile speaker cone.

Problems solved by technology

But these materials lack the ability to adequately protect the speaker assembly in environments where human contact and abuse is anticipated.

However, plastics have a lower strength to weight ratio compared to metal speaker covers and therefore require substantially more thickness than a metal cover to protect the speaker assembly.

The penalty for adding a cover is always the amount of sound transmission loss due to solid or the non-open area of the rigid speaker cover that protects the speaker.

Current methods for making apertures in metal speaker covers generally fail to balance aesthetics, strength, and acoustic performance.

Each technology lacks an essential element in that it creates apertures which are less than ideal for minimizing sound transmission loss while maintaining the strength to adequately protect the speaker from abuse.

However, the material is expensive since wire must be manufactured and then woven into a mesh with ends that are prone to separation.

Furthermore, the material has irregular apertures that are not ideal for acoustic performance.

However, the expanding process often results in hardening and embrittlement of the metal which leaves the material susceptible to tearing.

The hardening that occurs makes the material challenging to form complex shapes.

Furthermore, the walls of the resulting apertures are rough and not parallel to one another and are therefore not ideal for sound transmission.

The tapered aperture that results from this manufacturing process is not ideal for sound transmission.

While a punched side surface may be aesthetically satisfactory, the slug exit usually has an unsightly burr which is generally hidden from view and is typically oriented toward the speaker assembly.

However, this process yields unsightly apertures, as shown in the FIGS. 5A-5B.

This condition is not desirable for acoustic performance.

Furthermore, metal splatter is generated as the laser bursts through the material.

Again, a tapered irregular wall results from the process, which is not ideal for strength and acoustic performance.

Thus, water jet cutting is only suitable for producing large apertures with non-parallel walls.

They are generally unsuitable, both visually and economically for audio covers.

This method also produces walls which are both irregular and not parallel to one another, which is not ideal for acoustical performance.

However, the resulting aperture walls and surface texture is poor and require secondary refinishing prior to the final surface treatment.

The surface that results is not suitable for “Class A” applications.

Furthermore, this method has proven to be cost prohibitive for most applications and is only suitable for rough proof of concept prototypes at this time.

Images