Device and method for recovering real wax anti-printing fabric wax based on hot water hot wax treatment

Abstract

The invention discloses a device and method for recycling real batik fabric wax based on hot water wax setting treatment. The device for recycling the real batik fabric wax based on the hot water wax setting treatment comprises a cloth feeding unit, a wax setting box, a wax setting and cloth guiding mechanism, a wax-water separator, a steam generator, a temperature control mechanism, a hot alkali open washing slot and a cloth discharging unit, wherein the cloth feeding unit comprises a cloth feeding roller, a cloth piling roller and a spreading roller which are sequentially arranged along a cloth feeding direction, and the wax setting box comprises a front trough, a middle trough and a rear trough which are sequentially arranged along the cloth feeding direction. The device and method which are disclosed by the invention can be used for efficiently recycling wax.

Description

technical field [0001] The invention relates to a device for recovering wax in real wax-resistant printing fabrics by hot water waxing, wherein real wax-proofing refers to a method for preventing dye-resistant printing from being dyed and printed, and printed fabrics are a A kind of printing medium such as cotton etc., the present invention also relates to a kind of method that uses above-mentioned device to reclaim wax. Background technique [0002] According to historians, the birthplace of batik art is China. my country's hand-made batik was called wax valerian in ancient times, and it got its name because beeswax was used as a resist. It has a history of more than 3,000 years. Handmade batik spreads all over Yunnan, Guizhou, Sichuan, and Hunan, and is popular among ethnic minorities such as Miao, Buyi, Gelao, Naxi, Lahu, and Jingpo. Batik craftsmen use various shapes of wax knives dipped in wax liquid to draw various patterns of flowers, birds and animals on the white ...

AI Technical Summary

Problems solved by technology

In particular, the wax recovered in this way is due to the loss of inherent turpentine, which changes the composition of the rosin and the physical properties of the rosin, making it brittle and crisp, which seriously affects its performance and cannot be reused at a high rate. It must be mixed with a certain proportion of grease and new rosin to achieve the ideal ice pattern effect

Due to the high proportion and large amount of this part of wax, the purification cost is high, the cost is high, and it is difficult to reuse all of it.

[0012] It can be seen from the above that in real wax printing, there are still key problems that are difficult to solve, such as complicated process, low recovery rate, high recycling cost, unsatisfactory recovered wax quality and difficult to fully reuse.

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