Pig blood China wood oil

Abstract

The invention discloses a pig blood China wood oil. The pig blood China wood oil is prepared from, by weight, 20-30 parts of pig blood, 5-10 parts of China wood oil, 5-10 parts of kiwi-fruit juice, 30-40 parts of hemp fibers, 40-60 parts of limestone, 2-5 parts of an adhesive and 1-2 parts of a preservative. With limestone, kiwi-fruit juice, China wood oil and hemp fibers as the main raw materials, the pig blood China wood oil is high in durability, waterproofness and adhesiveness, and the pig blood China wood oil can be applied to maintenance of historic buildings, delay the problems of fading, efflorescence, cracking, flaking, hollowing, shedding, fissuring, smudging, dust falling and the like of historic buildings and color paintings and repair historic buildings and color paintings.

Description

technical field [0001] The invention relates to a putty powder, in particular to a kind of tung oil. Background technique [0002] Ancient architectural colored paintings have a short aging resistance time, and colored paintings painted on the ground rods on the outer eaves can generally only be preserved for one or two hundred years. In addition, colored paintings are affected by factors such as periodic changes in temperature and humidity in nature, extreme weather conditions such as wind and sun, wind, frost, rain and snow, light radiation factors (natural light and artificial light), pH in the air, chemical composition concentrations, and dustfall. Affected by it, problems such as discoloration, powdering, cracking, peeling, hollowing, shedding, cracks, smoke and dust fall appear, and even the whole peeling off disappears. Contents of the invention [0003] In view of the deficiencies in the prior art, the purpose of the present invention is to provide a kind of pig b...

AI Technical Summary

Problems solved by technology

[0002] The color paintings of ancient buildings have a short aging resistance time, and the color paintings painted on the ground rods on the outer eaves can only be preserved for one or two hundred years.

In addition, colored paintings are affected by factors such as periodic changes in temperature and humidity in nature, extreme weather conditions such as wind and sun, wind, frost, rain and snow, light radiation factors (natural light and artificial light), pH in the air, chemical composition concentrations, and dustfall. Affected by it, problems such as discoloration, powdering, cracking, peeling, hollowing, shedding, cracks, smoke and dust fall appear, and even the whole peeling off disappears.