Preparation method of glaze isolated color-printed chinaware
A technology of glaze and ceramics, which is applied in the preparation of colored ceramics and the preparation of glaze-isolated printed color ceramics. It can solve the problems of failure to achieve the decorative effect of colored glazes and poor gloss of colored materials, and achieve low production costs. , High production efficiency, unique artistic effect
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Embodiment 1
[0029] A preparation method for glaze isolation printing color ceramics, comprising the following production steps:
[0030] (1) Preparation of basic glaze powder: 26 parts by weight of potassium feldspar, 30 parts by weight of quartz, 11 parts by weight of kaolin, 17 parts by weight of calcite, 8 parts by weight of calcined talc, 6 parts by weight of zirconium silicate, and 2 parts by weight of zinc oxide were selected as The basic glaze powder raw materials are mixed and then added with water for wet ball milling. The ball milled raw materials are iron-removed through an iron remover, passed through a 320-mesh sieve, and then filtered to remove water and then dried to prepare the basic glaze powder;
[0031] (2) Surface layer glaze preparation: Take 90 parts by weight of the basic glaze powder prepared in step (1) and 10 parts by weight of the color base material as raw materials for the surface layer glaze, add water after mixing, carry out wet ball milling, pass through a 3...
Embodiment 2
[0039] According to the preparation method of the technology of the present invention, specially carried out comparative test, the results are as follows:
[0040] (1) The difference from the example is that no release agent is added to the bottom glaze, and the printed pattern lines do not have water repellency, resulting in unclear pattern lines on the glazed surface of the product after firing, and the glazed surface of the product does not have water repellency. artistic effect.
[0041] (2) The difference from the examples is that bentonite is not added to the bottom glaze, and the printed lines are not neat and broken.
[0042] (3) The difference from the example is that the residence time of the product in the glaze liquid is 2 seconds during the dipping, and the thickness of the absorbed glaze layer of the dipped product is insufficient, which reduces the artistic effect of the glazed surface of the product after firing.
[0043] (4) The difference from the examples i...
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