Peacock blue jun porcelain glaze and preparation method

A peacock blue and Jun porcelain technology, applied in the field of Jun porcelain, can solve the problems of insufficient jade feeling, easy cracking on the surface of the peacock blue Jun porcelain glaze, poor wear resistance and mechanical resistance of the glaze surface, etc. Three-dimensional effect, not easy to foam

Inactive Publication Date: 2016-11-23
温书强
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  • Summary
  • Abstract
  • Description
  • Claims
  • Application Information

AI Technical Summary

Problems solved by technology

[0005] In the prior art, there are few formulas and preparation methods of peacock blue enamel glazes, and the surface of the prepared peacock blue enamel glazes is prone to cracks, the glaze surface has poor wear resistance and mechanical resistance, and the jade feeling is insufficient.

Method used

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Examples

Experimental program
Comparison scheme
Effect test

preparation example Construction

[0022] A kind of preparation method of peacock blue Jun porcelain glaze as above, comprises the following steps:

[0023] (1) Pulverization: first take the above-mentioned Hatoyama herbal medicine, feldspar, calcite, quartz, and talc in a ball mill and pulverize them, mix them evenly, and then sieve to obtain the mixture powder;

[0024] (2) Put the mixture powder in a crucible for smelting. The crucible is generally set on the flue between the kiln and the chimney, and a supplementary dye room is set under the furnace. When the heat of the flue gas is insufficient or the kiln stops burning, the It can be roasted in a supplementary combustion chamber. There is a small hole on the bottom of the crucible, which is blocked with a hard quartz ball. When the mixture powder is melted into a fluid melt, the ball is floated, and the melt flows into the water tank below to quench, so that The melt splits into crisp and transparent pieces;

[0025] (3) Grass and tree ash washing: Prepa...

Embodiment 1

[0028] A peacock blue Jun porcelain glaze, which is made of the following raw materials in parts by weight: 30 parts of Hatoyama herbal medicine, 20 parts of feldspar, 10 parts of calcite, 20 parts of quartz, 20 parts of talc, 3 parts of bovine bone ash, 3 parts of plant ash 20 parts of frit, 1 part of tin oxide, 2 parts of zinc oxide and 3 parts of copper oxide.

[0029] A kind of preparation method of peacock blue Jun porcelain glaze as above, comprises the following steps:

[0030] (1) Pulverization: first take the above-mentioned Hatoyama herbal medicine, feldspar, calcite, quartz, and talc in a ball mill and pulverize them, mix them evenly, and then sieve to obtain the mixture powder;

[0031] (2) Put the mixture powder in a crucible for smelting. The crucible is generally set on the flue between the kiln and the chimney, and a supplementary dye room is set under the furnace. When the heat of the flue gas is insufficient or the kiln stops burning, the It can be roasted i...

Embodiment 2

[0035] A peacock blue Jun porcelain glaze, which is made of the following raw materials in parts by weight: 40 parts of Hatoyama herb, 35 parts of feldspar, 20 parts of calcite, 30 parts of quartz, 30 parts of talc, 6 parts of bovine bone ash, 5 parts of plant ash 30 parts of frit, 2 parts of tin oxide, 5 parts of zinc oxide and 6 parts of copper oxide.

[0036] The preparation method is the same as in Example 1.

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PUM

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Abstract

The invention discloses peacock blue jun porcelain glaze which is prepared from Hatoyama medicine, feldspar, calcite, quartz, talcum, ox bone ash, plant ash, clinker, stannic oxide, zinc oxide and copper oxide. The peacock blue jun porcelain glaze is transparent and good in flowability and luster and has stereoscopic sensation, and bubbles are not easily generated.

Description

technical field [0001] The invention belongs to the technical field of Jun porcelain, and in particular relates to a peacock blue Jun porcelain glaze and a preparation method thereof. Background technique [0002] Jun porcelain is based on the thickness of the glaze. Its color is either sunken under the glaze, suspended in the glaze, or floating on the surface of the glaze. The glaze is thick and lively, and the glaze layer is opalescent and moist. Jun porcelain is transformed into a god by the kiln, and the natural transformation of the kiln is the essence of Jun porcelain art, and it is also the rarity of Jun porcelain that is famous all over the world and famous in the porcelain forest. The same kind of glaze is applied during firing, and once fired, it will be colorful, that is, "one color when entering the kiln, and many colors when leaving the kiln". The ever-changing kiln transformation effect forms the magic of infinitely changing colors, purple in red, dark blue in...

Claims

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Application Information

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Patent Type & Authority Applications(China)
IPC IPC(8): C03C8/14
CPCC03C8/14
Inventor 温书强
Owner 温书强
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