Handicraft picture reinforcing agent and handicraft picture reinforcing method

A technology of reinforcing agent and craft painting, applied in decorative arts, special decorative structures, polyester coatings, etc., can solve the problems of sand and glaze falling off, insufficient brightness of the picture, inconvenient cleaning, etc., to increase the saturation and curing time. The effect of short, reduced process steps

Inactive Publication Date: 2017-02-15
刘飞
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  • Summary
  • Abstract
  • Description
  • Claims
  • Application Information

AI Technical Summary

Problems solved by technology

[0005] Although the condensation treatment technology can strengthen the picture, there are also some shortcomings
1. The screen after condensation treatment is not moisture-proof, especially in the southern region, sandstone and glaze will fall off after the screen is damp; 2. It is inconvenient to clean, because the screen is made of glue for condensation reinforcement, so there is no way to use a wet cloth directly Wipe and clean; 3. The brightness of the screen is not enough

Method used

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Examples

Experimental program
Comparison scheme
Effect test

Embodiment 1

[0019] 94.1 g of unsaturated polyester resin, 2.9 g of cobalt naphthenate, and 3 g of methyl ethyl ketone were used to obtain 100 g of reinforcing agent.

[0020] Process of craft painting:

[0021] a. Duplicate the landscape painting on the wooden board;

[0022] b. Outline the landscape painting in a with copper wire;

[0023] c. Color with sand and gravel in the outline surrounded by copper wire in b, and put it into the kiln for melting;

[0024] d. Weigh 94.1g of unsaturated polyester resin, 2.9g of cobalt naphthenate, and 3g of methyl ethyl ketone;

[0025] e. Add the unsaturated polyester resin weighed in d into a magnetic stirrer, and add cobalt naphthenate while stirring. After the unsaturated polyester resin and cobalt naphthenate are stirred evenly, add methyl ethyl ketone and stir at 25°C 30 minutes to obtain the reinforcement;

[0026] f. Pour the reinforcing agent prepared in e into the craft painting in c, spread the reinforcing agent evenly on the wooden bo...

Embodiment 2

[0029] 97.9 g of unsaturated polyester resin, 1 g of hexahydrophthalic anhydride, and 1.1 g of cobalt isooctanoate were used to obtain 100 g of reinforcing agent.

[0030] Process of craft painting:

[0031] a. Copy the landscape painting on the gypsum board;

[0032] b. Use aluminum oxide wire to outline the outline of the landscape painting in a;

[0033] c. Use sandstone to color the outline surrounded by alumina wires in b, and put it into the kiln for melting;

[0034] d. Weigh 97.9g of unsaturated polyester resin, 1g of hexahydrophthalic anhydride, and 1.1g of cobalt isooctanoate;

[0035] e. Add the unsaturated polyester resin weighed in d to a magnetic stirrer, and add cobalt isooctanoate while stirring. After the unsaturated polyester resin and cobalt isooctanoate are stirred evenly, add hexahydrophthalic anhydride and stir at 25°C 30 minutes to obtain the reinforcement;

[0036] f. Pour the reinforcing agent prepared in e into the craft painting in c, spread the ...

Embodiment 3

[0039] 95g of unsaturated polyester resin, 3g of hexahydrophthalic anhydride, and 2g of zinc isooctanoate were used to obtain 100g of reinforcing agent.

[0040] Process of craft painting:

[0041] a. Copy the flower and bird painting on the composite board;

[0042] b. Use copper wire to outline the outline of the flower and bird painting in a;

[0043] c. Color with sand and gravel in the outline surrounded by copper wire in b, and put it into the kiln for melting;

[0044] d. Weigh 95g of unsaturated polyester resin, 3g of hexahydrophthalic anhydride, 2g of zinc isooctanoate;

[0045] e. Add the unsaturated polyester resin weighed in d to a magnetic stirrer, and add zinc isooctanoate while stirring. After the unsaturated polyester resin and zinc isooctanoate are stirred evenly, add hexahydrophthalic anhydride and stir at 25°C 30 minutes to obtain the reinforcement;

[0046] f. Pour the reinforcing agent prepared in e into the craft painting in c, spread the reinforcing ...

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PUM

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Abstract

The present invention discloses a handicraft picture reinforcing agent and a handicraft picture reinforcing method. The handicraft picture reinforcing method comprises: S1, weighing 94-98% by mass of a transparent resin, 1-3% by mass of a curing agent and 1-3% by mass of an accelerator; S2, adding the weighed transparent resin to a magnetic stirring device while sequentially adding the accelerator and the curing agent, and stirring for 10-30 min at a temperature of 25 DEG C to obtain a reinforcing agent; S3, uniformly coating the reinforcing agent prepared in the step S2 onto a handicraft picture, and covering with a protection film; and S4, drying the handicraft picture treated in the step S3, and removing the protection film. According to the present invention, the reinforcing agent has characteristics of short curing time and mild reaction; the reinforcing agent is uniformly coated on the handicraft picture to form the resin protection layer, such that the sand-stone on the handicraft picture can be adhered while the effects of water resistance and moisture resistance can be provided; and after the reinforcing method is performed on the handicraft picture being subjected to the treatments such as wire inlay and enamel filling, the obtained handicraft picture forms the flat plane, the burnish process and the polishing process are avoided, the steps of the process are reduced, and the manpower and the cost are saved.

Description

technical field [0001] The invention relates to the technical field of craft painting processing, in particular to a reinforcing agent and a reinforcing method for craft painting. Background technique [0002] Cloisonne, one of the famous special handicrafts in China, had this technology in the Spring and Autumn Period, and it was the most exquisite and famous in the Jingtai period of the Ming Dynasty, so it is called "Cloisonne". The correct name of cloisonne is "copper tire filigree enamel", commonly known as "enamel blue", also known as "inlaid enamel". , and then fill the enamel color glaze in the pattern and fire the utensils. Because it was popular in the Jingtai period of the Ming Dynasty, the production techniques were relatively mature, and the enamel glaze used was mostly blue, so it was named "Cloisonne". [0003] The traditional cloisonne process includes tire making, filigree, sticking wire, welding wire, bluing, bluing, grinding, polishing, gold plating and o...

Claims

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Application Information

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Patent Type & Authority Applications(China)
IPC IPC(8): C09D167/06C09D7/12B44C5/00
Inventor 刘飞
Owner 刘飞
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